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| 1. Waiting To Exhale: Original Soundtrack Album | |
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Amazon.com Reviews (42)
1. Babyface wrote and produced the entire album, and from his history that instantly makes it worth listening to. 2. Mary J. Blige, SWV, Brandy, Chaka Khan, Whitney Houston, Cece Winans, TLC, Toni Braxton, Aretha Franklin, Faith Evans all sing on this album. Can You possibly go wrong? 3. Brandy - Sittin Up In My Room is my favorite midtempo track of all time 4. The soundtrack stands alone. In fact I have never seen the movie but own the soundtrack. Usually you buy the soundtrack and then see the movie or vice versa...not so with this one. The songs perfectly tell the story of the movie judging from the reviews of the movie. Every song has a definite theme and feel. 5. The soundtrack is soothing and relaxing but not sleep inducing. Some cd's have a laid back feel but sometimes make you sleepy...that's not evident here though. Waiting To Exhale - One of the Great Soundtracks of the 90's, right up there with Above The Rim and Murder Was The Case. An Essential album.
Brandy - Sittin up in my room
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| 2. Pure Funk | |
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Reviews (36)
After having played the CD, I was like, WOW! Every song on this CD totally jams! I found myself buying albums from the likes of Issac Hayes and Curtis Mayfield just through the influence of this CD. I now have a much broader musical taste and enjoy the strains of "The Theme from Shaft" while rolling down the highway. This is my favorite CD by far, and is unlikely to be unseated by another in the near future.
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| 3. Sister Act 2: Back In The Habit - Songs From The Motion Picture Soundtrack | |
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Amazon.com Reviews (26)
The opening medley is lively and constantly changing (medleys tend to do that, but not as fun as this one). "Oh Happy Day" is fun to sing-along to, especially if you have seen the movie. They dynamics and voice control on "His Eye Is On The Sparrow" are awesome. The "Ode to Joy" is like "Boston Public" meets Saint Olaf's Choir. Followed by "Joyful, Joyful" will get you off your feet, clapping your hands and stomping your feet. Even Whoopi Goldberg does a decent job in "Ain't No Mountain High Enough". If you love to sing, you must get this album (and should watch the movie, too). If you like upbeat songs or gospel songs, certainly give this album a try.
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| 4. Love Jones: The Music (1997 Film) | |
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Reviews (43)
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| 5. Hitsville USA: The Motown Singles Collection 1959-1971 | |
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Amazon.com Reviews (36)
This is a great place to start a classic pop/rock collection, and I stress that this set is a great PRIMER. There are plenty of essential Motown classics that were left out due to space constraints, particularly hits by the Miracles, Marvin Gaye, The Temptations, and the Supremes ("Where Did Our Love Go," "Stop! In The Name Of Love," and "Back In My Arms Again" are missing among many others). Luckily, these songs are widely available in various single CD, double CD, and box set anthologies, and any of these, depending on your tastes, will fill the gaps just fine. At the time of its release, this box set sounded better than every previous Motown CD, but in recent years, Motown has reissued much of this material in anthologies that feature clearer sounding stereo mixes as well as slightly better sounding mono mixes. Audiophiles may prefer the definition and higher fidelity of the stereo mixes, but there's something about the punchiness of these mixes that make them preferable to me, particularly on the percussion sound.
Every single one of these 104 songs are presented in their original mono sound, just as they were all those years ago. However, nowhere on the package does it mention this important fact. This would normally be a 5 STAR box, but because of the unadvertised mono sound, I give it only 3 stars! A little dishonesty there, Motown.
