Amazon.com

Director Wes Anderson's jewel of a comic-character study revolves around the quirks and obsessions of Bill Murray's titular Cousteau-esque deep-sea adventurer and his motley crew of associates. As they did for the director's equally sublime Royal Tenenbaums, Anderson and music super Randall Poster stitch their eclectic source material into a warm, subtly focused new cinemusic whole. Mark Mothersbaugh's original Casio-baroque cues are the perfect complement for Australian film composer Sven Libaek's compelling slices of vintage exotica, while Ziggy Stardust-era David Bowie largely provides the musical subtext, either directly or in earnest, through live acoustic renditions by Brazilian troubadour/film costar Seu Jorge. Seasoning the mix to near perfection are smart, vintage Britpop contributions by Scott Walker and the Zombies, Iggy and the Stooges thrashing "Search and Destroy," the evocative Iberian fire of Paco DeLucia, and Joan Baez's dramatic read of Morricone'sSacco & Vanzetti theme, "Here's to You." -- Jerry McCulley ... Read more

Reviews (37)

Staralfur?
What an amazing film, soundtrack. Bowie's words move the film from scene to scene through one voice or another. Amazing, truely. As to why the beautiful Icelandic ballad, Staralfur was relieved from being the final track on this masterpiece of a compilation, is beyond my knowledge and reason.Yet, Bowie maintain the true emotion and meaning held so tightly by this film and it's creators.5 stars none the less.

I couldn't help myself
Wes Anderson is amazing, his films are spectacular and hilarious and beautifull and akward and representing everything that is good in the world.His soundtracks never fail to amaze me in thier ability to weed out wonderfull songs compiled from what sounds like a garage full of cardboard boxes filled with an enormous collection of 60s/70s records, ranging from legendary to obscure, and random mixtapes from friends lying around in his bedroom.The result is a compilation of songs that are sometimes beautifull, sometimes fun, but always quirky and offbeat in arrangement with eachother.And as Wes fans know, quirky and offbeat is Anderson's expertice. I don't think that Sigur Ros' "Stellafurr" would have thrown off the flow of the soundtrack, because Wes' flow isn't suppose to be a steady even beat and "Stellafurr", as beautifull as it is, is fantastically out of tune within the context of the film and soundtrack.The songs always work out in his master plan, perfectly representing the rythm and mood of his films.Mark Mothersbaugh's score is as usual, strange and funny enough to make me grin a little, standing it's ground even without support from the film (although used to a hilarious effect in the overall story) and Wes, never settling for predictable, linked the whole film up in association with David Bowie's music, obviously suggesting it to be the general music of the film by always having a portuguese singer playing Bowie songs in Brazilian in the background for no apparent reason, but doesn't Seu Jorge just make the songs seem new again?He pulls a fast one on you, but you'll love his chilled-out renditions and view Bowie's music through a totally different perspective. If that doesn't prove to the world just how cool Wes is, then I don't know what will.So, in closing, "The Life Aquatic" is a brilliant energetic leap from the mellancolly (but still hilarious) "The Royal Tenenbaums"."Bottle Rocket" was Wes' fast-paced take on summer, "Rushmore" represented the moody shift of light to dark and coping with being pushed into fall, "Royal Tenenbaums", his sad and heartfelt Winter (no seriously, the seasons they take place in even), and "The Life Aquatic" is the redeeming breathe of Spring.I can't wait to see where his new film, "The Fantastic Mr. Fox" will take us next. Of course, Wes can do anything and everything and make it look good.

Sensible Music.
I really enjoyed THE LIFE AQUATIC WITH STEVE ZISSOU.As visual-appealing and emotional-moving the film is, one of it's best things about it is the soundtrack.About half the songs on the album are David Bowie songs.Most of those are re-imaginings performed by Brazilian musician, Seu Jorge.Seu Jorge's performances have become the key selling point of this delightful album, but has so much more to offer.As much as I enjoy the Seu Jorge songs, I actually like the instrumental pieces composed by Mark Mothersbaugh better.There's something addicting to the keyboard-filled tunes.In fact, my favorite song on the entire album is the instrumental "Ping Island/Lighting Strike Rescue Op".A close second is the album's closing piece by David Bowie, "Queen Bitch."Add in a tune by Devo, some shark attack music by Sven Libaek, and a famed piece by The Zombies and it adds up to one very quirky and original soundtrack. Overall, this is a delightful soundtrack from an endearing movie that's worth the price to own.

Another brilliant soundtrack for a Wes Anderson film
I am totally enchanted by the music in Wes Anderson's films.Somehow, the chosen music is able to elicit such an emotional response.I've never been a fan of Devo, but the song fits the film so well that I've listened to it again and again.Seu Jorge makes David Bowie's somewhat harsh music soothing and soulful.Mothersbaugh's electronic tracks would not have had the same impact had I heard them without seeing the film.My only complaint is the lack of "Space Oddity" and "Ziggy Stardust" from the soundtrack.I really enjoyed Jorge's renditions of those songs in the film, and they were sadly absent from the soundtrack.

Question
Does anyone know what song was playing at the very end of the movie when Steve has the boy on his shoulders? ... Read more

Amazon.com

Though he was born well after the pure beginnings of rock & roll had become boardroom contrivances and generic pastiches, Nic Armstrong has tapped into the real deal and made it his own. This young Brit fell under the spell of the Americans who inspired the first wave of English rockers, as well as those lauded countrymen (Beatles, Kinks, Stones, etc.). A sharp sense of melody informs both the uptempo numbers and the ballads. "Too Long For Her" sounds like a long lost sixties nugget without being cloying or nostalgic. The arrangement and production sensibilities throughout are perfectly in sync with the songs and singing (the bass tone on "She Changes Like the Weather" is a joy in and of itself). A terrific take on Chuck Berry's "I Want To Be Your Driver" chauffeurs this brilliant and perfectly rendered rock debut on home. --David Greenberger ... Read more

Reviews (3)

Whitest Great Buyer
The current vintage craze is already tediously infiltrating even the most remote recesses of society- seen any fourth graders with homemade holes in their jeans recently? The term vintage even is suspect. What qualifies? The look alike old t-shirt you got from Old Navy? The argyle sweater from that fancy second hand store? The windbreaker you got last year? In a society where even the most immediate moments seem so last second, the week that was becomes historically relevant, at least until next weeks show. If everything old is new again, what about everything new but made to seem old? Is that twice as good or twice as bad? Or simply twice as irrelevant? In the musical world, fads come and go like aromas in a fast food restaurant, but one fad that's always in style is musical mining. No decade is safe, no style too obscure to cop or to make a vague reference. What if, hypothetically, there was a new record that didn't simply give a polite nod, but rather embodied a whole decade and genre's worth of music in every way, shape, and form?
The Greatest White Liar is one such record, one of the more peculiar and intriguing releases of the year. It is at best a facsimile of all the hits of pre-hippie-hair-era Beatles, and at worst the same. These are all the songs you've heard on that oldies station that goes way back to the black and white decades, only you'll be stuck trying to sing the lyrics. Or hum the melody perfectly the first time through. Or remember exactly where it was you first heard that song. This is also the perfect album to play a trick on your parents. Simply turn it on, ever so innocently, with some vague remarks about a "greatest hits record" and see if they "remember" the songs. Odds are they will.
The problem is that these songs are all so gosh darn catchy and down right rockin. Armstrong holds no punches and feigns no mixed feelings about where his love lies. Melodies, chords, lyrics, even harmonica solos all help to transfer you back to a time nobody younger than 40 remembers.
The most interesting part of the equation is what the music media will do with such a piece. Being British, the UK press is probably drooling over themselves for a new idol to build up and tear down, tiring of all those dance dance retreads (see Bloc Party, Franz Ferdinand, Kaiser Chiefs, etc) and name dropping Gang of Four and The Wire. Whatever way the future is headed, it most surely is going through the past to get there.

Next best thing to a vintage Kinks or Beatles record
Wow!Where did this guy come from?Based on the title, at first I thought it was a George W. Bush tribute record.The sound is vintage British invasion, with lots of white boy blues.The whole thing is solid, with some White Stripes-style rockers and even a few love songs reminiscent of the Zombies.Really, really, really, really good.

Buy this pop masterpiece NOW!
This is no phoney retro throwback.Nic Armstrong is the real deal.Sure, it hearkens back to the fab 60s when British rockers would fill their songs with hooks galore.But it sounds fresh and new.Each song is a little treasure - fantastic melodies, little twists in the arrangements and an absolute sense of POP joy.And I mean pop like the Beatles.Or the Kinks. But the album also rocks.The edges remain a little rough and raw.There is a fine line between knowing what 60s rock from Britain should sound like (paging Noel Gallagher) and making a really grand, rocking record for those who love great pop songs.Some folks carry the torch and others are content to merely try to warm their hands on the flame.Nic Armstrong is absolutely running, torch in hand. ... Read more

Amazon.com

Jokingly referred to as the White Stripes' British album, Elephant is scattered with cultural references that give away the fact it was recorded far from home. Just listen to the lyrics on "Seven Nation Army" ("From the Queen of England to the hounds of Hell") or the album outro, in which someone chips in, "Jolly good, cup of tea?" But while there are new twists here, from Meg White discovering her voice to a tongue-in-cheek threesome with Holly Golightly, Elephant is no great departure for Jack and Meg White. They still push their creativity (and the boundaries of their eight-track) to new heights. Check out the startling, Queen-inspired "There's No Home for You Here," while the deep bass line on "Seven Nation Army" makes it a classic indie dance track. But while some songs fly off into new realms, there's plenty of their trademark straight-up bluesy rock, notably the overtly sexual "Ball and Biscuit." And there's Jack's plaintive, resolutely modest and yet theatrical voice. --Caroline Butler ... Read more

Reviews (619)

Stripes become the Anti-Radiohead, produce classic record
The liner notes to Elephant contain this gem:

"No computers were used during the writing, recording, mixing or mastering of this record." Please note this is a "record" and not a compact disc.

That buried nugget really sums up this album, the best recorded in the United Kingdom since 1980. The equipment Jack and Meg White used was as primitive as the technology that gave us that earlier classic, Pretenders I. The simplicity makes Elephant more intriguing than high tech sound devoid of all humanity. Rock and roll stripped of its blues and country roots can be interesting but completely soulless. Jack sings the blues on Elephant and the record ends with a country and western tune. The White Stripes have become the Anti-Radiohead, ironically in the same year that band has released its first decent CD (note: "CD") in five years.

