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1. Il Divo
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2. The Emancipation of Mimi
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3. Breakaway
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4. It's Time
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5. Careless Love
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6. Wicked (2003 Original Broadway
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7. Come Away with Me
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8. When I Fall In Love
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9. Michael Buble
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10. Closer
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11. Feels Like Home
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12. ELV1S 30 #1 Hits
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13. The Phantom of the Opera (Original
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14. As I Am
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15. Heavier Things
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16. De-Lovely
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17. Dreamland
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18. Elton John - Greatest Hits 1970-2002
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19. ABBA - Gold: Greatest Hits
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20. Josh Groban

1. Il Divo
list price: $18.98
our price: $13.99
(price subject to change: see help)
Asin: B0007QS4KK
Catlog: Music
Sales Rank: 1
Average Customer Review: 3.5 out of 5 stars
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Amazon.com

While not exactly classical crossover's take on The Monkees, this international quartet of young male vocalists from America, France, Spain and Switzerland shares a similar genesis. Assembled after a long talent search and audition process, they were teamed with pop producers Per Magnusson and David Krueger (Britney Spears, Backstreet Boys) and Steve Mac (Charlotte Church, Kelly Clarkson) and turned loose on a slate of classical-pop favorites, with a dramatic, dynamically nuanced read of Toni Braxton's signature "Unbreak My Heart" setting the standard. While the deceptive ease of their harmonies belie the group's disparate nationalities and talent search roots on the melodramatic "Hoy Que Ya No Estas Aqui," Morricone's glorious Mission theme, "Nella Fantasia" and the cascading "Passera," the album's pop-oriented material is a decidedly more mixed bag ."Everytime I Look At You" and "Feelings" (not Morris Albert's) soar gracefully, while "The Man You Love" seems more a throwback to the producers' boy band roots. The standard "My Way" and a lovely, bonus cut Italian version of "Unchained Melody" close the album out on a high note, even if their safe familiarity doesn't offer the promising quartet a sufficient musical challenge. --Jerry McCulley

[NOTE: A dualdisc version including DVD is now available.]

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Reviews (119)

1-0 out of 5 stars PLEASE DON'T EVER TOUCH THE MIC AGAIN
Even Mariah Carey's "Glitter" was better than this (And I didn't like that album either). This "IL DIVO" group is one of the worst acts I've ever come across. THEY TOTALLY RUINED TONI BRAXTON'S "UN-BREAK MY HEART". Even Ms Braxton sounded better in Spanish (She did a Spanish version). "Un-Break My Heart" is the kind of song that if it is going to be remade, Do have any Males Remake it. This Album SUCKS

1-0 out of 5 stars Ugh.
Really.When one bad tenor insists on singing it's bad enough, but four bad tenors at once?What did we do to deserve this?Well, we can't really expect great things from Simon Cowell, can we?I don't even need to buy this CD to know that it would horrible.Just from the samples available on Amazon, it sounds like they are all trying to outsing each other, which in turn causes them to strain, which causes them to go sharp.This is like Ashlee Simpson.Why would someone really, genuinely think this is good?It disgusts me.If I could give it a rating of negative stars, I would.

1-0 out of 5 stars Tenors out of tune.
I listened to the samples of this groups' songs and did not like it at all. It sounds like they are trying to outsing each other. Their voices sounds like they are imitating the 3 tenors but did not quite made it. I will not buy the CD even if you give me a hundred bucks. That's what I think of this group Il Divo (really bad sound and bad song selection). So Simon you're not really a good judge, I don't know why you say all those nasty words at some of the contestants in Amercian Idol. This group of yours sounds really bad, it needs fine tuning.

1-0 out of 5 stars Great talent, bad direction
The guys can sing. I'll give you that. But what on earth are they singing? Certainly nothing appropriate for them or their style. Taking guys from around the world and making a pop group was an interesting idea and, if done right, could have been something special. But Toni Braxton's "Unbreak My Heart"??? Are you kidding me? The guys sound uncomfortable singing these songs and it makes me feel uncomfortable listening to it.

2-0 out of 5 stars Original?Yes.Tolerable? Not quite...
I must hand it to Simon Cowell, this is an intriguing project.Taking classical (not new wave classical but REAL classical) and pop and attempting to meld the two together is an interesting notion.Ultimately, however, the band fails.First and foremost, Il Divo will never be able to escape the fact that they are a manufactured band, brought together by a talent search and, essentially, given everything they needed on a silver platter.Yes, it worked with the Sex Pistols and a few others, but bands created by a record company, for the most part, spew out whatever crap their adoring label wants them to.Their poppy take on classical will make fans of classical music despise their superficiality, their classical take on pop will make most pop-listeners dismiss them as boring or as a silly novelty.If you must buy this album, "Nella Fantasia" and "Passera" are better than most of the other tracks. ... Read more


2. The Emancipation of Mimi
list price: $13.98
our price: $10.99
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Asin: B0007GAERG
Catlog: Music
Sales Rank: 17
Average Customer Review: 4.5 out of 5 stars
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Amazon.com

Early buzz on The Emancipation of Mimi had it that this would be the disc to mark "the return of the voice"—the voice being that glass-shattering instrument that propelled Carey to best-selling female artist of all time status—and mostly it is. But because of the small army of talent involved in its assembly, it's also way more than that. For straight-ahead, look-out-Beyonce-Mimi's-still-got-it reinforcement, try "Mine Again," a ‘70s-soul cuddle-up, "Circles," a soaring, don't-attempt-this-on-American-Idol love song, the gospel dazzler "Fly Like a Bird," and "Stay the Night." But for songs that steer this disc directly into 2005, no looking back, scan the jewel case for the tracks followed by the word "featuring": "To the Floor," with Nelly, bumps along to maximum booty-shaking effect, while Twista spins his natural-disaster-force vocal into "One and Only." Snoop Dogg, Pharrell Williams, and Jermaine Dupri also pitch in; between them and the highwire vocals, Emancipation works the kind of pure-pop magic that sets us all free. --Tammy La Gorce

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Reviews (533)

5-0 out of 5 stars The Comeback
I love this album, the songs on here are very beautiful, well written and well produced, and there is not a single filler on this CD. This album was very well received by the general public and the singles are doing extremely well on the charts. The single "We Belong Together" became Carey's 16th #1 single which puts her 4 singles ahead of Madonna, who is in second place in terms of greatest number of #1 singles amongst female artists. The album opened its first week with sales of just under 404 000 copies, which is the biggest first week sales of her career, and it's currently still in the top 5. At first, I didn't like the debut single "It's Like That" because it was too hip hop influenced and she was singing things I would expect to hear from Beyonce or Ashanti. But after quite some time, the single grew onto me from frequent radio play and now, I love the song. "We Belong Together" grew on me instantly because it was a typical Mariah Carey ballad. All in all, this is a fantastic album, like Butterfly, and if you have to get one CD this year, get this one cause it is off the charts, literally!

4-0 out of 5 stars Lovin' Ms. Mimi!
Alright, Mariah's back after an almost 3 year solo haitus, and she's come back with a vengence! It's Like That was a great intro to a great album! We Belong Together gets Mariah her 16th #1, how sweet is that? Then we have the next single & my favorite track, Shake It Off! The track is just so much fun, it's amazing! Mine Again is a wonder ballad! The Neptunes produced tracks Say Somethin' & To The Floor may not be signature Mariah, but they are very catchy. Stay The Night is so emotional, & Kanye did a great job producing it. Get Your Number, the fourth JD produced track, is another catchy song. After all that, the ballad-love songs begin to roll! Your Girl, Circles, & I Wish You Knew may be considered filler, but being that they are back to back, they just seem to fit! Next is Joy Ride, which is aight. Lastly is Fly Like a Bird, which is another beautifully, emotional gospel song. Love the part where she belts "I need the strenth of you to survive" before she hits that extra high note. And for those that even think she's copying anyone else in the industry (Beyonce...) Uh, 1 year of solo hits doesn't compare to 10+, so get real.

5-0 out of 5 stars What can we say?
What is there to say about a woman that has been around for 15 years through heartache, heartbreak, triumph and pain.This album is slamming. ONE OF HER BEST. I have almost all of her CD's and this is one of the best.Her range alone speaks volume but her ability to write a song, compose it and produce it speaks higher.Many are a good singer but few can write and produce.Her octaves are breath taking and just her confidence in herself is enough. I remember the first day I heard Vision of Love in the early 1990's.I said who is this singing?I have been hooked every since. The songs I love are:We belong together, Circles, It's like that,Say Somethin (with Snoop), To the Floor (Nelly) and for those who need inspiration she ends it with Fly Like a Bird.I am a singer and if my career takes off, this is someone I want to mirror.God bless you Mariah, thanks for sharing your gift of song with us.Thanks to the good Lord above for blessing her with the gift of song.READERS go and buy it.One of the best albums for 2005.Tee

5-0 out of 5 stars Great Job, Mariah :-)
This album is so refreshing for me. It's been so long since we've all heard Mariah Carey. And I'm excited to report that it was worth the wait. I LOVE her voice and always have. This is the best album of 2005 so far.

1. It's Like That (5/5)
2. We Belong Together (5/5)
3. Shake It Off (4.5/5)
4. Mine Again (5/5)
5. Say Somethin' (4.5/5)
6. Stay The Night (5/5)
7. Get Your Number (3.5/5)
8. One And only (5/5)
9. Circles (4.5/5)
10. Your Girl (4/5)
11. I Wish You Knew (5/5)
12. To The Floor (3.5/5)
13. Joy Ride (5/5)
14. Fly Like A Bird (5/5)

5-0 out of 5 stars 1.3 Million and Counting!!!
Mariah has sold 1.3 million copies of her wonderful album, "The Emancipation of Mimi." She is currently #1 on the Billboard Hot 100 with her smash hit "We Belong Together." Her 16th #1 to be exact. Mariah is breaking records and defying expectations. She is solidifying her place in history as one of the greatest singers ever. Thanks to great production and songwriting, "The Emancipation of Mimi" will surely stand out as one of her best. Hopefully, this is just the beginning of another great run. ... Read more


3. Breakaway
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Asin: B00064ADRK
Catlog: Music
Sales Rank: 10
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Amazon.com

Kelly Clarkson could have played her American Idol-propelled career much differently, languishing in the role of dippy ingénue or shunting her musical development by leaning too heavily on overnight stardom. Instead she dug in her heels and allowed good sense (or a good manager) to steer, and somewhere Simon Fuller and the rest of the TV gang ought to be smiling. Credit Breakaway, which couldn't be more aptly titled--the sophomore set represents a seismic split from the thin if pretty stuff debut Thankful set forth. Here we encounter Clarkson as superstar, with the humility that made her likable on the first disc tucked tightly under her arm. First single and leadoff track "Breakaway" topped the pop charts on arrival, and its rock-friendly thumps, dips, and rolls don't wear out their welcome; they blend, instead, into the firestorm of beats and guitars that is "Since U Been Gone," another shout-it-out rocker. Those songs set the tone for the rest of the disc in all its fury: The innocence is long gone, numbers including "Addicted" and "Hear Me" say collectively, and Clarkson's of a mind to kick it. The big, expressive voice ringed by the occasional high-pitch trill--the one that prompted millions to get behind her on Idol--doesn't dip entirely off the radar, though. On "Where Is Your Heart," and the stunning live closer "Beautiful Disaster," it's there in full force--a hint, maybe, that despite the wide, smart career step Breakaway represents, her fans come first. -Tammy La Gorce ... Read more


4. It's Time
list price: $18.98
our price: $13.49
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Asin: B00070Q7VO
Catlog: Music
Sales Rank: 27
Average Customer Review: 4.5 out of 5 stars
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Amazon.com

Michael Bublé's assured debut and the tireless year of globe-trotting touring he spent promoting it elevated the 20-something Vancouver native into the first rank of pop crooner revivalists. His sophomore studio follow-up largely turns on the same formula that helped make his considerable vocal prowess so attractive to mainstream audiences, mixing the nigh flawless, if expected Sinatra-channeling ("I've Got You Under My Skin") with more playful and inviting renditions of pop standards like the Gershwin's "A Foggy Day in London Town," "Feeling Good," "Try A Little Tenderness" and Cole Porter's "I've Got You Under My Skin." But it's the eclectic mix of more contemporary material the singer seasons them with -- apt tribute to Bublé hero Bobby Darin -- that keeps him walking the narrow tightrope between artistic intrigue (a blues-tinged vamp of Holland-Dozier-Holland's "How Sweet It Is," Leon Russell's lovely "Song For You," with a guest turn by Chris Botti) and the kitsch-laden abyss ("Quando, Quando, Quando"'s Euro-centric duet with Nelly Furtado, a ring-a-ding-fling with the Beatles' "Can't Buy Me Love" that echoes fellow Canadian crooner/rival Matt Dusk's more successful flirtation with Lennon-McCartney). Arranger/producer Tommy LiPuma offers Bublé a welcome swinging jazz showcase on "The More I See of You," a bracing respite from the rest of producer David Foster's slick, if typically bloodless MOR production.-- Jerry McCulley [Note: Aspecial edition including two bonus tracks--"Dream a Little Dream" and "Mack the Knife"--is also available.]

