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| 41. The One | |
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Amazon.com Reviews (24)
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| 42. The Miseducation Of Lauryn Hill | |
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Amazon.com's Best of 1998 Reviews (796)
In case you didn't realize it, 1998 was when hip-hop/rap was acceptable to EVERYONE. Back then, you didn't deserve to have any friends if you didn't play The Miseducation of Lauryn Hill, Vol. 2 Hard Knock Life or It's Dark and Hell is Hot at your parties. In fact, the inclusion of Lauryn's smash, "Doo Wop (That Thing)", on radio playlists helped get Jay-Z and DMX on the radio and MTV. Never before have I heard a woman who could sing AND rap great (Mystic would come years later). From the reggae-influenced "Lost Ones" (no, it's not about Wyclef, contrary to popular belief) to the very last bonus track, this album offers us a look into Lauryn's pains, loves, beliefs, and of course, talent. "Every Ghetto, Every City" tells about back-in-the-day situations, "Superstar" criticizes wack emcees, and "To Zion" is a great tribute to her seed. The duet with Mary J. on "I Used to Love Him" is also stellar (check out the subtle sample of Raekwon's "Ice Cream" in that song). The Miseducation of Lauryn Hill is by no means a perfect album, as evidenced on the unnecessary hip-hop/R&B remake of "Can't Take My Eyes Off of You" and on the lazy sounds of the D'Angelo duet, "Nothing Even Matters". But those flaws are very minor compared to the overall greatness of this album. I don't know if Lauryn will ever be this great again, because now she's an emotional wreck and a certain individual named India Arie Simpson took over her role as "black female singer/songwriter with a guitar". But Lauryn, you have a fan for life.
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| 43. Get Rich Or Die Tryin | |
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Reviews (886)
Overall most of the songs on this track are quite entertaining and there are lots of songs on here, including some hidden bonus tracks. On long car trips I don't find myself yearning to skip songs, which in the age of CDs, means I must like the CD overall quite a bit. Yet, there aren't a lot of great songs here. In Da Club, the most popular, is the best. There are a handful of other really good ones (see below). I rate this CD a very respectable FOUR stars: What Up Gangster * Patiently Waiting and 21 Questions are near stars. I also like P.I.M.P. but the embarrassingly bad performance of this song by 50 Cent and Snoop Dogg at the MTV Music Awards turned me off of this song. ---------------------------------------------------------------
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| 44. Lean on Me-Best of Bill Withers | |
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Amazon.com Reviews (41)
Although the Amazon.com reviewer incorrectly indicates that Bill only had two huge hits, "Ain't No Sunshine" and "Lean on Me", he/she must have not have done his/her due diligence as "Use Me" and "Lovely Day" also were smashes, but Bill is not about his "hits" but about his amazing ability to sing songs that are sexy, smooth, spiritual and does it in an understated manner that does not come off as generic, but serves as an example of a true original. Listening to this amazing release (which should be the only one to buy if you are in the market as there are at least 3 out there) you get a feeling of all being well with the world. The remastering is amazing and the songs sound even more effortless than ever yet they stick with you for days. I am amazed at not having discovered a fuller spectrum of Bill's work until now, as all the non-hits sound at catchy and lovely as the hits. Again, I have to express my surprise at how a seemingly low key performer manages to put together songs that stay with you longer than any of the "anthems" or even better known songs and/or performers. Buy this at once if you love melody and music that is as relevant today as when it was first released. In my opinion, this greatest hits package should appeal to those who are seeking every "neo-soul" artist that puts something out there but, with some exeptions, nothing is better than the real thing. There is not a dud in this 18-song collection and I can't remember the last time that I have experienced that.
