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| 1. Earth Wind & Fire: Greatest Hits | |
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Amazon.com essential recording Reviews (40)
This set is great for people who are re-discovering EWF like myself - who really only heard their popular hits on the radio, but never bothered to buy a single EWF CD/Album. What is neat about this set when I bought it is that with some of the titles, I never knew... until I heard the song and said..."oh I know this one!... "didn't know they did this song"! It ended up I knew about 12 of the 17 track on here already, which was great! Bottom line: Great funky tunes, R&B classics, as well as nice soulful ballads. That's what EWF is and will always be... a shining star. Get it!
Some of the era's most needed, heeded messages ran deep and sweet atop Verdine White's bass grooves (front and center on "Getaway"), brother and leader Maurice's drum and percussion tracks honed over years with Chess Records' rhythm section ("Saturday Nite," "Kalimba Story," 1977's dazzling "Serpentine Fire"), Louis Satterfield's horn section scrambling through jazz-rock mazes every track (becoming a 80s rock stalwart backing Phil Collins), and Phillip Bailey's high, clear falsetto on "After The Love Has Gone," the prom dance standard "Reasons," the soaring chorus of "September," and the elegant "Fantasy" which, with "Serpentine Fire," gave R&B one of its best 1-2 LP opening tracks. (It's restored to album length here, with Larry Dunn's superb keyboard intros, after being edited on two previous best-ofs). Messages like "You're a shining star...shining bright to see what you can truly be," "If you sing a song today, you will make a better way," "Try to resist all the hurt that's all around ya..." moved feet and hearts, misinterpreted by spiritual seekers and hedonists alike in the "Me" decade's last discofied days. The Whites understood disco's falsity: "Morning deals a bad hand to a woman who has made too many bets," Maurice sings on 1979's galloping disco smash "Boogie Wonderland," adding, "You dance and shake the hurt." But by early 1982, needing a hit after a slow-selling double-LP the year before, EWF gave in to the dance grooves and party-down lyrics of "Let's Groove," their last Top 5 hit. Despite a generous 18 tracks (and an excellent geneology of the group by Kevin Goins), longtime fans will miss "In The Stone," "Fall In Love With Me," "Head To The Sky," "Let Me Talk," and others. These are found on 1995's "Eternal Dance" box, the "Elements of Love" ballads collection, or two previous best-ofs. This "Greatest Hits" packs their best-known pop songs into an exceptionally sounding disc (thanks to Mark Wilder's remastering), providing an essential introduction to one of the Rock and Roll Hall of Fame's most surprising, satisfying member groups.
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| 2. Beautifully Human: Words & Sounds 2 | |
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Amazon.com The album's only flaw may be that it ends too soon, but then again it's always better to leave a listener wanting more. For Scott, being "Beautifully Human" means just that--finding the allure in all that life has to offer and that's well worth the wait. --Rashaun Hall | |
| 3. Stevie Wonder - The Definitive Collection | |
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Amazon.com Reviews (33)
Also, the CD insert is worth reading. A good bit of trivia that they included was how each song rated on the R&B, Pop and Adult Contemporary charts.
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| 4. Shrek 2 | |
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Reviews (27)
Little Drop of Poison is a sexy song. I think it is a good song to slow dance to if you have a partner. Funkytown is a great disco classic and a good addition to this soundtrack. People Aint No Good is a sad song sung with a lot of emotion. I really liked it too. Shrek 2 is a fun soundtrack with a nice variety of songs. I loved it!
Jennifer Saunders is remarkably talented. I love her version of "Holding Out for a Hero" and who can't smile at the Disney-parody "The Fairy Godmother Song"? The line about the bichon frise cracks me up every time!