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Reviews (103)

5-0 out of 5 stars ONE OF THE BRIGHTEST STARS ON THE WORLDWIDE MUSIC SCENE
Michael Buble continues climbing the ladder of stardom with his latest CD "It's Time". I saw Michael sing "Feeling Good" on the David Letterman Show and his performance was truly outstanding. With his International appeal and record sales in the millions, it has now become very apparent that Michael Buble has truly found his audience and has become one of the brightest stars on the worldwide music scene.

With "It's Time" Buble has given his legions of fans exactly what we wanted, more of the same but with a bonus, an original song. This album like his first "Michael Buble" is a very well thought out mixture of well-loved standards, light rock, and classic pop hits with the addition of an excellent original called "Home". All thirteen of these songs are recorded and produced superbly and Michael's tremendous voice and performances just keep getting better and better. The addition of other well-known contempory artists on a few of the tracks makes this cd an extremely good value and I really like this formula of combining two or more wonderful talents to create great music. The sky is the limit for Michael Buble and if this CD is any indication it is going to be a very enjoyable ride.

If you like Sinatra and Swing, I would also suggest Monte Procopio's "Swingin' With Style". He is another crooner that can really swing with the standards.

5-0 out of 5 stars The absolute best male singer today...
This man is one in a lifetime as far as I'm concerned. Ever since I was ateenager, and that was a long time ago, the sultry and sophisticated 'blues' sound of Frank, Dean, Tony, et al have kept me interested in 'real' music, and that's why I have played contemporary and Jazz piano for over 40 years.. the romance that is so delectable in a young persons' life -even if they don't know it at the time- is found- and will last- in Michael's music..thank God there is someone out there with the talent that Michael exhibits. His renditions are first rate by any standard, he brings new life and zip to old classics that the current generation(s) may not have even heard before. And his song "Home' almost brings me to tears every time I hear it.. isn't that something. Canada should get behind Michael as we have here a budding superstar of the magnitude of Celine Dion and even the untouchable GordonLightfoot.

5-0 out of 5 stars What Can I Say?
Before i bought this album, I'd only heard a few songs, mostly from Michael's first album. I bought "It's Time" solely for the track "Home" (which is totally worth it!). I was very impressed with this whole album. It's very eclectic. Michael Buble's vocals are amazing and soothing all at the same time. His covers are creative and polished.

If you're looking for some great music, do yourself a favor and pick up anything by Michael Buble! You'll thank me for it!

5-0 out of 5 stars Celebrate Michael Buble's musical magic!
It's Time is a celebration of musical magic! Michael Buble is a refreshing and welcome addition to the music scene. Celebrate how he manages to make every song on this cd his own and he accomplishes it with style and panache.

Since my purchase of It's Time it has been in steady rotation both in my car stereo and in the offices and will continue playing for a long long time. There is something on this album for all moods and it's refreshing to enjoy EVERY track on a cd for a change. Thank you Mr. Buble.

5-0 out of 5 stars WOW
I love all genres of music but hold a special place for jazz in my heart. I bought Michael's album "Its Time" because I love jazz and those whose musical opinion I value gave it the thumbs up. I popped it in and listened to the first track, "Feeling Good". Starts slowly, unassumingly... then WOW, it starts swinging, he starts showing off his vocal prowess, and I sat there with my jaw dropped and knew INSTANTLY this guy was something special! Its rare that I like a song the very first time I hear it, I've never loved one the first time I heard it. I LOVED "Feelin' Good" the first time I heard it, and had the same reaction to track 4, "Quando Quando Quando." Most of these songs are covers you will recognize, but the really amazing thing is that Michael makes them sound different... you feel like you're hearing them for the first time. Michael's voice is like a hybrid between a young Frank Sinatra and Harry Connick Jr., but his style is 100% his own. I literally have not stopped listening to this album (all tracks are great) since I bought it. I am going to see Michael perform in Memphis this August (2005), and I couldn't be more excited! I am very thankful for such a wonderful young artist who is bringing this fabulous music to the masses (and to many young fans previously unexposed to jazz). This music- and Michael Buble'- should be celebrated!



... Read more


5. Careless Love
list price: $17.98
our price: $13.49
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Asin: B0002NRRAG
Catlog: Music
Sales Rank: 55
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Amazon.com

When Madeleine Peyroux's debut, Dreamland, was released in 1996, its success threw her for a loop. She's taken eight years to create this follow-up, and, at age 30, she brings a confidence and resilience to this dozen-song set. She's able to move seamlessly between songs by writers as diverse as Elliott Smith and W.C. Handy, whose title track was popularized by Bessie Smith. Though American-born, Peyroux absorbed the language and culture of France growing up in Paris with her French-teacher mother. On her debut, she covered Edith Piaf, and this time out she wraps herself around "J'ai Deux Amours," which Josephine Baker sang to the Allied troops during World War II. --David Greenberger ... Read more


6. Wicked (2003 Original Broadway Cast)
list price: $18.98
our price: $13.49
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Asin: B0000TB01Y
Catlog: Music
Sales Rank: 57
Average Customer Review: 4.57 out of 5 stars
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Amazon.com

One of the most common complaints about musicals is that the books are flimsy pretexts from which to hang numbers. Wicked runs into the opposite problem: it has a great plot but too often the songs just get in the way. Based on Gregory Maguire's novel of the same name, Wicked tells us what happened between Glinda the Good and Elphaba, the Wicked Witch of the West, before Dorothy showed up in Oz. And the show is lucky to boast a pair of ace leading women in the main roles. As Glinda, Kristin Chenoweth delivers a sensational star turn, displaying a crystal-pure voice and sharp comic timing; Idina Menzel lends her powerful pipes to the tricky role of Elphaba. Unfortunately, you wish they had better material to work with. Stephen Schwartz's pop score is often dragged down by overly synthetic orchestrations and sentimental lyrics (think Chicken Soup for the Witch). Still, at its best Wicked is a seductive slice of popular entertainment that could well give a younger audience a lasting taste for musical theater. --Elisabeth Vincentelli ... Read more

Reviews (241)

5-0 out of 5 stars Incredible
Although I've been a huge admirer of both Kristin Chenowith and idina Menzel for a few years now, I was not sure what to expect upon first hearing this soundtrack. Actually, I ended up seeing the show on broadway, and buying the CD the day after because i couldn't get enough of this music! Stephen Schwartz has made a brilliant creation, and couldn't have gotten better voices to sing it. The vocal harmonies are beautiful throughout. Defying Gravity, the real showstopper (much thanks to Ms. Menzel's UNBELIEVABLE voice), gave me almost as big of a chill when hearing it on the soundtrack as it did in live performance. Ms. Chenowith's lovely voice carries songs as well, and the song Popular is cute and funny, while showing off her vocal talent. Aside from Defying Gravity, my favorite songs are I'm Not That Girl (sung by Ms. Menzel), and the love ballad As Long as You're Mine. It's a fun, entertaining musical more full of emotion than I had expected it would be. Between Norman Leo Butz, and the two leading women, I can hardly put into words the feeling that their voices produce- you have to hear it to know! This is definitely one of the best new broadway shows to come about since RENT, and I hope it has a long, successful run.

5-0 out of 5 stars Deliciously wicked and most definately wonderful
Being of fan of the original novel and ecstatic that a musical was made from the book, I bought the CD the day it was available. It is pure and simple magic. Idina Menzel, who's voice blew me away on the OBC of Rent, proves her power and stands right up there with the superb Kristen Chenowith. I've been playing the CD non-stop since Decemeber, and with great fortune and luck, I was able to see the actual Broadway show this past weekend...front row lottery tickets. The power and majesty of this show cannot be conveyed on this CD, but it comes very close. Seeing all these perfomers dance, sing, and act the songs I fell in love with cannot be described. You'll have to see it for yourself. There's not a bad song in the show or on the CD...these songs, standing alone on the CD out of context from the show, are enough to move anyone. From Idina's perfect 'The Wizard and I' to 'No Good Deed,' from Kristen's comic songs to ballads, from their duets together (no two voices have ever matched better), and from Norbert Leo Butz's 'Dancing through Life' to 'As Long as Your Mine,' this CD is a definate to buy and share!

5-0 out of 5 stars AMAZING
If you haven't seen the play... you must go NOW!!! Idina Menzel who plays Elphaba (Wicked Witch) is amazing and awesome to watch... I've seen the play twice and hope to see it again!! If there were such thing as 6 stars... This musical absolutly deserves it!

5-0 out of 5 stars Sublime...
Miss Kristin Chenoweth... If there is a greater star on the rise on the great white way I dare you to name her. I spend my days puttering around in my care listening to Ariella Vaccarino's must-have CD series "Voice Lessons to Go" in preparation for the moment I put the real deal on here and try my best to match the vocal styling of Ms. Chenoweth... and fail (but maybe with these vocal CDs I've been listening to... who knows). Anyway, the woman is a queen of the stage at the moment and this recording is a vocal photograph of a true star in the midst of her prime. I highly recommend buying it.

5-0 out of 5 stars Wicked Rocks!
You wouldn't expect a teenager to love broadway music, but Wicked has me hooked!I can't get enough of "The Wizard and I" and "Defying Gravity".Other great tunes on the cd are "Popular", "As long as you're mine","I'm not that girl", and "Popular". The vocalists are fabulous, the tunes are catchy, and its a fun cd to listen to! If you want to hear a GREAT CD, listen to Wicked! ... Read more


7. Come Away with Me
list price: $18.98
our price: $13.49
(price subject to change: see help)
Asin: B00005YW4H
Catlog: Music
Sales Rank: 41
Average Customer Review: 4.19 out of 5 stars
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Amazon.com

It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending intimations of Billie Holiday and Nina Simone without sounding like anyone but herself. Anyway you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic, "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to masterpieces such as these. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience, and some careful listening to artists like J.J. Cale and Shirley Horn, is the knack of remaining low-key without being sleepy--sometimes less is not, in fact, more. --Michael Ross ... Read more

Reviews (1262)

5-0 out of 5 stars "Come Away With Me".....I would!
A buddy, affectionately known as 'That Ricky Guy,' discovered that I had never heard of Norah Jones. Well, he thought so much of this unique and gifted song stylist (and of me, for some reason) that he gifted me with a copy of this CD. I pay attention to Ricky's musical evaluations because he is the only still-living person I know who was actually there at Carnegie Hall in 1961 to witness Judy Garland's Ultimate Triumph (though he was probably on his mama's knee), and he said Norah Jones is good. He's right. He's definitely right!

It's human nature for us, hearing a singer for the first time, to make the inevitable comparisons....and I did just that listening to Norah. There were touches of Peggy Lee, I thought...certainly Rita Coolidge...Blossom Dearie, though the voice isn't that fragile...some of Nina Simone's subtle emotion. And of course she's a jazz singer, but there sure is a touch of country in that delivery of hers, maybe even a gentle hint of smokey coffee-house folk singers. But finally it dawns on you that Norah Jones, this young girl with a talent far older than she herself, has seduced you....reeled you right in with her OWN individual brand of musical magic.

Just as I didn't know Norah until this evening, many of the songs were also new to me....but I'm sure will become old friends. I especially loved "One Flight Down," and the title song she wrote herself, as well as "Nightingale" and "The Long Day Is Over." Of course my favorites were the two familiar standards, "Cold, Cold Heart" and "The Nearness Of You" (let's face it....I'm basically stuck back there in time wanting more details of Garland's encores from my friend Rick) but I really do think Ms. Jones would be doing herself (and us) a great service if she borrowed a page from Diana Krall and recorded an entire album of the old classics. She has the genuine talent to give new life to old chestnuts...and she should!