Of Bill's songs, Lean on me is the one that is most frequently covered. It is a classic, anthemic song that can be interpreted as a love song or as a gospel song, while its basic simplicity allows it to be adapted to many different musical styles. Nevertheless, among Bill's own hits, the first one that comes to mind is actually Lovely day, partly because others have had a hit with Lean on me (so people who know the song don't always associate it with Bill) and partly because Lovely day is such a fantastic song anyway. But Bill's great songs don't end with Lean on me and Lovely day - Ain't no sunshine, Just the two of us, Use me and Grandma's hands are just a few of the other great songs here and on other Bill Withers compilations. ... Read more | |
| 45. Turning Point | |
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| 46. Best of Bowie | |
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Amazon.com Reviews (55)
First of all, here's the tracklist for the two disc version: Disc: 1 Disc: 2 As you can see, you'll get all of Bowie's biggest hits on here. (Space Oddity, Changes, Under Pressure, Let's Dance, China Girl, Fame, and the fairly recent hit I'm Afraid Of Americans.) Perhaps one of the finest things about these songs is the musicians who co-wrote or made guest appearances on them. Under Pressure was a collaboration with Queen, Let's Dance and China Girl feature the late Stevie Ray Vaughan on guitar, Fame was co-written by the late John Lennon, and the cover of Dancing In The Street is a duet with Rolling Stones vocalist Mick Jagger. Twenty tracks of pure excellence. Just about every excellent track that was omitted from the one disc version of this compilation can be found here. These include Cat People, The Man Who Sold The World (later covered by Nirvana) and All The Young Dudes (later covered by Bruce Dickinson.) But even though this is many times better than its one disc counterpart, I have a major complaint - NO TRACKS FROM PINUPS! Bowie's covers of the Who's I Can't Explain and the Easy Beats Friday On My Mind must be heard to be appreciated, and sadly, they aren't here. This makes me mad, because I Can't Explain WILL fit on the first disc. David Bowie is an excellent musician, but as I stressed above, make extra sure you are buying this two disc version so you can get everything the one disc version omits. The two versions have identical covers, so be sure to check the tracklist on the back to be sure you're getting this one.
Disc 1 This listing is very unique because it includes the big pop hits (the poppy R&B meets rock guitar "Let's Dance"), culturally significant songs (revolutionary singer-songwriter moments like "Changes" and "All The Young Dudes") and excellent singles that didn't get the attention they deserved the first time (the industrial rocker "Heart's Filthy Lesson"). The fact that "Best Of Bowie" takes songs form nearly every Bowie studio album (except for the cover packed "Pin Ups" and "Buddha Of Suburbia", which in all fairness was a soundtrack) shows all the levels that the man works on musically. The seventies are where Bowie shines with everything from the edgy alien hard rock of "Ziggy Stardust" to the glam rock perfection of "Rebel, Rebel". "Diamond Dogs" (only live track and the longest in length at over 6 minutes) should have been a shorter track, especially since they cut down the stellar cynical lyric with an R&B beat of "Young Americans" to a single edit. The Berlin tracks are a great way to end the first disc. "Low" is represented well by the dancy "Sound And Vision" while "Heroes" is tragic and wonderful. Then there is the eighties heyday from disco flavored new wave of "Fashion" to horn blasting "Modern Love" (which I viewed as a sardonic joke about yuppie culture, right?) to that poppy Motown cover "Dancing In The Streets" (with Mick Jagger adding his swagger). Then there was the nineties peak of creativity of the bleeping drum machine pop "Jump They Say" to the moody introspective AC of "Thursday's Child" to the techno rock dance of "I'm Afraid Of Americans" (the Trent mix) and closing with the passionate soul rock of "Soul Burn". The unfortunate thing is that it misses with some track placement. I don't understand why "Time Will Crawl" represents "Never Let Me Down" and the obvious not "Day In, Day Out". Also, some tracks take getting used to like the collaboration with the Pat Methany Group with the world music with a dance groove "This is Not America". And now I understand why people dislike Tin Machine with the c-rocker blah bombast of "Under The God", but it shows an interesting side of Bowie. These very few questionable tracks (which I can live with) don't change my overall impression of the set being very strong. Slight omissions (why not "Rock And Roll Suicide" from "Ziggy Stardust..."?) and edits (or non-edits in some cases) doesn't change the fact that this album is filled with some of the greatest transformations from the rock chameleon that Bowie is. He has rocked us in a variety of ways and this album is needed for those who have adored him for years and is superb for those just starting out. Keep in mind that there are about 22 verisons of this CD, most single discs. This is the American double CD verison.
