Global Shopping Center
UK | Germany
Home - Music - Opera & Vocal - General Help

1-20 of 200       1   2   3   4   5   6   7   8   9   10   Next 20

click price to see details     click image to enlarge     click link to go to the store

1. 25 Mozart Favorites
$13.49 $9.75 list($18.98)
2. Mamma Mia! (The Musical Based
$13.49 list($18.98)
3. Romanza
$4.98 $2.71
4. 25 Classical Favorites
$14.99 $10.60 list($18.98)
5. Silk Road Journeys: When Strangers
$11.99 $9.38 list($12.98)
6. Beethoven's Wig: Sing Along Symphonies
$13.99 $8.98 list($18.98)
7. Let Yourself Go with Rob Fisher
$13.99 $7.31 list($18.98)
8. Obrigado Brazil
$6.98 $3.95
9. Baby Mozart
$3.98 $2.28
10. The Most Famous Opera Duets
$3.98 $2.31
11. The Most Famous Opera Arias
$11.99 $11.76 list($13.98)
12. Best of the Millennium: Top 40
$14.99 $8.74 list($19.98)
13. The Lord of the Rings: The Fellowship
$10.99 $8.00 list($11.98)
14. Classical Wedding
$12.99 $9.78 list($13.98)
15. Tommy (1969 Original Concept Album)
$11.99 $9.35 list($12.98)
16. Beethoven's Wig 2: More Sing-Along
$13.99 $10.47 list($18.98)
17. Sogno
$13.49 list($18.98)
18. Tuscany
$13.99 $13.68 list($17.98)
19. Essential Mozart: 32 Of His Greatest
$13.99 $4.40 list($17.98)
20. Monsoon Wedding (Score)

1. 25 Mozart Favorites
list price: $4.98
our price: $4.98
(price subject to change: see help)
Asin: B0000058HV
Catlog: Music
Sales Rank: 1137
Average Customer Review: 5 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Reviews (4)

5-0 out of 5 stars Excellent pick-up
Although I would have liked to have seen more selections from Mozart's formidable operas, this CD offers a very comprehensive selection of old favorites and a few pieces casual fans most likely have not heard before. For 5 dollars, do yourself a favor and pick up this collection for someone perhaps not familiar with the man who remains ahead of his time, even today.

5-0 out of 5 stars any classical music
I have been trying without success to order OPERA MUSIC ON
CASSETTE TAPES. The only thing that appears for me to choose from is Compact Disks.

I have a cassette tape player in my automobile, and would like to purchase cassette tapes of classical/opera selections. Does offer opera cassette tapes for sale?

P.S. the "help" department wasn't - much . . .

5-0 out of 5 stars Stunning...Tranquil...Amazing
The music of Wolfgang Amadeus Mozart, one of the world's most acclaimed and brilliant composers, is undeniably essential in anyone's library of classical music. "25 Mozart Favorites" is a wonderful collection to start with. Not only does it include the basic necessities, but the choice and flow of the movements is perfect. Another quality of this collection is that it doesn't exploit his music and give buyers the idea that if you play it over your baby's crib at night, it will turn your child into a genius.
Two of the many highpoints: "The Marriage of Figaro" and "Eine Kleine Nachtmusik" (or, "A Little Night Music").
The music of Mozart is stunning, tranquil, and amazing, a world of its own.

5-0 out of 5 stars Must have for Mozart fans
If you're a lover of Mozart's glorious music, this CD is for you. It is also a good intro cd for beginners who are interested in the music of Mozart. The selections are some of Mozart's finest: Overtures to Figaro and Magic Flute, piano concertos, violin music, flute music, and even his Requiem. The only thing that they left out was his actual opera arias and highlights (for example Don Giovanni or Nozze de Figaro arias). But otherwise it is a very excellent taste of Amadeus' unforgettable music and, i will emphasize.. AFFORDABLE. The price is great. ... Read more

2. Mamma Mia! (The Musical Based on the Songs of ABBA)
list price: $18.98
our price: $13.49
(price subject to change: see help)
Asin: B000031WEN
Catlog: Music
Sales Rank: 264
Average Customer Review: 4.11 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli ... Read more

Reviews (120)

4-0 out of 5 stars Mamma Mia Groupies
"Mamma Mia" is an experience to behold. If this show does not lift your spirit and leave a big smile on your face, nothing will. We have the previledge of seeing "Mamma Mia" twice during its recent Chicago run. We will be seeing it again in Toronto in a couple of months. We are becoming regular "Mamma Mia" groupies!

The CD does not quite capture the energy and exhilaration that one experiences during the live show, but it will remind you the great time that you had. We now prefer this CD over the original ABBA version of the songs because it tells a funny and poignant story. The singers on this CD are all just fine. Our 2-year old loves this CD and requests it whenever he just wants to goof around the house.

Some of the outstanding players that we saw in Chicago, namely Louise Pitre and Tina Madigan, are now playing in the Broadway edition of "Mamma Mia." We hope that a CD version of the Broadway Cast will be forthcoming, and please include the unforgettable final curtain call encore that is missing on this CD. Those of you who have seen the show know just how that encore brings the house down everytime.

5-0 out of 5 stars MAMMA MIA - WHAT AN ALBUM!
Recently I saw the show Mamma Mia on Broadway and couldn't wait to buy the album. As a fan of Abba for many years I have many of their original recordings. But I wanted this CD for several reasons. First it offered many of my favorite songs on one album. Second it provided me with wonderful images of the show which I loved. And lastly, one can never have enough albums of Abba music.

I know that many reviewers and listeners continue to object to the London cast on the album but I found it made little difference to me. The selection of songs are wonderful, among them Money, Money and Thank You for the Music which are my favorites. And as you listen to them you will find the lyircs music have an energy and vitality which will have you tapping your feet and singing along. Also included aer wit, humro and pathos at times. Whether or not you can see the show, consider buying this album. And see if after only one song you don't become the dancing queen yourself.

2-0 out of 5 stars ABBA, YOU ROCK, MAMA MIA, YOU DON'T

1-0 out of 5 stars REAL Broadway Cast Recording PLEASE !
I just saw this marvelous and upbeat show on Broadway - Dee Hoty(Donna)..Jenny Fellner(Sophie-just adorable)..Harriet Foy(Rosie)..Tamara Bernier(Tanya). I purchased the CD at the theater -- very ambiguously labeled "Broadway Cast Recording" and then ORIGINAL LONDON CAST. Whatever the reason for such labeling what a huge mistake to label it as 'Broadway'. I agree with previous critiques that the British recording is bland, underplayed. I must add absolutely BORING compared to what I saw and heard last week. On the British recording each song was rendered the same as another...same great belt voices (could have used AT LEAST Elaine Paige as Donna)...Donna and Sophie sound identical. All those little, young voices the British seem to favor. We in the U.S.A. like voices with MEAT. This is BROADWAY -- like no other venue on earth -- and deserves it's own cast recording, especially when the performance I saw was 100% more melodious, energetic, harmonious (some of the arrangements seemed quite different) and theatrical. AFTER the last song (I HAVE A DREAM) is when the fun began! The performance involving Curtain Calls and mini concert was the best thing and an absolute surprise. The whole theater was up and rockin'. So WHAT'S THE SCOOP? Cast Recordings of every horrible Broadway show are released -- why not this phenomenon? Dee Hoty has just the right maturity and huskiness to her voice. Tanya and Rosie were marvelous -- comic foils to each other with belts to win stars. The CD version of DOES YOUR MOTHER KNOW made me cry -- from sheer frustration -- after the rendition I heard by Ms. Bernier! The three "dads" (John Hillner, Adam Lefevre, Michael Winther) seemed more human in (sight and) their sound and the voices were markedly different and easy to distinguish one from another, unlike the British recording where you sometimes cannot tell the women from the men!

PLEASE, SOMEONE WHO CARES! Issue a true Broadway Cast Recording and cut us a break! The wonderful ABBA score deserves better than the vocalizations on this CD. How did it become such a hit sung like this? Not much talent there.

3-0 out of 5 stars Better at the show
I saw Mamma Mia last weekend in Baltimore and it was amazing. The singers were just UNBELIEVABLE! However, the singers on the CD aren't nearly as great as those on tour. If you want the good music, go buy tickets. Still, buy this CD. I love the music from Mamma Mia, even if these singers aren't the best. ... Read more

3. Romanza
list price: $18.98
our price: $13.49
(price subject to change: see help)
Asin: B0000041OG
Catlog: Music
Sales Rank: 268
Average Customer Review: 4.58 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan essential recording

From his childhood on the family farm in rural Tuscany to the worldwide stage, Andrea Bocelli has achieved phenomenal success. His singing is only partially the point, and his fame owes much more to the aura of romance and the romantic archetype that's attached to him. Romanza is by far Bocelli's largest success, winning adoration thanks to the swooning vocals and the easy, sometimes lush, always pop-safe instrumental textures and melodies. As far as his opera chops go, Bocelli has won the approval of Pavarotti but likely will not wow enthusiasts. The upside is that Bocelli will likely grow the opera pie, convincing labels to take on more operatic projects. --Andrew Bartlett ... Read more

Reviews (284)

5-0 out of 5 stars Haunting, fresh and beautiful
Okay, I admit it. I discovered Bocelli and his music through the television commericial for Bellagio, the new resort in Las Vegas. I heard a portion of the song, Con Te Partio, only once and could neither forget the song or the performer. I purchased the CD immediately after locating it at Amazon.Dom. The songs are either contemporary or wonderfully traditional - and address topical issues like world peace, self-awareness, and romance. The insert provides both the Italian lyrics and English translations. Bocelli, whose voice is more beautiful and clear (and less overblown) than Pavoratti, sings with such wonderful empathy that you can not help be moved. Bocelli is joined by several feature performers, including John Miles and Sarah Brightman of "Phantom of the Opera" fame. Although I personally think Brightman is a thin soprano at best, her joint venture on the second version of Con Te Partiro that the CD provides, is worth hearing. Bocelli's version of Rhapsody is truly glorious. Although the music is clearly Italian, there are touches of Brazilian and French influences in a couple of pieces that enhances the freshness of this glorious CD. Thank you, Bellagio, for bringing this musician and music to America's awareness.

5-0 out of 5 stars raw and pure
There is something about Bocelli's voice that is completely revealed, raw, yet pure. His songs climax and grow. I have some opera fans who snub his voice because they say it not purely classical, yet that is what I love about him. He is different not completely one or the other- just a beautiful honest voice.

I have been studying singing on my own with singing CDs
"Voice Lessons To Go", by Vaccarino which I gladly recommend as well. I was inspired to improve my own voice by him and Sara Brightman on this CD so that I can sing along with them. I am also signing up for a music appreciating class this fall at the community college for fun! Hey we must enjoy our 40's!

5-0 out of 5 stars Romanza
This an awesome cd. Bocelli is an amazing vocal tallent and his music is simply divine as if he was touched by the hand of God our lord and creator. His music is sublime and his tallent is God given. Highly Recommended.

5-0 out of 5 stars Breakthrough Album
This was the CD that bridged the gap between pop and opera. This is something that no other opera singer was able to do, certainly not on such a grandly successful scale. With his singing diversity of style (alternating between a bluesy pop voice and a clear and powerful operatic one), Andrea Bocelli did a fantastic job of putting together a great collection of first-rate songs and adding his own tremendous voice to them, a simply stunning achievement. Many of the songs are deeply moving with breathtaking moments. If you like Bocelli, you must give Sarah Brightman a chance, another opera diva with an accessible reportoir who does the pop thing very well.