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| 5. The Very Best of Prince | |
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Amazon.com Reviews (91)
PROS: CONS: OVERALL:
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| 6. Pure Disco [Polygram] | |
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Reviews (29)
Some are better than others, of course, but each song is catchy and the bass lines are funky. Not to mention cheesy. If you're looking for a cool collection of disco music and don't want to splurge the cash for expensive box sets or individual artists' albums, the "Pure Disco" series is a great investment. Throw in the "Saturday Night Fever" soundtrack and you've got enough great disco songs to blister your feet up. Why only four stars instead of five? That's easy. Barry White's "the First, the Last, My Everything" isn't the REAL version. Polygram omitted the spoken introduction and the phrasing is just a bit different from the original version. Must be some sort of radio edit. Despite this, great compilation. Two other recommendations: "the Bee Gee's Greatest Hits: the Record" and "Barry White: the Ultimate Collection."
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| 7. Epiphany: The Best of Chaka Khan, Vol. 1 [1996] | |
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Amazon.com Reviews (39)
golden oldies you got "I'm Every Woman, "Ain't Nobody," "And The Melody Still Lingers On (Night In Tunisia)" & "I Feel For
Epiphany...a sudden revelation! What a concept, but who hasn't heard of Chaka Khan. She's the essence of greatness, personified in a voice. Her sense of timing, passion, texture and variety helped to create a super musical career. I bet she's an awesome person to have this greatness within her. Ain't Nobody is the perfect entry into her catalog of songs. It's funky, streetwise and ethereal at the same time. How often do you get that combination? Other honorable mentions are the classics 'I Feel For You', 'I'm Every Woman' and 'Through The Fire'. Those are worth the price of admission alone. Then you get surprises like 'A Night In Tunisia', 'The End Of A Love Affair' and 'Love Me Still'. What a collection! I could go through and rate all the songs, but I'll just say that I''m waiting for an encore. I missed hearing some of the other great Chaka songs like 'Be Bop Medley', 'Got To Be There', 'This Is My Night', 'Eye To Eye', 'My Funny Valentine', 'Clouds', 'Love You All My Lifetime', 'You Can Make The Story Right' and so many more. I know an encore (Volume 2) is coming. How can it not?
Just check out Chaka Khan's stellar performance of the standard My Funny Valentine on the Waiting To Exhale film soundtrack. It rings through loud and clear. Khan has claimed her rightful place at the front of the line for Queen of Soul divas in waiting! With an immensely impressive body of work to support her, Khan is perhaps the most qualified contender for Aretha Franklin's long-held moniker. (The only other serious potentials who come to mind would be vocal powerhouses such as Gladys Knight, Patti Labelle, Stephanie Mills, and a few others.) Listening to these recordings, mostly from the 70s and 80s, it strikes one that Chaka Khan's contribution to Rhythm & Blues/Soul, as well as pop music at-large is as immense as her astonishing vocal rage. The wonderful jazz meets funk flow of The Melody Still Lingers (Night in Tunisia), and the tailor-made What'cha Gonna Do For Me are just two testaments of the unique vocal prowess she has been treating record buyers to since the early 70s. Never Miss The Water, the first single release of five new cuts, re-teams Chaka with producer David Gamson (Scritti Politti). It is a funky romp, recalling their Love You All My Lifetime, from the Grammy-winning The Woman I Am. Musician Me'Shell Ndegeocello's strategically placed raps lend some street authenticity to the tune, and maestro Frankie Knuckles' smokin' club re-mix should go over quite well with the under-thirty-five dance crowd. Elsewhere on this collection we find, Through The Fire, from '84's I Feel For You. This beautiful ballad is a stunning reminder of just how sweet 'n girlish Ms Chaka can be when she puts her mind to it. (Remember Sweet Thing?) On the other hand, we find Rufus' awarding-winning swan song Ain't Nobody. This song, with its space-bound keyboard turns, hook-laden lyrics, and straight from the street vocal, is just as hip today as it was when initially released back in '83. The ! countless remakes of this tune of late don't hold a candle to the original funk masterpiece. Of the new cuts, Every Little Thing, is a playful little ditty that keeps sounding