And then came an interesting phases in his career, in my view the most interesting one, where he consecutively released a stack of good records, starting with Station To Station, followed by Low and Heroes. Lodger is patchy at most, and doesn't taste like anything peculiar. He then somehow finishes off this great phase of his career with Scary Monsters, a nice reverence and look-back at his past years and early career. And what of Let's Dance, you may ask? Mhh... trendy but a bit in-between... you could well place it in this phase, although it already has a definitively different look-out on things. Let's Dance is definitively already an eighties album, but offers a rather good transition to the preceding decade's collection of works. What then came, the third and last phase, is altogether different, some good things, and some things not that good. David definitively became an artistic Lodger, but who cares, he had already delivered his best (the first or second phases of his career, depending on your taste.) All in all, if you want to know the man, I'd recommend you just skip this Best of collection and just get the Station, Low, Heroes albums, and maybe also the Monsters and Let's Dance releases. These were definitely his best and most mature albums. The rest is at times interesting but, in the end, just fills up space...
Disc: 1 1. Space Oddity 7. Ziggy Stardust   10. Panic In Detroit   1. Ashes To Ashes  Â
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| 47. Songs in the Key of Life | |
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Amazon.com essential recording Reviews (133)
I have been trying for some time now to dispell the notion that digital remastering somehow enhances the quality of an older record. I have heard remasters that were excellent, and I think for recordings of the 1950's and 60's vintage they can improve the overall fidelity of early stereo. However, Stevie's albums in the early and mid 70's were also masterpieces of recording technology. I have such fond memories of hearing this record on LP and being so entranced by the warmth and intimacy of the sound. Analog masters sound as though the musicians are with you in the room! Many new recordings lack this quality, sounding sterile and reproduced. I was greatly disappointed with this particular remaster, as well as all of the Stevie Wonder remasters that were recently released by Motown. It sounds to me as if someone simply compressed all of the waves and then cranked up the treble about a hundred notches. Some of the cymbal crashes on this record left my ears ringing, I can't understand why so many people prefer to listen to this. Having come of age after the advent of CDs, I feel I am being as objective as one can be. I think this is not simply an issue of preference, or analog vs. digital. I think this about preserving and respecting the original 'voice' of the record. Stevie Wonder, in addition to all of his musical accomplisments, was a master producer. He knew what he wanted to hear, and when I listen to the original recording I am so stimulated by the entire sonic experience. There are textures and nuances in many of the layers (especially the intricate bass lines and synth work) that have been obscured by the high frequency, high compression sound format that has somehow become the standard. I am afraid that the fascination with technological advancement has superceded the pure listening experience, and it's disappointing. Nevertheless, the music speaks for itself. I would only advise that those who wish to hear the album how it was intended to be heard in 1976 buy the original.
Fav. Songs : Another Star, As, Knocks me off my feet, summer soft, sir duke, if it's magic, ebony eyes, isn't she lovely, have a talk with god, i wish, love's in need of love today, saturn, village ghetto land, pasttime paradsie. THERE ALL EXCELENT!!!!!!!!!
dare trade places with us black people because u couldn't handle | |
| 48. The Very Best of Prince | |
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Amazon.com Reviews (91)
PROS: CONS: OVERALL:
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| 49. Motown | |
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Reviews (190)
It would only seem fitting that "Motown" is a wonderful tribute to great artists like Marvin Gaye, Stevie Wonder, The Supremes, Temptations, and the list goes on. What makes this record stand out is how McDonald gives these songs his own unique style. The truth is this is the type of record that really grows on a listener. You need to honestly sit down and relax to enjoy the cd! "Motown" is work of art, and certainly only a few elite musicians can sing motown music to a high effect, and Michael McDonald does it in spades. My favorite tracks on this record include the opener, "Heard It Through the Grapevine," "You Are Everything," "Ain't No Mountain High Enough," "Ain't Nothing Like the Real Thing," "I Want You," "Since I Lost My Baby," and finally "Too High," with the supergroup, Fourplay. This record has great musicianship from McDonald and his supporting cast of musicians, producers, and engineers. I have been a big fan of Michael McDonald since the Doobie Brothers, and I know that any fan of soul music can appreciate his effort with "Motown." "Motown" is simply one of the best and delivers good music on all cylinders. Nick Kalenze.