5-0 out of 5 stars Music To My Ears
I grew up in the sixties and am not a fan of most of today's music. Popularity and Grammy Award wins normally don't persuade me to buy an album. However, Norah Jones's invitation to "Come Away With Me" was too hard to resist. I fell in love with her voice and enjoyed every song on the album. The tasty arrangements, performed by outstanding musicians, not to mention her own melodic piano playing, perfectly complimented Norah's sensual, seductive voice. For me, the music recreated the atmosphere of a late night jazz club. "Don't Know Why" is one hit song that I never get tired of hearing. I was especially impressed by the arrangement of Hank Williams's country classic "Cold Cold Heart." She transformed it from a honky-tonk lament into a jazz ballad. J.D. Loudermilk's "Turn Me On," when performed by Ms. Jones, had the desired effect on me that the writer intended. The melancholy "The Long Day Is Over" effectively conveyed weariness, suggesting that it's time for the sleepy patrons to finish their drinks and go home, because even late night jazz clubs have to close sometime. Closing out the album with Hoagy Carmichael's "The Nearness Of You" implied that Norah will not be going home alone. "I need no soft lights to enchant me, if you'll only grant me the right, to hold you ever so tight, and to feel in the night the nearness of you." This album totally won me over and turned me into a Norah Jones fan.

1-0 out of 5 stars GET AWAY FROM ME
Cold, calculating, but ultimately callow Upper Middle Class pop jazz from an Ice Queen who sings with all the soul of a doorstop. If this is indeed Ravi Shankar's daughter, she inherited not one iota of her father's passion and artistry. Phony through and through.

5-0 out of 5 stars Beautiful, distinguished voice and sophisticated music.
In a world where the new "singing sensations" are the unoriginal screamers who participate to "American Idol" and similar TV monstrosities, it's really refreshing to witness the rise of a REAL talent with a REAL music background and an exceptional panache for musical "buon gusto."

Norah doesn't have a "big" voice, so what? Neither did Billie Holiday, but I'll take her over any screamer at any time. It's not by chance that I mentioned Billie Holiday, because that's the kind of voice Norah reminds me of, and I simply love it. Sultry, smoky and haunting are the three adjectives that immediately come to my mind.

On to the music, Norah's songs are a delightful blend of country, blues and jazz, all encased by electronic-free arrangements (i.e. real singers need no walls of synthesizers and special effects to cover the flaws of their voice...) and some very tasteful but unobtrusive piano playing by Norah herself.

I basically like all songs in this album, but my favorites are the title track ("Come Away with Me", a really delightful jazzy waltz), "Don't Know Why" (a Pat Metheny-esque tune featuring a beautiful melody and an exceptionally tasteful arrangement) and the amazing "The Nearness of You", where Norah showcases her incredible ability to perform immortal standards with nothing behind her voice but her own superb piano accompaniment.

The fact that this album received 8 Grammy awards makes me a little less pessimistic on the future of pop music.

2-0 out of 5 stars cub away wif be
Norah Jones... either she ought to have her deviated septum fixed or she was suffering from a head cold when she cut this album. In either case, perhaps Amazon should put together a two-cd deal featuring Norah Jones and one of Jonathan Richman's records. Stuffy-nose pop fans, rejoice!
But seriously folks, this stuff is not music. If you want to hear comatose jazz stylings, check out Blossom Dearie Sings Comden and Green or her version of Someone to Watch Over Me. This is pure heroin. You bang it in the mainline and fall back on the flophouse bed with the hypo still sticking out of your arm. Norah Jones, on the other hand, is not satisfied until her tracks ramp up to some up-tempo peak of countryfication. Just so you know she means it when she whispers out, "Cub away wif be... inna dight." Sounds suspiciously like the cold sufferer on a Nyquil commercial. ... Read more


8. When I Fall In Love
list price: $18.98
our price: $12.98
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Asin: B0002VL0K6
Catlog: Music
Sales Rank: 23
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This is not the typical example of an artist from another genre jumping on the crowded standards-and-ballads bandwagon. When I Fall in Love instead represents an instrumental stylist busting out of a box to find a much more suitable platform for his craft. These tracks are the fruits of an obvious labor of love for everyone from the featured musicians to the arrangers to the engineers. The arrangers, particularly Billy Childs and Gil Goldstein, give Botti's trumpet a broad-brushed orchestral backdrop that allows him to emerge from the swirling strings and bouncy horns with bold strokes of creative improvising. Some tracks are obvious nods to Gil Evans and the lush arrangements of 1970s CTI recordings. Even the guest vocalists, Sting and Paula Cole, let his trumpet sing first before their respective cues on "La Belle Dame Sans Regrets" and "What'll I Do." The only blemish here is the obvious attempt at smooth jazz airplay with Sade's "No Ordinary Love." --Mark Ruffin ... Read more


9. Michael Buble
list price: $18.98
our price: $13.49
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Asin: B000088E6D
Catlog: Music
Sales Rank: 247
Average Customer Review: 4.45 out of 5 stars
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Pop's rush to raid the cradle continues with this promising debut by 25-year-old Canadian singer Michael Bublé. And while the young vocal star's good looks are smart enough for a boy band, his muse seems to have sprung from a more sassy and compelling musical era. Mentored by Paul Anka (whose '50s hit "Put Your Head on My Shoulder" is covered in dreamy, cabaret fashion here), Bublé sings in the orbits of Darin and Sinatra, covering swing epoch gems ("Come Fly with Me," "The Way You Look Tonight," "That's All") and rock era standards (Van Morrison's "Moondance," "How Can You Mend a Broken Heart" by the Brothers Gibb, Queen's "Crazy Little Ting Called Love") with equal aplomb. David Foster's production is typically slick and played to the back row of the bleachers, but it's informed by smart contexts provided by such arrangers as Johnny Mandel, Randy Waldman, and Mike Melvoin. If the choices of material are sometimes staid and predictable, they also give the singer a crucial framework for building toward something more challenging; his is a bright future. --Jerry McCulley ... Read more

Reviews (345)

4-0 out of 5 stars I Like this CD - A Lot
I just bought this CD 3 days ago, and I've played it probably 10 times already. Its a pretty good album - Michael Buble has a very good - although Sinatra/Torme/Connick - sounding voice. The arrangements are well made too - but Just The Way You Look Tonite should have preferably been arranged as a slow croon rather than bossa nova style.

I usually look into the Tower reviews to see if anybody else liked the CD's I buy, and it seems that a lot of other people like MB as well as I do. There are however a few people who really blasted him in their reviews. Not only blasted, but outright insulted him - a Karaoke singer!? Really now. Around 10 of 155 reviewers gave him 1-3 stars, and all I can say is that talent is in the ears of the beholder (or in this case, the listener). Measuring MB on the review scale, he is most obviously a talented singer who has moved his audience.

I hope MB comes out with his own album of The Great American Songbook. I'll be looking forward to hearing it, and reading the reviews.

5-0 out of 5 stars Harry Connick Jr. eat your heart out!
I first heard Michael Buble in the film DOWN WITH LOVE. I turned to my friends and asked "Who is that singing? He's great!" But I didn't think about the unknown singer for weeks.

Then I was in a CD store with the same friends and one turned to me and said "You must get this CD. This is the guy you liked from DOWN WITH LOVE." Well, I bought the CD and rushed home to listen to it.

This guy has real talent. Harry Connick Jr. may be a fine musician but he is but "a poor man's Sinatra" next to a singer like Michael Buble. Buble brings something more to the standards. He has a sweeter voice than Connick yet brings a more individual style too. In some ways he is reminiscent of Bobby Darin but whereas Darin could certainly swing, Buble also brings a sensuality to his music. His version of "Sway" is by far the best I have heard and my current favorite from the CD.

The arrangements are all great and the selections range from standards like "Fever" and "Come Fly With Me" to new classics like "How Can You Mend A Broken Heart" and "Moondance". Buble's cover of "The Way You Look Tonight" would make even Fred Astaire proud.

5-0 out of 5 stars The boy is soooooooo good!
I bought singing lessons on CD "Voice Lessons TO GO" by Vaccarino, because I was tired of being embarrased to sing with him when my husband was around! I love to play Buble's CD over a good home cooked meal. It is is such romantic music- his voice is so charming. I am also a huge Harry Connick Jr. fan. If you like one, you'll like the other.

5-0 out of 5 stars A word to the detractors;
So you like Frank and Bobby better? Quite a left-handed insult. Although it's fair to say that Bubel comes from that style, (and who could be interested in this kind of music without listening to a -lot- of Sinatra?), it's also apparent to me that this guy just opens his mouth and -sings-, naturally and musically. Some people aren't built to punk out, guys. Let's allow two or three saloon singers to have a career .

5-0 out of 5 stars "Michael Buble" one CD you will never get tired of playing.
Michael Buble is a special talent. I have been listening to his self-titled album "Michael Buble" for quite some time now and every time I hear Michael sing I am just amazed at how mature and seasoned his voice is. Others have mentioned comparisons to other great performers from the past, but Michael doesn't have to rely on anyone's reputation but his own. With his gorgeous voice and unique style he will be a permanent fixture in the pop music scene for many years to come. This CD is really well done. The song selections and production are perfect for a singer of Michael's great ability. You are really going to enjoy this CD!

If you enjoy listening to crooners and Big Band Swing, I would also suggest Monte Procopio. His 13-piece band swings and Monte can really sing the standards. ... Read more


10. Closer
list price: $18.98
our price: $13.49
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Asin: B0000CFW87
Catlog: Music
Sales Rank: 13
Average Customer Review: 4.34 out of 5 stars
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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessors more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase the singer's truedramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet.--Jerry McCulley ... Read more

Reviews (411)

4-0 out of 5 stars Remarkable voice
My four star rating is given because Josh Groban has, in my opinion, the best male voice out there right now. I bought this CD strictly to hear him sing. In that I wasn't disappointed although some of the song choices leave me somewhat less than thrilled. "Mi Mancherai" is done so beautifully. It is by far my favorite. The collaberation of he and Joshua Bell was genius. Tracks 2,4,6,7, and 11 are also lovely. "Remember When It Rained" was written by Josh Groban and is quite pretty. He plays the piano on that song and does so very well. I hope he will do more playing in his future projects. As for the opinions about "Caruso" being less than well performed, I would have to disagree.
The pop sound in some of the songs I could gladly do without. Ideally, he would stick to a more classical sound with the instruments adding to the beauty of his voice rather than detracting from it.
This is the only CD I've ever bought the day it came out. I will likely do the same next time. And if there are more violin or piano or cello accompaniments and fewer by electric guitars and drums, I will be thrilled!

5-0 out of 5 stars A little range reach but "Closer" to roots of appeal.
I love music - all kinds of music. But the music on this cd seems almost tailor made for what my heart loves to hear best. David Foster has this incredible way of building a movie set of music around a spectacular voice. The effects are dramatic and to Josh Groban's interprative credit not melodramatic.

Josh Groban really took a couple of risks here, he cowrote and plays piano on "Remember When It Rained". It's great to hear something a little different from him even if it isn't the best track on the cd. Some of the tracks sound a little saccharin like "Broken Vow" - the live version on the cd/dvd was better but "My Confession" is a wonderfully elegant ballad that takes Josh's voice to a higher range and works majestically well. Some of the tracks are absolutely spectacular like "Mi Mancherai" which includes some of the most expressive violin from Joshua Bell and "Oceano" which also includes musical arrangements that compliment and frame Josh's exquisite voice. Josh Groban's absolute pitch, warmth and power are showcased so well but this cd illustrates some lovely diversity not seen in the debut. It's hard to ascertain what Josh Groban is conveying when he sings but the aura of emotional distancing doesn't interfere with the extraordinary delivery on each track, it creates an appealing mystique. Even if a couple tracks are skippable - the cd overall is a demonstrative delicious big bang.

5-0 out of 5 stars WOW WHAT AN AMAZING ARTIST
This guy is amazing and i think that anybody that disagrees with me is crazy. This is a true artist and it is a GOD given talent also. You have to buy this CD if you really want to hear good music.

5-0 out of 5 stars Blew me away
This guy and I are the same age and I cannot believe that wonderful voice comes out of him. This CD is a must get and I am glad I bought it. It is a perfect way to relax after a long day- his voice just soothes you. Favorite tunes are of course Oceano- also Mi Mancherai, Per Te, and Remember when it rained. He packs so much power into his music and Thank God for whoever discovered him!