No record is perfect, but this comes astonishingly close. There is no weak spot. You expect one halfway through after Jack sings the lovely melody "You've Got Her in Your Pocket." What immediately follows, though, are the best hard-driving songs on the album--the overtly sexual blues moan "Ball and Biscuit," and the amazing rockers "Hardest Button To Button," "Little Acorns," "Hypnotize," "The Air Near My Fingers," and the upbeat "Girl, You Have No Faith in Medicine." The three punk-influenced songs that open the album--"Seven Nation Army," "Black Math," and "There's No Room for You Here," already have marked this album as the best of the year before you even get to this point. Sometimes you hear the Animals, sometimes the Stones, sometimes Robert Johnson. Along the way is Meg's haunting vocal debut, "In the Cold, Cold Night," which marks a strong addition to the Stripes' arsenal.

Because it is so rare to be this effusive about anything, there is a temptation to fob off as silly the last song, "Well, It's True That We Love One Another." Yet on second listen, this playful country trio that features Holly Golightly with Jack and Meg measures up to the rest of the album.

This is more than the best album that has been released this decade. It is a record destined to be a classic.

Minty Fresh
The White Stripes saved a lot of money on their latest release by not falling into the trap of high production values and recording the entire album in a matter of days on aged equipment. At first glance, it may seem as if they paid off every single music critic in America with the extra cash. Honestly, Elephant is a fine piece of work but five stars from Rolling Stone is pushing it.

If you aren't familiar with the band, The White Stripes are a Detroit based duo comprised of Jack and Meg White(brother/sister). They scored their first mainstream hit with "Fell In Love With A Girl" last year. Ever since, loyal fans and critics have been waiting for a chance to officially dub them rock gods. Are they deserving of that kind of title? It depends.

Let me break it down for you the way I see it. Jack White is on his way to stardom and he's letting his sister come along for the ride. Elephant is at it's very best when Jack gets a chance to show off his very formidable guitar skills. The album hits bottom when Meg takes the mic. "In The Dark, Dark Night" is a well written song spoiled by her lack of vocal ability. Her drumming is extremely simplistic but luckily, fits well with the band's style. The only other crystal clear low point on Elephant is the closing track. "It's True That We Love One Another" is just plain cheesy and makes the album and its performers seem all the more odd.

If I had to sum up Elephant in one thought I'd say... It isn't for everyone. You're either going to love it for what it is or be let down by what it is not. But after all is said and done, a couple below average tracks don't stop The White Stripes from distinguishing themselves from the rest of the rock revival crowd that has been so popular lately. It grows on you, and one listen to "Ball and Biscuit" should convince anyone with a rock bone in their body that Elephant is worth the time.

they stink, just kidding!
oh, man. these guys are great. i just love 7 nation army. such a catchy song. their whole album is great and i recommend you go buy it right now if you like bleusy rock music. its hard to believe that its a two person band.... can you even call that a band? but it doesnt matter, cuz they play better than a lot of other bands out there. the only reason why i give it 4 stars is because Meg's drumming isnt as good as it should be on some songs. also, i think they should have someone else that could play bass guitar along with Jack. GO BUY THIS CD NOW, OR ELSE STOP READING THIS REVIEW! I SAID STOP READING! YOU'RE STILL READING! GO BUY IT!

ugh
Just because it doesn't sound like Britney or Puddle of Mudd doesn't mean it isn't uninspired generic garbage. This band is not talented nor original. Their songs were probably written by middle-aged record executives who are trying to appeal to teens who secretly watch MTV and shop at Urban Outfitters for vintage-looking t-shirts with "witty" phrases.

If the only reason you listen to this band is because someone told you it's cool (and that means you considering thats the only way anyone could possibly like this uninspired drivel) just realize that people who like music that is actually good are still laughing at you because you're still nothing more than a pseudo-pretentious loser who wants to seem alternative. Take my advice and drop the black hair dye and white belts because you'll never be anything more than a fake until you start thinking for yourself.

Much better than I had heard on MTV
Firts of all it is a two part band but that means almost nothing. Almost every song has more than one guitar part. I believe Jack White is an amazing guitarist. He may not rip Metalica solos but he plays a good slide and sounds great in my opinion. Sure the drummer is nothing special and the is no bass but that is why i gave 4 stars and not 5. ... Read more

Reviews (91)

Something different, finally...
I totally disagree with the idea that these guys are anything like the Strokes or any other indi-pop band I've heard. These guys are actually good. The sound, as someone else mentioned, is refreshing. Every time I put the CD in, people ask who it is. For a debut, it's an unbelivable album.
In terms of influences, I hear undertones of The Black Crowes, AC/DC, Tom Petty, and Rolling Stones. Odd thing is, of those guys, the only one I like is Tom Petty. But I like Kings of Leon. They have some serious energy, great hooks, fun lyrics, and they play the hell out of their instruments.
There are two or three songs I don't like, but for the most part these guys put together a great string of tunes. "Happy Alone" will stick in your head for days. "Dusty" is probably my sleeper favorite. Sort of this spoken-word ramble with thumping bass and cool twangy guitar licks. Kinda like what you might get if you put Chuck Berry in a garage band...
I'd love to see them live, and will definitely check out their next album.

great band
I bought this album not knowing much about it. I had read some reviews and stuff and decided to give it a try. The first time I heard it I thought that it was really good. The vocals are different. After hearing the vocals a few times you get used to it. Once you get past that the album is awesome. The instrument play is above the rest. The only better instrument play these days is the White Stripes. The strokes suck and to compare Kings of Leon to them is absurd. If you cant see the southern rock influence then you dont live in the south and dont listen to our music. Buy this cd. You wont regret it. Oh yeah and if you are skeptical about the vocals dont be. They are good to. They arent your cookie cutter vocals. The lyrics are good to. Happy alone and Holy Roller Novicaine are the best tracks.

The Bottom Line
"New Southern Rock Band" is a term that seems to be all but extinct sans any project that has to do with a side-project or a re-tooled version of the Allman Brothers. Alas, here comes Kings of Leon. Youth & Young Manhood to me is almost the perfect quintessential debut album title for a younger rock band, and the attitude and presentation of their first release depicts this theme quite well. First of all, this IS a fresh, original sound. For the most part, Kings of Leon present themselves as a southern rock influenced group who speed things up a little but are careful to keep the soul intact. If the songs sound familiar, you might have heard them approximately every 10 minutes during the movie "Stuck on You," on which they are prominently featured. Rightfully so. Take this one with you on the road for a weekend trip, pop it into the player, and you'll have a new favorite.

One word - FANTABULOUS!
To be honest, i only bought this album because the 'kings' looked hairy, and i like hairy men! and thank the LORD i DID indeed buy this AMAZING album because it is the best debut album i have ever heard.The kings have introduced me to THE most beautiful and graceful song i have ever heard, 'talihina sky'. it is TRULY a work of art (and none of that rubbish you find in the tate modern).Some might say that Caleb's lead vocals are annoying, or even unbearable but to me, it is a refreshing change to hear raw and unspoiled vocals and it is a crying shame that so many artists have yet to take the jump and to stop using computers or whatever to 'perfect' their voices. I couldn't say what the best song on the album is because they are all so incredible it would break my heart to say. However, i can say that the highlight of listening to the album was pressing the 'repeat' button when the beautifully crafted 'talihina sky' ended and the album was over. What i also love about this album is during most of the songs ('Joes Head' and 'Trani' in particular) the lyrics seem so mixed up and Caleb's singing is so fast and his accent is so heavy that it is impossible to decifer what he is saying. However, i didn't care and carried on listening because the music truly speaks for itself. Also, when you look up the lyrics it is a nice surprise to find what the songs are about and then when you listen to them again it is almost as if the songs are reborn and they are now new to you. 'holy roller novocaine' has THE most amazing bass line which really made me listen to the music, rather than the lyrics. Caleb has a voice that could cut through glass and his raw lyrics are amazing. The drums also excell on this album and the drummer's backing vocals are also FABU! So, to sum up this BEAST of an album, it really made me fall in love with music all over again and if you want to own the most amazing debut album on the history of the earth, you would buy this record. Or if you choose not to, then you wouldnt know talent if it came up to with a lampshade on its head, shook your hand and said, 'hello, my name is talent, how u doin'?' PEACE OUT! (buy the record, if you regret it you may sue me!)

Best and Most Promising Debut of 2003
The Kings of Leon are the return of rock and roll. No band has rocked so hard and well on a debut like this in a long, long time.

The Kings of Leon loudly proclaim the return of southern rock and do it insanely well. This album really is better than most give it credit for. It's not just a really good album, it's an incredible album. The only credible knock on this album I've heard thus far is the lead singer's voice. I love it, some hate it. It's just one of thsoe things. He all but completely yells his voice out on track 5, "Trani." As I said, I love it, others will hate it.

Regaurdless of whether or not you like his voice, by the time you've gotten to "Holy Roller Novocaine," you become so engrossed in the music that you don't notice there's no more songs after that. This is the kind of great rock music that seems to be missing from the world today. Easily one of the best of 2003 and the best debut of 2003. Expect more from these guys for quite some time. ... Read more

Album Details

24bit Digtally Remastered Double Disc Comprehensive Set of their Best from the 60's to the 80's. This Collection Offers the Most Varied Set Ever Offered by the Acknowledged True Originators of What Has Evolved Today as Heavy Metal Rock and Roll. Tracks Are Culled from the Early Pye/Warner Bros. Recordings and the RCA/ARISTA Years. The Package Includes Sleevenotes by Ray Davies and Many Photos and Many Previously Unseen Shots. ... Read more

Reviews (7)

Beatles, Stones & the Kinks
Pete Townshend said he never understood why the Big 3 bands of British rock were always listed as the Beatles, Stones, and Who. He said he always thought they were the Beatles, Stones, and Kinks. He admitted that the early Who used to blatantly rip off the early Kinks. And it's common knowledge that the opening riff of 1964's "You Really Got Me" created the template for heavy metal, which emerged about 4 - 6 years later with Blue Cheer (1968), Led Zeppelin (1969), and Black Sabbath (1970). Anyway, after ripping themselves off with their next single, 1965's "All Day & All the Night," Ray Davies evolved into a songwriter of greater depth with "A Well Respected Man," "Sunny Afternoon," "Waterloo Sunset," "Days," and "Victoria." They're all here, as well as the "Lola"/"Apeman" period tracks. A good album with most (but not all) of the best tracks from the unappreciated Kinks. Get it.