better and better with repeated playing. It jams; it swings. Some of Chaka's best scat-singing is featured here - while the bass playing is to die for! Something Deep, is a much-welcomed, heavily bass-driven, sassy low-down groove thing from the team behind some of Brandy and Tevin Campbell's most recent dance jams. Khan really spreads her wings here, encompassing, as only she can, straight from the heart soul diva lovelorn wailing, then sliding effortlessly upward into razor sharp jazz-scale phrasing of a class that seems to get better with each new recording. Everywhere, the surprising but logical re-make of a Fleetwood Mac song, is done here with a warm Caribbean treatment. Diehard rock fans may flinch at the new direction this song has taken. Yet, all-in-all, it is business as usual for Ms Chaka, as she flaunts her bountiful interpretive skills on the tune. The compilation says it all: Chaka Khan is The Voice. Bless yourself, or a friend - hear theses recordings for yourself and experience the magic. The Queen of Soul-in-Waiting has spoken. kprovo@hotmail.com
Clouds This would make for a perfect addition to Epiphany. ... Read more | |
| 8. 70's Pop Hits | |
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| 9. The Very Best of the Meters [Rhino] | |
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These original funky brothers from all hailing from the West Indies created the most amazing and invigorating fusion of funk and african reggae ever heard. Most famously sampled by the Fugees, De La Soul ,EPMD and many others. Cymande is one of the most sampled bands in Hip Hop ever. However, no longer is this band hip hop's little secret. This album allows new listeners to hear the great original tracks in a re mastered format. Featuring "Brother's on the Slide" and "Listen". This is an anthology of their most memorable material from the original 3 LPs recorded the between 1972-1974 in London, UK. Its unfortunate that their amazing musicianship was too unique for the period. Yet today people are rediscovering and grooving to these hidden jewels. Dive in and feel the Funk!
Each of the four original Meters was a master of New Orleans meter, with drummer Joseph "Zig" Modeliste showing especially deep mastery of second-line rhythms. Leo Nocentelli's guitar and Art Neville's keyboards combined in a similar way to the soul sounds heard from Booker T & The MG's, but there was an underlying funkiness (in no small part due to the rhythm battery of Modeliste and bassist George Porter, Jr., but also from the way Nocentelli and Neville played both melody to rhythm) that gave the band its distinctive sound. This is a nearly perfect single-disc distillation of The Meters brand of rootsy New Orleans funk, with excellent, informative liner notes. Those who need a broader view should check out Rhino's double-disc "Funkify Your Live: The Meters Anthology," but most will find this nearly hour-long disc to be a compelling and sufficiently complete tour through the band's catalog.
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| 10. Pure Disco, Vol. 2 | |
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| 11. James Brown - 20 All-Time Greatest Hits! | |
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Amazon.com Reviews (40)
For most people, James Brown is known for I Feel Good, Livin' in America, and his prison sentence a while ago. Most people have no clue what James Brown really did for American music. He's the acknowledged Godfather of Soul, one of the original and probably the greatest funk master, an R&B legend, and if you've ever bothered to find out where so many rap song samples come from, you'll recognize him at the roots of hip-hop. This disc is a fine introduction to a career that everybody needs to hear more of. The album starts off with the obligatory and overplayed "I Got You (I Feel Good)," but then we get to hear JB rip it up on the classic "Sex Machine." Then, we get classic after classic including my favorites "Mother Popcorn, Pt. 1," "Papa's Got a Brand New Bag," "It's A Man's Man's Man's World," " Cold Sweat, Pt.1," "Super Bad, Pts.1&2'" and my absolute favorite on this disc "The Payback," a long, slow, heavy, politically-charged piece that really grew on me. Just remember that this disc just scratches the surface of the JB catalog. You may not be able to afford it, but if you're looking for a great retrospective of James Brown's work, you need to get the Star Time box set. It includes career highlights from the 50's all the way to the 90's. I hope you take my advice and get this album because it's a great testament to an artist who remains underappreciated by most people.