1-0 out of 5 stars 0 Stars
What the world needs now is NOT an opera version of Clay Aiken! or should I say opera-wannabe version. Do yourself a favor and get the "Cabaret" soundtrack of the movie for some REAL MUSICAL TALENT. F-(-) ... Read more


11. Feels Like Home
list price: $18.98
our price: $13.49
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Asin: B00018D44U
Catlog: Music
Sales Rank: 15
Average Customer Review: 3.61 out of 5 stars
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Norah Jones blew everybody away with her jazzy, country-tinged,Grammy-winning debut CD, Come Away With Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, "Sunrise" to Tom Waits' "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley, Jr. ... Read more

Reviews (495)

3-0 out of 5 stars Middle of the road
I am a Norah Jones fan but have to admit that her music is somewhat generic. The songs seem to blend into each other - besides the first single 'Sunrise' which is at least distinctive. She has a tendency to repeat a single word/line all throughout the song, until the fade out .. kind of following a formula of sorts. Not much content in the songs, not very good songwriting perhaps. I'm not a songwriter but would prefer songs where it doesn't feel like a broken record at times.

The good points are that it's a very nice soothing album that you can put on in the background. Plus, she does have a wonderful voice. It's more country than her previous album, but that's a good thing .. I presume that's why it's called 'Feels Like Home'.

Definitely recommended. It's good music to just put on during a drive home or for relaxing with a cup of hot chocolate (or coffee or whatever's your poison).

PS: The CD has copy-control, I haven't had any problems with it but it's just something to keep in mind .. since according to the back, it might not work with most car CD players.

5-0 out of 5 stars A unique, musical sound; great songs
I was in a mood to find some new artists, and indirectly heard of Norah Jones. Amongst the other albums I ordered, I was very surprised and pleased to find this one. Norah's voice is very cool -- the songs are a little jazzy, a little bluesy and a little rock. They are all pleasing and complex without being too much, too loud, etc. I find myself listenging and discovering new aspects of the music each time and this has become one of my favorites.

1-0 out of 5 stars Short and Sweet...
A Norah Jones CD would sound just like one long continuous boring song if there were no breaks between tracks!
I really tried hard to find some enjoyable quality in her music. But after the third song, she really starts to become annoying to listen to. It's like someone dragging their fingernails across a chalk board.

5-0 out of 5 stars heaps better than the first cd...
I was never a fan of Norah's, but the week this cd was released every music store in town was playing it in heavy rotation, so i started to like it, then i decided to buy it and i love it! it took me ages to get into it though. first i played my favourites and now have worked up to playing the whole cd. My faves would have to be Sunrise, Creeping In, Toes, Humble Me, Don't Miss You At All and The Prettiest Thing. The line in Humble Me 'Baby Teresa she's got your eyes, i see you all the time, when she asks about her daddy i never know what to say', really got to me. it's such a sad song..it made me think of Norah as a mom though, which was kind of weird, but i think she'd be a great one : ) This CD is fantastic and well worth the money. What's the enhanced bit on this CD?

5-0 out of 5 stars great sophomore cd
please ignore and disregard the mean one star reviews foe this excellent sophomore album from the grandaughter of the great indian sitar maestro ravi shankar and it gives me great pride as an indian to listen to her great albums and her accompilshments.very highly recommended.go norah go!!!!!!! ... Read more


12. ELV1S 30 #1 Hits
list price: $19.98
our price: $14.99
(price subject to change: see help)
Asin: B00006AG5N
Catlog: Music
Sales Rank: 221
Average Customer Review: 4.63 out of 5 stars
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In 1987, RCA released a one-disc Elvis compilation called The Number One Hits that featured 18 tracks. So how did the label come up with 12 additional number ones (13 if you count the sensational "A Little Less Conversation" remix that brings the King into the 21st century as a bona fide dance/electronica star)? Well, the '87 compilation featured only Billboard number ones. "In the Ghetto" and "Burning Love" never reached the top there, nor did "Way Down," despite every copy of that 45 selling out on both sides of the Atlantic following Presley's 1977 death. Instead, the new compilers have used the major pop charts in both the U.S. (including Cashbox) and U.K. to determine inclusions. The tracks have all been remixed from original masters, which proves awesome at best (some of the songs have never sounded crisper if, at times, slightly antiseptic) and problematic at worst. Purists will definitely quibble. "A Fool Such As I," for instance, sounds like Elvis rerecorded his vocals. Hank Garland's great guitar solo also sounds different. It might be an alternate take. That's definitely the case with "The Wonder of You." A few lyrics are even different, meaning this isn't the same version as the original 45. Of course, none of that should matter to the youngsters who've been singing along to "Hound Dog" on the Lilo & Stitch soundtrack, or to any other newcomers. Despite the complaints, this is arguably the best single disc Elvis primer to date. Real fans will want to explore much deeper for treasures to be found, but albums like this guarantee that this is one king who will deservedly live very long, if not forever. --Bill Holdship ... Read more

Reviews (265)

5-0 out of 5 stars The King Is Back....
Elvis. One simple name that means so much. And to some music lovers, a word that means almost everything. Like it says in the CD jacket, "Before anyone did anything, Elvis did everything." This CD shows just that. Elvis has been called the King of Rock and Roll, a Gospel Guru and even a Great Balladere. This CD showcases just that. "30 #1 Hits" is a must have for any music lover. This CD commemorates the 25th anniversary of his death, and celebrates it in high fashion. 30 of his number ones are included here. Everything from rock to gospel is found here. All of his greats "Love Me Tender," "Jailhouse Rock," "All Shook Up," and "Can't Help Falling In Love," to his lesser known greats "One Night," "Way Down," "The Wonder of You," and "Wooden Heart" are here. Standouts for me include "Devil In Disguise," "Stuck On You," "Return To Sender," and "Good Luck Charm." There is even a `bonus' of sorts on the disc as well. "A Little Less Conversation," a song Elvis cut back in 1968 is remixed by JXL, dance-style, and is a wonderful listen. But the CD jacket is perhaps where the disc shines. It contains a brief history on each of the songs in the package, along with a few photos. I recommend that this CD be picked up because it will indeed please any music fan. It has the Elvis songs we all know and love, and some we probably forgot he even did. Once purchased you may find yourself singing along at times, and that is cool. Remember, Elvis is the King of R&R, and kings get all the attention. :-)

5-0 out of 5 stars "I don't sound like anybody"
Elvis once told Sam Phillips, of Sun Records, "I don't sound like anybody". That was true then and it remains true today.

The remastering of these songs, many of them classics in the genre, is one of the most exciting ideas in music today. The sound quality is astounding. Every song sounds clearer, richer,and bassier.Most noticeably on "Burning Love". Play the version that's on 101 different CD's and then play this version. You'll never want to listen to any other version than this remastered gem. Try this with any of the 29 other remastered songs, and you run the risk of never wanting to listen to any Elvis release other than ELV1S 30 #1 Hits. Plus you get the newest #1 hit for Elvis, the remastered "A Little Less Conversation" remix.

Many people will not give this new release a moment's thought. That would be a big mistake. There's great music on this CD that anyone who loves music should have in their collection. Certainly every Elvis fan already owns all these songs on several different CD's, tape or even vinyl, but nothing with the sound quality of this release, it's a must-have for the music lover or the Elvis fan.

5-0 out of 5 stars Elv1s is the king of music!!!
A must have for every Elv1s fans and new Elv1s fans around the world, I guarantee you, you will not get disappointed, 31 #1 Hits singles from US and UK in just 1 CD!!!

1-0 out of 5 stars The King's Legacy Is Being Compromised Here
First of all, I love Elvis' music and have collected it for years and I have to admit if this is your first Elvis CD you probably will be satisfied. My problem with this CD is that Fool Such As I and The Wonder Of You are not the original hit versions that played on the radio way back when and helped build the King's legend. Fool is an alternate take and Wonder is a different live performance. These takes were never #1 anywhere and when you compare the original hits with these alternates you realise that RCA picked the right masters to originally release. In my opinion this is obscuring the King's legacy and in a way changing history for the new listener and not giving them all the goodness that was Elvis. Why would BMG do this? I suspect it is to coax the serious Elvis collector to buy yet again another rehash of hits that they have already bought many times over, just to get these two "special" tracks, and the novice Elvis collector wouldn't notice the difference. I would much rather have preferred a new two CD set of all the correct recordings remastered with today's technology (like the The Top Ten Hits did in 1988) and then have a seperate collection of nothing but unreleased alternates. However, these alternates always get sprinkled very sparingly in these endless Greatest Hits rehashes. But then again, I'm not a BMG marketing director, just another one of the millions of Elvis fans with money in my pocket.

5-0 out of 5 stars Perfect 31 #1 Hits!!!
First of all, it's the only CD that contains 31 #1 Hit Singles in the USA and UK (A Little Less Conversation is the last #1 in the UK for 4 weeks in 2002) , there are 5 more Elv1s #1 which are not included in this CD bec. it would not fit in 1 CD, but it's in Elv1s 2nd To None album!

Second, the sound is so crisp and clear, you can really hear the unbelievable great voice of Elv1s!

Third, no wonder Elv1s is the Guiness Book Of World Record holder who has sold more than 1 billion records more than any other artist and www.riaa.com most Gold, Platinum and Multi-Platinum albums and singles in the USA more than any other artist!

What more could you ask for? ... Read more


13. The Phantom of the Opera (Original 1986 London Cast)
list price: $37.98
our price: $30.49
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Asin: B00004YTY2
Catlog: Music
Sales Rank: 151
Average Customer Review: 4.63 out of 5 stars
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Reviews (261)

4-0 out of 5 stars "Let the specacle astound you!"
I can get a pretty good sense of what a theatrical experience this show must be from listening to its London cast recording. All that thundering, overpowering, eerie but beautiful music, which is actually pretty good and may very well be Andrew Lloyd Webber's best. The above-average, occasionally beautiful and touching lyrics to such songs as "Music of the Night," "All I Ask of You," "Wishing You Were Somehow Here Again," and "Point of No Return." The fine performance of Michael Crawford as the Phantom, which does a great job of conveying the character's passion and pain and thankfully doesn't really conjure up memories of his best-forgotten days as a juvenile lead in such fimusicals as "A Funny Thing..." and "Hello, Dolly!" The beautiful voice of Sarah Brightman as Christine. The supporting cast, from Steve Barton's Raoul to Rosemary Ashe's stunning Carlotta to the two theatrical agents, Andre and Farmin (or something like that). All contribute to the enjoyment and, yes, spectacle of this recording, and no doubt did and, in the case of the music and lyrics, still do contribute to the success of the stage show. All are reasons for buying it, so why not?

5-0 out of 5 stars Not the best recording ever. . .the ONLY recording ever
Alright, let's get this straight. It's a simple math problem; even a first grader could get this. Michael Crawford=Phantom. Phantom=Michael Crawford. That's just how it is. In the title song, when he sings "The Phantom of the Opera is there"...oh its brilliant. Especially that funny thing his voice does on the "Phaaa" part of Phantom. Normally it might be a little awkward, but in this role its absolutley perfect. He really makes us sympathize with him and almost makes you bawl in the Finale.

Sarah Brightman does a great job with Christine. Most peolpe absolutely screw up the vocals at the end of the title song (ah-hem, 1992 Japanese Version and Sandra Joseph on Broadway. Hate to say it, but it doesn't work with their voices. Yeah, they can sing, but just not that. They do very well otherwise though) I like the way she screams out "I'll go MAD!" in Notes II.

The only bad part about this (but it's quite minor) are Madame Giry and Joseph Buquet. Buquet's voice is kind of breathy and the vibrato takes over and Madame Giry's voice is a little breathy also, but nothing major.

The orchestra in this is beautiful. In most recordings, the orchestra cuts short in the intrumentals before Hannibal and after the Auction (which is one of the best parts) but in this one is it really powerful. It gives you goosebumps because it blends so well together. Especially when the horns come in!