There definitely is a focus on three artists on this particular album - Marvin Gaye, Stevie Wonder, and Diana Ross & The Supremes. Yes there are nice remakes of "Since I Lost My Baby" by the Temptations, "You are Everything" by the Stylelistics and "How Sweet It is" by James Taylor. The remaining 11 songs all have the the Gaye, Wonder, and Supremes connection. There are three ways I could second guess this - 1) The Selection of the 14 songs could have been second guessed. If there was to be an influence on Gaye, Wonder, and the Supremes - perhaps some other songs like "I'll Be Doggone", "Sir Duke", and "The Happening" could have been included; 2) Include other artists such as The Four Tops, Billy Preston, The Isley Brothers, and Commodores. I would have also liked more songs by the Tempatations; 3) In general, the other problem is that the emphasis on the "Motown" music seems to be from the earlier days and there isn't much material included from the later days (such as including some Lionel Richie stuff). However the collection is what it is. This album has had some good commercial success. This album wasn't getting much airplay, but this album did receive a boost when two of the songs were featured on an MCI television commercial - the remake of Gaye's "Ain't No Mountain High Enough" and "Ain't Nothing Like the Real Thing". Some may criticize McDonald for selling out with the commercials - but in general there has been a bias on commercial radio against getting airplay of new material from 70s and 80s artists. As a result - I applaud McDonald's efforts. It got a lot of folks interested in this new album as well as introduced a lot of new fans to Michael McDonald. I really like the intro that McDonald does on "Ain't No Mountain High Enough". There are some great harmonies on this song as well. The background vocals also add a nice effect on "Ain't Nothing Like the Real Thing". The MCI songs are two highlights of the album, but there are others as well. The remake of The Supremes' "Reflections" has some classic McDonald crooning combined with a gospel choir background. "Reflections" is my all-time favorite Motown song and McDonald's version - while very different, does not disappoint. Three other excellent remakes are contributed by Stevie Wonder. In "Signed, Sealed, Delivered - I'm Yours" and "I Believe". , McDonald brings a energy and passion that show his talent as a vocalist as well as why he was an excellent choice for doing this album. The background vocals in "Signed, Sealed, Delivered" also add a great effect. As for "I Believe", I do think that McDonald's version is better. A third Wonder remake "Too High" is the last song on the collection. The McDonald remake brings more of a Jazz element than the original and I feel it also is pulled off well. Finally on "You are Everything", Michael McDonald keeps all the passion of the original song - another solid remake. The collection leads off with "I Heard It Through the Grapevine". I've never been a fan of this Marvin Gaye classic. I wasn't thrilled it was included on the collection and I don't think McDonald adds much to change my personal opinion. I do think than fans of this song will be happy with it. It is also worth noting that McDonald's wife Amy provides vocals on the Gaye remake of "Distant Lover" - this is another solid remake that is included. There is a great saxaphone on this collection. Remake albums don't often include the lyrics. In the liner notes, Michael McDonald mentions how the lyrics were able to be reproduced with permission. The songwriters are listed for the songs, but I would have also included the original artists. I'm not sure if this album is going to satisfy the pure Motown fan, but I think Michael McDonald fans will be thrilled with this - as well as those fans who enjoy a good Motown tune. I do highly recommend this album.
