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| 1. Livin' the Luxury Brown | |
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Description Reviews (52)
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| 2. Don't Be Cruel | |
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Amazon.com Reviews (26)
"Ohoh, girl As long as I've been givin' my love to you You know you had your little childhood relationship battles...I know you did. That was the jam...it was undeniable. 'Roni' was equally the jam. "My heart belongs to tenderoni ( she's my only love!) WHAT!? Known by heart by many. And those were just the semi-jams. Don't forget about 'My Prerogative', 'Rock Witcha' and 'Every Little Step'. Straight up JAMMIN. Funky, movin, grooving, and straight up smoove. The Hip Hop and R&B was PERFECTLY blended here and never since has it been surpassed...maybe equalized but not surpassed. Definitely (in my mind) the opal of the New Jack swing era. Bobby Brown - Don't Be Cruel...a MUST HAVE. ... Read more | |
| 3. Poison | |
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Amazon.com Reviews (18)
The overall arrangement would payoff. Poison hit No. 1 on the Top R&B/Hip-Hop Albums chart and No. 5 on the Billboard 200, unleashing five hits, two top five hits on the Billboard Hot 100 ("Poison" No. 3 and "Do Me" No. 3), and three top ten on the R&B charts ("B.B.D. (I Thought It Was Me)?" No. 1, "She's Dope!" No. 9, "When Will I See You Smile Again?" No. 3). "Poison" was slingshoted by a driving skipping hip-hop beat. The song mixed their sweet, well-honed harmony singing with tough, aggressive R&B funk with even a blend of Rap. "Do Me!" "B.B.D. (Thought It Was Me)?" and "She's Dope!" followed the same route. B.B.D. returns close to the New Edition sound, with the excellent new jack ballads (two of the finest the genre has to offer) "When Will I See You Smile Again?" and "I Do Need You." Along with Guy, Bobby Brown, and Keith Sweat, Bell Biv DeVoe delivered some of new jack swing's greatest material. While most "New Jacks" waisted their time trying to be Guy clones, Bell Biv DeVoe took a daring risk to distinguish their own sound and style and the results were un-describable. Unfortunately, the sounds of new jack swing wouldn't survive the '90s, but for the brief run new jack swing had (late-'80s-early-'90s) it was the finest music we had seen in the last twenty years, timeless. Poison is arguably the greatest new jack swing release, only to be rivaled by Bobby Brown's Don't Be Cruel, Guy's self-titled debut, Keith Sweat's Make it Last Forever, and to a lesser-degree Boyz II Men's Cooleyhighharmony, Troop's Attitude, and Tony Toni Tone's The Revival.
Debuting as the No. 1 r&b Album, "Poison" spun off FOUR hit singles, with two topping the charts, and was basically all the rage throughout 1990 and an early part of 1991. From the urgency of "Do Me!" to the pleading of "When Will I See You Smile Again" to the rawness of "She's Dope!" to the lighter convey of "I Do Need You", B.B.D. successfully departed from the bubblegum sound of New Edition that claimed there name to fame and was the one of the first new jack outfits to acquire a harder-edge. Many other urban and pop acts were to follow in their footsteps, but harder-edged "new jack swing" began on this monumental release. They single-handedly transformed new jack, and would domino-effect the genre's dominance of the urban audience for a couple of more years. To add more prudence to their signficance, there is not a dud track. From the booty-shaking, be-boping, get-on-the-floor-and-dance new jack cuts to the slow-burning, convincing ballads, B.B.D. put together a hell of an album! Even the club version of "Poison" is distinguished from the original! Unfortunately, this would be the pinnacle of B.B.D.'s career, save for the babyface smash "Something In Your Eyes" on their sophomore release, and is essential for casual or die-hard new jack fans.