David Rehak
author of "Love and Madness"

5-0 out of 5 stars italian review
Im a freshman at uc berkeley (yeah with that she bangs guy). andrea is MUCH better. i don't mind him going into pop. next pavarotti pretty much, i think. i finished taking upto italian 4 (basically the prereqs for an italian studies major), and this cd helped me review my italian. it has a lot of that subjunctive tense that i hate, but i still remember it through this cd. it's so powerful. especially the song with "fosse dentro te." and then there's that really mellow ballad. i don't know the names of this song cuz i downloaded the whole album off of winmx. oh yeah, "vivo per lei" is also a great song too. the german translation of that song is cool too. ... Read more

4. 25 Classical Favorites
list price: $4.98
our price: $4.98
(price subject to change: see help)
Asin: B0000058HT
Catlog: Music
Sales Rank: 725
Average Customer Review: 5 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Reviews (5)

5-0 out of 5 stars Very good quality music
I had purchased an abundance of the "Favorites" collection, and some were better than others.

***This one stood out from many of them.***

Only flaw:
I was kind of perturbed when some same tracks on this CD were on another CD, and visa versa.

Excellent price for this CD.

5-0 out of 5 stars The best of the classics - timeless
The Cd is "Classical" favorites so the emphasis is not so much on emotions but rather on instrumentation and orchestration. These are all very exceptional and I guarantee satisfaction. Anyways, I am not a classical listener as far as radio stations go but my musical tastes vary dramatically. I found this album to be a phenomenal bang for the buck as I can, on occasion, listen to the classics of which I have heard and thoroughly enjoy listening to. This album has it all.......Mozart, Brahms, Chopin, Bach, Pagony, Tchaikovsky, etc.

I really like listening to this CD........

Musical tastes vary dramatically which, if you think about it, is kind of ironic given that a CD is anywhere from 60-90 minutes and a book may take 3-5 hours to read but, for some reason, people tend to be socially grouped more by music than books. Just something to think about.

5-0 out of 5 stars fabulous collection
Mozart, Brahms, Chopin . . . need I say more? This offers a great introduction to anyone who has not yet given classical music a try. And, if you absolutely love classical pieces, then you won't regret purchasing a cd that includes varying composers and well-known pieces.

5-0 out of 5 stars 25 Famous Classics
The 25 selections are all well performed and are popular classical compositions. Mozart's music, Tchaikovsky ballet music, including the beautiful finale to Sleeping Beauty "the Panorama" scene. The music of J.S. Bach, his 1st violin concerto and Rachmaninoff's piano classic Rhapsody on a theme by Paganini. These are a great collection of music for a beginner or a fan of classical music. I recommend it highly. I am a fan of Mozart, Grieg, Mendelsshon, Wagner and Tchaikovsky. Grieg and Wagner are not to be found here. That would usually be under the Romantic Era composers. There are many cd's under that category. The Cd is "Classical" favorites so the emphasis is not so much on emotions. The emphasis is on instrumentation and orchestration. These are all very exceptional and I garauntee satisfaction.

5-0 out of 5 stars Priceless masterpieces for an affordable price.
If this record costed ten times more it would have still a small price.

The selection is excellent. In my opinion, the record has some of the most remarkable works of art ever created.

Some of my preferred are Mozart's Eine Kleine Nachtmusik and Symphony in D, Tchaikovsky's Russian Dance, Vivaldi's The Four Seasons and Violin Concerto No. 1 and Bach's Brandenburg Concerto No. 3.

It was a pleasant surprise to see a so good record costing so little. ... Read more

5. Silk Road Journeys: When Strangers Meet
list price: $18.98
our price: $14.99
(price subject to change: see help)
Asin: B0000641CG
Catlog: Music
Sales Rank: 2552
Average Customer Review: 3.65 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music.

This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma's tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project's musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments. --Edith Eisler ... Read more

Reviews (17)

5-0 out of 5 stars It is Pure Silk
Silk Road Journeys "When Strangers meet" Yo-Yo Ma & the Silk Road Ensemble

This has to be one of Yo-Yo Ma's finest CD's. With the cello there is such a magnificent blend of instruments that one feels right on the Silk Road. I found that the "silky" feeling is particularly strong on Track 5: Zhao Jiping: Moon over Guan Mountains through Tracks 6 and 7: Michio Mamiya: Five Finnish Folksongs and then Track 8 Avaz-e Dashti (Pesian Traditional)
but then continues in a different feel of different kinds of silk. Although it is an auditory feeling there is very much a kinesthetic feeling in this CD.

Besides traditional orchestral instruments, there is a fascinating array of musical instruments with their own kind of onomatopoeic names other than flutes, lutes, organs, drums, and fiddles. The printed insert is a superb piece of poetic writing to guide one on the origins of this Ensemble. It is certainly a masterpiece of music to listen to on one's own in particular. It is a kind of meditation and one where one can relate to immediately for peace of mind and spirit. The ensemble was formed on trust, according to Yo-Yo Ma. So "trust" me this is splendid! I look forward to more of this type of music.
Genie Albrecht
Windhoek Namibia.

4-0 out of 5 stars Beautiful and fascinating mix of East & West / new & Trad.
If your exposure to Yo Yo Ma is primarily through his classical performances on cello, Silk Road Journeys is likely to be a shock. However, if you have heard and enjoyed the beautiful soundtrack to Crouching Tiger Hidden Dragon, SRJ will be a treat. This is not pure traditional folk music, but rather contemporary music inspired by the traditions of the cultures who inhabit what was known as the Silk Road, from China to Europe. I am amazed that such a mix of styles fits together so well. This collaboration of musicians from different traditions reminds me of the West-meets-East recordings of Yehudi Menuhin and Ravi Shankar. Even if SRJ does not have the cultural impact of Menuhin and Shankar, I admire the creativity and boldness of this project. Fortunately it is also very listenable.

4-0 out of 5 stars Amazing
This is an amazing piece of work. I had the opportunity to see Yo Yo Ma and the Silk Road Ensamble in concert and sat in the front row, orchastra center where I could see the preformers and their instruments. The music is marvelous - a true east meets west experience. For anyone wishing to experiment with the tastes of other cultures - give this cd a try.

2-0 out of 5 stars Nice try, but it doesn't turn out right
Maybe YoYo Ma wants to promote Asian music, maybe he wants to create some fusion style, maybe he wants to inject western interpretation into the mysterious thousands of years old culture. He tried it, and tried it hard. But, even with all the good intention the CD doesn't turn out right. Firstly, the instruments are so distinctive, they belong to their own stages, I cannot imagine what kind of harmony it could bring if you put cello, pabla, PIPA or cidar together, or Magonia folk songs and Turkish spiritual music? Secondly, call me conservative, I would like to perserve Asian music's own style as much as I would like to western classical. Granting a western music formula doesn't go along with its melody. Lastly, these music don't mix with each other. I have visited the silk road in Western China and also had a great journey in India. The art and the music are just fascinating, but very different, even though both cultures share lots of common.

Listening to this CD is like drinking British style Chinese tea, you can still taste some original tea flavor, but milk and sugar are added.

But I applaud to Mr Ma's reaching out of introducing Asian music to the rest of the world. The forgotten corner has been discovered.

5-0 out of 5 stars Exquisite
One of the most exquisite, haunting, creative and sumptuous works of musical art to be produced in my lifetime. I cannot play this CD as 'background' music; it captures 100 percent of my heart and mind each time I play it. It is breathtaking and disturbing and almost heartbreakingly beautiful.

It is especially touching at this moment in time, when so much of our daily consciousness is caught up in the conflicts between cultures. This weaving together of musicians and instruments from different 'worlds' is healing for my soul at a level almost too deep to express. It portrays to me with delicate artistry what it means to be an individual member of a worldwide, ancient and variegated human race. ... Read more

6. Beethoven's Wig: Sing Along Symphonies
list price: $12.98
our price: $11.99
(price subject to change: see help)
Asin: B000060OLA
Catlog: Music
Sales Rank: 810
Average Customer Review: 4.56 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Inspired and wildly imaginative, Beethoven's Wig is one of the best introductions to classical music you could give to your children. Featuring snippets of 11 classical music staples--Beethoven, Bach, Mozart, Haydn, et al.--the disc and its creators, Richard Perlmutter and friends, pour on the silly lyrics the first time around to familiarize young ears to the old masters. Then in the last half of the record, the orchestra plays the same "serious" music pieces instrumentally. You might cheerfully recall Alan Sherman's popular spoofs of old classical works in Wig; pieces like "Drip, Drip, Drip," which adapts Delibes's "Pizzicato from Sylvia," and if so, you'll again chuckle. You'll also marvel at the expertise throughout the CD, with all the pieces well played and thoroughly fun. Beethoven's Wig is an orchestral treasure with a sense of humor as old or as new as its listeners (and the fun questions that run throughout the CD's liner notes are almost as entertaining as the zany musical interludes). Highly recommended. --Martin Keller ... Read more

Reviews (34)

5-0 out of 5 stars A gift to children: lovable classics
A couple of weeks ago, shortly after I tuned in the Today Show, I left the room for a minute and returned to find my 5-year old looking up from his play, mesmerized, at the TV. Richard Perlmutter was performing a selection from his new CD, "Beethoven's Wig." I'd never heard anything quite like it (Mozart with children's lyrics!) and found myself as drawn in as my son. But it wasn't until hours later, when I actually heard my son humming the melody from the beginning of "Eine Kleine Nachtmusik," that I realized what had transpired: my kid was singing classical music. We bought the CD, and have now listened twice together all the way through, from Beethoven and Tchaikovsky to Haydn and Offenbach and beyond. It's really delightful, from the first track to the last. And because Perlmutter had the good sense to also include the original versions of these classics without the lyrics, performed by the Czech Philharmonic Orchestra, now my son likes to sing the lyrics himself sometimes along with the orchestra version so that he's the only voice (classical karaoke, kid-style!). He'll outgrow that someday, no doubt, but he'll always have these incredible melodies forever -- thanks to "Beethoven's Wig" and Perlmutter's fertile imagination. We highly recommend it.

3-0 out of 5 stars Great lyrics, mediocre lead singer
I cheerfully admit to being more ignorant about classical music than I want to be, so I bought this CD as much for my own edification as for my 4 year-old son's. I thought that the concept of using humor to introduce classical music would really work for my son, as he is constantly singing his favorite songs (over and over and over....).

The lyrics are really very funny ("I can Can Can if you Can Can/Can you Can Can?"-- Offenbach's "Can Can"), and sometimes even educational (I might actually memorize the kings and queens of England set to Purcell's "Trumpet Tune"). Unfortunately, Perlmutter's voice isn't particularly melodic, so the CD isn't as enjoyable as I had hoped. So far, we've gotten more use out of the liner notes than the actual CD: I've been reading/sorta singing the lyrics to my son.

I don't regret this purchase, but I am a bit disappointed...I would actually give this three and a half stars if possible. Just listen to all the audio samples (like I should have) to see if Perlmutter's voice gets on your nerves or not.

1-0 out of 5 stars Irritating
Humor is subjective. I liked the idea of this cd but when I bought it, I found the lyrics annoying and not really funny. Obviously a lot of other people like but I found it frustrating to have wasted the money. My kids prefer it when I put on regular classical music. They (3 and 4) like listening for all the different instruments. The lyrics seemed more distracting than funny (older kids probably "get" the lyrics in a way preschoolers don't).