My favorite of the four CD's here is the first, containing many of the early classics that were huge hits in America but not in Britain, where Motown was slow to catch on. Only My guy, Dancing in the street and Baby love, near the end of this CD, were major hits in the UK for the original Motown artists, though other songs became UK hits via cover versions. This CD is particularly notable for several classic songs by the Marvelettes, Martha and the Vandellas, the Miracles and Mary Wells, though Stevie Wonder, the Four Tops, the Temptations and Marvin Gaye are also represented here by early examples of their greatness. The second and third CD's show Motown at the peak of their power with many classic songs included, although Diana Ross and the Supremes are poorly represented and plenty of other classics are also omitted. However, the absence of these songs leaves room to include songs by Chris Clark, Kim Weston, Brenda Holloway, the Contours, the Monitors, the Elgins, Shorty Long, Rita Wright (better known as Syreeta) and Bobby Taylor. The final CD contains more high quality music but it was around this time that Motown started to slip as some of their stars departed to other labels and the replacements were not always of the same standard. So the final CD is great, but the first three are even better. A companion boxed set covering the years from 1972 is also available. There are great songs on there too but not as many as can be found here. This box is well presented with a superb booklet, but if you want a sixties hits collection, there are many other collections that will suit you better. For the ultimate Motown sixties hits collection, I recommend the British triple CD, Motown gold, which contains over eighty songs digitally re-mastered, almost all of them classics, though a few were hits in Britain but not America. ... Read more | |
| 6. Motown-The Classic Years | |
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Amazon.com Reviews (12)
The only problem with a Motown anthology is that for every great song you include, there are a dozen that had to be left off. Essentially what this set amounts to is a condensed version of 1992's Hitsville USA box set. Only nine of these songs did not appear on the Hitsville Box: "Where Did Our Love Go," "Stop! In the Name of Love" and "Someday We'll Be Together" by the Supremes, "I Can't Help Myself" by the Four Tops, "Going to a Go-Go" by the Miracles, "Your Precious Love" by Marvin Gaye & Tammi Terrell, "I Heard Through the Grapevine" by Marvin Gaye, "Papa Was a Rollin' Stone" by the Temptations and "Neither One of Us" by Gladys Knight & The Pips. [The last two were on Hitsville, vol. 2.] This is a terrific collection of songs and if you don't already have these in your music library, this is a great way to add these classic Motown tracks to your collection. HIGHLY RECOMMENDED
The 2CD set "The Classic Years," from the Universal Music TV department that provided a series of bestselling "Pure" CD reissues ("Pure Ella," "Pure 80s," "Pure Tenors") , represents the most successful attempt yet to capture priceless Motown magic in an affordable bottle. Of course too many songs are missing; even the casual music fan will miss seminal tracks like "Love Child," "Get Ready," "I Second That Emotion," and dozens of others. Meanwhile, "Papa Was A Rolling Stone" and "Someday We'll Be Together, " (the Temptations and Supremes last #1 hits, respectively) are weightier productions than actual songs, best left off the next anthology. Credit goes to Harry Wenger's liner notes, which do not yet again attempt to chart the road in and out of "Hitsville USA" or contemporize it (a fault of Nelson George's essay in 1998's "Motown 40 Forever" ). Instead, you get interesting background stories and ironic commentary within songs. For example, the notes on Gladys Knight and Marvin Gaye's respective versions of "I Heard It Through The Grapevine" bridge their drastically different, magnificent renditions. The annotation on David Ruffin's still-powerful solo hit "My Whole World Ended" (a rarity on compilations like this) point out that the song originally was for his former group, the Temptations. But these 40 songs, covering 1962-71 (considered the "classic years," when the label was headquartered in Detroit), form as good (and good-sounding, thanks to Suha Gur's exceptional remastering) a time capsule of a music and era as we may get in the still-new millenium. No Motown collection (or pop music collection) is complete without "My Girl," "I Can't Help Myself," "I Want You Back," "Do You Love Me," and almost all the other songs here. This is a value-added, intelligent way to acquire them, and "The Classic Years" delightfully introduces "The Sound of Young America" to yet another generation.
True, it is primarily a condesation of the more comprehensive Hitsville 1959-1971 collection. But in one respect it is definitely better, and that is regarding the Supremes. The Hitsville collection inexplicably omits their signature hits Where Did Our Love Go and Stop! In the Name of Love, as well as their swan song Someday We'll Be Together, all of which are on this collection. This collection also keeps the maximum number of songs per act to five, which enables it to include great hit songs by lesser known groups such as the Undisputed Truth and the Contours. Above all, this is the Best of the Best of Motown (16 of these songs were No. 1 Pop Hits, only one song - Money - did not make the Top 20), and that is very good indeed.
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| 7. Pure Funk, Vol. 2 | |
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| 8. Old School Jams, Vol. 3 | |
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Album Description Reviews (2)
The longer/remixed versions of Blondie's "Rapture", Rick James's "Super Freak", "You Dropped a Bomb on Me" (The Gap Band) and "Rock Steady" by The Whispers are welcome jams that are timeless. However, cuts like "Last Night a DJ Saved My Life" (Indee), "Ain't Nothing Going on But the Rent" (Gwen Guthrie), "The Show" by Doug E. Fresh and a few others had their "moment in the sun" in that decade and were more appreciated by my sibling's 30-something-year-old ears than my slightly more "mature and refined" late 40's-year-old ones. What a difference a decade and a half makes! Sheesh! ... Read more | |
| 9. La La Means I Love You: The Definitive Collection | |
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Amazon.com Reviews (28)
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| 10. Boomerang: Original Soundtrack Album | |
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Reviews (17)
The grace jones track is hillarious, sorry.