Thing is, the time, the production, the place, it was all perfect. Over 13 years later, it's not as hard-hitting or as listenable as it was then, but respect must be paid. Some essential new jack tunes for a new jack era. ... Read more | |
| 4. The Collection: 1991-1998 | |
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Another thing that gets me is that most of the songs on here are radio edits. Why can't we have the album versions? Isn't that why we BUY albums? If we wanted the radio versions, we would have listened to the radio! Oh well, there are still memorable songs like "The Never That You'll Never Know" and, of course, "U Send Me Swingin'". When I first looked at the track listing, I was wondering why "If You Love Me" wasn't on here, but then I remembered that that song came out in '99, and this collection was made in '98. But as of '98, Mint Condition had only three albums out, and the fact that they had a hits collection already was a signal that their label, Perspective Records, was folding (which explains why many of the songs on here weren't singles). All in all, this collection is fine, but if you REALLY want to enjoy Mint Condition, your best bet is to pick up their four albums instead. Anthony Rupert
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| 5. Ralph Tresvant | |
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Reviews (15)
Unfortunately, the album doesn't do much to help. Aside from the classic #1 hit "Sensitivity", plus the moderate hits "Do What I Gotta Do" and "Stone Cold Gentleman", the remaining material just doesn't cut it for Ralph. Ralph Tresvant was supposed to have the biggest solo success from New Edition. His silky vocals on the group's 1988 album "Heart Break" was proof of how much potential he had and with this album sort of lost. Safe to say, Ralph was the only NE member to have better success with the group versus without.
Let's face it: singers of the age Ralph was when this CD came out are expected to be hyped and loud. In comparison, Ralph was smooth and mature. It's Tresvant's maturity has stood the test of time. I can listen to this CD 10 years later and appreciate it. I can't say the same material from other post New Edition spin offs (Bobby Brown, BBD). ... Read more | |
| 6. Bobby Brown - Greatest Hits | |
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Amazon.com Reviews (11)
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| 7. Definition of a Band | |
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Reviews (19)
From pure pop ballads like "What Kind of Man Would I Be?" and "You Don't Have To Hurt No More", to funky songs like "I Want It Again" and "Ain't Hookin' Me Up Enough", as well as the numerous jazz interludes and Caribbean rhythms sprinkled throughout the disc on tracks like "Asher In Rio" and "Definition of A Band", Mint Condition is in a class by itself as one of the few R&B groups left that are capable of creating ORIGINAL (non-sampled) melodies. I don't understand why they don't get more attention from R&B music outlets (BET) and R&B radio. Stokley has the voice of an angel, and Keri Lewis and Jeffrey Allen are masters of songwriting and melody. If you have ever played a musical instrument or had even a simple music appreciation class, you'll realize how good these guys are. In the current glut of R&B girl and guy singing groups, (Next, Dru-Hill, Boyz 2 Men, Destiny's Child, Xscape, etc.) Mint Condition's talents shine through: I'll take talented singer songwriters like Mint Condition over the marionette-like antics of most R&B singing groups any day of the week. Mint Condition if you are reading this: PLEASE, schedule a concert at the House of Blues in L.A. in 1999! =] I can't wait for them to make a visit to L.A.!!
This CD is a gold-mine of original songs - some standards like "What Kind of Man Would I Be" and some scorchin' funk cuts like "Let Me Be The One" (my absolute favorite cut with an old school feel). Over this 19 song disc (a few tracks are jazzy interludes of about a minute each) you, the listener, will have gotten the feeling that you've approached R&B from every possible angle - the slow jam, the mid-tempo pop, the old school funk, and the more slick pop-R&B (there's even a song - "Sometimes" - that almost sounds a bit metal). Among the things I should say about this disk is that Stokely (the lead singer, drummer, and misc. instrumentalist) and Kerry Lewis (keyboard player and principle songwriter) are absolutely smoking musicians - absolutely smoking. And that is another things we get on the disc - improvisation. There are quite a few good solos (for quite a few instruments) to bring in a more jazzy feel. Needless to say, it is well done indeed. This album, quite simply, is a piece of R&B history!
If you're looking a CD that has wonderfully profound lyrics, music with substance and authenticity, ballads that rock and a lead singer with a phenomenal voice, then I highly recommend this CD (which is my favorite...although I own all of their other CDs and love them as well).