5-0 out of 5 stars Can I only give it 5 stars?
Warning - do not listen to this for the first time while driving. There is a very serious risk of wrecking your car because you are laughing so hard. This CD is wonderful. It the most creative music I've heard since Tom Lehrer. We have both CD's and listen to them constantly. My kids, 7 and 5, get most of the humor and love every hilarious, wonderful song. Thank you, Richard Perlmutter!!

5-0 out of 5 stars My 2.5 year old loves it!
My daughter loves this CD. She is 2 1/2 and loves the songs and the silly words. We refer to each song by it's correct symphony name, and we often listen to the versions without the words, so she is becoming familiar with the music and the names. I'm ordering the 2nd one! ... Read more

7. Let Yourself Go with Rob Fisher and the Coffee Club Orchestra
list price: $18.98
our price: $13.99
(price subject to change: see help)
Asin: B000059T4T
Catlog: Music
Sales Rank: 1975
Average Customer Review: 4.46 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi ... Read more

Reviews (50)

5-0 out of 5 stars I love this CD so much I have two copies
I adore Kristin Chenoweth. I didn't quite know who she was until her short-lived NBC sitcom. It is because of that show that I purchased this CD. I listen to it a portion of it at least once a day.

Kristin has such an amazing voice and she really shines on this album. When I first listened to the CD, I enjoyed the faster songs more than the slow ones. Then I liked the slow ones more. Now I just love it all.

"Let Yourself Go" is a fabulous song to wake yourself up and get moving. It has the pep and spirit that shines so well in Kristin's personality.

"If You Hadn't But You Did", at times my favorite song, starts out slow but gains speed quickly. In this song, you can hear Kristin's ability to get into a character using only her voice.

"How Long Has This Been Going On" and "My Funny Valentine" really show off Kristin's voice and her ability to hit those high notes and hold them.

"Hangin' Around With You", a duet with Seinfeld's Jason Alexander, is a pleasant surprise. It's fun to listen to Kristin and Jason argue, they both have fabulous comedic timing.

"The Girl In 14G" is amazing. Here, Kristin showcases the range of her voice and shows off her opera training.

In "I'll Tell the Man in the Street", "I'm A Stranger Here Myself", and "Nobody Else But Me", Kristin captures her characters so well.

"Nobody's Heart Belongs To Me/ Why Can't I?" at first seemed like a slow boring song to me, but I found myself loving it. This song just packs so much emotion and can sometimes bring a tear to my eye. I could listen to it all day long.

"Should I Be Sweet?" is hilarious. Kristin switches her mood back and forth so easily.

"Just An Ordinary Guy", "Goin' To the Dance With You", "On A Turquiose Cloud", and "You'll Never Know" continue the flow of the album, bouncing from sweet and slow to peppy to a song merely showcasing Kristin's abilities to a beautiful love song.

"Daddy" is a great song to end the CD with. It is so much fun to listen and sing along with. Kristin sings it so well, and I always find myself listening to it twice.

Overall, this CD is fabulous. In the booklet in the CD, Kristin tells John Lahr of the New Yorker, "The one thing I don't want to do is sing a song because it's pretty. I want to tell a story. I want people to be transformed in the song." With her first solo CD, Kristin achieves this goal and so much more.

I can not reccomend it enthusiastically enough. Buy this CD! :)

3-0 out of 5 stars Wonderful Voice, Mixed Bag of Standards Chosen
Being a huge fan of Kristin Chenoweth since seeing her perform on the Tony Awards as "Sally" in You're A Good Man Charlie Brown and on Rosie O'Donnell's Christmas Special, I was very excited to go out and purchase her debut album. While her voice is elegant, humourous at times, emotional, and basically just all around, great.....the songs she chose do not showcase her talent fairly. With the exception of Let Yourself Go, If You Hadn't But You Did, My Funny Valentine, Hangin' Around With You (With Jason Alexander), and The Girl in 14G, the rest of the songs are just filler. I hope the next time around, her producers select a complete track listing of songs that really show what a national treasure KRISTIN is! I look forward to her sitcom this next week! Keep up the great work Ms. Chenoweth!!

5-0 out of 5 stars Excellent CD!
Kristin Chenoweth, as Idina Menzel said in her speech at the 2004 Tonys, is the "grace and light upon that stage every night." And her debut CD "Let yourself go" certainly shows how talented and charismatic Kristin is. This CD utilizes Kristin's amazing versatility and range. She can go from singing ballads such as "My funny Valentine" to upbeat numbers ("Let yourself Go") to "The Girl in 14-G" that has her singing opera and jazz in one number. If you are a fan of show tunes or just good music, you should buy this CD! Kristin is a rare gem in musical theatre today but her talent doesn't stop there. She is also a classically trained opera singer and has proven herself able to sing jazz, country, and gospel as well. On top of that, she is a kind woman who doesn't take anything for granted.

5-0 out of 5 stars Let Yourself Go into many different types of singing
Kristin Chenoweth has the perfect combo of comedy and ballads...I love it!

5-0 out of 5 stars Kristin Chenoweth is perfect once again!!
What can I say? The amazing Kristin Chenoweth has done it again. This CD showcases her voice beautifully; she has quite a range. A really good thing about this CD is that all of the songs are not exactly the same, so Kristin has a chance to show off her comedic singing ("If", among others), as well as her more serious material ("Why Can't I?", etc.), both of which she does extremely well. This should be a must-buy for any Chenoweth, music, or musical theatre fan anywhere! Kristin Chenoweth never ceases to amaze me, and I'm sure you will feel the same way after you listen to this fabulous CD. ... Read more

8. Obrigado Brazil
list price: $18.98
our price: $13.99
(price subject to change: see help)
Asin: B00009ZKXD
Catlog: Music
Sales Rank: 608
Average Customer Review: 4.31 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

This enchanting, flavorful CD finds the ever curious Yo-Yo Ma traveling to South America, and Brazil in particular. The music varies from classical to samba to bossa nova; the combinations range from guitar, flute, and cello to female voice (the remarkable Rosa Passos), cello, guitar, percussion, piano, and bass; to simple cello and piano; to cello and two guitars. The overriding element is rhythm; each selection has a beat which is both infectious and sensual, but the contexts are splendidly varied. "Dansa brasileira" has a Debussy-like, impressionistic flavor, "Dansa negra" is sultry with an easy melody, "1 x 0" is a dance scored for guitar, percussion, and cello with a solo clarinet riff. It's impossible to get bored or tired listening to this creative CD; it's unique--just like Yo-Yo Ma himself--and endlessly surprising. It may not be quite what we'd call "classical" music, but it is many kinds of music, and they all will delight. The other musicians are as impressive on their instruments as Ma is with his cello, and that's saying a great deal. --Robert Levine ... Read more

Reviews (26)

5-0 out of 5 stars A great overview of the Brazilian spirit
I was blessed to spend almost 2 years in the beautiful country of Brazil. I learned the language and loved the people. I'm a musician myself and have been recently discovering the beautiful sounds of Heitor Villa-Lobos. This CD has 2 of his pieces as well as a fantastic selection, ranging from the smooth jazz of A. Jobim to the more traditionals sounds of Paxinguinha with the samba. There's nothing like jazz sung by a native of Rio and there's nothing so wonderful as the samba.

I admire the selection of music on this CD as it covers a wide variety of genres and a large chunk of Brazilian history. Several of the newer pieces were also quite enjoyable, especially because they were performed by the composers themselves.

Of course, Yo-Yo Ma outdoes himself again. His playing is impeccable as is his ability to become part of the larger ensemble. I'm so glad he's willing to blend in and let us hear all the different and beautiful aspects of this music. He's truly a class act as well as an astonishingly accurate and polished musician!

2-0 out of 5 stars Once more...with feeling.....
Let me say first that I really wanted to like this cd. When I saw the title "Obrigado Brazil" I believed that I would adore this album since I'm a huge fan of Brazilian music, but after my first listen I was highly disappointed.

Usually, Brazilian music is inviting - the performances are emotionally honest, open, and warm. But, I can't find that vitality on many of Obrigado Brazil's songs. The artists' performances are mechanical. Although they are technically sound because they play all the correct notes, they are unconvincing because emotionally they are dry, inhibited, and uninspired. Even renown Brazilian singer Rosa Passos's voice failed to inspire on Jobim's classic "Chega de Saudade."

I'm surprised -- and then not surprised - - at the four or five star ratings for this bland album. I realize there are many who are not well aquainted with the Brazilian standards - - or other artists' interpretations of these classics. For me, the classics never get old as long as the artist's interpretation is well-done and done with vitality.

I've heard much better interpretations. If you're a fan of Yo Yo Ma or Rossa Passos, then I probably would add this to complete my collection. Bu if you're looking for emotionally honest "classical" performances - - I'd try Morelenbaum(squared) and Ryuichi Sakamoto's tribute to Composer Antonio Carlos Jobim's "A Day in New York" which is much, much better than Obrigado Brazil. They perform the standards not only with precision, but with alegria(happiness).

5-0 out of 5 stars Yo Yo Ma does it again!
Obridgado Brazil is a great album. I highly recommend it along with the brazilian music of Stan Getz and Charlie Byrd.

5-0 out of 5 stars Versatile YoYo Goes Brazilian
As liner notes declare, "many musicians, from Arthur Rubinstein to MIles Davis, to fas under the spell of Brazil's seductive sounds." YoYo brings his cello to a group of talented Brazilian artists for this collection of ecclectic snapshots of this blended music of jazz, ragtime, samba, etc.

Love the clarinet sounds of D'Rivera and the great guitar and who can not like the percussion of this vibrant culture.

Ma continues to explore and venture out musically, ala Appalachian recordings, Silk Road journeys, baroque, etc.
He is so talented and his intoxicating cello adds much here, yet never overpowering or smothering his talented musicians which surround him.

This is joyous, celebrative music!

5-0 out of 5 stars Obrigado in the studio
Yo-yo Ma is one of the most interesting musicians working today. His eclectic tastes bring us fascinating music from around the globe, and his astonishing musicianship guarantees excellence in every new adventure. Recent CDs have seen him venturing to China via the Silk Road and to the Belle Epoque of France. His attention has also been focused on Latin America with Soul of the Tango and this first, studio version of Obrigado Brazil. He has even followed up these recordings with Obrigado Brazil Live in Concert, which repeats some pieces from the earlier studio recordings but is primarily new work in the same vein.

Ma is joined by a septet of mostly Latin American performers, two of whom also double as composers: composer/clarinettist Paquito d'Rivera, singer/guitarist Rosa Passos, guitarists Sergio and Odair Assad, Ma's long time accompanist at the piano Kathryn Stott, and a bassist and percussionist.

Listen to one of my favorite tracks, the lovely Menino, and you wil hear that Ma brings real sensibility to this music. Occasionally his performance reveals that he isn't as familiar with the style as d'Rivera or the others--he tends, for example, not to bend pitches but approach them as his Classical training would have--but this is no significant flaw, as the qualities of line and rhythm he does bring to the music compensate. Those who complain that Obrigado Brazil isn't truly Brazilian music, that it's perhaps over-refined miss the point entirely, and are advised to look elsewhere for their entertainment. Certainly if "authentic" folk music is what listeners are after, they won't find it here. But they will find wonderful music, played with love and dedication by superb musicians, and well worth hearing.