If you like The Doobie Brothers and/or Michael McDonald, then you'll definitely like this CD. It incorporates some of the best Motown hits and Michael McDonald does a GREAT job covering them. The CD is filled with R&B/Soul rhythms and Michael McDonald's voice is diverse with extreme octaves. I definitely recommend this CD if you like this kind of music and/or his voice. My favorite songs on it are: I Believe (When I Fall in Love It Will Be Forever), Signed, Sealed, Delivered, I'm Yours, I'm Gonna Make You Love Me, Ain't Nothing Like the Real Thing, Reflections, Ain't No Mountain High Enough, I Want You. Good investment! ... Read more | |
| 50. Gemini | |
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| 51. West Coast Coolin | |
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| 52. Stripped | |
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Reviews (1310)
I especially like track 18 "The Voice Within" - it's powerful, it showcases her voice, and most importantly, she didn't "overdo" it with all those improvised "yeah yeah...ahh ahh" stuff. I was disappointed with track 2 "Can't Hold Us Down". This track features Lil' Kim but I think the song is missing a catchy melody or riff or something. It was a waste to use Lil' Kim in this track, especially after "Lady Marmalade" became such a hit - Lil' Kim and Christina are indeed a cool duo. Unfortunately the song didn't do them justice. Track 9 "Impossible" was a collaboration with Alicia Keys. It was a signature Alicia Keys song - in a minor key, with piano/drums/bass and heavy backup vocals - And tell you the truth, I rather hear Alicia singing this track. I think Christina overdid it just a little too much. There are tracks on this album where I think Christina is exploring and experimenting with different sounds...Take for instance Track 12 "Make Over" reminds me a little of Pink's new sound, leaning a little toward alternative rock. More jazzy sounding tracks include Track 10 "Underappreciated" and Track 15 "Get Mine, Get Yours"...the arrangement are different from a "typical" R&B track. "Dirrty" is a good one to party to...it's my favorite on the album. I don't know about the video...but then again the track is named "Dirrty"...so I guess the video was appropriate. Her image - is she just trying to be a bad girl, or do you think this is indeed the real Christina? Who knows? Overall it's a pretty good album. I would only recommend it if you're a Christina fan.
1- Stripped (intro) - 7/10 - nice intro buy this album, youll be satisfied, thats for sure!!! I love christinas voice, powerful, emotional, just go get this cd!!!! 910 !!!!!
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| 53. The Very Best of the Spinners [Rhino] | |
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Reviews (25)
The (Detroit) Spinner were indeed amongst the very best the early '70s had to offer in the orchestrated Pop-Soul genre which also counted royalty like The Chi Lites, Barbara Acklin, The Stylistics, ABC-era Four Tops, Chairmen of the Board, and the O'Jays. If you're a fan of that sort of music, this one's a must. That said, what keeps this one's away from getting my full, flawless, five-star verdict is the simple fact that the quality isn't as consistent as one would've hoped for; few of the songs ("I'm Coming Home", "Sadie") just aren't quite as magnificent as others ("It's a Shame", "Mighty Love", "Could it Be I'm Falling in Love", "Ghetto Child"), while the Disco medleys ("Working My Way Back to You"/"Forgive Me, Girl" & "Cupid"/"I've Loved You For a Long Time"), although fine, don't measure up against the earlier stuff at all. But this is still excellent nearly all the way -- few, at the time, did this sort of thing better than master Thom Bell (If needed, seek out the Stylistics for further proof). But Bell also had these majestic voices to work with, so it definitely wasn't all him. Spinners keep on spinning -- we sallute you!
Sorry about the bad luck of Music Fan, but my copy had "Mighty Love", "Love Don't Love Nobody" and "Then Came You". Also included were some of their earlier smooth songs like "I'll Be Around" and "Its a Shame". We even get the Spinners foray into disco, the remake of the Four Season's Working My Way Back To You" is happily included. They were so polished, and if you have gone a few decades (like I did) withoug hearing these songs, they return like a good old friend. My only complaint? I would prefer the full versions of "Mighty Love", "Love Don't Love Nobody" and "Rubberband Man". But not enough of a problem to dog this one out.
After the lead singer quit, they began work with the great Thom Bell, Philly soul's "other" great producer besides the legendary Gamble & Huff team who were enjoying continued success with another gem of a group: none other than The O'Jays!While not as flashy or arguably well-remembered as the O'Jays, Spinners hold their own place in music history and this collection is AMAZING as it has every hit, a feat rarely seen in the industry as there are always some songs left out by accident or intent. Listening to this great collection I am reminded how tasteful, elegant, and lushy romantic this group was. True adult contemporary music before the term was prostituted to include artists that don't receive play on MTV. Some may forget that Spinners had a few gems that surpassed their signature love songs, as exemplified by the grooves of "The Rubberband Man" and towards the end of their reign had a couple of well received medleys that did not deviate from their roots but incorporated a discoish beat that suited them quite well. I LOVE "Working My Way Back To You/ Forgive Me Girl." If you are a hard core fan, there is a double anthology titled "One of a Kind Love Affair", but for me this single-disc career summary offers everything that I was looking for and more. '70's soul served at just the right temperature! ... Read more | |
| 54. The Journey: The Very Best of Donna Summer | |
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Reviews (44)
Now, onto the really great news about this CD. The remix of "I Will Live For Love" is a fantastic dance tune that should have everyone hitting the dance floor over and over at least through the Christmas holidays. But, the show-stopper is the cool and breezy "That's The Way". Her throaty and teasingly optimistic vocals just make me shiver with anticipation to replay the song (and to hear an entire CD with Giorgio Moroder). So Donna, I can't give you 5 stars this outing, but hopefully 4 will do for you and the rest of the listening world...