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| 8. From the Mint Factory | |
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Reviews (17)
Things start out right with the intro, "Welcome To The Mint Factory". That's one thing I've always enjoyed about this band: even the interludes are entertaining. There's also the innovative "My High" and the catchy "Gumbo". But let's not forget about the full-fledged songs. There are smooth ballads like "So Fine" and the low-pitched but still enjoyable "10 Million Strong", as well as my two favorite tracks, "U Send Me Swingin'" (who DOESN'T like that song?) and "Always". Since I didn't hear much of Mint Condition's first album except for the two aforementioned singles, I was a little skeptical when I found out that some songs on here are uptempo. But the fast songs are actually good. "If The Feeling's Right" is irresistibly catchy, and "Nobody Does It Betta" is another one of those so-simple-yet-so-dope songs...the lyrics ("If you don't feel good/Then I don't feel good/Don't you know I love you so crazy"), the production, and the vocals. So, this sophomore offering from Mint Condition is enough to keep anyone happy. They've never made anything close to a bad CD, and while Definition Of A Band remains their best work, this album, as well as their other albums, isn't far behind. Pick it up.
I became an instant fan in 1991 and I continue to be a true blue fan. No Mint Condition album has ever disappointed me and it's because every effort put into them is straight from the heart. This album was one of my favorites because it contained " So Fine " one of the most beautiful ballads I've ever heard. From the minute the album begans, Stokley's heavenly vocals takes you from the grips of Heaven to unchanted waters with blues and jazz sequences only Mint Condition could create. This is a MUST buy for Mint Condition fans and like their other albums, you get your money's worth and more! Long Live The Mint!
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| 9. C.M.B. | |
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Reviews (7)
In truth, it's not all that bad for disposable pop, and as the other reviews state, it was far more honest than any of the other pop albums in the charts at that time. Chart hits "I Wanna...", "All 4 Love", and "I Adore Mi Amore" were the most celebrated, but "Slow Motion" was undeniably funky (featuring Bootsy Collins in the video, if I recall!), and "Thinkin' Back", while certainly a b-side at heart, was a nice bit of a-cappella singing at a time when we were all getting hammered with the BoysIIMen overkill. CMB would go on to have another few hits ("Time And Chance,"Forever Love" and my personal fave "Choose"), but if you put them in the category of soul, a la Kool And the Gang, they don't rate too badly, even after all these years.
I used to cringe when group came out with "I Wanna.." and all the little girls in the neighborhood seemed to know the words to it. 'Course, nowadays we have stuff that is much more provocative than this, but I had to let you know that this is where the demise of western civilization as we know it originated. I mean it. ... Read more | |
| 10. Johnny Gill [Motown] | |
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Amazon.com Reviews (14)
This album is filled with body shakin'grooves like "Rub You the Right Way" and "Fairweather Friend", and sensual, romantic midtempos and ballads like "Wrap My Body Tight" and the timeless, "My My My" (when he sings, "Put on your red dress..." it's all over!) J.G. has a powerful, commanding voice that can be just as smooth. Very few artists have the ability to convey such emotion in a song that they can bring a listener to tears. "Giving My All to You" is the one track on here that does that for me. From the melody, to the lyrics, to his intense delivery, it is a gem. Definitely scoop this up if you want a spicy serving of old school soul. Peace. CLB.