Now, to compare the studio version with the live concert recording. The liner notes of Obrigado Brazil Live in Concert claim that the energy of a live performance makes the works the two CDs share sound totally different, with the implication that live is better, but I can't agree. There are subtle variations, to be sure-for example one of the pieces has much more percussion in the studio version, and even the ambience of the studio recording is audibly different from the live concert-but these aren't wild distinctions and certainly not necessarily improvements. The energy of a live concert may well be counterbalanced by the control of a studio version. It's surely a matter of taste. Personally I usually prefer studio recordings to live. Here, though, the biggest difference is not in the comparisons of the pieces that are on both CDs, but on the contrasting approaches of the overall programme. The studio version of Obgriado Brazil is more introspective and melancholy; the concert recording has more fast, joyful works and moves beyond Brazil for its sources. In this particular case, I prefer the live concert material for the most part. The two final pieces of the studio recording are glorious, though, and I wouldn't want to miss them by only purchasing the live recording. I'm totally taken by the joyous exhuberance of the penultimate track, Brasileirinho, and the crazed final track, Salvador, with its wild improvisation. Admittedly, what I prize many listeners may despise--so much so that the marketers label this last a "bonus track". And I'm not so much a Bossa Nova fan, but if you are, I think the studio CD leans more in that general direction. Whether to buy one or the other, or even both, will surely be a matter of personal taste. But certainly, do buy one--you're almost guaranteed to enjoy it! ... Read more

9. Baby Mozart
list price: $6.98
our price: $6.98
(price subject to change: see help)
Asin: B000065VCG
Catlog: Music
Sales Rank: 1334
Average Customer Review: 4.67 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Of all the reasons you'll click the Add to Shopping Cart button next to Baby Einstein's Baby Mozart--and there are many--the best one is that playing this record for babies doesn't feel weird. Instead of subjecting tiny, tender ears to the kind of Mozart that can make adult classical fans wilt when tackled by a maestro who means business, this is Mozart lite, mixed and mastered by a dad, Bill Weisbach, who's clearly hung around for his share of crib-side cooing. The slightly tinny sound of a child's piano sweeps the sting out of Piano Sonata in B Flat's third movement; the first movement of Concerto for Flute and Harp in C floats by, birdlike; variations on "Ah vous dirai-je, Maman" translate to a fancy-sounding (but adorable) "Twinkle, Twinkle"; and Piano Sonata in F's third movement snuggles so deeply into its childlike setting that if you close your eyes, you'll see a pastel parade of animals floating by overhead. Other pieces (more aptly called fragments, since only one track stretches beyond the three-minute mark), like Symphony No. 41's fourth movement, wander into more robust Mozart territory, but it's here the claims about classical music enhancing young kids' abstract reasoning skills and spatial intelligence crystallize. Babies strapped in for a roller coaster of sounds that gracefully dips, swerves, and high-jumps like this version, do have to process what they're hearing somehow (and a case could be made that the instruments Weisbach's chosen--the vibraphone, glockenspiel, and music box among them--make it more appealing for them to do so). Followers of Julie Aigner-Clark's Baby Einstein empire, many of whom opted out of the fan club once Disney bought the company in 2001, won't trip over a single Mickey Mouse-ified sound here. This is pure, plugged in, and muted Mozart, and if it doesn't make your baby smarter, it'll at least sound awfully sweet issuing from your nursery's speakers. --Tammy La Gorce ... Read more

Reviews (3)

5-0 out of 5 stars Creative & Soothing
I like classical music, but some of the pieces have crescendos and accents that make it very difficult to listen to when you just want to relax. When I saw Baby Beethoven, I bought it and enjoyed it. I saw Baby Mozart at a different store and instantly picked it up.

The music doesn't have the sudden musical attacks that classical music has because the instant sound can frighten little ones. That is one of the great things about this CD. I can listen to in when I just want to sit down and relax.

I also like that the pieces and the CD itself, it's too long. I can finish the CD during a nice bath. The music also isn't too loud in general, so you don't have to have the CD player volume at full blast one moment, just to hear the music and almost off the next, so you can keep your hearing.

I highly recommend this CD, whether you have little ones or not.

5-0 out of 5 stars Fun for the kids
My twin girls loved the video so I bought the CD and they love it!We listen to it in the car and they relate the CD to the video. It's great and keeps them happy on the road.

4-0 out of 5 stars Fun - cute songs- also check out Troy & Genie Nilsson
This is fun. Also, if you're like me you probably also want to get more music that has fun + deep moral/spiritual meaning + pro music that you can stand hearing a million times. My favorite of that kind that I would highly recommend to you is Troy & Genie Nilsson's stuff like Scripture Rock. ... Read more

10. The Most Famous Opera Duets
list price: $3.98
our price: $3.98
(price subject to change: see help)
Asin: B000002SCA
Catlog: Music
Sales Rank: 859
Average Customer Review: 4.36 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine ... Read more

Reviews (11)

5-0 out of 5 stars Fantastic Selection at a Great Price
When it comes to opera artists, my motto is "The more Gedda, the bettah." You get a substantial amount of him at his best on this CD, which has a lot of great duets from a variety of operas. You have one of the most beautiful duets ever in my opinion as the first track on the CD(Bizet's aria about two friends in love with the same woman, "Au Fond du Temple Saint" from Les Pecheurs des Perles); this recording with Nicolai Gedda singing the tenor part of Nadir is the best one could ask for.

The rest of the best include "Bei Mannern, welche Liebe" from Mozart's Die Zauberflote(a beautiful ode to the connection between men and women), and (not surprisingly), "O mimi, tu piu non torni" with Gedda and Sereni from La Boheme.

Other notable arias include a nice recording of the famous "Sull'aria," from Mozart's The Marriage of Figaro, and an above par recording with Victoria de los Angeles and Carlo de Monte of "Un di, felici, eterea" from Verdi's La Traviata.

This would be a great CD to start an opera collection. Enjoy.

4-0 out of 5 stars A wonderful introduction
I bought this CD because wanted the "Lakme" duet that I heard in a movie. Little did I know the rest of the music would blow me away. This is an excellent intro to opera for people like myself that have never really been "into" opera. The selections are short, just a taste, and the price is unbelievable. I highly recommend this selection to anyone who wants to get their feet wet.

5-0 out of 5 stars A Blissful Collection of Arias
As an avid opera fan, I was thrilled to find this CD. The duets are beautifully arranged and the sound is superb. I love to listen to this CD on a lazy afternoon, while laying in my bed. This music simply takes me away into my own little dreamworld. I also love the idea that there are 14 songs on this CD, which is great for the price. So sit back. Have a nice cup of tea and enjoy the opera.

5-0 out of 5 stars A wonderful Collection
This is a wonderful collection of duets. It has been said that not all of them are that famous, well, that is simply not so. They are all famous since the operas featured are all extremely well known and part of the standard repetoire of all opera houses, and perenial favorites in small opera companies because they draw the crowds. So, don't be deceived by the official Amazon review that gives the impression there are duets that are new and relatively unknown. You won't be getting anything you have not heard before, or that you are not familiar with.

The recordings are all wonderful, and of course, are exerpts from complete recordings. If you find that you enjoyed these renditions (not all of them are the best representation of the opera from which they come, but they are all exceptional in quality) and are not familiar with the operas, go out and listen to them, you may be surprised with the quality of the music you expose yourself to. For those of us who have been listening to opera for a long time, make sure you don't have all this in our collection. If you buy it just reading the title, you may be frustrated discovering it is once again everything you already have, and in probably more than one rendition.

5-0 out of 5 stars You can't go wrong with this CD
I got this very reasonably priced cd just to have my favorite duets such as "Au Fond du Temple Saint" and "The Flower Duet. If you have friends who are just starting to like classical opera, this is a terrific little gift. Almost everyone melts at the sound of these duets. And it's convenient to have so many on one CD. A real winner. ... Read more

11. The Most Famous Opera Arias
list price: $3.98
our price: $3.98
(price subject to change: see help)
Asin: B000002SCE
Catlog: Music
Sales Rank: 550
Average Customer Review: 4.36 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Reviews (14)

5-0 out of 5 stars An excellent introduction
This CD is offered at a very attractive price, and features an excellent selection of opera arias. Most of the great composers are represented (such as Mozart, Verdi, Puccini, and Bizet) as well as some lesser-known but worthwhile names (such as Gluck, Gounod, and Saint-Saens).

There is only one superstar singer on this album (Placido Domingo singing "Celeste Aida"), but don't let that deter you: the singing is uniformly rich, skillful, and warm. As another reviewer has pointed out, of the total of 16 tracks, 3 are performed by tenors and 13 by sopranos, but I feel nonetheless that the selection of arias found here is both broad and representative.

The orchestras that are featured are lesser-known ensembles from Western and Central Europe, but they play with conviction and precision, and the CD's sound-recording quality (all the tracks are either "ADD" or "DDD") is first-rate.

All in all, this is a great product brought to you from the vaults of the prestigious EMI Classical label. This is the perfect CD to add to your order if you need to get your grand total above $25 to qualify for free shipping

5-0 out of 5 stars An excellent introduction
This CD is offered at a very attractive price, and features an excellent selection of opera arias. Most of the great composers are represented (such as Mozart, Verdi, Puccini, and Bizet) as well as some lesser-known but worthwhile names (such as Gluck, Gounod, and Saint-Saens).

There is only one superstar singer on this album (Placido Domingo singing "Celeste Aida"), but don't let that deter you: the singing is uniformly rich, skillful, and warm. As another reviewer has pointed out, of the total of 16 tracks, 3 are performed by tenors and 13 by sopranos, but I feel nonetheless that the selection of arias found here is both broad and representative.

The orchestras that are featured are lesser-known ensembles from Western and Central Europe, but they play with conviction and precision, and the CD's sound-recording quality (all the tracks are either "ADD" or "DDD") is first-rate.

All in all, this is a great product brought to you from the vaults of the prestigious EMI Classical label. This is the perfect CD to add to your order if you need to get your grand total above $25 to qualify for free shipping

5-0 out of 5 stars A great collection for beginners!
I am brand new to most opera - my main exposure has been Bugs Bunny cartoons! But, I've always loved hearing the Three Tenors sing, and I liked the symphony the few times I have been. So, I thought maybe there was something I was missing. I ordered this CD and from the first minute I was transfixed. I don't understand a word of what they are singing, and I understand from other reviews that these are not the famous folks performing the selections, but this CD is wonderful! I have never been moved to tears by anyone's voice in my life, but Anna Moffo (from Rigoletto, the first selection on the album) did it to me. She also sings a selection from The Barber of Seville, which is beautiful. There's a song by Placido Domingo, and many other gifted and beautiful voices besides. If you are looking for an introduction to opera, buy this one!

5-0 out of 5 stars A Great Place To Start
As some other reviews have mentioned, no, this doesn't cover the full scale of the opera repertory, but it's geared to beginners, and I can't think of a better place to start than this that's out on the market right now. So don't listen to them.

While this collection is some small, it still has a collection of some famous arias, all sung at levels of very good and up. Anna Moffo's "Caro Nome" as the first track is mind-blowing--the cadence she pulls at the end is absolutely celestial; I've skipped back many a time just to hear her. The following aria from Rigoletto isn't done quite as well (Kraus doesn't even go for the high C), but is sufficient.