Great big chunk of Kinks!
Lots of great Kinks tunes...no clinkers.Can't beat the price if you shop on Amazon marketplace.CD#1 has the better known tunes while CD#2 the lesser.Each CD is arranged chronologically from the earliest times to the latter...making each representative of their whole output rather than splitting up the material and risking the atypical 2cd "strong/weak" anthology common when music groups cover a large span of years.

Everybody's Gonna Be Happy With This Collection!!!
What a great idea!!! Collect ALL the Kinks great songs in one place on one album! How fabulous is it? Well, pretty fabulous, but let's talk reality for a moment. In order to have a complete set of ALL the Kinks great songs, a minimum of six discs would be necessary, and Ultimate Collection only has two. Disappointed? Yes, but only a little. Because these two discs are chock-full of more Kinks classics than you can shake a stick at, and most of the collection centers on their most creative period, the sixties and early seventies. Trendsetters? How about "You Really Got Me," which drew the blueprint for every hard rock/heavy metal band for the next 30 years? What about "See My Friends," which was one of the first "Eastern" songs in rock, predating the Yardbirds by six months and George Harrison by three years? What about "Lola," probably the first hit ever about an encounter with a transvestite? What about " Victoria", one of the first and only hit songs written about an English monarch? Or, how about such great songs as "All Day and All Night," "Autumn Almanac," the music hall treatment of "Dead End Street," the shimmering poetry of "Waterloo Sunset," "Celluloid Heroes," the best song about Hollywood ever written? Or "Superman," and "Come Dancing," two songs which proved conclusively that the Kinks could and did change with the times? Or what about a body of work so staggering that the Kinks were one of the first British Invasion bands voted into the Rock and Roll Hall of Fame WITHOUT a number one single? What about.......well, I could go on and on. Yes, there are a few clunkers here, yes, there are some great songs missing ("Destroyer," "Catch Me Now I'm Falling," "Gallon of Gas," and most of the good songs from The Village Green Preservation Society), but there are so many tasty tunes here that this collection must be obtained without hesitation. So, get the Kinks Ultimate Collection today! Short of a few frenzied diehard fans, everybody's gonna be happy with this one!!!

Definitely the Ultimate Collection
This is definitely the Kinks collection to get. It's the most comprehensive collection yet, with all of their early and later hits, including You Really Got Me, All Day And All Of The Night, Tired Of Waiting, Sunny Afternoon, Waterloo Sunset (in stereo), Days, Stop Your Sobbing (in stereo), A Well Respected Man, Come Dancing, Better Things, Celluloid Heroes, and much more (a total of 44 songs). And the songs have never sounded better, especially the remastered selections from the 60s (including Lola in stereo). My only regret is that they left off Catch Me Now I'm Falling. Even so, this is the best collection out there. You won't regret buying it.

Tons of Fun
After all this time, it is amazing the number of sublime songs that were put out by the Kinks. This is not a "greatest hits" collection, as there are a few b-side clinkers in the bunch, but even these display the splendid combination of melody and chaos that made this band so interesting. The audio quality is wonderful (yes, you can listen to the quality of the studio recordings improve over time), and it is a revelation to re-listen to songs only known through 45's decades ago. OK, I'm reliving my childhood. It's great.

The texture of both the words and music displayed by this band at its best is remarkable. And they only got better. The last recordings, songs like "Better Days," "Superman" and "Come Dancing" are superb. ... Read more

Amazon.com's Best of 2001

Rock & roll is constantly splintering into multiple personalities. Big radioplayers layer thick slabs of studio shine on their albums, while back-to-the-basicsrockers keep the sound so raw it rubs calluses on your ears. The White Stripes fallin the latter category. The duo strips down to the fundamentals of Meg White's simpledrumbeat and Jack White's garagy guitar and pleading vocals. While the elements aresparse, the Detroit act create a noisy, hip-grinding batch of punk R&B, displayed againon White Blood Cells, the Stripes' third full-length. While it's hard to pickfavorites from such talent, this band only gets better with time. White's vocals weresounding like a young Robert Plant on De Stijl--definitely not a bad thing--buton Cells, he's developed his own persona. He throws musical fits on "Fell in Lovewith a Girl," gets almost loungy on the piano number "This Protector," and keeps the bluesvibe running on "Now Mary." The album is so rich with basic variations on a simple themeit's hard to believe such soulful energy comes from just two people. White Blood Cellsis an amazing piece of work, a benchmark that ought to inspire new legions of garage rockersfor years to come. --Jennifer Maerz ... Read more

Reviews (345)

Maybe more like 3 1/2 stars... but it's still cool.
1. Dead Leaves and the Dirty Ground- A slow, brooding rock song with good lyrics and a cool video.
2. Hotel Yorba- A silly little country-influenced jam with an adorable video. You'll be singing the chorus forever.
3. I'm Finding It Harder To Be A Gentleman- One of my favorite songs on the album. Nice piano, a good tune, and great lyrics about misplaced attempts at chivalry.
4. Fell In Love With A Girl- The big hit of the album. Fun and fast and wears surprisingly well.
5. Expecting- Not my favorite, but good. Slow bluesy rock stuff. Jack delivers the lyrics well.
6. Little Room- Almost too short and sparse to be a song, but still a lot of fun. Composed of drums and vocals that descend rapidly into old jazz-style scatting.
7. The Union Forever- A little overdramatic and wearing at times, but still a cool and passionate song. Awesome lyrics taken from "Citizen Kane."
8. The Same Boy You've Always Known- Winsome and sweet and melancholy. I like it a lot. :)
9. We're Going To Be Friends- An soft, melodic song through a child's eyes, done in a perfect and non-cloying way.
10. Offend In Every Way- Pretty good music, cool lyrics about self-doubt and relationships with others.
11. I Think I Smell A Rat- Kind of amusing, but gets old fast.
12. Aluminum- A weird aural experiment that is pretty cool. I don't skip it when listening to the CD, but I don't get cravings for it, either, which is less than I can see for most of the songs on the album (the other major exception being Track 11).
13. I Can't Wait- A solid song that seems unremarkable at first, but grows on you rapidly.
14. Now Mary- Slightly blues influenced, mostly lighter slow-rock. Enjoyable.
15. I Can Learn- The delicate words seem kind of out of place with the labored melody, but a cool song that's been stuck in my head lately.
16. This Protector- Weird, but really great. Becoming one of my favorites.

In conclusion: This is an excellent album, as is every album I've heard from the Stripes, but I prefer Elephant and De Stijl. Some fabulous songs, some good but not quite awesome ones, and just two that I don't like much. Not as great as other White Stripes works, but still somewhat addictive and recommended by me (though the other two I mentioned are recommended a bit more highly).

No Blues, No Problem!
Although there's no blues on this album, like most White Stripes fans expect, this album is still great. Unlike the other White Stripes albums, White Blood Cells has nothing but original songs written by Jack White himself. The songs aren't dragged out, they're fairly short & sweet. White Blood Cells shows how The White Stripes have a variety of styles that they play their music. It goes from the alternative hit "Dead Leaves and the Dirty Ground" to the quiet smooth song titled "This Protector."
It's one of those albums like Def Leppard's Hysteria, the whole album is good & you never get tired of listening to it. There's not too many albums that are that good, so buy this one. But, it's a shame that a lot of people thought that White Blood Cells was The White Stripes debut album, that's not true, White Blood Cells is The White Stripes third album. Their previous two albums, "The White Stripes, & De Stijl," are also great albums. But, White Blood Cells sticks out in most peoples mind.

BUY THIS ALBUM, IT'S AWESOME.

Every single song is worth listening to. With 16 tracks you don't get ripped off, you get a full album, instead of 11 or 12 like most bands do. The White Stripes really know how to put together a classic album.

The White Stripes' Masterpiece
A lot of people prefer the sound of Elephant to this album, and while I loved Elephant I still say this is their legacy. It is one of the rarities you find that you can listen to without skipping a single track. I originally bought this album because I liked Fell in Love With a Girl, but I never expected it to be one of the best albums I have ever heard. It is just that in my mind, from the opening track Dead Leaves and the Dirty Ground to the end track This Protector. It is so eclectic in sound ranging from the blues sound found in their earlier work to some more accoustic ballads, and even a touch of country(of which I am not a fan, but Jack White does it right). It is simply amazing that two people are behind music this big, and while they keep it simplistic and minimalistic they are the best in making full use of what they have. Fell in Love With a Girl is a great song and we have all heard that one by now. But if you were ever pondering buying this cd and haven't then go buy it quickly. Hotel Yorba is one of the songs with a country feel to it and I think it is great. All in all every songs flows into the next one really well and the diversity in style makes this a truly great piece of music. If you are still unsure, download some tracks like I'm Finding It Harder..., The Union Forever, I Think I Smell a Rat, Now Mary and Fell in Love With A Girl. Once you hear these you should have a great idea of the sound the Stripes present in White Blood Cells and you will either love it or hate it. It is destined to become a classic and rightfully so. Regardless, check this out if you yearn for meaningful music you surely wont see on MTV. You will probably be glad you did. And one more thing, check out another great one by the White Stripes, Elephant.

Kind of upsetting but still good
OK..I first bought the Elephant istead of byuing White Blood Cells Thank GOD! The Elephent is much fresheer and just better! The White Blood cells was good in the begining (especially Fell In love with a Girl) but towards the middle and the end it sucked ass! It was horrible towards the end... I would sugest you byuing the Elephent first..and if you really like it then you should go out and buy White Blood Cells. Since its too blueyuse and even country!