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| 12. Music from the Motion Picture "Purple Rain" | |
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Amazon.com essential recording Reviews (122)
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| 13. Sly & the Family Stone - Greatest Hits [Epic] | |
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Amazon.com Reviews (22)
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| 14. The Very Best of Kool & the Gang | |
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Reviews (12)
Never as popular as the comparable Ohio Players at their mid-70s peak, Kool & The Gang with producer Eumir Deodato crafted a funk/R&B/pop formula that clicked literally as the clock struck midnight to begin the 80s. They hit equally with funkier tunes and lush ballads, many with one-word titles: "Fresh," "Misled," "Cherish," "Joanna," "Tonight," and the cliched #1 hit "Celebration" (refreshed little by a house remix). You also hear the group's bass-heavy, influential and heavily rap-sampled early hits like "Funky Stuff," "Hollywood Swinging," and the "Pulp Fiction"-featured "Jungle Boogie." Together, these songs form nearly 15 years of hitmaking that, despite personnel changes that ultimately sunk the group, stands with the best in modern classic R&B. Recommended.
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| 15. Thriller [Bonus Tracks] | |
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Amazon.com essential recording There's also the title track, which takes a cue from Parliament's concept pieces in employing Vincent Price to warn that nonfunky forces will "terrorize y'all's neighborhood." Thriller, of course, continues to battle with the Eagles' first greatest-hits package for the title of biggest-selling U.S. long-player ever. Bonus material on this edition includes "Someone in the Dark," from Jackson's E.T. children's album, and a Quincy Jones interview in which the producer cites "My Sharona" as the inspiration for "Beat It"--and, even better, the real-life Billie Jean's claim that Michael was "the father of one of her twins." --Rickey Wright Reviews (126)
I enjoy this album in large part because of The Girl Is Mine, Human Nature, P.Y.T and the Lady in My Life...all very R&B soulful tracks. On the remastered versions includes behind the scenes (so to speak) with Quincy interview and a home demo for Billie Jean. As a fan of Michael Jackson-and I assure many fans agree...that this was a wonderful move by Michael and Sony. Rare tracks without going underground! :-) Included tracks on the remastered version of Thriller are... Billie Jean home demo...what can we say? a work in progress...a real treat, even for those of us who are not a fan of the track!! :-) Voice over session from Thriller-including the never heard before 2nd verse. With Vincent Price...another wonderful treat. and a song called Carousel...a pleasant song but I am glad that if a song had to been omitted the first time around, this song was a good choice to leave out compared to the other tracks on the album. It's another rare track if you don't get bootlegs from the underground All in all, you can't go wrong with this cd, even if you have the first version cd because the extras and the remastered version of the original songs are well worth the money!!
However, you when you take away all of the awards, music videos, and tabloid stories, you are left with the music. The special edition release is a chance to listen to the music with fresh ears. The remastering is a quantum leap over the original CD release, possibly because the original CD release was rushed out. Everything sounds a lot crisper, particularly the percussion and horns. Beat It sounds absolutely majestic in this new version and the most improved song of all. The bonus tracks are a major treat. Someone In The Dark from the ET storybook is one of the lovliest songs he's ever done. The Billie Jean demo is obviously a work in progress but is interesting. The Billie Jean demo raises the question of whether or not there are other demos and outtakes around. They would be fascinating to listen to. The Vincent Price Thriller rap is hilarious and includes the missing 2nd verse (can you dig it?). Carousel, a Michael Sambello cut is okay but having it on the original album might have disrupted the impact of the original. The front cover of the CD package sports a stunning cover of Michael with a baby tiger. With all of Michael's subsequent appearance changes, this photo's impact is particularly striking. It's almost as if the Michael that came out with Thriller doesn't exist anymore. With this album, he was not yet named "the King of Pop" but he was probably one of the most recognized and beloved person on this planet. Buy this CD and rediscover the Thrill.
I do think this was a better follow up to Off The Wall. Michael Jackson, the biggest selling recording artist in history, proves himself with the biggest selling album in history. The best tracks are Wanna Be Startin Somethin, Baby Be Mine, Girl Is Mine, Billie Jean, Beat It, Human Nature and PYT! Songs like Lady In My Life shows that he can sing beautiful ballads. The title song, "thriller" gets annoying so i skip that track often. Michael Jackson is 100% innocent! Visit my site: www.mjacksononline.tripod.com
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| 16. I Want My 80's Box | |
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Amazon.com Reviews (12)
This CD has a lot of good memories, but some are still missing.