Other notable tracks on this album include Edita Gruberova's cavatina from Romeo and Juliette "Je Veux Vivre," Yelena Obraztsova "Mon Coeur" from Samson and Delilah (absolutely beautiful), Domingo's "Celesta Aida," (definitely one of the best recordings of this aria out there), another Moffo gem with "Una Voce Poco Fa" from Il Barbiere, an excellent "Che Gelida Manina" by an underrated tenor, Nicolai Gedda, who holds the high C in "speranza" for the longest I've ever heard any tenor hold it, and possibly the best aria on the whole CD, Gruberova's rendition of "Der Halle Rocke." For some reason, a previous reviewer said this was a horrible recording of it---I beg to differ, drastically; I'd even venture to turn some people away from listening to this track, since it's possibly the best recording of this aria ever made. I've covered my ears at many sopranos her shriek through the colorature, but she sings it like an angel.

Overall, this is a great CD to start with. There are a few problems, like another reviewer mentioned, there are few male arias and no baritone/bass arias whatsoever, but the sound and clarity is good. I must say, though, that I did have a problem with scratching on the CD---a friend of mine owns the same CD and also it appeared to scratch fairly easily, so watch out.

Want to have some real fun? Blast Gruberova's "Der Halle Rocke" while you're driving down the street with the windows open. See how many funny looks you get.


4-0 out of 5 stars Be forewarned
The music is wonderful, and the price can't be beat, but be forewarned -- only 3 of the 16 selections are sung by men. Evidently the producers of this Highlights CD felt that the overwhelming majority of the great opera arias are sung by women. This is clearly a matter of taste, but disconcerting nevertheless. ... Read more

12. Best of the Millennium: Top 40 Classical Hits
list price: $13.98
our price: $11.99
(price subject to change: see help)
Asin: B00004GOZA
Catlog: Music
Sales Rank: 513
Average Customer Review: 4.21 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde ... Read more

Reviews (19)

5-0 out of 5 stars A solid sampler to get one started
As a simple beginning introduction to classical music, this affordable dual CD is a solid sampler.

Taking many easy to recognize pieces, the editors have identified where one may have heard them before. Certainly almost all these works have been heard in several famous and well known films.

I bought it solely to be able to hear a full orchestration of one of Satie's Gymnopodea's. And needless to say the performance of that particular piece is exceptional here.

I have also used this CD and its many selections in my drama classes to provide stimuli for many types of scenes: improvisational and formal alike. It also helps greatly as mood music for rehearsal and preparation. Certainly "Carmina Burana" really makes Shakespeare's "Once More into the Breach" speech from Henry V rock and roll.

Is this an end all and be all collection? Absolutely not. But it is a great place to begin.

5-0 out of 5 stars Simply Magnificent!
This is one of the (if not THE) best, well-rounded classical CDs ever made. It is great for anyone that is just being introduced to classical music, because they will probably have heard some of the songs on here. Also, this CD is great for classical music lovers, as it is a good mix of their favorite songs. I'm 13, and own a few other classical CDs, but this one will always stand out above the rest. It is also a bargain price for 2, absolutely jam-packed (77min. each!) CDs.

1-0 out of 5 stars Disappointing
The only reason I wanted this CD is for Beethoven's Moonlight Sonata. However March of the Toreadors immediately follows it. I see that it was arranged in alphabetical order but I wonder if it wasn't also a cruel joke. I now am conditioned to have my nerves jolted every time I put in the CD and listen to the Moonlight Sonata.

2-0 out of 5 stars Not that good.
The only good thing I can say is that it includes about 10 songs I personally love.
But I can also say it includes at least 5 songs that are extremely cheesy.
The rest of the songs are in the so-so category :)
But what I find really dissappointing is the volume leveling, its terrible!
Just to mention a few, Monlight Sonata (Beethoven) and Clair De Lune (Debussy) are barely hearable, increasing the volume not only causes white noise but it will break your ears when playing one of the loud songs (like the March Of The Toreadors).

4-0 out of 5 stars Some say worn out, i say thats because its a classic...
I bought this cd not expecting to recieve such joy from it. the recordings are flawless and beautiful, and they go very well together on this cd... though i felt it was missing something.
personally, out of openion, these wold not all be on my 40 greatest compositions of the millenium. i was quite surprised that Bach's tacatto in D minor was not featured on this cd. my true feelings for this song are not the greatest, but many have argued it was one of the best compisitions written (i think i'll leave that to personal openion myself).
i read a review of someone saying it was just tired music from comercials... pitiful review i might add. just because something is worn out is not a horrible thing... we must defien what a classic means, and to me, if almost every person who has ever watched television knows this music from comercials, or for any other reason, then i would call it a classic. to tell you the truth, i don't think the world would be quite the same if all this calssic music hadn't been composed, and this cd is just a living reminder of that. Some of these reviews are also just a reminder of how narrow minded some people can be toward true classical music.
i loved the cd, but i only gave it 4 stars for my own personal reasons. i think that no cd should claim it has the best of something, becuase you might be minorly disapointed with the selection (i was, and if that offends any one, i am truely sorry). But it didn't stop me from enjoying this beautiful, ageless, music. ... Read more

13. The Lord of the Rings: The Fellowship of the Ring
list price: $19.98
our price: $14.99
(price subject to change: see help)
Asin: B00005QZWI
Catlog: Music
Sales Rank: 231
Average Customer Review: 4.58 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of "Concerning Hobbits" to the fiery, Prokofiev-influenced drama of "A Knife in the Dark"). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some so ominously gothic they make The Phantom Menace's "Duel of the Fates" sound almost sunny by comparison. Enya's contributions ("The Council of Elrond" and the song "May It Be") add a sense of organic tranquility, but it's Shore's Wagnerian-scaled orchestral score that should long be cherished by admirers of film music and hobbits alike. --Jerry McCulley ... Read more

Reviews (402)

5-0 out of 5 stars Enjoy ur journey to Middle-Earth
There were few music genius composers in my list like James Horner (composer of Titanic, A Beautiful Mind, Bicentennial Man, The Mask Of Zoro, Braveheart etc.) & Hans Zimmer (composer of the soundtracks of The Last Samurai, Gladiator, Pirates of the Caribbean, etc.) When I saw the first scene of the movie (Lord of the Rings - The Fellowship of the Rings), I decided to add the music composer to my list! I'm a big fan of orchestral music and vocals. This music makes you feel the moments of the journey to Middle Earth that the fellowship of the rings had to go through, starting from the soft music in the Shire, to the emotional moments between Aragorn & Arwen, and to the dreadful sensation that evil was so close to achieving its goal.

ALL of the music are worth listening to, esp. the ones with the vocals e.g. The Prophecy, The Treason Of Isengard, A Knife In The Dark, Flight To The Ford, The Council Of Elrond, The Bridge Of Khazad Dum, Lothlorien, The Great River. I also loved the (Breaking of the Fellowship), which reflects the will to pursue & true friendship . I could listen to the soundtrack many times during the day, and still the amuzement does not fade away!

The addition of of the song (May it be) performed by Enya was a great touch! The song reflected the main theme of the first part of the Lord of the Rings. I started to listen to Enya after that song.
I noticed that some music were not incorporated in the Extended DVD version like the music of the (Great River), but it was part of the ordinary DVD movie.

Great Work Mr. Shore. ur work speaks for itself! This is a must-have-on-your-shelf soundtrack CD in addition to the original movie. 5/5.

4-0 out of 5 stars A Powerful and Moving Spoundtrack
First of all. I was SO enthralled with the movie and how the music seemed to fit every mood. The way Howard Shore was able to capture the essence of each scene was truly beautiful. And as much as I enjoy listening to this CD (I've had it a week and so far I have completely listen to it about half a dozen times) it has the same issue as almost every soundtrack. The music is based around 3 - 4 main themes, and depending on the screen action, it's mostly only the tempo that changes. This of course doesn't change the beauty of the music, just explains why the music begins to grow old quickly.

One thing I liked about Shores music here is how he chose certain styles for different characters. For instance, the Hobbits are represented by an almost Irish folk style. Beautiful yet solitary in sound and mood. Also the two songs included here by Enya match well. Her voice adds vocal expression to a wonderful melody.

I would recommend this to anyone who enjoys beautiful orchestral music. Although I probably will stop listening to this for awhile I will most definitely keep revisiting it.

5-0 out of 5 stars The Perfect Musical Score!
In my opinion, the original motion picture soundtrack to the Lord of the Rings is the perfect musical score. The music is composed, orchestrated and conducted by Howard Shore, who in my opinion can be listed among the greatest music composers such as John Williams. Enya also contributes to this soundtrack, having composed and performed the music score for the ending credits, and performing the theme for Aragorn And Arwen. Contains 18 tracks:

1. The Prophecy

2. Concerning Hobbits - the music theme for the sequences set in the Hobbit-inhabited land of the Shire.

3. The Shadow of the Past - the music score that blends in with the part where the nature of the Ring is discovered.

4. The Treason of Isengard - One of the best scores of the soundtrack. It is the theme for the sequence in which Saruman becomes a traitor and battles with Gandalf.

5. The Black Rider Another great musical score. This theme is for the journey of the four Hobbit companions through the Shire and for the encountering of the Black Rider.

6. At the Sign of the Prancing Pony - Frodo Baggins adventures in the town of Bree at the Inn of the Prancing Pony is what this score is for.

7. A Knife in the Dark - The theme for the continuing journey of the hobbits in which sequence they arrive at the ruins of a temple and find themselves battling Ringwraiths.

8. Flight to the Ford - The Theme for the flight of Arwen and Frodo to Rivendell to escape the Black Riders.

9. Many Meetings - The theme for Rivendell, where the Elves abide.

10. The Council of Elrond - This is among the best scores in the album. The theme for the Council in Rivendell concerning the fate of the Ring. Also features Enya performing Aniron, the theme for Aragorn and Arwen.

11. The Ring Goes South - The theme for the sequence in which the Fellowship of the Ring sets out on their journey to Mordor.

12. A Journey in the Dark - The theme for Moria

13. The Bridge of Khazad Dum - The theme for the treacherous journey to the Bridge of Khazad Dum in Moria and the crossing over and escape from Moria. Another of the ones that are among the best scores on this album.

14. Lothlorien - The theme for Lothlorien, the woodlands of the Elves, through which the Fellowship of the Ring passes through in the film.

15. The Great River - The theme for the departure from Lothlorien.

16. Amon Hen - The theme for the encountering of the stone of Amon Hen.

17. The Breaking of the Fellowship - The score for the dispersion of the Fellowship of the Ring, in which only Frodo and Sam are left to continue the quest to destroy the Ring.

18. May it Be - The song performed by Enya. It is the score for the end credits of the film.

If you loved the film, buy this soundtrack. It is well worth the purchase price. For more information there is a site called ... I eagerly anticipate the soundtrack for the next LOTR film.