A must have for any Donna fan and a great CD for new Donna fans. Highly recommended!!
The remixes are great and they are a great way to play some Donna Summer music at a party. ... Read more | |
| 55. Chronic | |
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Reviews (99)
All in All a great experience the Top 5 are track 5 Track 11
Still, though, "The Chronic" gains its reputation primarily on the basis of Dre's production. This album alone can make a convincing case for Dre being the greatest rap producer of all time (not to mention his work on "2001" or "Straight Outta Compton"). The music varies from smooth ("Let Me Ride") to confrontational ("Dre Day", "Lyrical Gangbang") while never losing the incredible funkiness and knack for hooks that Dre brings to every track. And to top it off, it isn't overly reliant on sampling... small wonder that the music here is nothing short of intoxicating. In short, brilliant rapping and production make "The Chronic" one of the greatest rap albums ever, and a classic no matter what type of music you consider. Highly recommended.
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| 56. Dance With My Father | |
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Amazon.com Reviews (101)
I love the title cut but I think my favorite song is 'Buy Me a Rose' although there isn't a song on this CD that I don't like. This particular song and the title cut bring tears to my eyes everytime I hear them play, because they ring so true to experiences in my life. I also love the song, 'Think About You,' because how many of us in our lives haven't had a secret fantasy crush on someone that doesn't know that we do. It's wonderful to listen to an artist and be able to relate to the words of his songs. How bittersweet it is for this debut of Luther's new CD knowing that he is still hospitalized. May God continue to bless Luther and help him continue on a path of recovery so that he can be back to sing more songs with his beautiful voice. A world without Luther singing is a world I don't want to imagine! I hope that Luther knows how much he is loved and wished well!
What makes this album 5 stars? First, the music supporting Luther isn't monotonous. Each song has unique drum programming/rhythm and each song sounds different. I am partial to all the songs, with my favorites being "Think About You", "The Closer I Get To You" (Beyonce's vocals are absolutely stunning), and "Dance With My Father". All the songs are good. Luther and his partners who composed these tunes did a great, great job. What else is there to say. 5/5!
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| 57. Pure Disco [Polygram] | |
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Reviews (29)
Some are better than others, of course, but each song is catchy and the bass lines are funky. Not to mention cheesy. If you're looking for a cool collection of disco music and don't want to splurge the cash for expensive box sets or individual artists' albums, the "Pure Disco" series is a great investment. Throw in the "Saturday Night Fever" soundtrack and you've got enough great disco songs to blister your feet up. Why only four stars instead of five? That's easy. Barry White's "the First, the Last, My Everything" isn't the REAL version. Polygram omitted the spoken introduction and the phrasing is just a bit different from the original version. Must be some sort of radio edit. Despite this, great compilation. Two other recommendations: "the Bee Gee's Greatest Hits: the Record" and "Barry White: the Ultimate Collection."
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| 58. After Hours | |
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| 59. Epiphany: The Best of Chaka Khan, Vol. 1 [1996] | |
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Amazon.com Reviews (39)
golden oldies you got "I'm Every Woman, "Ain't Nobody," "And The Melody Still Lingers On (Night In Tunisia)" & "I Feel For
Epiphany...a sudden revelation! What a concept, but who hasn't heard of Chaka Khan. She's the essence of greatness, personified in a voice. Her sense of timing, passion, texture and variety helped to create a super musical career. I bet she's an awesome person to have this greatness within her. Ain't Nobody is the perfect entry into her catalog of songs. It's funky, streetwise and ethereal at the same time. How often do you get that combination? Other honorable mentions are the classics 'I Feel For You', 'I'm Every Woman' and 'Through The Fire'. Those are worth the price of admission alone. Then you get surprises like 'A Night In Tunisia', 'The End Of A Love Affair' and 'Love Me Still'. What a collection! I could go through and rate all the songs, but I'll just say that I''m waiting for an encore. I missed hearing some of the other great Chaka songs like 'Be Bop Medley', 'Got To Be There', 'This Is My Night', 'Eye To Eye', 'My Funny Valentine', 'Clouds', 'Love You All My Lifetime', 'You Can Make The Story Right' and so many more. I know an encore (Volume 2) is coming. How can it not?