ROLE CALL! Culture Club, present. Blondie, present. Tears For Fears, present. Michael Jackson, absent. Soft Cell, present. Duran Duran, absent. Eurythmics, present. Frankie Goes to Hollywood, present. Cyndi Lauper, absent. Thomas Dolby, absent. Peter Gabriel, present. Madonna, absent. Kool & the Gang, present. Bryan Adams, present. New Kids on the Block, absent, but who cares? Not a bad turn out. Given that there's under 50 tracks, there's a pretty good representation of the hits of the day, and even a few misses (Tempted, Oh Yeah, Weird Science) that have aged better than several high charted songs. If somehow, by this point in your life, you've avoided buying these tracks separately, this is a good way to get them together for your next retro party. But you probably already have more than half of them or you wouldn't be reading this far. As such this may be more than you want to spend. Check out Rhino's New Wave Dance Hits (Just Can't Get Enough) series for a lot more depth and a lot less repetition with your current collection. Wonder who'll be included on the first 3-CD review of this decade...
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| 17. At the Close of a Century | |
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Amazon.com Reviews (96)
None the less, as I read the reviews from AMAZON customers I could not help but note the number of gross ommisions. Granted, you can't please everyone, but over the course of 4 discs, you'd think you could hit the mark on every major cut. My Personal Plee was for the extended 12" mix of FRONTLINE that I own in album form, but I would have settled for a single version. With its riveting groove and strong lyrical message, you would have thot its unclusion a no-brainer. It is a bit unfair to dock the 312 minute marathon a star for one left out song but as I add up the number of complaints, I think there are some missing moments here (DON'T DRIVE DRUNK, ALFIE, and so on). Maybe a live, rarities and B-sides disc is in the works, but the great, great early to mid-sixties Moptown cuts are so, so wonderful, it's a shame Little Stevie does not think as much about his past (he had Motown pull the 3-LP LOOKING BACK anthology from disctribution). I wish those would come back once more...
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| 18. Pure Funk | |
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After having played the CD, I was like, WOW! Every song on this CD totally jams! I found myself buying albums from the likes of Issac Hayes and Curtis Mayfield just through the influence of this CD. I now have a much broader musical taste and enjoy the strains of "The Theme from Shaft" while rolling down the highway. This is my favorite CD by far, and is unlikely to be unseated by another in the near future.
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| 19. Musicology | |
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Amazon.com Reviews (232)
With "Musicology," Prince does what his many detractors -- pretty much the entire community of critics, radio tastemakers and pop-culture gatekeepers -- believed was beyond his present-day capability: He crafts a disciplined pop-rock-soul statement that's fun from start to finish and doesn't require a fan club decoder ring to appreciate. It's got crazily catchy hooks and moments of unexpected euphoric bliss. It takes swipes at Prince's rival in weirdness, Michael Jackson ("My voice is gettin' higher and I ain't never had my nose done," he sings in "Life of the Party"). And it delivers slivers of showstopping guitar cast in contrasting shades, from the metallic crunch of "Cinnamon Girl" to the liquid jazz that enriches the gentle bossa "What Do U Want Me 2 Do?" In songs that resist overt religious proclamations and outright booty calls while flirting, as ever, with both extremes, Prince comes close to the fireworks-erupting energy of old. He looks to his "Purple Rain" heyday, then back further to display a formidable command of music history. There's a minute of ripping avant-jazz swing appended to the otherwise uneventful "If I Was the Man in Ur Life," and those organ chords of "On the Couch" align with the Sam Cooke gospel phase. But he never succumbs to outright nostalgia. His vamps are as dense and culturally diverse (sitar over here, turntables there) as those of OutKast. His melodies are endlessly inventive when compared with the drooled sweet-nothings of the celebrated neo-soul crooners. It's possible to read "Musicology" as not merely late-innings career reclamation, which it surely is, but as Prince's periodic table, a codification of funk's essential elements. The