1-0 out of 5 stars Overblown album by an under qualified composer
Alright, I have viewed the last 70 reviews, and except for a few "minor quibbles" over "missing tracks" and such, there were no actually anti-Shore reviews. This is quite possibly one of the most over-rated and derogatory musical scores of all time. It is obvious that those who gave positive feedback to this have NEVER listened to true choral music or real classical. To be perfectly honest, all "sung" tracks are completely ripped off of Carmina Burana (of which I am sure all you "Shore lovers" have never heard of). He has taken the very best of wonderful 19th and 20th Century composers, and remixed them with absolutley disastorous results. In fact, not only is this album an abomination, but the way it fits with the film is even worse. The reacurring themes grow irratating at times sounding like a comic book movie, and at others, sounding like expensive versions of music from Saturday morning cartoons. But I can't blame Peter Jackson-- he's tone def!! This is great music to those who know nothing about it-- and to those who say "well it won 2 Acadamy Awards for best score", I tell them this "Titanic won 11". So just shut up about this being a "visionary score." In about ten years it will blow over. However, PJ's masterpiece will remain in history forever (hopefully with a different score).

5-0 out of 5 stars (Respectfully Untitled)
In this world, there exists a handful of human creations so epic, finding words for such things almost seems a way of devaluing the work. Unfortunately, as this soundtrack is one of them, we have but no choice other than cave in and write. If we do not, it would essentially be as if such grand feats were never accomplished in the first place.

To keep the review to a moderate and digestable length, there will be no specific documentary of each period instrument, harmonic change, melodic theme, and relation of how the audio translates to supportive information for the visual cinematic cues. Just know that 1) there has been a supremely creative effort to have very specific instruments enhance the mood and storyline, 2) a new and surprisingly fresh (though ironically reminiscent of a time long ago) chord change awaits the turn of every corner, 3) the carefully constructed (while non-academic) themes seem to come alive in a character every time while on screen, and 4) the music for each respective scene is so powerful in the film, it convinces the audience - if subconsciously - that there is indeed no other choice of sounds other than the precise ones that have been chosen and printed to film and cd forever. Don't get me wrong, there are also items # 5-infinity which we'll omit for interest of time.

Ladies and Gentlemen, Howard Shore is a living legend and genius to the fields of both musical composition and speaking to the soul. With all of the aforementioned elements, he has done what perhaps Professor Tolkien himself would bow down to: he has taken the ridiculously detailed blueprints for a whole different world, and created the same world all over again, in the form of auditory stimulation. The laborous contriving of entire ficticious languages are masterfully superimposed as thunderous choirs, on top of what sounds like a 10,000 piece orchestral behemoth soundscape.

From the characteristic playful music of the Hobbits to the hellishly heavy thunder of Mordor itself, this soundtrack will take you through an emotional journey of its own when you have nothing to watch along with the music. The way the themes cross moods and reappear reincarnated at later locations, in different forms, proves an intuitive influence at work in Shore's mind- much from Bach and Beethoven themselves, but not just in the traditional sense. Much successful experimenting with all musical elements make the resultant cd unpredictable and largely enjoyable all at once. Although anyone can appreciate this soundtrack, I do maintain that a firm knowledge of the literary masterpiece "The Lord of the Rings Trilogy" will augment the listening experience beyond belief. To love the story, as I do, blows it through the stratosphere.

A word should be put in for Enya as well. Whereas many soundtracks are comprised of an agitatingly asymmetric combination of composed music and [category: other], "Fellowship..." just can't seem to do any wrong. Indeed, when watching the movie, her passionately moving "May It Be" feels right at home with everything else. It was smart to include a derivation of one of the score's main themes as Enya's own melodic inspiration. Her music, too (represented by two pieces here), is masterfully executed and produced. Whoever included her made a wise call as talent/booking director.

Howard Shore, and all involved, deserve more than can be offered in any tangible reward. The three movies/soundtracks as a whole will have taken a few years out of everyone's lives who were dedicated to the project, and those years shall go down as a triumphant landmark on the achievenment of mankind, as opposed to a vague haziness of wasted time for each individual. Howard Shore and director Peter Jackson have done more in three years of their lives than what most hope to do in a lifetime. ... Read more

14. Classical Wedding
list price: $11.98
our price: $10.99
(price subject to change: see help)
Asin: B000000V1V
Catlog: Music
Sales Rank: 9239
Average Customer Review: 4.76 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Reviews (17)

5-0 out of 5 stars Thank you , Thank you , Thank you
This CD is wonderful, I found all the music for my wedding right here, and it sounds just like I wanted it to. I certainly recomend this to any bride looking for classy, beautiful music for thier wedding!

5-0 out of 5 stars A Great CD for Your Wedding
My husband and I had a small elegant wedding (immediate family only). We wanted "classy" classical music for our ceremony. There were so many great songs on this CD that we had trouble choosing which ones to use! We settled on #1 (Hornpipe from the Water Music) and #16 (the traditional Wedding March). One would have thought the church was filled with a world-famous orchestra. I don't think anyone could go wrong with this CD if you want to use prerecorded classical music at your wedding.

5-0 out of 5 stars Great For Outdoor Weddings
I had my wedding outside, in a large gazebo, but did not have
the funds to hire a musican to play traditional wedding songs at my ceremony. I also wanted the traditional "Here Comes The Bride" with out worring how it would sound for certain instruments. 'Classical Wedding' was WONDERFUL alternative and made my outdoor garden wedding spectacular!

5-0 out of 5 stars Great Trumpet
The trumpeter on this recording is Gary Armstrong. He is incorrectly listed as Gray Armstrong. Thank you.

4-0 out of 5 stars A great CD!
Reviewer: A music fan from Hartford CT
This CD was very helpful for our classical ceremony music.
I really like the musicians and the sound.
For the reception I used the CD "New Wedding Traditions Volume I" (from That CD had meaningful songs for our family and friends like "A Song For My Daughter" for my father bride-dance, "A Song For My Son" for the mother-groom dance,"A Wedding Thank You" for our bridal party and "To Our Family and Friends" for everyone.
I am very happy with both of these CDs because they gave me all the special wedding music I needed.
Gloria Easton ... Read more

15. Tommy (1969 Original Concept Album)
list price: $13.98
our price: $12.99
(price subject to change: see help)
Asin: B000002OZY
Catlog: Music
Sales Rank: 713
Average Customer Review: 4.68 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan essential recording

Tommy had the dubious distinction of being the first-ever rock opera; however, it's none the worse for that, Ken Russell's adaptation notwithstanding. Due largely to Pete Townshend's skill as a songwriter and composer, Tommy tells a coherent story and includes quality rock and roll at the same time, an impressive feat by itself. While surprisingly more linear than the later Quadrophenia, Tommy boasts several songs that stand up well on their own, including the classic "Pinball Wizard," "The Acid Queen," "I'm Free," and "Sally Simpson." Much of the rest doesn't make much sense lyrically unless you listen to the entire album, but you'll probably want to do that anyway, preferably with the lights low and the stereo cranked. --Genevieve Williams ... Read more

Reviews (145)

5-0 out of 5 stars What About The Boy?
I wish people would stop giving this breakthrough lukewarm reviews. After all, without this album being made (and could-be SIR Pete Townshend being born), there would be no Quadrophenia, The Wall by Pink Floyd, and the best, but least known The Lamb Lies Down on Broadway by Genesis, Peter Gabriel's last album with them (You're like, "Peter Gabriel was in Genesis?"). And no, Jesus Christ Superstar is not a rock opera, it's a musical, and a Webber musical, uggghhh.

First, obviously this is not a review for the movie, which I hear is pretty bad. Known to a lot of you, it's about a deaf, dumb and blind boy. The beginning can be interpreted two ways:

1. Tommy's father, Captain Walker doesn't come home from the war before his son is born (presumed dead, but not legally) but does come back and the mother is cheating on him.

2. The previous statement, but a murder is involved, presumedly to either the mother's lover by the captain or the lover killing the captain.

By the time Tommy is ten, he has become Helen Keller one step further (in case you don't know, she was deaf and blind, but could orate pretty well). For a Christmas present (which to everyone else seems pointless), he gets a mini pinball machine and plays it quite well. He is promptly entered in a competition. The deaf, dumb and blind kid beats all the records and wins by a landslide. Major stardom quickly follows, and soon he is a celebrity, unbeknowst to him. He is left with an abusive uncle, only because Tommy wouldn't be disturbed. Because pinball eventualy became Tommy's therapy, he slowly gained back his senses, despite previous attempts by a gypsy and a doctor to cure him.

Soon, Tommy has been fully cured and is giving lectures. But because of his new life, he is staring at a mirror admiring himself. But someone smashed the mirror, and he came to his senses.

He starts a summer camp or holiday camp, either to your liking, and puts the campers through the experience he had.

Pete Townshend's guitar playing is all rhythm, but still has a lead sound, a trait that very few guitarists have.

Roger Daltrey (who actually played the title role in the movie) keeps his passive voice going through out, a voice similar to Led Zeppelin's Robert Plant (a rumored link between the two bands is that when the New Yardbirds were formed, drummer Keith Moon allegedly suggested to Jimmy Page to change the name into what is now one of the best known names in rock).

John Entwistle keeps the album exciting with his bass, organ, and piano playing (another similarity to Led Zep, as John Paul Jones played keyboards).

The late Keith Moon was one of rock's greatest drummers, and that's evident on this album, with his in-tempo, but rhythmically aggressive playing style (Another Zeppelin similarity, the also late John Bonham had a more or less aggressive way of using the traps).

If you want another great rock story, try Genesis' The Lamb. It's more or less dramatic and a great masterpiece of music. It's also hard to understand, so really it's an outline of what you think the album's about. Plus, Phil Collins doesn't sing lead, uhhh...

5-0 out of 5 stars The Brain Opera
Pete Townshend's 1969 masterpiece was obviously not created in a vacuum. It's full of influences from many important artists of the era - and not just the Beatles - and in itself is the conclusion of an experiment that Townshend was conducting since early '66. Still, Tommy was probably the most important and original creation in rock since the Beatles' Sgt. Pepper, and I don't find it possible to name the top ten albums of all time without mentioning it.

Definitely the first full-scale rock opera written, arguably the best one (in close competition with Andrew Lloyd Webber's and Tim Rice's 'Jesus Christ Superstar' from 1970, and Pink Floyd's 'The Wall'). Sgt. Pepper was named the first concept album ever because of its intertwining structure, but Tommy gave the concept meaning. Musically, it's one of the handful rock albums in history that can really be called perfect, as composition and arrangements go. As for instrumental and vocal performance, Tommy shows four brilliant musicians at the very top of their career. Townshend makes for possibly the best rhythm guitarist to ever grace a rock n' roll band, and his lead abilities don't fall short either; John Entwistle, inarguably one of the top five bass players in rock history, does his best and amazes as usual, and his trademark French horn also comes in handy; Roger Daltrey's vocals and his touching portrayal of Tommy are soulful and painfully beautiful; and drummer Keith Moon's performance is his very best ever. This album is worth listening to several times with emphasis on different layers. Try it once listening just to the drums.

The plot is often confusing, and usually very vague. What exactly do the disciples do to Tommy at the end of 'We're Not Gonna Take It'? What is it precisely that Tommy sees and can never tell anyone in '1921'? Did the Lover kill the Father? Did the father kill the Lover? Is it just witnessing Mother's infidelity? Is the 'Father' Captain Walker? But that vagueness is the beauty of the album. The most important problem with the awful movie made in 1973 (bad acting, bad singing and bad arrangements aside) should have been foreseen from the very start of the production - Tommy was simply not meant to be a movie, and to make the plot completely clear and obvious makes the whole thing look a bit dumb. Tommy is a spiritual journey, and it's important to remember that it's not a Broadway musical, but a rock opera - half musical, half rock album. The music should be precisely as important as the story, and vagueness in details makes the music meld with the lyrics and the plot.