This album has to be one of the best solo albums I have EVER heard. It has a perfect mix of uptempo songs and ballads, with some wonderful production and instrumentation, with some classic lyrics with poweful delivery. Need I say more? The uptempo songs are ultimate classics on any true R&B fan's list. "Rub You the Right Way" has a seriously powerful delivery along with an infectious hook. "Fairweather Friend" has some serious vocal with another catchy hook. "Wrap My Body Tight" has to be the best uptempo song on the album, with another catchy delivery and lovely production. Don't we remember these classics from the early 90s? I know I do! The ballads here all deliver well and could, at anytime, be played at the time of some serious lovemaking. Of course we all know the classic song "My My My" is timeless, with its melodic saxophone in the background as well as Johnny wooing us over with his voice. "Let's Spend the Night" is another classic song for the bedroom. Johnny tests his falsetto and delivers, much like Phillip Bailey of Earth, Wind, and Fire. "Feels So Much Better" is another good song with some lovely lyrics and vocals. "Giving My All To You" has to be the best song on the album with its powerful performance. I know the instrumentals to this song are probably good by themselves. "Lady Dujour" is an ode to your mate, and the lyrics here never falter. Johnny was the ultimate crooner back in the early 90s, even though the R&B market was saturated with others back then. Johnny stood out above them with his churchy vocals and Billboard-topping singles. Even so, the album never dips below the singles' peak. Cop this album if you want something seriously worth calling R&B!!!
Anyway, even if the rest of the album was subpar, "Rub You the Right Way" made it a worthy purchase. But this album also had "My, My, My", "Fairweather Friend" (featuring great backup vocals by the sultry and sexy Karyn White), "Wrap My Body Tight", and "Lady Dujour" - most were huge R&B hits and some were minor pop hits (but none got as high as "Rub"). However, the last couple of tracks on the album really showcases how great a singer Gill really is, especially "Let's Spend the Night" which is my 2nd favorite track on this album. This album was a monster. Everyone knew that Gill was a major talent, but he just never had the material or producers it seemed to make a major impact (this was his 3rd solo album, first for Motown, plus he had replaced Bobby Brown in New Edition). That all changed with this album as he had great producers in Jimmy Jam & Terry Lewis as well as LA Reid and Babyface. The bad thing is that this album was so powerful that it was unrealistic to expect Gill to ever top it. Almost 15 years later, there still really has never been a R&B CD that can compare to this one, IMO. And even though Johnny has been singing some with Keith Sweat and Gerald Levert plus he participated in the New Edition reunion thing since this album, he has been inactive for awhile. Here's hoping that one of the greatest singing voices I have ever heard gets back in the studio with top-notch talent around him like it was on this album. He has been missed.
I love Johnny's singing style-So manly! It takes me back to a time where artist really wanted the fans to enjoy their God given talents!! The lyrics are just wonderful and inspiring! | |
| 11. Levert.Sweat.Gill | |
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| 12. Life's Aquarium | |
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Amazon.com Reviews (48)
Mint Condition is known for intricate instrumentation and deep lyrics on their ballads. This album does not disappoint. From the beautifully arranged strings on "If You Love Me" to the acoustic guitar and finger snaps on "Just the Man", Mint continues to use subtle sensuality where many artists are blatant and unimaginative. "Touch That Body" will have you up and dancing. "Pretty Lady" with Charlie Wilson is a sassy duet that bridges the generation gap. "Who Can You Trust" and "Be Like That Sometimes" both have universal messages we can relate to; its hard to trust when people aren't always what they seem. "Spanish Eyes" sparkles with a Latin flow and even un poco Espanol, spoken and sung on the track. "Leave Me Alone" is that one rock joint that MC always always throws in their ecclectic mixes. "Is This Pain Our Pleasure" is a bouncy track speaking on the love/hate aspects of relationships. Throughout the album I was looking for the INTERLUDES and was about to give up until I found the hidden tracks at the end. I won't reveal names, you just have to get this joint and find it yoself! :o) Overall, Life's Aquarium gets much love. I can't wait for the next album to drop and hopefully they'll put actual live in concert tracks on it because NO ONE can "break it down" like Mint. Peace. CLB.
Other songs like Touch That Body, Who Can You Trust (despite engaging lyrical content), Call Me, and Tonight sound so inferior to the Mint's overall musical talents that they were better off being shelved for the integrity of the album. That said, Life's Aquarium still remains a good listen for the most part. I just wish the band was able to keep the live vibe going throughout this time around. Maybe they will on their next project, if that happens anytime soon...