5-0 out of 5 stars A Beautiful Recording
I simply love this recording. I have never seen Phantom performed on the stage and this is the only recording I have ever heard of the Phantom of the Opera, but I was delighted to hear its music. I have had this CD for only a week and cannot stop playing it for some reason! It has quite a musical score, and the story is very sad. I have never read the book (although I am waiting for its arrival from Amazon after ordering it), so I cannot tell you whether it is true to the original story. The story is that of a man who has been abandoned by all mankind and must live in a labyrinth under the opera house. He falls in love with Christine Daae and becomes her tutor. She believes that the Phantom is the Angel of Music sent by her deceased father. The Phantom loves her so and wants her career in the opera house to advance. He sends notes to the managers, telling them to give her main roles instead of the prima Donna Carlotta. It is a heart wrenching story because you really feel sorry for the Phantom.

The cast is strong. MICHAEL CRAWFORD plays the Phantom on this recording and is argued by many phans to be the best phantom. I have heard no other recording, so I can't argue that point. The role of Christine was written for SARAH BRIGHTMAN, so naturally she does well. There are many high notes and her role can be compared to that of COSETTE in LES MISERABLES because it seems that the majority of her parts are high. RAOUL is played by STEVE BARTON, and his voice is marvelous. ROSEMARY ASHE plays CARLOTTA. I don't like the part of Carlotta, but that isn't Ashe's fault!

Some of the music in this sounds familiar, like from CATS (I'm talking about a couple bars of music, not like a whole song or anything), so that is very interesting. If you like Andrew Lloyd Webber, you will love this rock opera! I like "Angel of Music," "Phantom of the Opera," and "Music of the Night."

Buy this CD because it is worth every penny!

4-0 out of 5 stars Just as good the 100th time!
This is truly a great recording. Overall, I am totally in love with it, but I am here to give a review, not to push my personal biases on others. So, from the standpoint of a musician, actress, and singer, here goes. First of all the actors...
MICHAEL CRAWFORD: Overall, Awesome. Truly the best cast member. His voice is easy to listen to, and very expressive. He IS the Phantom. No questions asked. Technically, not perfect, but this is theatre, not technical type singing. Sometimes, he sounds like he has a bad cold, and tends to slide into the correct note on the higher notes, but overall, this detracts very little from his outrageous awsomeness.
SARAH BRIGHTMAN: Not a huge fan of Sarah's, I'm afraid. Vibrato is one thing, but when you sound like a chipmunk singing while sitting in one of those massage chair things, you're using a little too much. She hits all of the notes beautifully, but you would too if your husband wrote the part for you. Her acting skills and expression are below par, and her inunciation is like she's singing with dental equipment in her mouth. She should definately practice singing more forward, as she gets caught in the back of her throat frequently. Her solos can wear on the nerves, but overall, you could do worse, she's not completely devoid of vocal talent, and she sounds fine when she's singing with someone else.
STEVE BARTON: Not much to say about him. No surprises here, but easy to listen too, expression is on par, and he is technically the best out of the three leads. No complaints, but I've heard this voice a million times before.
OTHERS WHO STOOD OUT: Carlotta is excellant, and beautifully annoying, all though she does have one moment in NOTES where she slips out of character for a phrase. Meg sounds like she's singing while trying to breath through an oxygen tube, in other words, barely audible. I would have liked to hear her more in the harmony on Angel of Music. Everyone else: Fine. Cooly. No complaints.
AS FOR THE MUSIC: There is a lot of it, and it rocks. The orchestrations are fabulous for Broadway, and the melodies are beautiful, if frequently repetitive. Don't buy this if you don't like the tune of Angel of Music, it shows up in practically every song. The chorus numbers are ass-kicking and funky harmony-full.
THE FINAL VERDICT: You can't go wrong here. Even if you despise Sarah Brightman, everyone else more than compensates for her, erm , lack of pronunciation. Crawford is at his best, and the melodies are some of the most memorable in musical history. Even newbies to the Phantom world will rejoice. Go ahead, throw away your money here. You won't be dissapointed.

3-0 out of 5 stars Overblown, but still worth a listen.
I am not one of Andrew Lloyd Webber's greatest fans. But still, this is a good show. People that give this negative reviews claim that it is overated. And they are correct. But there are very good melodies in this show, although the lyrics are not top quality. There are also so many layers of the phantom that Gaston Leorux wrote in this character that are not explored in the lyrics. In this show we have little reason to sympathize with the main character. But in Sondheim's"Sweeney Todd" we are told in sometimes Gruesome detail why Sweeney has those killing sprees. But these shows are completly different animals of the theater. Phantom is a show that takes you to another world, while "Sweeney" makes you think. In my opinon, this is Andrew Lloyd Webbers last good show. ... Read more


14. As I Am
list price: $18.98
our price: $13.49
(price subject to change: see help)
Asin: B0007TFHES
Catlog: Music
Sales Rank: 512
Average Customer Review: 4.0 out of 5 stars
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Television viewers know her as The West Wing's opinionated deputy press secretary Annabeth Schott, while Broadway aficionados are familiar with her Tony-winning work in Wicked and the revival of You're a Good Man Charlie Brown, as well as the successful 2001 American Songbook anthology, Let Yourself Go. But on this eclectic collection of traditional and contemporary gospel anthems and related songs, songstress Kristen Chenoweth claims a bold return to her spiritual roots. Her chameleonic, crystalline soprano lights up the beloved title track standard and the Gaither's modern inspirationals "Because He Lives" and "Upon This Rock" with a deft, Broadway-bred sense of drama. Yet her voice remains supple enough to impart country charms to "It Will Be Me," "Poor Wayfaring Stranger" and Amy Lee Grant's "There Will Never Be Another." One-woman pop songwriting empire Diane Warren offer Chenoweth a typically melodramatic showcase on the spiritually generic "Borrowed Angels," while the unfortunate "Joyful, Joyful" once again proves Ludwig van still doesn't need any lyrical help with "Ode to Joy," thank you. The album's bonus cut, "Taylor, the Latte Boy," closes out the album on an upbeat note of playful, romantic innocence.--Jerry McCulley ... Read more

Reviews (20)

5-0 out of 5 stars Chenoweth Brings More than Herself in "As I Am"
Prime Cuts:Upon This Rock, Borrowed Angels, The Song Remembers When

For artists to cross pollinate into other musical genres is not a recent provenance.Pop superstar Whitney Houston has had cut a gospel soundtrack with "The Preacher's Wife" and American Idol winner Rueben Studdard has just professed his faith on his sophomore offering "I Need an Angel". Hence, it is of no surprise that cabaret singer Kristin Chenoweth to grace us with an inspirational themed CD.Not only is this a contemporary Christian record, but it is by far one of the most elucidating and effable efforts in years.What sets "As I Am" apart are the distinct readings Chenoweth and producer Christopher Harris has had given to these paeans.Rather than allow a genre to package the sonic output of the songs, Harris has allowed the songs to define the musical intonations.Hence, you will find power ballads in the Celine Dion league ("Borrowed Angels") side by side with the more acoustic-country sounding ("Poor Wayfaring Stranger") to an all-out gospel clamor ("Upon This Rock").In short, this album's pride of place resides in the fact that Harris has allowed these song to define themselves as any good recording producer ought to do. Also, thumbs are up with regards to the choice of songs selected:though Chenoweth has tackled some of the great hymns of the church (such as "Joyful, Joyful," "Because He Lives," the title track etc) some of the hidden gems of contemporary Christian music have been unearthed.This includes Sandi Patty's "Upon this Rock," Amy Grant's "There Will Never Be Another," Faith Hill's "It Will Be Me" and Michael W. Smith's "Word of God Speak".

Though Chenoweth does not have a full bodied voice as that of say Whitney Houston, but what she is well compensated with her nonpareil range that can escalate to the operative high registers that most singers only dreamed of reaching.Her vocal gymnastics is parlayed to its full glory on the Sandi Patty's majestic ballad "Upon this Rock:" listening to how she soars higher and higher towards the end of this tune is just an experience well worth the price of this CD itself.Thoughlittle bit more subdued, her rendition of the old Easter hymn "Because He Lives" is another standing ovation moment as Chenoweth breathes live and verve into each syllable of this gorgeous profession of faith. More subdued, but no less affecting, is "Borrowed Angels" the brand new power ballad written by pop maestro Diane Warren.With all the hallmarks of a Warren hit, this contemplative number is a beautiful apologetic for suffering and death that has overwhelming Christia overtones.

Some pedal steel certainly spices up the country flavor of Faith Hill's "It Will Be Me," but Chenoweth's flawless delivery certainly adds an undeniable slickness to it.Belonging to the same country fold is Trisha Yearwood's top 5 hit "The Song Remembers When."With its vivid images, this Hugh Prestwood penned ballad about the power of music to reach the recesses of the heart, is sure to induce tears of affinity.However, with such highly charged ballads as "The Song Remembers When," the Southern gospel "Poor Wayfaring Stranger" proves a more understated bluegrassy feel that certainly creates variety and some emotional breathing space.

Perhaps out of place is the album closer the coy "Taylor the Latte Boy."On such a shiny and strong faith declarative album, this light weighted ditty about Chenoweth's crush for a Starbucks barista seems out of place.On a pop album, "Taylor the Latte Boy" could work.Further, Chenoweth's somehow frail delivery pales in comparison to Susan Egan's version which can be found on her latest LML release.Nevertheless, despite such quibbles, "As I Am" is truly a glorious and dexterous proclamation that ought to do her Savior proud.

5-0 out of 5 stars Wonderful, As Always
Kristin has once again amazed us all with her new CD "As I am"...which is just that; as Kristin is. The CD contains songs reflecting the personal beliefs and loves of Kristin herself, which is obvious as the music is sung with heart and conivction. Kristin's unbelievable ability to switch effortlessly from broadway to jazz, from pop to opera, from character voices to comedic ones, and on is sure to please a buyer.

Buyers should be aware that this CD does stray from Kristin's "broadway roots". Therefore, one seeking broadway songs, may be more likely to enjoy Kristin's first solo CD "Let Yourself Go" or "Wicked". However, Kristin's huge and beautiful voice still resides within the inspirational songs on this CD and one who is a fan would not be let down. Kristin has once again out-done herself with a beautiful CD that is sure to be a household favorite. Enjoy!

4-0 out of 5 stars Good Cd of hope
Kristin has a very nice voice all most of the song's on this cd are good.This is good for anyone that wants postive music.

5-0 out of 5 stars She's done it HER way!
It saddens me to read some of these reviews.Some of you feel that Kristin has "let you down" because she has done a CD of inspirational songs and that she is becoming a conformist.God forbid anyone proclaim that they're a Christian these days!You feel this CD is not the "real" Kristin and she needs to go back to jazzy Broadway standards.It doesn't showcase her talent properly...blah, blah, blah...

On the contrary, I think this IS the real Kristin and this CD shows just how versatile she and her magnificent voice can be.If you've ever heard Sandi Patti sing "Upon This Rock," you know she has an incredible range.I, for one, didn't think there was anyone else who could sing that song, but not only does Kristin pay wonderful homage to Patti, she one-ups her by taking the song even higher at the end.

Yes, musicians make albums for their fans, but their albums are ultimately a reflection of themselves.I think this album is an incredible reflection of the beautiful person that Kristin is, both inside and out.And for those of you who won't buy this album because of the "Jesus" songs, it's your choice, but you'll be missing out on a terrific album.