creator of "Soft and Wet" and "Gett Off" has appointed himself a Wynton Marsalis-style conservator of all that's "true" about funk. He connects the slow-cooking rituals of groove associated with Eddie Hazel-era P-Funk to the age of spotless and symmetrical computer music. He finds new application for the restraint that made James Brown a drama machine. He recasts Sly Stone utopianism in a language the hip-hop fringe can understand. The pan-generational lunge works because it's based on the old-school ideal: Everything's so tightly wound it squeaks, each instrument contributes just what's necessary and nothing more. After years of struggle, Prince has decided that revisiting the past doesn't have to be a craven glory-grab. You hear the razor-sharp sounds, and fleeting mention of "terror wars," and you begin to think that the old purple eccentric hasn't lost it after all. Then you hear him utter the rallying cry "Watch me now," and for all his romantic, self-referential yammering about "the day," it's clear that this guy has his feet planted firmly in the present
Prince needs to stick with what got him here - lustiness, edgy lyrics and real wild funk. Taking tea with Kenny G was not what I was expecting with this one! ... Read more | |
| 20. The Very Best of Marvin Gaye [Motown 2001] | |
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Amazon.com Reviews (23)
Marvin Gaye acquired and lost three monetary fortunes during his 23 year musical career. Each time Marvin was confronted with failure, he successfully reinvented himself and gained an even wider following. He became the first black popular music performer to gain complete artistic control over his work, which laid a blueprint for independence to guide other black artists, most notably fellow Motown musician, Stevie Wonder. Marvin Gaye introduced topical and political commentary into his music with his transcendental 1971 album, "What's Going On." Curtis Mayfield may have predated Gaye in the use of social commentary, but no album produced, before or since, has carried the stunning immediacy of "What's Going On." It has become an artistic benchmark by which all other musical accomplishments have been measured. "The Very Best of Marvin Gaye" doesn't overlook any aspect of Marvin's multifaceted career. The dapper young star of the Motown stable with a string of AM radio hits, his successful pairing with Tami Terrell and Kim Weston for duet albums, his stellar 1970s career as both a protest artist and singer of jazz infused love ballads and his final incarnation as the sleek singer of "Sexual Healing" in his trademark smoking jacket. Marvin Gaye lived in an era that produced the most talented rhythm and blues singers in history. In the ten year span from 1963 until 1973 artists like Sam Cooke, Otis Redding, Curtis Mayfield, James Brown, Aretha Franklin, Stevie Wonder, and Al Green were either emerging or established performers. Despite all of his personal demons, Marvin Gaye's career spanned well into the 1980s, when most of his peers from the golden age of soul had either died prematurely or had developed a formulatic approach by using the same production template for every album. Marvin refused to use a cookie cutter approach. Marvin Gaye wasn't afraid of taking chances, reinventing himself and redefining his artistry.
The classic American hits (not all of which charted in Britain) are all here including Can I get a witness, How sweet it is, I'll be doggone, Ain't that peculiar, I heard it through the grapevine, Too busy thinking about my baby, That's the way love is. What's going on, Mercy mercy me, Trouble man, Let's get it on and Got to give it up. Some of his duets are here, too, including Ain't no mountain high enough, Your precious love, If I could build my whole world around you, Ain't nothing like the real thing, You're all I need to get by (all with Tammi Terrell) and It takes two (with Kim Weston). Marvin always considered himself a balladeer like Frank Sinatra or Nat King Cole rather than a typical R+B singer, but his early attempts to establish himself in this role were not a success. Eventually, he did gain acceptance as a balladeer after proving that he could do the R+B material - compare his definitive version of I heard it through the grapevine with the Gladys Knight version, released a year earlier. Marvin actually recorded the song before Gladys but Berry Gordy initially rejected his version. It shows what perseverance can do. This double-CD is a nice introduction to the music of Marvin Gaye, one of the finest soul singers of the twentieth century.
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