Within the complete, wonderful creation that is this rock opera, Tommy has some classic songs which are terrific moments of rock music the likes of which only Townshend and co. could create - 'Pinball Wizard', despite stupid lyrics, is a musical masterpiece and an incredibly catchy tune; 'Christmas', 'We're Not Gonna Take It', 'I'm Free', 'Amazing Journey', 'The Acid Queen', 'Welcome', 'Go To The Mirror' and Entwistle's 'Cousin Kevin' - each one is a terrific rock song by its own right, but the whole is much greater than the sum of its parts. The entire album might be a bit heavy on first listen - it took me three times through to really get into it, but the catchy songs scattered around the album will help you through it, and when you get into the album and get to know it, it'll become one of your top CDs. The long instrumental sections also make the listening experience somewhat tiring, but once you know the songs and the musical themes that run throughout it you'll appreciate them more, especially the classic overture and the haunting 'Sparks', but also the somewhat oversized 'Underture', that runs over ten minutes and cuts the album neatly in half.

No CD collection would be perfect without Tommy; if you don't have any other album by the Who, get Tommy rather than a compilation album, it's deeper and much more rewarding.

5-0 out of 5 stars A Standout Masterpiece among Generations to come
Listening to this is pure bliss its a Opera of some of the best rock music you may ever hear in your life.........The Who are a very impressive rock band and some may say Classic Rock sucks but those idividuals are usually "Limp Bizkit" fans who dont really even know what real music is.......take my advice and get this classic opera approach with an open mind and let it soak in your head till the day you die for this is an album to celebrate and cheerish to the end of all things

5-0 out of 5 stars A Spiritual Album In An Era Defined By Psychedelia
When people talk about The Who's Tommy, they generally seem to focus on the form rather than the content of the album. Listeners will comment on the originality of Townshend's application of opera sensibilities to a rock and roll album, and so on and so forth. Yes, it's true, what made The Who's Tommy a major hit rather than a pop-culture after-thought was its structure and distinction as the first "Rock Opera," but I believe that the most artistically redeeming quality of the album is its message.

During a time when psychedelic experimentation was the order of the day, The Who had the intestinal fortitude to release an album preaching transcendence through spiritual exploration. Tommy is a wholesale rejection of the entire psychedelic culture dominating the late 60's and a plea for spiritual enlightenment. More than just great music, Tommy is an album with purpose and a positive message.

5-0 out of 5 stars Great album--but "Gold CD" is not the best version
I love "Tommy" for all its incredible melodies, deep insights, challenging format, and stunning production. The concept of the album was beyond even what the Beatles were doing in that it was not just held together by a theme. "Tommy" was an attempt to probe the psychology of a traumatized boy and his family, and the sick, exploitative culture that we are all (still) embedded in. That being said, it simply rocks!!! I had the Gold CD version and dumped it because the version of Eyesight to the Blind features an alternate vocal that lacks the intensity of the original. Here, instead of hitting the notes hard and high, Daltrey is singing them an octave lower with a more pensive approach. Well, nobody beats Roger for sphincter-tightening screams, so I went for the orginal/remastered version. I will probably get the newer, Deluxe 2-disc edition just for completeness' sake, and because the Who have done a fantastic job with that entire series, putting other icons (such as the Stones) to shame when it comes to class reissues. (Beatle industry--are you paying attention?) So, don't go for the gold on "Tommy", just go for what was great in the first place. ... Read more

16. Beethoven's Wig 2: More Sing-Along Symphonies
list price: $12.98
our price: $11.99
(price subject to change: see help)
Asin: B0001I2C8O
Catlog: Music
Sales Rank: 1247
Average Customer Review: 4.6 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable, and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's Violin Concerto #2, Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them; informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" (Humoresque #7, Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Medelssohn). Few stabs at swirling education into entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a nea! t opportunity to quiz kids 5-12 on what, and who, they've just heard. --Tammy La Gorce ... Read more

Reviews (5)

5-0 out of 5 stars Beethoven's Wig 2 Delivers!
Richard Perlmutter's "Beethoven's Wig 2" is a rare and special type of album. Ostensibly, it is a children's album full of Mr. Perlmutter's sometimes laugh-out-loud funny, often witty, but always-intelligent lyrics, sung over famous classical pieces. The strength of this album, however, lies in its broad appeal and lasting power. "Beethoven's Wig 2" is great for your 5 or 6-year old, who will love Permutter's kid-friendly delivery and engaging stories. However, a 8 or 9-year old child will also love this album, being able to catch many more of Perlmutter's witticisms and puns. As a parent you will love the fact that your children are being exposed to, and more importantly, being engaged by Classical music (the original instrumental performances are also included on this album). As Perlmutter embeds quite a bit of musical history and factoids into many of the songs (i.e. "Dvorak the Czechoslovak" is a fantastic 3-minute summary of the great Czech composers life in America and how it, in part, inspired his famous Humoresque No. 7) you may learn a thing or two about Classical music yourself. Where else can you find an album that is appealing both to you and your children, exposes you to great music, teaches you, and most importantly makes you laugh and smile?

5-0 out of 5 stars Only 5 Stars! Deserves 10!
Only 5 Stars!!! If I could, I'd give Beethoven's Wig 2 ten or more stars! Richard Perlmutter has done it again - this cd is brilliant and has quickly become a beloved cd for our entire family. There is nothing better than listening to my children hum classical music and sing the lyrics to these great masterpieces! Every family should own a copy of this great CD! We can't wait for Beethoven's Wig 3!

3-0 out of 5 stars Lacks the cleverness of the first Beethoven's Wig
I was so excited to see that another volume of Beethoven's Wig was finally available, only to be terribly disappointed by the lack of cleverness and wit. Other than In the Hall of the Mountain King ("It's the Same Every Verse"), none of the songs really stood out. They lyrics felt forced and half-baked, like a term-paper written in the wee hours of the morning and completed only moments before the deadline. The songs just aren't particularly clever or polished. (...)!

I don't hate this album. I'm just disappointed. The first was much better, since the cleverness of the lyrics helped balance out the weakness of Mr. Perlmutter's performance. This second album is simply dull in comparison. Not terrible, but not half what I was hoping for.

5-0 out of 5 stars Listening Pleasure
Perhaps not quite as well known tunes as the first Beethoven's wig, but a treat to hear my 2 year old singing along in the backseat. The music of decent to good quality, a buffet sampler of a few great classical pieces. The pleasure may not be the same as the full rendition by an amazing performer BUT that is not the point of these CDs.

For me it is pure listening pleasure to have my family ask for classical music because of these CDs rather than groans over dad's music.

5-0 out of 5 stars Classy entertainment, learning, and fun for kids AND parents
As if the first Beethoven's Wig hadn't already done enough by performing the miracle of getting my daughter interested in classical music, along comes Beethoven's Wig 2 with another wonderful surprise. Not only does its artistry and humor match the first Wig (an almost impossible act to follow), but it's like listening to a music history lesson from a lovable professor as enthusiastic and passionate as Beethoven himself. Richard Perlmutter's lyrics to these classical masterpieces are packed with factual historical references so cleverly embedded in the fun of listening that at first you don't even realize how much your kids (and you!) are learning. Even the CD booklet contains fun and interesting quiz questions and answers about these famous composers' lives and music. Whether it's learning about Dvorak's inspiring visit to America, or that Chopin's "Cat Waltz" was inspired by a cat walking across the keyboard, there's something for everyone in Beethoven's Wig 2. And, like last time, the CD also includes orchestral versions of all selections without the lyrics when you just want to hear these magnificent pieces in their original form -- so it really is like a double album. Vocal arrangements and production are world class, but the sheer inventiveness of it all trumps everything. I highly recommend it but, more importantly, so does my daughter. ... Read more

17. Sogno
list price: $18.98
our price: $13.99
(price subject to change: see help)
Asin: B00000IGX2
Catlog: Music
Sales Rank: 995
Average Customer Review: 4.52 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan essential recording

Andrea Bocelli's Sogno ("Dream") is a pop album of entirely original compositions that evoke traditional and modern influences. Bocelli himself describes the CD as secular Italian traditional melodic music with a contemporary twist. The album's 14 tracks include "The Prayer," a Bocelli and Celine Dion duet produced by David Foster; "Come un Fiume Tu," an intriguing collaboration with soundtrack maestro Ennio Morricone; "O Mare e Tu," a duet with Dulce Pontes; and "Sogno" (the first single excerpted from the album), a light-as-a-feather, emotional composition sung by Bocelli with his typical vocal emphasis, which has made him famous around the world since the release of his self-titled debut. --Ernesto De Pascale ... Read more

Reviews (365)

5-0 out of 5 stars A beautiful CD
When I received Songo I was first stuck at how different it was from Romanza. At first there were many songs I instantly loved (Conto Della Terra, Songo, Cantico, Immenso, I Love Rossini, Come Un Fiurme Tu and A Mio Padre) are all beautifully done with great emotion in Bocelli's voice. And there were a few songs I did not like at first (The Prayer, O Mare E Tu, and nel Cuore Lei); But as I continued to listen, I have come to love the whole CD and even find the four songs, I didn't initially like, to be fantastic and maybe the four best on the CD. I guess it just took me getting use to the Vocal harmonies between Celine Dion and Bocelli on the Prayer; Now I think The Prayer is one of Music histories most beautiful songs, Dion and Bocelli's soaring vocals are outstanding and the switching between Italian and English is so well done; Dulce Ponteswith Bocelli on O Mare E Tu is a truly hypnotic song and has strange middle eastern twist to it, that for Bocelli, at first, I did not get, BUT as I have played it more and more I have grow to love it, I just love Pontes seductive voice as she starts off the song and then Bocelli's comes in with his tenor voice singing "Ammore Mio" like he is struck by her seductive voice and I think its just its just fantastic, and very romantic. I love the way Bocelli and Pontes voices play with the music, it just draws me in; Eros Ramazzotti with Bocelli on Nel Cuore Lei is a very good Duet, It took me a little bit to get use to Eros' Voice, But now I think of him as a sort of Zucchero and I enjoy Nel Cuore immensely. Sometimes the songs you don't love at first, become the songs you love the most. Songo is a wonderful song it's so beautifully done, and Songo is a Great CD; it is a must have for the Bocelli fan and any fan of great singing and beautiful music. To me its right there with Romanza.

5-0 out of 5 stars Pseudo-Pavarotti for the tone deaf?
As a die-hard Andrea Bocelli fan, I must say (AGAIN) that I'm so sick and tired of the so-called "critics" who keep trashing him on account of his "vocal limitations." Okay, so he doesn't have too much power, but his voice is so much fun to listen to wonder so many Americans have fallen for him, ESPECIALLY with this album! The material despite the intense power a lot of them seem to have is material that DEFINITELY does the man justice. Although I like "Romanza" MUCH BETTER, since THIS is the more classical album, of which (unsurprisingly) 12 used copies are available here (this album sold 10 million plus in US!) and since I prefer his pop side over his classical one, obviously this is the REAL Bocelli.

Additional track comments:

1. Canto Della Terra. Very passionate and VERY ELECTRIFYING love song on which Andrea gives one of his best performances. This song can be listened to over and over and over again at max volume and yet it takes you on a whole new journey through time and space each time. Absolutely amazing!