3-0 out of 5 stars If you were expecting Broadway
You will be disappointed.
There is no trace of a Broadway Baby anywhere on this CD.
I guess it is proof that Kristin has star power that
a sophmore CD release is made of her personal choices.
I like it, for what it is. A CD of inspirational tunes.
Vocally,Kristin is as always,gorgeous.
But, for a CD of inspirational lyrics, I just don't "hear" it in her performance.
The last song, included for us die-hards, Taylor the latte boy[so much fun to hear live in concert] is as jarring as the sound of an espresso machine when
in queue with the serious songs on the cd.
I doubt that
this album is going to be played down to the grooves like
I have Kristin's "Let Yourself Go".
This particular CD is one you must experience yourself.
Because the alchemy of "As I AM" is going to depend "soul"ly on the listener. ... Read more


15. Heavier Things
list price: $13.98
our price: $9.99
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Asin: B0000ALSDR
Catlog: Music
Sales Rank: 51
Average Customer Review: 3.96 out of 5 stars
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John Mayer's big label debut was a multi-platinum breakthrough success whose sensual anthem "Your Body is a Wonderland" scored him an unlikely Grammy for Best Pop Vocal. That out-of-the-box success–and more than a few critics grousing that Mayer's muse was cloned from Dave Matthews–primed him for the typical sophomore slump. Instead, Mayer delivers an album whose tone and title suggests a gentle, tongue-in-cheek rebuke to his naysayers. Propelled by the subtle ambitions of an expanded pop-jazz framework (largely courtesy of Sheryl Crow/No Doubt/Jellyfish producer Jack Joseph Puig), Mayer's breathy vocal tack now suggests a detached, conflicted, and significantly less precious incarnation of Michael Franks. But the way he weds fluid pop hooks to lyrical concerns whose self-obsessions are undercut by telling dollops of self-deprecation should clearly draw listeners in, from the my-spirit's-too-big/smart-for-my-body laments of "Clarity," upbeat single "Bigger Than My Body," and bluesy plea "Come Back to Bed" to the cautionary, melodically-rich "Daughters" and even the anti-materialist agitprop of "Something's Missing." --Jerry McCulley ... Read more

Reviews (541)

4-0 out of 5 stars A Very Hot/Cold Follow-up to 2001 Room For Squares
I was very anxious to hear the latest from John Mayer. After listening to 2001's sublime "Room For Squares", I was curious to see in what direction this soft-spoken acoustic strummer would go next. Upon listening to the lead-off single, "Bigger Than My Body", my expectations immediately rose. With it's stadium-sized chorus, and mystifying guitar texture's, "Bigger..." truly made me believe that Mayer just may top "Room For Squares". Sadly, however, the rest of the album does not quite stand up as well. The album kicks off with "Clarity", which boils down to Dave Matthews on his worst day. "Bigger..." redeems the false start immediately, and is followed by "Something's Missing"- Mayer's best track to date. "New Deep", a synth-laden self-proclamation of change, is a decent track, but is quickly followed up by the lame, and truly unnecessary...-anthem, "Come Back to Bed"- basically the morning after to "Your Body is a Wonderland". "Homelife" is just plain insipid, but "Spilt-Screen Sadness" is a creative new song with strong lyrics and a grooveable beat. "Daughters" is a truly standout track in a sea of mediocrity- a message of love to the daughters of the world, and a warning to everyone who takes them for granted. "Only Heart" is yet another strong track, although by this point, we are starting to see a trend of ballads geared towards a female audience. It comes to a less than satisfying close with "Wheel", a good track of filler, but nothing more. All in all, it is much better as whole than most albums out there. Still, fans of his more personal and introspective earlier works will be left disappointed at the lack of nostalgia and urgency in his music. But, hey, you can always outdo an amazing prior work. (i.e. Oasis, Barenaked Ladies, Fastball, The Counting Crows, etc.) Four stars for effort, though. Cheers.

5-0 out of 5 stars A totally different approach from John Mayer; I'm impressed.
John Mayer is my favorite artist anyway, so I knew I'd like this album. But I like it in for a reason I didn't expect, something I was initially worried about: it's different.

I read enough about the album ahead of time to know it was not "Room For Squares: Part II". John decided to utilize his band and write an album that has a completely different sound from his acoustic setting.

As a result, I can tell you that this album accomplishes the same depth and soul that John Mayer's previous releases have expressed, but provides a different mood and atmosphere for his expressions.

If I had been told to compare it to "Room For Squares", I couldn't. "Room For Squares" is my favorite album, and this is certainly not Room For Squares. The two albums stand independently, not connected at all. This album has a great electric sound while still possessing the depth of the expected John Mayer lyrics. It's a bluesy, southern rock style album overall, but has a lot of interesting twists.

"Split Screen Sadness" will get you wondering if you bought the wrong album. "Daughters" returns to the John Mayer acoustic feel, and it's a great, sweet song. "Something's Missing" is birthed in studio form after appearing on "Any Given Thursday" as a live track, and the version is very good, although quite different (more mellow) than the hard, guitar-driven live version.

John Mayer did a good thing with this album --- he didn't attempt to top "Room For Squares". He didn't attempt to write a new album to replace the old one. R4S is phenomenal.

John has allowed that album to remain in my CD player alongside the new album. You don't have to throw out your old John Mayer to make room for the new...the different albums operate on totally different moods, so there's the best songwriter available to sing you the best songs anytime, and each album does a phenomenal job of catering to its particular mood.

This is definitely worth your purchase. I won't let my friends burn it from me...they have to go buy it too. :)

5-0 out of 5 stars A great listen
The thing I noticed about this album is how different it is than Mayer's debut "Room for Squares". There's not as much acoustic. This isn't a bad thing, because Mayer still does a great job. John Mayer is probably my favorite artist in this genre of music. His vocals, lyric work, music, everything is just astounding.

5-0 out of 5 stars Mayer makes music worth listening to
I don't know what rock I've been hiding under, but I have never heard John Mayer's music until I recently bought this cd. I don't listen to the radio...ever, but was recommended Mayer's music by two different friends, so I went ahead and bought it.

Loved it instantly. The combination of acoustic rock and roll with new aged pop and a smooth sound. He has a knack for a nonchalant, cool guy delivery that's very effective. His music is so refreshing and creative, not to mention the amazingly clever linear notes in the cd insert booklet. Favorite songs include: "Daughters," "Clarity," "Homelife," and my favorite "Come Back To Bed."

I still have yet to hear his other cds, mainly "Room for Squares" but that is next on my agenda!

2-0 out of 5 stars Very disappointing
This CD was a huge letdown.

I liked a few songs on his "Room for Squares" but was completely unaffected by everything on this album save for "Charity," a great song.

He's at the forefront of the male singer/songwriter thing right now in terms of popularity, but others are producing much better CDs. Try Patrick Park's "Loneliness Knows my Name," Joseph Arthur's "Redemption's Son," or Gavin DeGraw's "Chariot" instead. ... Read more


16. De-Lovely
list price: $18.98
our price: $12.98
(price subject to change: see help)
Asin: B00023GGHQ
Catlog: Music
Sales Rank: 126
Average Customer Review: 3.42 out of 5 stars
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At first glance, the approach picked for De-Lovely will be familiar to those who already own Red Hot + Blue: A Tribute to Cole Porter. On both albums, contemporary pop stars cover classics by Porter. But many of the interpretations on Red Hot + Bluewere modernized, whereas the approach on De-Lovely is more traditional---it's the soundtrack to a biopic about Porter, after all, so a classic (though not quite period) sound prevails. What's surprising is how well many of the singers deal with the songs without the crutch of a contemporary pop retooling. Who would have thought that Alanis Morissette had such a natural affinity for "Let's Do It (Let's Fall in Love)," for instance? She fares equally well in her screen cameo, whereas Diana Krall sounds superb on "Just One of Those Things" but looks horribly uncomfortable in the movie. Other good surprises include Robbie Williams's "It's De-Lovely" and Kevin Kline as Porter, coming across as a more-tuneful Rex Harrison. Elvis Costello, meanwhile,confirms he's a better songwriter than singer, and as Linda Porter, Ashley Judd is hesitant at best. In a nice touch, a recording of Cole Porter himself performing "You're the Top" provides the album's coda. --Elisabeth Vincentelli ... Read more

Reviews (38)

5-0 out of 5 stars Refreshing Cole Porter
The sound track of DE-LOVELY features some of the greatest standards of the American Songbook, sung by such contemporary artists as Alanis Morissette (Let's Do It); Sheryl Crow (Begin the Beguine); Elvis Costello (Let's Misbehave); Diana Krall (Just One of Those Things), and Natalie Cole (Ev'ry Time We Say Goodbye). All of the tracks, except Cole Porter singing "You're the Top", are newly recorded for the sound track of this telling of Cole Porter's life story. Kevin Kline, who plays Porter has a couple of well-chosen cuts as well.
If the film is as good as the recording, this could be one of the better films for adults and show-biz fans for the summer.
Ashley Judd portrays Porter's wife Linda and she, too, has a few songs.

3-0 out of 5 stars I'll see the movie anyway.
I haven't seen the movie yet because musical movies come late to this overrated tinhorn resort town where I live, in the redneck state of Arizona. But I did buy the soundtrack. I am speaking as an old lady who has loved musicals all my life. I remember when Cole Porter's songs were on the Hit Parade (the Top 10 of the '50s). I memorized his lyrics when I was a teenager.
With the exception of Natalie Cole, my experience with most of these singers is name recognition only (Morissette, Crow, Costello, maybe Williams; I've never heard of Krall, Lemar, or Hucknall).
Now that I've heard them actually sing, I think they must be rejects from American Idol. Their voices are terrible; they're only reciting the lyrics, not singing them as if they have any idea what the words mean (listen to Frank Sinatra). And now I know why I dislike most of today's popular music: so much of it is in a minor key, like Crow's embarrassing rendition of "Begin the Beguine." Whoever had that idea should have been outvoted. Porter must really be spinning.
In my opinion, only four tracks did the music justice: "Anything Goes," sung by Caroline O'Connor, who mercifully did not go overboard in suggesting the performance of Ethel Merman; "Love for Sale," beautifully sung by Vivian Green, perhaps the best version of that song I've ever heard; "Be a Clown," sung by Kline, who obviously appreciates that he's playing an intelligent, sophisticated man of the world and one of the finest Broadway and Hollywood composers and lyricists ever; and, of course, "Ev'ry Time We Say Good-bye," sung by Natalie Cole, who learned how to put over a song from one of the best singers: her father, Nat ("King") Cole.
I'll still go to see the movie, if it ever opens here, but generally I was disappointed with the arrangements and the singers.

2-0 out of 5 stars Movie: 5, Soundtrack: 2
Great movie... BUT... hearing ONLY the soundtrack it is a 2... why? Because the music is some of the most melodic and beautiful ever written and several performances are neither authentic of the time, or not sung in a way the beauty of the song can be heard. This music is NOT about the performer... it was about the song! Most of the original recordings which featured a singer did not even have the singers name on the record! That is because the song was beautiful and did NOT need a song "stylist" to make it "all about the singer"!

Having said that, most of the songs in the film are not bad... and standouts include Natalie Cole and Diana Krall. The sad renditions are worst with Sheryl Crow TRYING to sing "Begin the Beguine" and Elvis Costello who butchers "Let's misbehave."

Get these tunes on CD from some great people who sang them in the past... like Sinatra, Torme, Clooney, Bennett and Vaughn.

5-0 out of 5 stars New Life to classic tunes
With quite a few negative reviews here, I must put a positive hand up for this movie and for its terrific soundtrack.
Many great songs, in new - sparkling arrangements, sung by todays artists give so much emotion to the movie, setting the scene, and telling the story - musical dialogue in effect... I especially enjoy "Begin the Begine" with Sheryl Crow. The instrumentation includes a Bass Flute which adds a sultry sheen to this moody performance. Cole Porters wonderful songwriting lifts these songs - decades later, for a new audience to appreciate.

3-0 out of 5 stars Stop
You just saw the movie, loved it, and now you want to buy the soundtrack? Stop. Instead, buy either "The Very Best of Cole Porter" or "Cole Porter: A Centennial Celebration". Of these two, I would recommend "A Centennial Celebration" first because it contains three original Cole Porter recordings.

I don't think that there is a perfect Cole Porter collection out there. They all seem to either leave out an important song or they allow someone to butcher one of his songs. However, either one of these is far better than the movie soundtrack which simply strays too far Cole Porter's original work. ... Read more


17. Dreamland
list price: $11.98
our price: $10.99
(price subject to change: see help)
Asin: B000002JAX
Catlog: Music
Sales Rank: 427
Average Customer Review: 4.77 out of 5 stars
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Reviews (39)

4-0 out of 5 stars Surprise someone you love--this is a great gift CD
When I first heard this album on NPR two years ago, I was stunned. Peyroux sounds like Billy Holiday filtered through Patsy Cline by way of Edith Piaf. Her phrasing is fabulous, especially given her young age when the CD was cut. My only gripe is that sometimes she sounds too much like Lady Day, Patsy, or Piaf. I cannot wait for her to develop her own voice and sound--it will be incredible when she matures and deepens. I hope a second album is coming soon--I will get it immediately. Give this as a gift and you will be seen as a true afficianado! By the way, Marc Ribot is on guitar on this album--for another special treat, listen to his Marc Ribot Y Los Cubanos Postizos, a wonderful Cuban-inspired guitar CD.