The best of the 4
The White Stripes did get some attention for this album, but not nearly as much as their 4th album, Elephant did. Elephant is a great album, but I think White Blood Cells surpasses it. It is most definitely my favorite White Stripes album. It's one of those albums that I eventually always go back to. From start to finish it's raw, it's rock n' roll the way it should be. It makes me really happy to see artist like The White Stripes, The Strokes, The Libertines, etc out today. It's still amazing to me that the stripes have managed to become mildly popular among the sh*tty musical culture we have now. ... Read more

Reviews (23)

Steppenwolf At Their Best Really Rock!
There is a reason that the sixties rock group Steppenwolf still sells so strongly some thirty years after their arrival on the sixties rock scenes with a quick succession of powerful heavy rock hits like "Magic Carpet Ride" and "Born To Be Wild". I've always admired lead vocalist John Kay's singing style, songwriting and lyrical talents, and his outspoken personal warnings against the dangers of drug excess with songs like "The Pusher" and "Snowblind Friend". He was anti-drug when it was anything but fashionable to so cautious and careful. With concept albums like the fabled "Monster" or discursive excursions into the dark side of rock culture with "The Pusher', Kay always had something provocative and thoughtful to say. And Kay also knew his way around a melody, and whether he was making insightful social commentary in a number of songs like "Monster" and "Draft Resister" or just plain old wailing in terrific, edgy songs like "Never Too Late (To Start All Over Again)" or "Twenty Eight", he used the combination of his lovely lyrics, driving melodies, and wild rock improvisation to create a whole rafter of memorable, insightful and very appealing rock songs. Most of them are here, and those that aren't you can find in their other albums. Steppenwolf quickly earned the undying support and admiration of their original fans, and are finding new listeners through terrific compilation albums like this must-own collection of their hits. Enjoy

The Best Bang For Yor Buck
Whether you see this as a single disc version of 1991's Born To Be Wild/A Retrospective or a slightly expanded version of 1973's 16 Greatest Hits, it's all the Steppenwolf the average fan will need. In addition to including all of their Top 40 hits, you also get all of their lesser hits and key album tracks like "Don't Step on the Grass, Sam," "The Pusher," "Snowblind Friend" and "For Ladies Only."

One of the first concerts I ever saw was during my freshman year in college in 1970 when Steppenwolf was touring in support of Monster. [I still have my ticket stub--four bucks!] It was an amazing show. John Kay owned the stage. Hearing these songs again brings back a flood of memories and they still "get your motor runnin'" thirty years later.

If you're looking to upgrade your old copy of 16 Greatest Hits, this adds "Don't Step on the Grass, Sam," "Straight Shootin' Woman" (the only track on this collection recorded after the release of 1971's For Ladies Only) and the complete 9-minute medley "Monster/Suicide/America"--Greatest Hits included only "Monster." The band saw a lot of personnel changes over the years, but the music was always of consistently high quality. HIGHLY RECOMMENDED

One of the eternal bands
This ensamble, whose name is taken from the famous work of Hermann Hesse, (one of my youth's writers), was emblematic all along his presence from 1967 to 1975. In just only eight years Steppenwolf could (like a very few to be honest) establish a rapport with a generation wishful of anxiety but also of answers and ideas.
The famous french May, Vietnam's war, Robert Kennedy's murder, Cassius Clay's affair, Woodstock Festival, Easy rider were - among other facts - important events that from one or another way , demanded bands with power but with imagination .
And Steppenwolf , just reached the peak with the album Monster (that in my opinion is the most perfect theme ever composed by them).
So however, many people just think that Steppenwolf was only the authors of Born to be wild , Sookie sookie and Magic carpet ride. And that's only a stage in his grow up.
Power play is the only theme which doesn't appear among their best, but the point is that the combination of the wildful voice of John Kay, and the perfect balance between the guitars , drums and organ, gave to Steppenwolf a special place in these innovative years which produced so many legends like Cream, Vanilla Fudge, Doors. Traffic, Blind faith, Deep purple, Black Sabbath, Uriah Heep, The who , Can, Amon Dull, Captain beyond,King Crimsom, Pink Floyd and a huge list of names who belong to the satus of legends.
In these years, (it's necessary srepeat it over and over) that there weren't video clips. The comentary is not superflous, because a band to be recognized, had to win the race just by your ears, and not thanks to a magnificent video.
The trouble with that is that you can buy a record just because the video is superb. So my question is: Are you spending your money by the music or by the video? This reflection comes to me very often when I try to explain to the young generations about the conceptual difference of enjoying and even make a statement about a musical work, no matter the genre you listen in that moment.
Steppenwolf printed a very important style in the music, and for those who had the huge privilege of being in one of their appearances, I envy them (in a bad sense but enthusiastic way).
For those people who are still teenagers, don't be afraid of risking your money. You'll be rewaarded. And if you can ask to your parents or some friend or teacher, may be you find a long speech that I can not make it in this brief review.

Great Collection - Great Sound!!
I too saw Steppenwolf perform in 1970 in support of the Monster LP. It was at Winterland in San Francisco. Anyway, the sound on this CD collection is tops!!

only one song missing
Steppenwolf at Carnegie Hall was the first "rock" concert I attended. OK, Johnny Cash at a Trenton bowling alley in 1962 WAS actually the first live show I saw, nursing a dollar coke at my parents request (I was 11). John Kay et al were powerful in 1969 and this collection captures that power. Only "Power Play" is missing from this perfect selection of their songs. Their playing was always tight in a way the live shows of Creedence Clearwater Revival were. Other examples, The Band, Talking Heads, Frank Zappa and, of course, Captain Beefheart and the Magic Band. Live shows by The Plastic People of the Universe make a person re-judge the "rock" influences of any particular individual in today's world, and likes/dislikes of any particular person in today's "rock" music world. ... Read more

Amazon.com

With his soundtrack for Eternal Sunshine of the Spotless Mind, Jon Brion has carefully crafted music every bit as quirky (and fascinating) as the movie itself. As he did with Magnolia and Punch Drunk Love, Brion has made a varied score filled with odd instrumentation, infectious melodies, and at least one or two near-perfect pop songs. Best of all, these offbeat tracks compliment the movie incredibly well, and stand on their own as great listening. Mood-wise, this soundtrack is all over the map: "Row" is a simple, haunting piano solo; the movie's opening theme sounds like the austere and melancholic notes of an antique music box; while the strings on "Drive In" are playful and inquisitive. Even the non-instrumental tracks are gems: Beck's "Everybody's Gotta Learn Sometime" and Brion's "Strings That Tie You" rank among these artists' best songs. A handful of well-chosen tracks from E.L.O., the Polyphonic Spree, and the Willowz rounds out this thought provoking disc. A gem. --Jason Verlinde ... Read more

Reviews (21)

A "Shining" Review
some of the songs aren't perfect, but wow, the ones that are, they hit their mark perfectly.

First off, I must refute the review that said the soundtrack's only hinderance is the willowz songs. I disagree. I think that they reflect the sort of indie punk vibe given off from the film. Not only that, but eh song "Something" is truly great. Its catchy and upbeat.

Not only that, but Beck's cover of "Everybody's Gotta Learn Sometime" by Krogis is beautiful. In the film it comes in at great, meaningful moments, and hearing it on the soundtrack recalls the film well. All in all its a great song.

Finally, the pieces from the film's composer, Jon Brion. Wow, some of them are truly brilliant. "Theme" is the first song and a great use of the minimalist style. "Phone Call", represents a sweet tender, and impossibly unexplainable moment of love from the film. But the song that struck the greatest chord with me (no pun intended), was the song "Peer Pressure". It happens during the scene in the film during which Carrey is wearing a cape, and it completely encapsulates one of the film's messages. The perfection of the love, the trueness of it, is reflected in the simple and moving piano notes, complemented by the building chords (violin?) in the background. Yet, as it peaks, just after its climax, its disolves and distorts into into a mess of noise quite quickly and then cuts out. To me, this symbolizes how the perfection of anything and everything will not last. That eventually that moment of perfection is over-- it has to end.

And what an end it is.

Great Album, better movie.

A ray of Eternal Sunshine in my dark, dreary CD collection
If you left the theater feeling as liberated and hopeful as Joel and Clem at the end of the film, you'll want to recapture those glorious emotions. Fortunately, you can... musically.

The disc opens with the title theme -- a lazy piano-driven number -- and segues into the deliriously happy "Mr Blue Sky," a tune that will leave you overcome by an impulse to skip down the street, smiling at every stranger you pass. This is the heart of the soundtrack -- a fantastic feel-good song that reminds you, as the movie did, that life is worth living in its entirety, despite any hardships you may encounter. "Light & Day" is a similarly warm, joyful tune that is equally upbeat. Polyphonic Spree's second contribution, "It's the Sun," slows things down a bit, but you'll keep on smilin'. It isn't till you near the close of the disc that the pace starts to drop. However, for once you won't be disappointed. You'll find that the conclusion is as natural as the final yawns that send you to bed at the end of a hectic day.

All in all, one of my favourite buys of 2004 -- vivid, emotional and, above all, real. This could easily be the soundtrack to anyone's life. I highly recommend this selection, as well as the film it accompanied. Five stars and then some.

I Love it
Jon Brion makes me re-think everything that went on in the beautiful movie. Especially "Theme", and Row." They remind me of the movie, and since the movie is so great, this soundtrack makes me feel good.

Significant due to Jon Brion's compositions
Jon Brion's compositions on this CD are phenomenally delicate. They possess a kind of ethereal beauty that I have trouble explaining, particularly "Phone Call," "Spotless Mind," "Collecting Things," and "Bookstore." I liken the feeling I get from listening to watching the sun rise, or looking up at rays of light from underwater. While I'm not a fan of some of the other songs on here -- those by The Polyphonic Spree and Willowz especially -- there are a few other gems, like Beck's "Everybody's Gotta Learn Sometimes," and Electric Light Orchestra's more upbeat "Mr. Blue Sky." As some others have said, I think Jon Brion's music could stand alone. Perhaps it would have been a better move to make a score rather than a soundtrack. However, it doesn't dampen the effects of his music -- it's worth the buy.