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| 11. Millennium Party: Funk | |
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| 12. Billboard Hot R&B Hits 1986 | |
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| 13. Street Jams: Electric Funk, Vol. 1 | |
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| 14. ESPN Presents: Jock Rock, Volume 1 | |
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| 15. Street Corner Serenade: The Greatest Doo Wop of the '50s and '60s | |
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Amazon.com Reviews (4)
As with many American musical inventions, blacks took the lead, but were quickly followed by white and interracial groups from adjacent urban neighborhoods, and all made major, innovative contributions to the "genre". Valuable detail on many of these groups is provided in the CD cover notes. They exemplify vocal teamwork as well as any church choir, all the way from falsetto to bass, and that is what makes them so much fun to listen and sing along to. Unlike other musical styles prevalent in the fifties and early sixties, doo-wop evolved virtually in isolation, having little in common with blues, jump, jazz, swing or rock 'n roll, and its influence on the subsequent evolution of rock or pop was limited. Still, you can hear the influence of barbershop quartets in doo-wop, and echoes of doo-wop in the harmonies of the early Beatles or Temptations. Doo-wop is like one of those evolutionary anomalies, such as the Koala - cute, cuddly, funny-looking, well-loved, but nothing like a dog, or a cat, or a horse. And yet, doo-wop was a critical part of the soundtrack of the decade 1954-1963 (roughly from "Earth Angel" to "So in Love"), and was actually close to being dominant from 1958-1961. Doo-wop exudes joy and yearning, both in the songs themselves, and in their performance, and you can be sure that these studio creations, although masterful enough to draw tears from your eyes, fall far short of the magic of the actual street corner serenade. And so, this CD is only the tip of the iceberg - but what a treasure. And to make an obvious comparison to what is today marketed as the "urban sound", this was from a far kinder, gentler, more inclusive urban culture.
Since there were so many great songs from that era, Rhino could not include every great doo wop song ever made. One major omission is "At the Hop," by Danny and the Juniors. Still, these recordings are an obvious testament to the superiority of the music forty to fifty years ago, when people could actually sing and when listeners could actually make out a melody. We may never have that era back, but thank goodness we have these recordings for posterity.
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| 16. Atlantic Rhythm & Blues 1947-1974 [Box] | |
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Amazon.com Reviews (26)
Really great stuff! Totally worth it!
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| 17. Rhythm Country and Blues | |
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Amazon.com Reviews (22)
For anyone who loves country and r&b standards, who wants to hear talented voices in new territory, or who wants a well-rounded musical education, this MAY be the best album you can find.
The music, of course, is priceless, from the Vince Gill/Gladys Knight treatment of the Marvin Gaye/Tammi Terrell 1968 hit, Ain't Nothing Like The Real Thing, down to the George Jones/B.B. King coupling on Patches - and everything in between. It's hard to pick out a favourite, but if pressed I would say the pounding rendition of the Eddie Cochran 1959 hit, Somethin' Else, by R&R Hall of Famer Little Richard and Country queen Tanya Tucker, followed closely by the Brook Benton 1970 hit Rainy Night In Georgia, rendered beautifully by Sam Moore [of Sam & Dave fame - also in the R&R Hall of Fame] and the inimitable Conway Twitty, a Country Music Hall of Famer who was, sadly, dead by the time this hit the shelves. I don't know if this album was the recipient of any awards - but if it wasn't that has to be the biggest miscarriage of justice in the annals of music. I cannot recommend it highly enough.
I get a kick out of Patches with B.B. every time I hear it. | |
| 18. To Wong Foo, Thanks For Everything! Julie Newmar: Music From The Motion Picture | |
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HIGHLY recommend it ESPECIALLY to Salt N Pepa fans! Body Beautiful Baby, WORK that BODY! haha! GET IT! NOW! Nice spot with Rupaul at Webster Hall, which if you grew up in NYC is good enough of a reason to get the movie...
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| 19. Old School Jams: The History Lesson | |
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Album Description Reviews (8)
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| 20. New Millennium Funk Party | |
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