2. The Prayer. One of the most touching songs I've ever heard, this is Andrea's biggest hit on American radio right now. Céline Dion also gives such an amazing vocal performance that obviously BOTH of them bring me to tears. And the way they sing the bridge in Italian makes me think "More Bocelli duets should be like this." He isn't Pseudo-Pavarotti to me! Yes, I've heard many real opera singers before Bocelli, and I hope to try out others soon such as Russell Watson, but Andrea's no Ricky Martin or Sisqo.

3. The title track. Bocelli sang this on his American Dream concert last year, and it just took my breath away.

4. Mai Più Così Lontano. He once said that this was his favorite out of all the songs he's sung because it reminds him of his father. I humbly agree, because it reminds me of my mother and how much I wish for her to be with my family more often.

Well, that's it for my yin-yang. You might also want to be on the lookout for the Sogno 2-CD set (that has 2 music videos on it) and/or, if you like to buy singles, the 4-track Canto Della Terra CD single. E-mail me at if you'd like to know where you can find them.

Until Andrea's next album, it's "time to say goodbye."

Ana, who'll likely never find another like Bocelli

1-0 out of 5 stars Easy Listening Does not Equal Artistry
I hate to poo-poo on something that gives others joy, but this CD is aurally repugnant. If you like Kenny G., Celine Dion, and John Tesh, then please, ignore this review. For the rest, let me record my feelings. Simply stated, just because someone with pop sensibilities spends some time on musical training, does not make them a musician, let alone an elite musician. And it certainly does not make this CD listenable.

The arrangements drip with processed cheese. Bocelli's phrasing is reminiscent of a lounge act (glissandos from nearly every note? Come on, man). And his musical instincts seem best suited for soundtracks of bad Disney movie rip-offs (see track 2).

But, most egregious of Bocelli's sins on this CD is that every track is ensnared in contemporary music's worst trap: Flavoring recycled popular melodies/themes with "something legitimate" in order to make people feel like they've "really heard something". No jazz musician counts Kenny G. among their ranks. Pop music. Jazz flavoring. But he's the number 1 selling "jazz artist" of all time. Elvis is neither a Jazz, nor a Blues, nor a Rock N' Roll artist. Pop music. Black "flavoring". (Jazz, Blues, and Rock N' Roll--a jazz/blues derivative--were once all considered art). Similarly, Elvis holds all kinds of sales records. And so it is with Bocelli (who, mercifully, does not enjoy that kind of success).

So, if you have the need to fill your life with easy listening music, I suppose this CD is a good choice for you. But, please, please, pretty please with sugar and cherries, don't act like you've been transported by the musicianship of this tripe. Enjoy it. But don't call it art. This CD is, at best, entertainment--and then, only for those with numbed stomachs.

5-0 out of 5 stars Dreamy music.......
I bought three Bocelli CDs.......the one that I love the most is 'Sogno' .........I cannot get enough of it....and late in the afternoon all I want to listen to is Bocelli.....the rest of the day I listen to a noncommercial classical station....
"Sogno" is simply the best...deserving of 10 stars.....

2-0 out of 5 stars Sounds too much like muzak
My mom bought this cd a while back because it was on sale. Now don't get me wrong, Andrea has a beautiful voice. Personally , I'd much rather listen to him than Pavarotti or any other opera singer. I don't know about his technical abilities, but unlike other opera singers his voice is warm and soulful.

So what's the problem? This is the trouble with opera singers who try to sing pop songs. You see, the timing and phrasing used in pop music is just completely different. And often the composers who write these crossover songs for singers like Bocelli don't have the faintest clue what makes and emotional and touching pop song. To make a long story short, pop efforts by classical singers sound more like muzak than anything else. You know, the kind of music they play in expensive stores and restaurants. The orchestrations are overblown and the pop instruments used sound pretty cheesy and are actually nothing special.

Bottom line being, if you want a good blend between classical music and pop or rock, I suggest you look elsewhere. The truth is that most classcial musicians do not know how to write crossover music without sounding like background music. There are plenty of pop musicians who do a much better job of blending genres. I suggest that instead you get Muse's latest album Absolution. The lead singer Matthew Bellamy's voice is as supple and flexible as a coloratura soprano's and on top of that he is an excellent pianist. The band combines hard rock and metal with classical orchestrations and singing and still manage to sound incredibly infectious. Trust me, it's a better buy. ... Read more

18. Tuscany
list price: $18.98
our price: $13.49
(price subject to change: see help)
Asin: B0002SXIQ8
Catlog: Music
Sales Rank: 186
US | Canada | United Kingdom | Germany | France | Japan

19. Essential Mozart: 32 Of His Greatest Masterpieces
list price: $17.98
our price: $13.99
(price subject to change: see help)
Asin: B00005A8JZ
Catlog: Music
Sales Rank: 1205
Average Customer Review: 4.6 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Reviews (5)

5-0 out of 5 stars Mozart: music's greatest
This CD includes samples from many of Mozart's best-known and most popular wrorks--sonatas, operas, etc. It's a good starting point for those new to Mozart or the casual classical listener. Buy it for a friend, get them hooked on Music's genius.

p.s. I know some people may turn their noses up at me for calling Mozart the greatest, but he was better than Beethoven because of his operas, and he was better than Bach because although Bach is more complex, intricate and elaborate in his instrumentation and harmony, Mozart is more perfect. That is the bottom line.

David Rehak
author of "A Young Girl's Crimes"

4-0 out of 5 stars Truly Essential
This Compact Disc is truly essential and any true musician must own a copy.I think that the collection of pieces entitled The Russian Flute Ballet by Dsoeteffsky is more Essential in the sense that it holds more complicated suites.With that in mind I suggest you go pick up both because one with out the other is impossible.

4-0 out of 5 stars A nice diverse selection
The only drawback to this CD is the amount of opera it contains. While the 'singing' selections are relatively short, I've had to program the player to skip them. Now, the purist may sniff their nose at my dislike for opera, but I listen to classical to get away from singing...and opera does NOTHING for me. The rest of the selections are first rate, with only a few duplicates from among my other CD's (Classical Masters Box set's, and the ubiquitous Eine klein Nachmusik). If you have no objection to opera and are relatively new to Mozart, I would highly recommend this CD

5-0 out of 5 stars a Mozart sampler for any reason you want
This is a great sampler of the world's greatest composer! Rather than deciding where to begin -- operas? symphonies? concertos? sonatas? -- you can begin everywhere at once. The performances are not second-rate, they are excerpts from world-class recordings. You can use this set as the basis for further listening adventures, or you can use it as an end in itself. As such, it is surely a contender for Best CD In The World. If you bought complete recordings of every composition excerpted on this disc, you might have to file bankruptcy, so don't let purism stand in the way of enjoying Mozart. I used this set as my introduction (it was previously packaged as "The Greatest Mozart Show On Earth") when I first ventured into classical music a couple of years ago, and so far I've expanded into operas, piano concertos, and string quintets. The genius revealed over the range of forms led to love at first listening!

5-0 out of 5 stars Not for purists, but a great introduction nevertheless
I don't think Mozart purists would want a collection that consists in large part of excerpts or single movements from various works, but I bought this for my kids and it really is an entertaining, first-rate, diverse introduction to the endless repertoire of Mozart. Perfect for someone who is only a casual fan of classical music, or kids who need memorable tunes to sustain their interest in classical music, or I suppose for someone who just wants beautiful music in the background. ... Read more

20. Monsoon Wedding (Score)
list price: $17.98
our price: $13.99
(price subject to change: see help)
Asin: B00005UKLV
Catlog: Music
Sales Rank: 2543
Average Customer Review: 4.57 out of 5 stars
US | Canada | United Kingdom | Germany | France | Japan

Monsoon Wedding is Mychael Danna's second collaboration with film director Mira Nair, (Kama Sutra was the first), and he has again compiled a winning soundtrack. Danna explores a wide range of emotions, from solemn to celebratory, through different generations of Indian culture. The contemplative "Good Indian Girls" and "Hold Me, I'm Falling" feature Danna's trademark piano ambience over traditional Indian instrumentation, and the vivacious "Baraat" sounds like a Punjabi variation on Dixieland, while "" ventures into dreamy ethno-techno territory. Sukhwinder Singh's "Today My Heart Desires" serves up lively bhangra rock, and Laxmikant Pyarelal's "Today the Weather Plays Tricks on Me" (performed by Mohammed Rafi) swoons with strings and male vocals. In all, the soundtrack's pleasing variety of Eastern music mirrors the film's old and new worlds living within a singular culture. --Bryan Reesman ... Read more

Reviews (42)

5-0 out of 5 stars A rip-roaring Indian party album
The wait is over! The soundtrack to Monsoon Wedding captures the spirit of the ultimate Indian party, that of a Punjabi wedding, with a mixure of bhangra, Indo-techno, and Indian chillout music to boot! The lead vocal track Aaj Mera Jee Kardaa by one of the greatest Punjabi male vocalists is a percussive standout and I actually think the "classical" ending works. Someone should do an extended remix of this track (the CD coincidentally includes a "Zimpala Remix" which is a downtempo, chill-out version). My personal favorite, however, is Chunari Chunari, an uptempo, male-female duet, with soaring melodies, crystal vocals, chugging nicely to a housified beat. The dance classic Aaja Nachle by Bally Sagoo feat. Hans Raj Hans keeps the feet dancing and when they're not, the two downtempo remixes of Fuse Box and the rest of the soundtrack make up the perfect accompaniment to take in all the delights of an Indian wedding.

5-0 out of 5 stars Addictive!
This music is so fantastically beautiful. A few of the songs are slow and downbeat, but most of the songs are very upbeat and infectious and they very in style. Aaj Mera Jee Kardaa is my favorite - I could listen to a whole album of this one song - cool and new age-y with a similar style to some meditation chants I have heard. Aaja Nachle is a fast and funky party song. Aaj Mausam Bada Baimann Hai is a fun song that sounds like the soundtrack to an old Indian movie. This CD just stays so fresh - it has had a permanent place in my player for months! Buy this and you will not be disappointed!!!!!!

3-0 out of 5 stars I mean honestly!
The movie was too crass for me... the soundtrack likewise... "Aaj Jane Ki Zid Na Karo" has been done so much better by almost anyone else.
It was nice to hear track 4 again "Aaj Mausum"... the best part of the whole spiel was Sukhwinder Singh's voice... His voice transports you to another planet... his voice is just hypnotic... in a good, modern arrangement like on this CD, his voice is NOT to be missed...

5-0 out of 5 stars Some seriously danceable tracks on this one
I liked the movie, but I LOVE the CD. It has it all--spirited, catchy tunes that make you want to get up and MOVE; slower, more romantic songs, and exotic, cutting-edge stuff you wouldn't hear anywhere else.

This soundtrack is incredibly infectious. It will put you in a party mood every time you listen.

5-0 out of 5 stars If you liked the film you'll love this!
I was thrilled to see the film, and couldn't wait for the soundtrack to be realeased. Representing the 'India of today' in all senses of the phrase this soundtrack is a whirl-wind tour of the subcontinent in general. Track-15(Chunari Chunari)is just fantastic. 'Allah Hoo' is brilliant example of Pakistan's Nusrat Fateh Ali Khan. And the passionate Track-2 really gets you in the mood too. Essentially the soundtrack summarises the 'mood' of the youth in the subcontinent today. ... Read more

1-20 of 200       1   2   3   4   5   6   7   8   9   10   Next 20
Prices listed on this site are subject to change without notice.
Questions on ordering or shipping? click here for help.