5-0 out of 5 stars Also looking..
Yes, like everyone else I have been anxiously awaiting a new album from Peyroux. Aside from all of the comparisons to Billie Holiday, I can honestly say that she has a wonderful voice and is also a great performer. I was fortunate enough to see her perform twice about 5 or so years ago. She sang at the University of North Florida. I also saw her perform at a cafe with her Lost and Wandering Blues and Jazz Band. I was very impressed with the more intimate venue. I will never forget her three piece band which included someone who played a real washtub bass. After the set, they sold cassette recordings of her and the band. The cassette is great, but I am looking for a copy on CD. If anyone knows of this please e-mail me!

4-0 out of 5 stars Good but she has improved much since this one....
I recently saw Madeleine in NYC and was just mesmerized- I thought her voice was fantastic and her style of performing was simple but bewitching. I bought her CD afterwards (its a short version not available in stores I think) and was similarly excited. I had been looking forward to hearing Dreamland for awhile but I have to admit that now that I have, it's just okay in my mind compared to what she is capable of. No doubt that her voice is wonderful here but I feel the songs chosen and the arrangements for much of the album are not nearly as great as she is capable of. It's enjoyable to hear but it doesn't stand out in my head. Your best bet is to see her or get the new one when it comes out.

4-0 out of 5 stars Buy this album, then GO HEAR HER LIVE!
Unfortunately, I did it the other way around--heard her gorgeous, heartbreaking singing at a little Red Cross benefit in October 2001 and then picked up the record, which is beautiful but almost sterile by comparison. Hence the loss of a star.

I do listen to _Dreamland_ whenever MP hasn't done a local gig for a while, and it tides me over, but I try to go see her whenever I can (find gig listings at madeleinepeyroux.com). I took my parents to hear her, and my dad--a lifelong Billie Holiday fan--literally had tears rolling down his face, he was so happy. Every foot in the place was tapping. She is so much The Real Thing.

MP does keep saying that the new album's coming soon. I hope that it includes more of her own songs, as the ones I've heard are beautiful.

5-0 out of 5 stars Evocative Voice
I bought this CD based on the reviews here and was not disappointed. She has a voice reminiscent of Billie Holiday, but she doesn't sound like she's trying to copy her.
Great Jazz/Blues sound that is different from many of today's artists.

It's amazing that someone so young has such an interesting voice ... Read more


18. Elton John - Greatest Hits 1970-2002
list price: $24.98
our price: $20.99
(price subject to change: see help)
Asin: B00006RAKP
Catlog: Music
Sales Rank: 130
Average Customer Review: 4.18 out of 5 stars
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Amazon.com

This is the first attempt to consolidate all of Sir Elton's hit singles, from three labels, in one collection. It once would've required at least four CDs to own the best stuff here. Many think the legendary performer was at his best in the early to mid-'70s, and the incredible string of singles that ran from 1970's "Your Song" through 1977's "Sorry Seems to Be the Hardest Word" remains mighty impressive. But in retrospect, as they're presented here, '80s hits like "I'm Still Standing" and "Sad Songs" add much to an already amazing legacy. Three Disney tunes, the lush "The One," and two from Songs from the West Coast, which was hailed as a return to those '70s golden days, represent the later years. Collectively, these tracks reinforce the notion that, despite Michael Jackson's later proclamations, John was once the closest thing post-'60s music had to a genuine king of pop, respected by hipsters and the mainstream alike. --Bill Holdship ... Read more

Reviews (146)

3-0 out of 5 stars Throw Another Incomplete Elton Collection Onto The Heap
If you're new to Elton John's back catalogue (or a parent looking for the perfect stocking stuffer for your child) this collection serves up 34 of his hits at a fair price. But there are ommissions here that any serious fan will miss. Key album tracks were understandably passed over, but many other A-sides and signature songs are excluded too.

Notably missing from his '70s creative peak:

Skyline Pigeon
Take Me To The Pilot
Border Song
Burn Down The Mission
Country Comfort
Friends
Michelle's Song
Funeral For A Friend/Love Lies Bleeding
Harmony
Lucy In The Sky With Diamonds
Step Into Christmas
Pinball Wizard
Grow Some Funk Of Your Own
I Feel Like A Bullet (In The Gun Of Robert Ford)
Bite Your Lip (Get Up And Dance)
Ego
Mama Can't Buy You Love
Part Time Love

... even '80s cuts like:

Nobody Wins
Chloe
Blue Eyes
Empty Garden (Hey Hey Johnny)
Kiss The Bride
Club At The End Of The Street
Wrap Her Up

???

The redundant live duets included on disc 3 of this set are utterly dispensable compared to these essential songs. A three disc hits package that included more of Elton's stronger '70s work would've been more deserving of the "Greatest" designation.

I'm giving this package an extra star for the cover art alone.

4-0 out of 5 stars Not Quite Definitive Collection of Elton's Biggest Hits
This 2CD plus bonus mini-CD set, released in a second straight Christmas season dominated by comprehensive classic rock reissues, aspired to be the final definitive statement on Elton John's 30-year reign atop the pop charts.

But despite a well-written essay and photographs, and an extra disc featuring duets with Luciano Pavarotti and Alejandro Safina (an unbelievably overwrought "Your Song") , this collection fails against Elton's three previously released best-ofs.

Elton's first such collection from 1974 remains one of pop/rock diamonds. He, songwriting partner Bernie Taupin, producer Gus Dudgeon (who with John coordinated this set) mixed fast and slow, hard and soft, pulling pop music and cultural influences left and right to create one of music's most fertile, creative five year success runs. Repeated here, songs from that collection are missing ("Border Song") or truncated ("Daniel" and "Saturday Night's All Right For Fighting") Moreover, "Friends," among Elton's beloved songs, is missing and would have been a great value-add.

His second volume from 1977 chronicled his three years as the world's most popular singing star. Yet two #1 radio hits from that collection missed this set, his bombastic "Pinball Wizard" and his audacious, reggae-tinged take on the Beatles "Lucy In The Sky With Diamonds." Elton made those tracks from respective rock superstars his own, sealing his dominance of the era.

Elton's 1976-86 greatest hits collection, released by two different labels, covered his resurgent 80s career linked closely to the return of his piano-ballad style and acknowledgement from artists he influenced (everyone from George Michael to Guns n' Roses). Yet some remarkable songs from even that set (especially "Blue Eyes" and 1979's Thom Bell-produced "Mama Can't Buy You Love") are noticeable by their absence. Any would have formed a more compelling third disc than, say, 1990's flaccid Elton-Michael duet on "Don't Let The Sun Go Down On Me."

Even the artwork looks slipshod. The cover recreates a 70s pencil-style drawing on white cover, with dates (1970-2002) indicating a short life, not a long career Elton defiantly announced was "To Be Continued" on his 4CD box set. Yet its hard arguing with the songs here, most correctly chronicling Elton's gradual shift from camp rocker to soft rock balladeer to Broadway and film composer/ classical collaborator. This set is recommended for casual fans or those wanting one spot for Elton's biggest hits. But fans wanting to dig deeper into Elton John's music and the pop culture he epitomised are better served by the three individual sets.

4-0 out of 5 stars Not Quite the Definitive Elton John Collection
Music: 4.5 Stars Compilation: 3.5 Stars

There have been many Elton John collections over the years, even more so in Europe than here in the US. The release of "Greatest Hits 1970-2002" (34 tracks, 157 min.) is intended to be the truly definitive "greatest hits" collection. Did they get it right this time?

Given the time limitation of a CD, the compiler(s) had two choices: either to collect truly the greatest and biggest hits of Elton John (which would have inevitably skewed the compilation towards the earlier years), or present a "balanced" compilation that includes songs from all phases of Elton's career, regardless how big or small a hit they were. Unfortunately, the compiler(s) chose the latter route. As a result, a number of weaker songs from the later years were included, and thus a number of better known and bigger hits not being included. Just to name the biggest oversights: "Lucy in the Sky with Diamonds" (a top 5 hit in 1974), "Empty Garden (Hey Hey Johnny)" (Elton's tribute to the slain John Lennon, a top 10 hit in 1981), "Song for Guy" (Elton's only instrumental hit ever, from 1978, a top 5 hit in most of Europe), "Pinball Wizzard" (1976 hit from the "Tommy" soundtrack), and even the novelty-hit "Step Into Christmas". But the biggest blunder of them all is the inexusable absence of a little thing called "Candle in the Wind 1997". Hello record company? It's only THE BIGGEST SELLING SINGLE OF ALL TIME, EVER, ANYWHERE!!!! Add those 6 songs instead of "The One", "Believe", "Blessed", "Something About the Way You Look Tonight", "Written in the Stars" and "This Train Don't Stop There Anymore", and then you truly would have had something called Elton John's "Greatest Hits 1970-2002".

5-0 out of 5 stars A Great Collection Of Classic Music
As one of the most successful musicians of all time, it was only a matter of time before Elton John would would get a 2 - disc hit s collection spanning his entire career. And while it does leave out quite a few key hits, it's the best collection of his hits so far.

Disc 1 contains all the hits from Elton's glory years, the years where everything he touched turned to gold and platinum. Indeed, you can't go wrong with a cd that features "Your Song", "Rocket Man", "Crocodile Rock", "Bennie And The Jets", "Goodbye Yellow Brick Road", "Saturday Night's Alright For Fighting" and many other era - defining classics. In fact, if you take this cd and add a few more tracks by The Eagles, Linda Ronstadt, Olivia Newton - John, Barry Manilow, Bread, Rod Stewart, KC And The Sunshine Band, Donna Summer and The Rolling Stones, you'll have a virtual soundtrack to the 1970s'. There aren't really any surprises here, though I was a little shocked (though not all disappointed) that "Levon" and "Tiny Dancer" were included, since neither of them made the top 20 ("Tiny Dancer" didn't even make the top 40).

Disc 2 begins with the 1976 number 1 Kiki Duet "Don't Go Breaking My Heart", before drifting into the 1989s' with the whimsical ballad "Little Jeannie". The 1980s' were not as big as the 1970s'. Elton only had occasional success, but still scored with hits like "Nikita" and "I Don't Wanna Go On With You Like That", not to mention "I'm Still Standing", "Sad Songs (Say So Much)" and "I Guess That's Why They Call It The Blues". Also included is his criminally underrated ballad "Sacrifice". The 1990s' were considerably more successful. In 1992, he scored a top 10 hit with the lush title track from his 1992 album "The One". In 1994, he scored a huge hit with the "Lion King" number "Can You Feel The Love Tonight", which won him an Oscar for best song along with Time Rice. The film gave him an additional top 20 hit with the stirring "Circle Of Life". 1995's "Made In England" gave him two more top 40 hits, the haunting ode to love "Believe" and the mystical "Blessed". And in 1997, he recorded "Something About The Way You Look Tonight", which became one half of the biggest selling single of all time. After the bland Leann Rimes duet "Written In The Stars", he rebounded with "I Want Love" and "This Train Don't Stop There Anymore" from the 2001 album "Songs From The West Coast".

The third bonus disc is a special treat. It starts off with the 1986 live version of "Candle In The Wind" from the "Live In Australia" album. While the 1973 version is the one that was a hit singl, peaking at number 6 in 1987. In 1992, Elton went all the way to number 1 with another live recording, duetting with George Michael on "Don't Let The Sun Go Down On Me". This song and "Candle In The Wind" are also on disc 1 in their original studio version. "Live Like Horses" is a haunting duet with Lucianno Pavarotti that sends shivers down your spine. Track 4 is a new version of "Your Song" recordes by Alessandro Safina.

This collection is far from complete. There are some songs I would have loved to see here, such as his number 1 hit cover of "Lucy In The Sky With Diamonds". Or 1979's surprise top 10 hit "Mama Can't Buy You Love". Or the two hit ballads he scored in 1982, "Empty Garden (Hey Hey Johnny) and "Blue Eyes". Or his great, underappreciated duble - sided 1976 hit "Grow Some Funk Of Your Own"/"I Feel Like A Bullet (In The Gun Of Robert Ford)".
Some fans might complain that "Candle In The Wind 1997" has been excluded, but it was left off for obvious personal reasons. Still, this is the best Elton set yet. I highly suggest purchasing it.

Update: I just saw an import version of this cd at Sam Goody that has ll the songs plus adds "Blue Eyes", "Kiss The Bride" and "Song For Guy" to disc 2 and includes a 10 - song third disc including "Pinball Wizard", "Lucy In The Sky With Diamonds", and the new hits "Are Yo Ready For Love" and "Sorry Seems To Be The Hardest Word", the latter featuring some artist named Blue. Get it if you can, as it's slightly more complete.