For lovers of those classic ballads that they belt out, try "If You Love Me", "Is This Pain Our Pleasure", and "This Day, This Minute, Right Now" on for size. But it's on my favorite track, "Pretty Lady", as well as the most introspective track, "Is This Pain Our Pleasure", where you see classic Mint. Uptempo tracks are also good, like the rock-influenced "Leave Me Alone". I would still listen to this album, but I seem to overlook this album and go to their first three albums instead. The reason is because although Jam and Lewis, who disbanded their label that Mint was on, didn't leave the band hopeless, this album is missing that Mint Condition quality. There's no blazing drum solo from Stokeley to open the album, no long guitar solos, no six- or seven-minute songs--you know, all the stuff that makes Mint Condition Mint Condition. Maybe they grew up, or it was the effect from switching record labels. Oh well, this album from one of the still-standing R&B bands is still worth a listen.
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| 13. Bobby | |
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| 14. WBBD-Bootcity! TheRemix Album | |
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To no surprise, the smash cut is the highlight, but other gems include Do Me! (smooth version), which is noticeably more interesting than the original, and the electronic/house version of "Let Me Know Somethin!", which is reminiscent of Snap! or C & C Music Factory. Also of note is the creative radio-style program format they use to portray the album, with D.J. interludes and a very interesting interview mid-way through the set. If B.B.D. had another smash single from this set, i would have definitely marked it a 5, as "Word To The Mutha" merits 3 stars alone. Nevertheless, their work is still commendable. For all intents and purposes, B.B.D. succeeded in tying their fans over into their long-anticipated sophomore follow-up. They achieved platinum standing and, coinciding with a enonymous smash in "Poison", became one of the leading figures of new jack swing. Needless to say, if you already have "Poison", it would be a wise investment to purchase this album as well.
The music alternates between being rough and thug-ish (#3: "Ain't Nut'in' Changed"), highly sexual (two versions of "Do Me"--#5: a smooth, slower remix; and #10: a faster, more synthed version), and romantic (#6: "I Do Need You" and #11: "When Will I See You Smile Again?"), without pushing its PG-13 limit. Like the front cover states, this group/CD is ideal for listeners who like "hip-hop, smoothed out on the r&b tip, with a pop feel appeal to it."
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| 15. Let's Get the Mood Right | |
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Take the Babyface-penned title track, for example. The song sounds fine until you get to the chorus: "Let's get the mood right/Turn on your heart light." Turn on your heart light? That's too cheesy, even for Babyface. And "Love In An Elevator" is full of corny lyrics like "They say there's no luck on the thirteenth floor/But I found love and so much more" and "Like The Staples, I wanna take you there." "Simply Say I Love You" is okay, but the album said Stevie Wonder is featured in this song. Maybe it's just me, but I don't remember hearing Stevie in that song. The only songs that really stand out are "Maybe" and "It's Your Body". The latter features Roger Troutman, and we all know that slow Roger Troutman songs are irresistible. The thing that really brings the other slow songs down is that they all talk about the same thing: sex, sex, and more sex. The sleepy production doesn't make things better, either. Another problem on this album are the corny uptempo songs, especially the very last track, "So Gentle". It features a rap from Ron DeVoe, so you know what the main problem is. But the thing is that the preceding song "I Know You Want Me" features uninspired rapping from some other guy, and his rapping is actually worse than Ron's. I still like Johnny Gill, but this album seems like it was rushed. And the strong adlibs he's known for usually adds feeling to the songs, but here it seems like they're trying to hide the questionable material. You're better off getting the solo albums he made before this. ... Read more | |
| 16. Dance!...Ya Know It! | |
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| 17. Provocative | |
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Amazon.com Reviews (2)
"Provocative" shows Gill in a variety of formats, from dance ("The Floor") to romantic ballads ("Quiet Time to Play") to the sacred ("I Know Where I Stand"). It's on the latter that Gill presents a voice that is destined for the stage. A fun ditty is "A Cute, Sweet Love Addiction", written by Jam & Lewis, paying homage to Tyrone Davis's "If I Could Turn Back Time".
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| 18. Meant to Be Mint | |
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| 19. The Best of Color Me Badd | |
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| 20. 20th Century Masters: Millennium Collection | |
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