Disappointing
This music may have been very effective in the movie but it doesn't translate at all well to CD. I like Jon Brion and enjoyed his score for Punch Drunk Love but ultimately I found this soundtrack very dull. It's disappointing since the music was one of the things that really stood out for me in the movie. The main problem is that most of the pieces are too short, a few don't go for more than about ten seconds. This is annoying and doesn't allow you really get a feel for the material. Even the lengthier parts are generally cut off just as they are beginning to get interesting, the best example being track 3 (the name escapes me). The only redeeming features of this soundtrack are the first track, "theme", which is an absolutely lovely piano-based piece (I just wish this would have been repeated in different variations, as is the case with a lot of other soundtracks) and the contribution from Beck. I am a big fan of Beck and it's a really good song, though not as good as anything on his Sea Change Album. Some of the other songs just don't fit in with the mood of the score and it all just adds up to a very uneven listening experience. Make sure you give it a listen before you buy as I'm not sure that it would have much replay value for a lot of listeners. ... Read more

Amazon.com

An acclaimed debut prompts one of two kinds of follow-ups: either the band strives to broaden their palate or they attempt to deepen the colors they splashed all over that heralded first effort. The Strokes' second outing falls in the latter camp. In the tradition of the Ramones' Leave Home and Oasis' (What's the Story) Morning Glory, the Strokes largely stay the course with their second full-length release, producing an album that won't cause the stir that its predecessor did, but has a sneaky appeal all its own. Thanks to the quintet's Lower East Side roots, Velvet Underground and Television references abound with these guys, but Boston new wavers the Cars, and in particular their hit-heavy second album, 1979's Candy-O, provide a more suitable point of reference for Room on Fire. As with Ric Ocasek and company, Strokes frontman Julian Casablancas and his cohorts have a Cars-like knack for sly riffs that creep deeper into ones consciousness with each listen. Not much longer than a half hour from start to finish, this 11-song is modest in intent and execution, and succeeds quite nicely on its own terms. --Steven Stolder ... Read more

Reviews (337)

People are confused...
The first thing I want to say is that I gave it 4 stars because nothing in this world is perfect. Those of you who gave it 5 stars are misled individuals who think it's cool to over-promote the bands you love just because you can.

Alright.

Let me clear things up since people who don't like The Strokes keep posting absurd comments and comparisons within their reviews.

The Strokes don't specifically sound like any ONE band. Therefore, they have only been INFLUENCED by the INFLUENTIAL. When someone says, "The Strokes sound like The Cars, etc." and start tearing them down with all that negative "they write simple songs" bulls**t... guess what? INFLUENCE is a key to writing. Do you think The Cars, The Ramones, etc. weren't INFLUENCED by ANYTHING? Hell, I bet they were INFLUENCED by anything from cats and dogs, to drugs and the sound the ocean makes at night. Everything comes from something... accept it. You stupid-assed closed-minded human beings.

Anyways, Room on Fire is a great album. I don't really see how it sounds like Is This It, though. I mean, it doesn't take much to realize it's The Strokes' sound but, for the most part, it doesn't really sound as raw as Is This It. In fact, I would only say that a few songs from Is This It sound like they could be on Room on Fire.

If you like (from Is This It):

"Soma"
"New York City Cops"
"Hard To Explain"
"Trying Your Luck"

Then you should like the majority of Room on Fire.

Room on Fire isn't as upbeat as Is This It. The only songs that are upbeat in the way that "Take It Or Leave It" or "The Modern Age" were on Is This It are:

"I Can't Win"
"The Way It Is"
"Reptilia"

The rest of the album is either more melodic, slower, or just different than Is This It.

Is This It had more of a late 70's/early 80's punk vibe.

I will say this, though... if you don't like their simple guitar/bass patterns, then you probably will just be mad and pissed off because they're famous (sort of like the people who keep posting negative things.)

But, however, if you enjoy their intertwining melodies and the certain edginess this band possesses.. then this album will be a favorite of yours for, hopefully, years to come.

For a taste of this album I suggest:

"I Can't Win"
"What Ever Happened?"
"Automatic Stop"
"Reptilia"
"Under Control"

Later

good album. nothing more, nothing less
The Strokes are not the saviors of rock and roll. But they are a good band, just a bunch of New York City hipsters playing cranked up, very New York City rock; that's enough. Give them some slack, eh, critics? It must be hard to be labeled as the musical equivalent of Jesus.
On the Strokes' second album, Room on Fire, the band follows closely to the template it set out in its first record, Is This It? That is, punky pop tempered with serious worship of the New York underground rockers of the past.
Singer/songwriter Julian Casablancas seems to have taken vocal lessons from the king of New York junkie rock himself, Lou Reed, and the chiming, clean twin guitars recall the less bombastic moments of CBGB punk darlings Tom Verlaine and Richard Lloyd of Television.
Same as it ever was for the Strokes. But this time they add a keyboard, most notably the album's single, "12:51," with a sing-songy synth line that recalls Weezer more than Suicide.
While Room on Fire peters out a bit toward the end with some filler tracks, the opening salvo of the first five or so songs is a fine example of why the band has become so popular; it's hit after mopey, drunken - and catchy -- hit.
They have been called the group that spearheaded the neo-garage rock movement, with loud, simple, Stooges-inspired bands like the White Stripes riding on their coattails.
But there is more of an indie-pop sensibility to the Strokes, less crash and bash and more sharp, stinging single notes. They have a good formula, but it's too obvious that they are following in the footsteps of true innovators. It's not necessarily a bad thing - it sounds good most of the time, but the Strokes have a long way to go before they truly earn the right to be drooled over by critics the way they are today.

ugh
Just because it doesn't sound like Britney or Puddle of Mudd doesn't mean it isn't uninspired generic garbage. This band is not talented nor original. Their songs were probably written by middle-aged record executives who are trying to appeal to teens who secretly watch MTV and shop at Urban Outfitters for vintage-looking t-shirts with "witty" phrases.

If the only reason you listen to this band is because someone told you it's cool (and that means you considering thats the only way anyone could possibly like this uninspired drivel) just realize that people who like music that is actually good are still laughing at you because you're still nothing more than a pseudo-pretentious loser who wants to seem alternative. Take my advice and drop the black hair dye and white belts because you'll never be anything more than a fake until you start thinking for yourself.

Sorry about the confusion
this is a good album. that is it, just good. 12fifty1 is a good song, so is reptilia. this is overrated.

?
am i alone in my view that 'room is fire' is superior to 'is this it'? their debut album has spent many, many hours in my CD rotation, and i know it backwards and forwards, and i must say, i find the sophomore album a bit stronger, actually. the first half of the disc is excellent. i tend to think that it fades a bit toward the end, but i think on the whole the percentage of good songs to mediocre ones is higher on 'room on fire' than on 'is this it.'

admittedly, this isn't high-end work. the guitar solos are utterly weak (sophomoric, even), the forms predictable (though are better here than on the first disc -- 'you're talking too much' is quite interesting, formally), the lyrics still often seem a bit childish, but ... it's still utterly enjoyable music. frankly, it's fun, sing-along-in-the-car stuff. at the very least, it's certainly as good as the acclaimed 'is this it.' ... Read more

Album Description

De Stijl, the Dutch word for the style, is the sophomore CD from the Southwest Detroit brother and sister duo THE WHITE STRIPES. This album is based more on piano, open-A tuningand primal drum beats. It is also augmented by electricviolin, acoustic bass and presents the listener with moremelodic pieces. 13 tracks. ... Read more

Reviews (92)

Should be called "De S**t."
After the mediocre first album, I was REALLY suprised by this album. This is some of the White Stripes' finest songs, playing, and skill. Until I hear Elephant, I am certain that this is their best album. I don't know what they did, but this is a huge change from the last album.

Every song is great. You're Pretty Good Looking sounds like a mid-60's pop song with a little Stones influence. Hello Operator sounds like mid 70's Zeppelin with a raunchy singer. Little Bird..this song kicks buttocks. That's all you need to know. Apple Blossom sounds like it came directly from The Kinks. I'm Bound To Pack It Up is a excellent folk ditty with some beatiful violin. I think it's violin, could be keyboard. The rework of Son House's Death Letter is spectacular, with some remarkable jamming coming from just 2 people. Sister, Do You Know My Name is a little bit repeatitive, but it's still welcome. Truth Doesn't Make A Noise is by far, the best song The White Stripes have done. Really honest, beatiful melody, great hook. It's perfect. A Boy's Best Friend is really spectacular with great slide playing. Let's Build A Home is very cool, sort of punk-blues. Jumble, Jumble is another rocker, with the great bend-fill on the guitar. Why Can't You Be Nicer To Me is another repeatitive song, but it has a great hook. Then there's the great closer, Your Southern Can is Mine. This is fun to sing along to.

This is The White Stripes' best work. It's perfect in every way.

Pretty damn good neo-garage rock.
Although White Blood Cells is Jack and Meg's commercial success, it is my opinion that De Stijl really captures what the White Stripes are about. It's much rawer than White Blood Cells, but more tuneful than the debut, and is a very solid attempt at bluesy garage rock.

Well, for one thing De Stijl sounds very, very garagey. The production is gritty and honest, with almost no studio gloss present. The minimalist approach works wonders here.

Jack White is an excellent guitarist, and very proficient at the open-A, slide guitar blues of this album. His overpowering, rich guitar totally eclipses the need for a base player. On De Stijl, his vocals sound like that of a young Robert Plant. Although Meg is not the most competent drummer out there, she merely functions to keep time while Jack rips away on his guitar. Lyrics are simple yet often profound, with no pretension or angst rife among nu-metal bands these days.

Highlights include You're Pretty Good Looking (For A Girl), Hello Operator (got to love that "solo" that Meg does), Apple Blossom, I'm Bound To Pack It Up, Death Letter (my favorite), Truth Doesn't Make A Noise, and the hard rockers Let's Build A Home and Jumble Jumble. If there's a throwaway track, it's probably the weak cover of Your Southern Can Is Mine--way too much country for my liking.

The White Stripes may eventually better this one (their new album Elephant looks promising) but this is their best so far. The Strokes have a stronger debut and the Hives' Veni Vidi Vicious is nothing to sneeze at, but De Stijl will definitely satisfy your neo-garage rock fix. Recommended.