Just check out Chaka Khan's stellar performance of the standard My Funny Valentine on the Waiting To Exhale film soundtrack. It rings through loud and clear. Khan has claimed her rightful place at the front of the line for Queen of Soul divas in waiting! With an immensely impressive body of work to support her, Khan is perhaps the most qualified contender for Aretha Franklin's long-held moniker. (The only other serious potentials who come to mind would be vocal powerhouses such as Gladys Knight, Patti Labelle, Stephanie Mills, and a few others.) Listening to these recordings, mostly from the 70s and 80s, it strikes one that Chaka Khan's contribution to Rhythm & Blues/Soul, as well as pop music at-large is as immense as her astonishing vocal rage. The wonderful jazz meets funk flow of The Melody Still Lingers (Night in Tunisia), and the tailor-made What'cha Gonna Do For Me are just two testaments of the unique vocal prowess she has been treating record buyers to since the early 70s. Never Miss The Water, the first single release of five new cuts, re-teams Chaka with producer David Gamson (Scritti Politti). It is a funky romp, recalling their Love You All My Lifetime, from the Grammy-winning The Woman I Am. Musician Me'Shell Ndegeocello's strategically placed raps lend some street authenticity to the tune, and maestro Frankie Knuckles' smokin' club re-mix should go over quite well with the under-thirty-five dance crowd. Elsewhere on this collection we find, Through The Fire, from '84's I Feel For You. This beautiful ballad is a stunning reminder of just how sweet 'n girlish Ms Chaka can be when she puts her mind to it. (Remember Sweet Thing?) On the other hand, we find Rufus' awarding-winning swan song Ain't Nobody. This song, with its space-bound keyboard turns, hook-laden lyrics, and straight from the street vocal, is just as hip today as it was when initially released back in '83. The ! countless remakes of this tune of late don't hold a candle to the original funk masterpiece. Of the new cuts, Every Little Thing, is a playful little ditty that keeps sounding better and better with repeated playing. It jams; it swings. Some of Chaka's best scat-singing is featured here - while the bass playing is to die for! Something Deep, is a much-welcomed, heavily bass-driven, sassy low-down groove thing from the team behind some of Brandy and Tevin Campbell's most recent dance jams. Khan really spreads her wings here, encompassing, as only she can, straight from the heart soul diva lovelorn wailing, then sliding effortlessly upward into razor sharp jazz-scale phrasing of a class that seems to get better with each new recording. Everywhere, the surprising but logical re-make of a Fleetwood Mac song, is done here with a warm Caribbean treatment. Diehard rock fans may flinch at the new direction this song has taken. Yet, all-in-all, it is business as usual for Ms Chaka, as she flaunts her bountiful interpretive skills on the tune. The compilation says it all: Chaka Khan is The Voice. Bless yourself, or a friend - hear theses recordings for yourself and experience the magic. The Queen of Soul-in-Waiting has spoken. kprovo@hotmail.com
Clouds This would make for a perfect addition to Epiphany. ... Read more | |
| 60. Modern Sounds In Country and Western Music | |
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Amazon.com essential recording Reviews (14)
Yes, I am saddened that Ray Charles has passed on. I feel somber just as we all did when Elvis Presley passed away. I hope we're going to see a great documentary on the life of Ray Charles some day. Since I've already mentioned him, it would be nice if they would get around to releasing the Elvis Presley documentary called "This is Elvis" on DVD someday. Ray, we're all going to miss you. Too bad Ronald Reagan's passing and week-long rememberance and final funeral stole the attention Ray deserves to celebrate his life. I guess they'll get around to it someday afterwards.
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