4-0 out of 5 stars CD 2 track 05
I recently purchased this CD and I noticed that around 43 seconds on the second CD, track 5, Sad Songs, there is slight skip. I returned the CD and received a new one, and it has the identical problem. Has anyone out there experienced this problem? ... Read more


19. ABBA - Gold: Greatest Hits
list price: $13.98
our price: $11.99
(price subject to change: see help)
Asin: B000001DZO
Catlog: Music
Sales Rank: 336
Average Customer Review: 4.66 out of 5 stars
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Amazon.com essential recording

Anyone looking for the key to Abba's enduring appeal should look no further than "Voulez Vous" and "Gimme! Gimme! Gimme! (A Man After Midnight)" for their answer. There was an innocence to the Swedish quartet, even when they were singing about one-night stands and the invitations to them. Gold establishes that the band, while appreciated as campy, were actually multifaceted in their execution. "S.O.S." has a raw urgency in its chorus, and "Does Your Mother Know" draws its energy from classic '50s rock & roll. Likewise, you don't have to be Priscilla to swoon over "Mamma Mia" or "Dancing Queen." And when it comes to drama, those soaring vocals on "The Winner Takes It All" turn the song into a bitter anthem of every relationship that has ever fallen apart. The much-covered "Lay All Your Love on Me" is practically epic. --Steve Gdula ... Read more

Reviews (185)

5-0 out of 5 stars PURE GOLD!
There are three words I can say after listening to this album all the way through: wow, WoW and WOW!!! I must admit, I originally thought ABBA was one or two hit wonder because all I've ever heard from them was the ever-popular "Dancing Queen." (However after listening to it I found myself asking "They sang that?! I had no idea!") I enjoyed "Dancing Queen" enough that my sister bought this wonderful album for me as a Christmas present. At first I was a little hesistant to listen to the other tracks but I decided to do so anyway. And boy, was I impressed!! This is one of the few, exclusive albums that I can listen to all the way through. It's just *that* good.

Even in the 2000's ABBA's legacy lives on. Their music can be tolerated even in today's pop music world. Take the group A*teens for example. Isn't it great that you hear children singing songs such as "Take A Chance On Me" and "Mama Mia"? Yeah maybe they aren't the best singers but the fact remains: ABBA still get recognized even today, decades later. Currently, the Broadway musical "Mama, Mia!" is a hit. With a musical based on ABBA's greatest hits, why wouldn't it be? "Mama Mia!" was written by Benny and Bjork (The two male singers/songwriters of ABBA) as well as the often produced musical, "Chess."

My favorite songs on the album are as follows:
"Take A Chance On Me", "Super Trouper", "Chiquitita", "Voulez Vous", "Does Your Mother Know", "One Of Us", "The Name of the Game" and "Thank You For The Music."
Don't worry, there are more songs on the album then this, all of great merit. I had a hard time myself thinking up which ones were my absolute favorites, and in time they may change as well. All of the songs on this album are up-beat and make you just feel happy inside. The rhythm just makes ya wanna get up and dance (Especially "Dancing Queen"). Yeah, some maybe a little 70's like ("Lay All Your Love On Me") but the fact still remains: ABBA is here to stay!! Reccomended to *anyone*...even if only hearing their song "Dancing Queen."

5-0 out of 5 stars This Is Pure Gold
The title says it all. Gold - Greatest Hits and every one of the hits included on this album are of the highest standard.

One of the top bands of the 70's and writers of timeless quality songs, Abba's music will surely never die and is currently being boosted further by the tribute band The A Teens which is bringing Abba's music to a new generation of listeners.

Every song included here is great and must be if nine of them topped the UK singles chart during the 70's and early 80's. As well as the number ones there are 10 other great tracks that will no doubt ring a bell to anyone dancing in the 70's. From the major hits Dancing Queen, Knowing Me Knowing You, Mamma Mia and the Eurovision Winner Waterloo to lesser known but still as good hits Does Your Mother Know, I Have A Dream and Voulez Vous this CD is sure to please.

My personal favourites are some of Abba's later hits. One Of Us is a beautiful and touching ballad, Lay All Your Love On Me is a stomping disco classic and Chiquitita which is my all time favourite Abba song as i feel it has everything required by a great pop song.

Whether you are young or old, male or female you are sure to enjoy this compilation of some of the finest music of the 70's.

4-0 out of 5 stars Abba Gold rocks my socks
As i listened to this cd, i realize that i know every single word to every single song. this cd is amazing in that the best songs arent just in the beginning, they are all throughout the cd. the cd starts with the huge hit Dancing Queen and ends with Waterloo. Waterloo was the song that made abba famous when abba won a competition with it and released a record "Waterloo" using the song as the theme song. Throughout the years, movies have used abba songs because they're funny and fun to listen to. In johnny english, does your mother know is one of the main jokes used throughout the movie. some of the most popular songs on this cd are mamma mia, dancing queen, does your mother know, thank you for the music, take a chance on me, and Voulez vous. this cd is truly gold

5-0 out of 5 stars ABBA - Gold: Greatest Hits
Abba is one the greatest rock bands of all time. They are up their with greats such as Depeche Mode, Beatles, Bee Gees and The Rolling Stones. The lyrics are very well written, the music is amazing and they have unfairly been called stupid disco music when it is in deed sublime. Highly Recommended.

5-0 out of 5 stars A Timeless Collection of Classic Hits
This disc has all of the essential ABBA classics. From the ever-popular "Dancing Queen" to the melodic "Fernando", this CD contains something for every ABBA fan, either the casual or the strong follower. Formed in the early 1970's, ABBA quickly took Europe by storm, but they had some problems establishing themselves in the United States. But with each successive album, ABBA began to develop a very distinct sound that lured listeners in and they quickly began to establish themselves as one of the first successful "prog rock" groups.

This fine CD contains all of the songs that people associate with the group. "Dancing Queen" was their most successful single, and it appropriately leads off the disc. And the classics keep coming with "Knowing Me, Knowing You", "Take A Chance On Me", "S.O.S.", "Chiquita", "Fernando", and "Waterloo". Also included is "Does Your Mother Know", the only song where Benny and Bjorn sing lead vocals.

ABBA's trademark throughout the years has always been strong vocals and melodic insturmentals, and each of these qualities is readily evident on this CD. Frida and Agnetha shine on lead vocals, while Benny's and Bjorn's insturmentals and backing vocals give life to each song. I highly recommend this CD. If you are a casual ABBA fan such as myself, you'll get all of the essential tracks on one CD, but more loyal fans will enjoy it as well. ... Read more


20. Josh Groban
list price: $18.98
our price: $13.49
(price subject to change: see help)
Asin: B00005RGNI
Catlog: Music
Sales Rank: 58
Average Customer Review: 4.77 out of 5 stars
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Amazon.com

There are worse things in life than making your acting debut on the much ballyhooed season finale of Ally McBeal, though teen operatic baritone Josh Groban doesn't seem destined to encounter them anytime soon. As the awkward high school student-client who asks the typically romance-jinxed Ally to his senior prom, Groban performed this debut album's "You're Still You" (adapted from film-composing legend Ennio Morricone's Academy Award-nominated score for Malèna, with lyrics by Linda Thompson) as a heart-tugging, literal showstopper. The young phenom was just 17 when veteran producer-writer David Foster tapped him to fill in for Andrea Bocelli at rehearsals for the 1999 Grammys, where Groban found himself suddenly dueting with Celine Dion.

Indeed, such were his fortunes that the young Foster protégé was forced to drop out of Carnegie Mellon when professional commitments--including this record--interfered. And if this collection tends to hew sometimes uncomfortably close to Foster's own MOR sonic instincts, the material offers enough challenges to display Groban's talent and the potential of his warm, mature voice: a lyrical take on another Morricone classic, "Cinema Paradiso"; melancholy readings of Don McLean's "Starry, Starry Night" and Albert Hammond's "Alejate"; masterfully dramatic takes of the Neapolitan "Alla Luca Del Sole" and "Canto Alla Vita," the latter featuring the Corrs. Many of Groban's performances here, including a neo prog-rock-opera take on Bach's "Jesu, Joy of Man's Desiring" (with Lili Haydn), seem both bigger and bolder than their precious musical frameworks, a telling hint that Grand Opera can't be far from his grasp. As said earlier, there are worse things in life. --Jerry McCulley ... Read more

Reviews (946)

5-0 out of 5 stars Mesmerizing Baritone
I first became aware of this young man's vocal abilities by accident, tuning into Rosie O'Donell's show one afternoon. I didn't get his name correctly, just Josh G-something. When I was able to find his CD, I listened to the entire thing with headphones on and was reduced to tears several times by the emotion and sincerety conveyed in his voice and the words of the ballads chosen for this CD. I've never been interested in operatic singers or songs in Italian or Spanish before, but I am now a devoted fan of this new genre..Classical Alternative, or whatever it's being called this week (hard to classify). Everyone I've introduced to Josh's voice has been won over and bought the CD, usually after searching alot in the store for where it's located. My favorites are Gira Con Me and Let Me Fall from Cirque de Soleil. His diction is so clear on the Italian and Spanish lyrics, his breath support and phrasing reflect his classical vocal training. For a 21 yr old young man from LA, he sings with a maturity beyond his years. I would recommend this CD to ANYONE, and have! Thanks for the opportunity to review the CD for your readers.

5-0 out of 5 stars Excellent! Can't wait for more!
This is one of the most uplifting, enticing, and cathartic CD's that I've listened to in a very long time. Josh Groban has a strong, warm voice that brings his words to life and allows the listener to become completely lost in the phrasing and orchestration. Highlights include:

You're Still You - a powerful ballad with great background vocals and high-flying orchestration

Canto Alla Vita - one of the most upbeat songs on the album. Surprisingly this song leans a bit toward techno (in the tradition of Sting's "Desert Rose" and the like). The beautiful harmonies provided by The Corrs really add interest and life to this one, not to mention Groban's "big" voice. A great mix of Italian and English.

Let Me Fall - another ballad, this time a little darker and more desperate. Groban's voice is very dramatic and he does a great job translating emotion into the lyrics.

The Prayer - this time Charlotte Church joins in. Although she's not her best on this particular song, it's still breathtaking.

I eagerly anticipate more of Josh Groban's efforts, and hope that he can skate easily past all the hype surrounding his age and maintain a high level of creativity, passion, and excellence.

2-0 out of 5 stars Good voice, terrible music.
This young man has a pretty damn good voice for someone his age. He's not what I'd consider truly opera material, but it is suitable for an enjoyable listening.

The problem is, the music is just plain cheesy pop. Like others have said, you'd have to be a soccor-mom soap-opera watcher to be able to swallow the tripe. Now, let's say this man were making music along a creative vein such as Radiohead, then it would be truly phenomenal.

I'm still of the group that believe in reality in music. I don't want to hear some nobody's pop or lackluster classical over this man's voice. I want to hear this man's internal perspective. I want him to write the songs and I want to hear something different than the cheesyness. There's a reason bands like the Beatles stand out. Integrity. He has yet to prove it, it honestly appears as if he's just another marketing tool to be abused by a greedy music company.

Man, if only this guy would get out and do his own stuff. Until then, I simply cannot respect him.

5-0 out of 5 stars His voice is like eating great chocolate!
I received this album from a friend for christmas, and I was
completely in love with this man voice!

His songs are wonderfully written, you can place yourself in them and how he is feeling when he sings them.

I think his voice is like the "smoothness of fine chocolate when it is melted"

5-0 out of 5 stars Awesome, amazing, spectacular, beyond anything ever heard...
You may not believe it but I was a skeptic at first. When my mom bought the CD after hearing Josh Groban on the radio I was reluctant to listen to a CD where half the songs were in a language I couldn't understand.

Then I heard "The Voice."

Wow. He was ~20 when he recorded this? I was stunned. His voice was spectacular. Even if you had no idea what the words meant you still managed to understand them! And it was because of the emotion that Josh Groban protrays in singing. What makes Josh Groban such a refreshing singer are two things:
1. He manages to blend the line between classical and pop with ease.
2. His voice is so mature he could sing opera but the music he sings reflects his age.

Altogether it creates a wonderful package that leaves you wanting more. This is the best debut album I have ever heard in my life. ... Read more


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