Before White Blood Cells there was this album...
...which I had never heard of. White Blood Cells was the first Stripes album I bought, and once I discovered the genius in that one I went back for the older stuff. The sound here is of a more unrefined garage rock album with an added blues feel to it. Definately more bluesy than White Blood Cells. I can't tell you this is a better than the other albums from them because I think they are all brilliant in their own way. The White Stripes are an amazingly talented band that has only gotten better with each album they put out and they exemplify what music is about. Meg White is not a great drummer but what she can do works well for every song in my opinion. Some notable songs from De Stijl include Hello Operator, You're Pretty Good Looking, Let's Build A Home and my fave from the album Death Letter. I believe they performed that one at the Grammy Awards and it sounded great then as well. So it pretty much sounds like a great garage blues rock cd that is superb, although for me it is # 3 next to their two latest albums. This is nothing short of great though and I know many people have only heard WBC and Elephant, but give this a listen. Im pretty sure you will like what you hear.

for true believers only
After years of the commercial-marketing overload of talentless musicians, finally a spark of hope has arisen within mankind. My faith in humanity had been restored when I first heard this album. There is a reason to live afterall. The White Stripes are REAL.

Best CD....ever
This is probably my favorite white stripes cd, and they're my favorite band ever!!!! This album is way more on the bluesy side which is great. Basically everything about this album kicks serious ass and rocks hard, buy it its gr8. ... Read more

Album Description

1999 digitally remastered reissue of the demented debut by this legendary group of garage rockers, originally released in 1965.Features a deluxe booklet with previously unseen photos, interviews and information. ... Read more

Reviews (13)

Should be required listening for all rock & roll fans
Hey Amazon, name this disc an "essential recording," because it's one of the greatest rock & roll records of all time! The Sonics pick up where "Louie Louie" leaves off. You can almost imagine the Sonics playing a Delta frat party at Faber College back in 1964 with Bluto, Otter and the boys of Delta house dancing the night away.

Energy-laden three-chord guitar hooks and the screams of vocalist Gerry Roslie capture the dance-crazed world of the early & middle 1960s before the hippies took over. All garage bands that are around today, and many punk bands of the 70s and 80s, were heavily influenced by this band. The legendary opening organ notes of "The Witch" can be interpreted as a call to worship for garage-o-philes around the world.

PSYCHO!!
The title of this album is !HERE ARE THE SONICS! You might think all those exclamation points are superfluous....that is, until you listen to the album. The Pacific Northwest has a history of liking its rock hard and loud, and The Sonics were just that: hard and loud. Lead singer/keyboardist/songwriter Gerry Roslie sounded just as twisted as his songs "The Witch," "Psycho" and "Strychnine," all belt-'em-out, screamin' rock classics. Bob Bennett was one of the most reckless drummers in all of rock history, bashing out the tough beat that kept The Sonics going, while in Larry Parypa the band possessed a lethal lead guitarist. This, their debut album, doesn't just contain the aforementioned hits, but also surging covers of "Do You Love Me, "Roll Over Beethoven," "Good Golly Miss Molly," and an eerie "Night Time Is The Right Time" that probably owes more to Screamin' Jay Hawkins than Ray Charles. As sort of a cross between Little Richard and sixties garage rock, this album really holds up after all these years.

This CD reissue contains three tracks the group did for Etiquette Records' Christmas album, including the "Too Much Monkey Business" knockoff "Don't Believe In Christmas," the "Farmer John" knockoff "Santa Claus," and "The Village Idiot," which, well...you just have to hear it. And you will hear it if you get this CD, which I very strongly recommend.

1/2 Popcorn Double Feature
Of all the CD repackagings to take place lately, one of the few I can recommend with a good conscience is the Norton re-release of *Here Are The Sonics!!!* and *Sonics Boom* (formerly available as a 2, then 1 CD set called *Here Are The Ultimate Sonics* from a re-formed Etiquette Records). The tracks are identical, and I for one cannot detect a sound difference: but the liner notes, though no longer "antiquarian", are worshipful enough and the original cover art is relatively welcome. But honestly, although *Boom* has its moments (the definitive version of "Louie Louie" being no heartbreak for the non-musician), this is the one to have if you have to have one.

Do you have to have one? No, it'll eventually filter into your life: though the legend of the Sonics missed the Sixties, their impact is strong enough to outlast nearly all of their more proficient peers. But if you're in a hurry, that's entirely appropriate: this is music of the (earlymid) Sixties, a time of surplus and enjoyment even in Tacoma (ha ha). These guys aren't hurting at all, and it shows in their loving attention to the immediate needs of their environment: relatively (that is to say, assessment-worthy) wild tame-men, not above an "off-color" joke in a very definite sense. Is this incredible music? Maybe you shouldn't worry about incredible music if you don't think so. Is this something someone should own? Well, sure.

Amazing To Read Those Reviews!
As kids growing up in the Seattle area in the mid-60's, we had some great bands playing at dances in the roller rinks and lodge halls. We just didn't know it at the time. We had the Kingsmen, The Fabulous Wailers, Paul Revere and the Raiders, Don and the Goodtimes, Marilee Rush and the Turnabouts, and more. We didn't think anyone listened to them outside the Pacific Northwest. Then, the Beatles and the British Invasion came along. It was good stuff, but different. More smooth and polished. Suddenly, out of our little transistor radios came a wild, blasting sound. The Sonics! Hard guitar, screaming vocals, and that whacking snare drum. The Sonics were great on record, and fabulous live - especially considering that we were dancing to them in places like the little up-stairs ballroom at Normana Hall in Everett, WA. Amps turned to 10, Jerry Roslie screaming into the mic, and "Boom Boom" Bennett hammering his drums. It was amazing. Now, reading the reviews on Amazon, I realize that hearing and dancing to The Sonics was experincing rock history. When my kids brought home the Hives CD, I told them, "These guys that listened to The Sonics!" I'm SO pleased that The Sonics are being released on CD.

By the way, if you are interested in the Northwest sound of the early and mid-60's, read "It Was All Just Rock 'n' Roll" by Pat O'Day. He was a very influential disk jockey in Seattle. Reading the book, I kept saying, "I remember that!" And, "I was at that show!" It's a great read.

How do you top this?
One of history's most important rock and roll documents. You could have a copy of the drum tracks alone and be thouroughly entertained, although then you'd be missing out on some truly savage guitar, bass, sax and vocals that are, well, psychotic. This record was at least a decade ahead of its time. Do not hesitate to buy it. ... Read more

Amazon.com's Best of 2001

With all the media hype that dogged the Strokes before the release of their debut album, it's rather apt that they chose the title Is This It. On the strength of just five songs released on two singles, the Strokes were being hailed as everything from the saviors of rock & roll to the Savior himself. Surely, few bands could live up to the impossibly high standards set for this young five-piece, but the band needn't have worried: Is This It is one of the most exciting and energetic debut albums to spring from New York's long-dormant club scene. In fact, the Strokes are a New York City band through and through; like the Velvet Underground, these are a bunch of uptown artsy types elegantly slumming downtown to the tried and tested themes of sex, drugs, and rock & roll. Their singer-songwriter, the fantastically named Julian Casablancas, delivers his lyrics with a weary nonchalance that belies his age on songs like the title track, "Soma," "Hard to Explain," and the altogether wonderful "Barely Legal." And the band recalls the likes of Television and the Stooges on "Last Nite" and "The Modern Age." Let's hope this sexy, stylish, and undeniably cool band is the future of rock & roll. --Robert Burrow ... Read more

Reviews (835)

Not Your Typical Album
Basically any kind of album can fall into one or both of the following categories: rock or pop. Groups like Cherry Poppin' Daddies and The Brian Setzer Orchestra are considered a little of both; morever, they both rely on a feel and sound from several decades prior to their albums' release. Well, a new group to follow that same kind of formula is the NYC-based quintet The Strokes, composed of vocalist Julian Casablancas, drummer Fabrizio Moretti, bassist Nikolai Fraiture (who looks like a cross between Beck and Ashton Kutcher), and guitarists Nick Valensi and Albert Hammond, Jr.

What time capsule did The Strokes dig into? Well, judging by their dress and sound, I'd say the mid-seventies to early eighties. Their songs contain simple drumbeats and enthusiastic guitars...something that not everyone can pull off as well as they can. They work "When It Started" (replacing the limit-pushing "New York City Cops") so well, it's hard to believe there's not a DJ hiding in there somewhere. That is one of the best parts of the album, not to mention the preceding song (and their current single) "Hard To Explain". After Fabrizio starts things off, Albert jumps in to make everything all right, but it's not until Nick and Nikolai give their contributions until you can get the feel of the song...and Julian's vocals keep things on the right track. They continue to shine on songs like "Last Nite", "The Modern Age" and "Alone, Together".

Does anything on this album need improvement? Maybe switching up the subject matter a little. There are a few too many relationship-problem-type songs on here. Also, "Barely Legal" may be a little too out there for many listeners. But Is This It is an above average album nonetheless, and I personally hope to hear more from these guys in the future.

This Is It
It's pretty sad that most of the people who give this album a bad review just make some weak comparison to VU or some other band and say that The Strokes are not original. I can only assume that these people have not heard either VU, The Strokes, or possibly either band, or are nu metal fans bitter at their ... genre's demise and have come here to bring down others.
I was somewhat skeptical about The Strokes at first, seeing them for the first time on MTV and then reading about their priviliged backgrounds. But then I pulled my head out of my ... and realized that it didn't matter how I heard of them or how rich their parents are, they make damn good music. Yes, some of it's poppy and catchy, but some of it is also raw, balls out rock and roll. Just listen to BARELY LEGAL and TAKE IT OR LEAVE IT a couple times. Keep an open mind and you'll find yourself liking them too.
I would say the most impressive aspect of this album, besides it being an incredibly fun listen, is how well crafted the songs are. They each play fairly simple parts, but they fit together in such a way and change often enough that it doesn't get old or stale. The simplicity of this album is, oddly enough, just amazing. (This coming from someone who is a big fan of Radiohead and At The Drive-In, which is saying a lot if you know anything about those bands)
I am one of those people who prides himself on keeping his ear to the ground in the music scene and hearing and knowing about the indie and lesser known bands (someone people might refer to as a "music snob") because I am not happy with most of the crap on MTV or the radio. However, I also realize that sometimes it is ok, and maybe even good, to listen to music just for the sake of pure mindless fun. Which one reason why I love The Strokes.

p.s. the material for The Strokes' second album is shaping up quite nicely (good luck making comparisons so VU now)

p.p.s. Interpol's debut album Turn On The Bright Lights is just damn good

The Greatest Record ever made!!
I honestly believe this is the best record ever recorded. This album not only jumpstarted a revolution, but contains the best music I've ever heard. Julian Casablancas dull drone is incredible, and the band is just as brilliant. Nick and Albert are two guitarists who complement each other as good as Slash and Izzy ever did. Nickolai bass is always consistent, and Fab is the best thing on drums in a long while. From the creative opener "Is this it" to the album, and set-closer "Take it or leave it" there is not a dull moment. You could argue "Led Zeppelin I" and you could argue "Appetite for Destruction", but "Is this it" will never be duplicated.

Does this album stand up, after all the hypes blown over????
Considering the enormous amount of hype the came attached with this album on its first release, it's interesting to see several years on if it still stands up to closer scrutiny. And surprisingly the answer is an emphatic 'Yes'. The raw paired down sound, still feels vital and self-assured, energetic and anxious. Tracks such as "Is This it" & "Last Nite" still brim with a confident swagger from a band that were yet to truly establish themselves as a viable act. "Alone Together" & "Trying your luck" express the more contemplative side to the band, that dismissed critics arguements that the band were a pastiche of new wave 80's bands like "Blondie", "The Police"....(although I'll concede that the band are obvious admirers of "the Velvet Underground"). Even though the songs that weren't released as singles and make up the rest of the album ("Trying Your luck", Take it or leave it", "Someday"), still remain impressive even today, and more importantly their knack with an infectious melody appears to be no one off!!! And although the jerky guitars, Convulsive drumming and exuberant sneer of vocalist "Julian Casablancas'" urgent singing, has since been copied a thousand times over since the release of this debut. Many people will still come here, to find the answers to the raw, revealing and minimal production values, that were able to make the mainstream (mostly) sit up and notice.

Nobody here is trying to pretend that what Casablancas and Co, were trying to do is original or new.....because those with a keen ear will hear different influences peppered throughout the album (I myself seem to hear a tangible influence from "Blondie" & "Velvet underground"), but what they did make is a indie rock/ Garage rock revival album that does actually stand up, after all the huge hype following its initial release. Ironically for an album that is a fantastically realised and impressive performed, with that air a Art-rock cool, that separates a mediocre act, from something impressive....my fave track that was removed from the U.S. version (but included in the U.K. release) "New York City Cops" for me......encapsulates everything that is special about the Storkes. Funny, urgent, impeccably performed, and sneeringly cool, the band made a debut that whether they ever scale these heady heights again is debatable, but for now, lets enjoy one of 2001's most remarkable albums.

Is This It?....let's hope not!
This is a killer debut by a great rock and roll band. Every song's a winner and, in my opinion, the best tracks were never released as singles (why do you think you can download "Last Nite" here at amazon for free?). Believe the hype surrounding this one and get it today.
One of the best CDs I've bought in a while, along with Mr.Deviant's "Techno Obsession" which is a killer mix of power rock and hard dance instrumentals. ... Read more

Album Description

Sophomore album from 1996 does, as promised, spring forth from the Rolling Stones' long-underrated 1967 masterpieceTheir Satanic Majesties Request, copping not only Mick andKeith's leering bad-boy attitude but also their theirrock-and-roll-circus spirit. ... Read more

Reviews (2)

Okay, give me back my life.
While comparisons to the Stones are certainly applicable, it would be wrong to say this album is only a homage or copy. Nay, this album far surpasses anything those deadbeats (excluding Mr. Jones) ever could have done. The Stones had their heyday, but listening to this album one really understands that Anton and crew have their jazz together. I was driving through the desert and picked up an Indian hitchiker. He said he had chilled with Jimmy for a while. I said cool. Then I told him to listen to this and after one loop around of the cd that Indian was ready to jump into the soul of Anton. Whatever, Anton, he said he would bring the peyote, so its cool. Sniff you jerks later.

More Kool-Aid, Your Majesties?
At first listen, it is hard NOT to imagine that this is a collection of brillant out-takes from the Stones' sessions for Their Satanic Majesties Request. Everything is so perfect, so "spot on" but as you listen you begin to get sucked in to this whirling vortex of psychedelic layers of sound stroking the lining of your very spinal cord. "All Around You (Intro)" is the lead off track and a brillant one at that. Having always loved the Stones' Request, I found myself mighty impressed with what BJM accomplished here--a resonating echo of "Sing This All Together", with its own wonderful narration, making you feel very much at home. There are too many stand-out tracks to mention them all. "Donovan Said" is great, as is "Miss June '75," "Cause, I Lover," "No Come Down" and "Jesus"--but that doesn't mean that you can or should stop there. As a matter of fact, if you have a repeat function on your cd player, just let the whole damn thing keep repeating until you are sucked up into the clear white light to meet the Godhead yourself.... 'Nuff said. One of the best albums I have ever heard. ... Read more

Reviews (1)

Should Show and Tell to everyone, everywhere
Although Silvertide is a new band, and nothing substitutes for experience, this band is truely amazing, as is this CD. This CD brings back the old kick-ass style of Rock and Roll from the 80's. None of this goth, death metal that has taken over the Rock community. Silvertide is all about having a great time and it shows through their music. My personal favorite part of this band is their guitarist. I don't remember his name, but he is phenominal. His solos remind me of the good old days with Slash and Eddie Van Halen, but with a great new style.

This CD will go down as one of the greats. Just like, Appetite for Destruction, Back in Black, and Led Zeppelin IV, this CD should be, wait, will be, owned by every rock fan in the world. It's great guitar riffs, amazing vocalist, and rock on attitude will inspire millions.

Every track is great and deserves to be on this CD.

1) AINT COMIN HOME- the perfect opening song to get to know this new band. It starts out with a basic percussion beat, and slowly adds the other instruments plus vocals to create that perfect party on feeling. About 75% done with the song, all the instruments stop and just the vocalist screams out orgasmic noises to bring in the magnificent guitar solo.

2) DEVIL'S DAUGHTER- An interesting guitar solo that quickly grows on you. This song is all bringing up to the choruses as the climax. There is a great little part of the song right before the the chorus that I can't stop singing.

3) SFC (So F*****g Crazy)- This song is simply kick-ass rock and roll. A great beat and nice distortion techniques enable this song to be a great one.

4) CALIFORNIA RAIN- This will be the second single of the album and it is just as good as the others. There is a great guitar lick behind the verses that helps the song rock. Also, the accompanying of other voices behind the main singer's is awesome.

5) BLUE JEANS- The song starts out with a fast worded soft verse that, like the rest of the song, focuses around sex. Then the guitar comes in and blows you away. Another amazing song.

6) MARY JANE- Definitely the hardest song on the album, MARY JANE definitely hits all the spots. The screaming/yelling of the vocalist really portrays his feelings and the back up vocals dont make it any worse. As with every other song, the guitar is unbelievable.

7) HEARTSTRONG- This is the first real slow ballad of off the album and has lots of emotion behind it. It is one of my favorites. You feel like you actually had the experience being sung about.

8) TO SEE WHERE I HIDE- This is my least favorite song on the CD, but it still is great. There is nothing much to say that hasnt been said about the other songs, so I'll leave it at that.

9) YOU WANT IT ALL- More sexual innuendo is featured in this song, and that just adds to the effect. "She wants more and more and more and more," are lyrics frequenting this song.

10) NOTHING STAYS- The second ballad on this album. This is a very relaxing and soothing song. There are also excellent lyrics to accompany the musicianship.

11) FOXHOLE J.C. (Jesus Christ)- This is by far my favorite track on the album. It is very original and has such a good message to it. It starts out with in your face rock and slowly transitions to a slow, piano accompanied, ending. The entire band chants "war, war, what is it for." It is truely inspirational.

If You are still reading, it means you are interested. So what are you doing, go out and buy this fanastic CD! ... Read more

Album Description

Recorded virtually live in the studio presents a differentfacet of the groups style. 18 tracks. ... Read more

Reviews (5)

Cause Anton's Quick Like That
Let me preface this by saying that this is one of the most amazing albums I have ever heard. It is Newcombe in his finest hour. After downloading B.S.A. and the ode to Davis Bowie I switched off my computer and went straight to the record store. It was the best fifteen dollars I ever spent. Cabin Fever is purely tragic, and Straight Up and Down is possibly the best song of the 'psyche-pop' genre. You should get yourself a copy of this album. Its worth it.

real rock
real rock music is messy, deranged, and often angry. the trick is making it fulfilling to listen to, which bjm does with each successive record. they somehow drench their tunes in great moody noise, while keeping all the traditional elements needed for groovy rock songs. great songs that sound like people making them are hard to come by, and these guys hit it every time. thanks for the alternative to creed and linkin park.

my favorite
This is probably my favorite BJM release...they bounce back and forth between Stones, Beatles, and Bowie homage-parodies without a hitch.

To say the singer stinks is to misunderstand what it's all about. He captures the swaggering, self-absorbed, heroin-addicted brit quite well. Tracks 5 through 12 are a non-stop ride through the late 60's/early 70's.

If you take the trip, be sure to say hi to "Keef" before lead singer Anton kills him on (the channeled) Brian Jones' behalf.

Mocking the Music Business
I think that this album rocks and not only because of the music, but the attitude as well. The Jonesers hit the nail on the head with the title of the album. It seems like this is the album the record producers want to see, but they do it in such a way that they are really mocking the system and its evil forces. Long live the free!

Music at its lowest
Ok its deriviative, the soudn quality is bad and the singer stinks. What more is there to say? I think this band would be good if they at least pretended to care about the music but I think they are to busy trying to be something they are not....talented. ... Read more

Album Description

Jack sings with a sometimes soaring, sometimes abrasiveabandon that shows he really means the lyrics he's singing. Combine that with his fierce, dirty, reverb-soaked guitarplaying and Meg's powerfully minimal start/stop drumming,and you've got a rock band that is primal, melodic, punkand sophisticated all at once. 17 tracks of blissfulnoise. ... Read more

Reviews (86)

auspicious debut
First off, as a new fan who grabbed all four of the White Stripes records within the scope of a week, I would advise anyone who has been weened on 'Elephant' (2003) or 'White Blood Cells' (2001) to get the other LPs first. Their indie debut probably takes the most getting used to.

That said, the first two rockers, "Jimmy the Explorer" and a cover of Robert Johnson's "Stop Breaking Down", are like a breath of fresh air. There are other hints of greatness here as well, including the power blues of "Suzy Lee", the acoustic blues of "Sugar Never Tasted So Good" (the latter being a taste of what was to come with the follow-up record, 'De Stijl' (2000)), and the old-school blues (we're talking 1930s here) of "St. James Infirmary Blues".

The problem with the record is the one dimensional aspect - by the time you get to the third track, "The Big Three Killed My Baby", the novelty of Jack White running his voice through a guitar amp and the minimalism of Meg White's drumming starts to wear a bit thin. But hey, it was their first record, they would learn . . .

For the new listener, I recommend trying out White Stripes in the following order: (1) De Stijl; (2) Elephant; (3) White Blood Cells; and (4) White Stripes.

5 Stars, loyal fans agree, poser fans do not
As their first album, their self-titled album features some of the bands trademard songs, which include: "Jimmy The Exploder", "The Big Three Killed My Baby", "Suzy Lee", "Sugar Never Tasted So Good", & "I Fought Piranhas." True, some of the songs are cover songs, but the White Stripes are the only band that I know that can totally tear it up with a cover song. First of all, they don't take old played out pop tunes & "re-mix" them like some P.Diddy loser, they take classic songs that maybe some haven't heard & make it their own. Some say this is their worst album, & I would like to say something to those people, "You don't know what music is If you don't appreciate this album, it has their signiture sound & they worked hard to make it, so if you like the rest of their albums, or if all you've heard is White Blood Cells, then you shouldn't even be talking about TWS, because you don't know who they are. Listen & absorb their music before you open your mouth, because I know that I don't care what you have to say, you posers." But this album, it's a classic, it has 17 tracks of non-boring, non-pop garbage that people put out everyday, it's a masterpiece.

Not sure yet . . .
The best thing going for this CD review-wise is the fact that people either seem to love it or hate it. That's a sign that something good is happenning here, isn't it. But you don't know what it is, do you Mr. Jones? I'm not sure I do.
It takes me a while to get to like some albums. It has to make new grooves in my brain or something. But that's not a bad thing, though I must admit I can't afford this kind of brain surgery too often. This one could become a favorite, but it doesn't make me blush with consumer pride and confidence just yet.
The White Stripes do like all the right music though (the music I like that is), and this CD reminds me of some great living room tapes I've listened to. So I've got a soft place in my heart for it if not in my head yet. As for the hype, I don't know. We'll have to wait until the dust settles or at least until we've all listened to it a few more times.

How Rock Is Supposed to Be
Wow, what a great album. This is one of the times when you are unsure at first but every listen gets better and better. I might even go as far as to say it is my favorite now. It is so simple, so passionate, so very good.

Often I judge an album on its first five tracks. If an album can pack a punch in its first 5 songs, it is likely great throughout. That is certainly the case here (an interesting debate would be whether the first 5 songs are better on this album or on De Stijl but thats a different issue). Jimmy the Exploder, Stop Breaking Down and Big Three are the first 3 tracks. They are all hard rock and awesome, Stop Breaking Down being my favorite. Then just as rocking as it was going it instantly slows down. Suzy Lee is the next song. It is slow but it may be the best song on the album. Followed up by Suger Never Tasted So Good- a melodic song with great lyrics and an even better feel. All in all, the first 5 tracks are enough to win you over. Maybe not the first listen maybe not the second, but eventually.

The middle of the album drops off slightly in quality but it is still good. And you will probably still be reeling from the first 5 anyway. Other things to note are the AWESOME guitar riff on Screwdriver, the eccentricity of One More Cup of Coffee, and the trancelike music of I Fought Piranhas. An interesting thing to note is the longest song is just a hair over three minutes. It really is a shame because on many of the tracks, it will leave you wanting much much more.

Good debut
...and they got even better, with "De Stijl" and "Elephant".

Good garage-blues-rock, with a scaled-down sound (just guitar and drums). Reminiscent of Led Zeppelin's first two albums, and you can't get a much bigger compliment than that. Gets better with each listen, as good albums should.

The only gripe I have is that there is a degree of "sameness" between the tracks - they could have done better by trimming a few tracks off the album, and maybe worked on introducing some more variety.

The best tracks are "Stop breaking down" (a cover of the Robert Johnson classic, though for the definitive version listen to the Rolling Stones' version on "Exile on Main Street"), "Suzy Lee" and "Sugar never tasted so good". ... Read more

Reviews (32)

BADASS
Josh Homme (Queens of the Stone Age) rocks out on drums in his new band, Eagles of Death Metal. If you like grungy desert rock, you'll love this cd. Their cover of "Stuck in the Middle With You" is sweet, and the best track is titled "Whorehoppin". This album just makes me want to smash something, and then lay back and have a beer and a cigarette. Reminiscent of The Black Keyes for their gritty, old sound. In the words of lead singer Jesse "The Devil" Hughes, they want to bring their listeners "death by sexy", and that's just what they did.

Hot-stuff fresh from the Desert!!!
"Holy-Hot-Devil-Rock," this music makes you want to get up and move around like you lost your soul to the devil. I bought this CD like 4 days ago and can't stop playing it wherever I go. This is a CD that on your first listen you can't take seriously or you'll easily pass it off as a large peice of underproduced crap. After you give the disk a chance you'll be sucked into its charm and tranced out by its simplicity. Featuring "Dr. Cool" himself "Josh Homme" from Queens of the Stone Age, not singing and playing guitar but drumming of all things, he's not an incredible drummer but he belts out the stripper beats effortlessly and everyone knows that whatever Josh Homme touches turns to solid gold. The album is very reminescent of the "Desert Sessions" series, only better and made for dancing.
I can't pick a favorite song on the album because they're all really amazing, but "Flames Go Higher" catches your ear on first listen as a grooved out stomp in hell, oh yeah, "HELL," that's where the humor comes in, most of the songs have overtones of references to "the Devil and Hell," stemming from Jesse Hugh's love for the Devil. The novelty won't wear off because "Satanic tranced out boogie-woogie music" is just such an original concept.
This album is not a Queens of the Stone age CD to say the least, so don't get confused, its just highly original rocka and roll.

Time to end this fued
1. 0H5H7H8 7 5H7H8 7 10
2. 5H7 5\ 8\ 5H7 7\ 8 7
3.
4.
5.
6. 0 0 0 0
(Bottom to Top)Repeat All \ marks when to go back to 6

Drop D tuning

There's the tab to Death's "Voice of the Soul" for those of you who don't know, Death were one of the first death metal bands. To all of you who say death metal is trash, I'd like to see Josh Homme come up with anything that complicated. That's just the intro and it's more complicated than any of the Eagles of Death Metal or Queens of the Stone Age. As for this cd, it's pretty much rock n roll mixed with a little punk. Not the best person to judge this music so I gave it the average rating. I just wanted to clear up the fact that death metal is a legitimate art form as good as or better than this, and while I know some of my fellow Death metal fans are pretty pissed about this cause they believe it taints the legacy of Chuck Schuliner(R.I.P.) and other death metal musicians, I think it's time to quit this stupid little feud. The name of this band is just a stupid joke and if you don't like this music you shouldn't review the cd. Hope this ends this and if any of you ever want to get into something harder I would recommend checking out Death, Meshuggah, Decapitated, Malignancy or Dismember.

A tamer J Spencer
A music fan is a complete waste of man jam. You wouldn't know good music if it was sitting on your disfigured face. Ohhh yeah the CD is ok. Bare bones r'n'r mixed w/a little boogie woogie. It's a big stretch from J. Homme's other side projects, but it makes it sorrta sweeter.

That's what Amazon is for.
Apparently I'm smarter than you guys who actually thought this album would be death metal-I actually went to Amazon and listened to the tracks before thinking of buying the CD. This is not the greatest CD, but it's a lot better than death metal, which sucks. ... Read more

Album Description

1996 album, their third collection of absolutely stunningmusic, 13-odd tracks recorded on a single day for around$17. ... Read more

Reviews (5)

Anton Newcombes mind muses
Okay folks. A bunch of people have labeled this album "worthless". They are wrong. Immensely wrong. Anton is an artist make no mistake about it, having produced some of the "greatest records ever made... ever" ~Courtney Taylor-Taylor. Influential and innovative inside a retro psyche-rock sound, BJM is just plain amazing. So buy the frickin album already. You'll be glad you did. Promise.

A superb, low-fi gem.
Those unacquainted with the Brian Jonestown Massacre or BOMP Records will never notice this living-room-recorded gem. Recorded for $17 plus cabfare, TGFMI is quite frankly a genre-busting magnum opus for Anton Newcombe and his ex bandmates (all have been fired or released by now I believe).

TGFMI defies categorization- from the first acoustic notes of Spanish Bee to the last rites of Sound of Confusion, a 33 minute grand tour of the inside of Anton's weird, musical mind. To say that some of these selections would go well on alternate country albums is an understatement. The one missing ingredient is knowing 1) If Anton was sober when these were recorded, and 2) exactly how far his tongue was inserted in cheek. One one hand, the folkie stylings of "Those Memories" and "Free and Easy" seem cliched and exaggerated but the guitar and instrumental work throught is just stunning. Songs such as "The Ballad of Jim Jones", "13", and "Cause I Love Her" are damned near Beatlesque. Sorry Anton.

Call me Ishmael, but I've never heard such an important statement from a modern "alternative" band. This is a fine example of modern eclecticism. A real standout.

Thank God for BJM!!!!
Supposedly recorded for $17, BJM's "Thank God for Mental Illness" puts most American bands to shame. This lo-fi, country-blues masterpiece is one of the great DIY American albums of all-time. Their supposed lack of originality seems to urk many people, but the quality of their songs and their sense of purpose cannot be questioned. Alongside the psychedelic-pop brilliance of the Elephant 6 recording company, they are the most important entity in american pop music today.

Thank god the store took this one back
Terrible. I didn't hear a single good song on it. Thank god the store took it back and gave me back my mone

Lo-fi psychedelic 60's meets hillbilly
This is one of four CDs that BJM released in 1996 in between their club performances/bar brawls. I got turned on to the "country psychedia" sounds of this disc early last year in SF when I checked them out at a local club and was nearly hit in the head by this CD when it was flung from the stage as swag. While there would be little hyperbole in my saying that the BJM show was one of the best I've ever seen, I also took a quick liking to live, lo-fi tunes on this recording. This band wins on every single "cool" category that there is in rock, with the possible exception of coolest album art for this particular CD (although, they do take the top spot with coolest logo). ... Read more