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| 161. Deanna Durbin | |
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| 162. Al Jolson, Vol. 2: The Salesman of Song 1911-1923 | |
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| 163. War | |
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| 164. Passin' It On: America's Baseball Heritage in Song | |
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| 165. 50th Anniversary Collection, Vol. 2 | |
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| 166. Sings Irish | |
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| 167. Swingin' on a Star [Flapper] | |
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| 168. Andrews Sisters - Greatest Hits | |
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All in all a nice piece of Americana, and a great piece of classic swing ... Read more | |
| 169. Swingin' on a Star [Universal] | |
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Also worth looking for is another album from the same series, Blue Skies, featuring songs from the films Blue Skies and Out of this World which has a great Crosby/Fred Astaire duet.
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| 170. Love Songs | |
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| 171. I'm an Old Cowhand | |
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The last round-up was a number two hit in 1934 and its B-side, Home on the range, made the top twenty. The movie Rhythm on the range yielded two hits in 1936 - I'm an old cowhand reached number two while Empty saddles peaked at eight. Other hits included El rancho grande (number three in 1939), The singing hills (number three in 1940), Tumbling tumbleweeds (top twelve in 1940), Along the Santa Fe trail (number four in 1941), Clementine (top twenty in 1941), Deep in the heart of Texas (number three in 1942) and San Fernando valley (number one in 1944). All these songs and others can be found here. Of course, Bing recorded these songs in his own style, so they are very different from any versions you would hear from (say) Gene Autry, Marty Robbins, Michael Martin Murphey or any other singer of cowboy songs. No, these come across as pop songs that just happen to have a western theme. Yet they are brilliant.
For the novice Crosby fan, this set is perfect for several reasons: not only does it give you a fine overview of Bing's career, the sound quality is exceptional. The packaging of the set is excellent and it even includes a booklet with a synopsis of Bing's western songs and musical style, as well as an explanation of his tremendous musical impact upon the 20th century. Other reviewers have complained about the sound quality on this set. I am puzzled at this criticism. I have most of these songs on casette, vinyl and some even on their original 78 and 45 issues. The sound quality here is quite acceptable and good on most tracks. This set will give you many hours of enjoyable listening and help you branch off into other Crosby CD's which includes his lesser-known vocals. Hopefully this collection will convince you that Bing's vocal mastery was unparalled. Then you can sample his earlier, jazz-influenced work during his Columbia years in the early 30's and branch off into his 20's work with the Rhythm Boys. But for the beginning Crosby listener, this is as good a choice as any. I highly recommend this set. Enjoy!
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| 172. How To Succeed In Business Without Really Trying: Original Motion Picture Soundtrack [Enhanced CD] | |
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Concerns a window washer who reads a book "How to Succeed in Business" and within about a week, goes from Fosse's Broadway choreography was recreated by an assistant for the film. Frank Loesser's Score is classic and singable. And it shows how using the original Broadway Cast can make a film work incredibly well. (Take note those people who cast Lucille Ball in Mame and Peter O Toole in Man of La Mancha to terrible outcomes) I don't think this film was a huge hit when it came out but it surely deserved to be. I watch it over and over. I sing the songs. It's a keeper.
As might be expected, I have a number of favorite parts, here are two: 1) Morse as he "walks the dance" down a New York street--real life, good stuff, wish it were a longer scene. 2) I have to laugh when, during the song "Brotherhood of Man," Mr. Biggley's secretary suddenly rises up on the desk behind the men and starts belting it out. These are not particularly significant scenes in terms of the whole story, nor do they tell you anything at all about the plot, but they are, perhaps, representative of the lively and light-hearted humor this movie serves up so well. Highly recommended!
Before I bought the DVD version of How to $ucceed, I had seen it performed live. I loved it and subsequently purchased the soundtrack featuring Matthew Broderick. So, as you can see, it was with an already deep affection for (and prejudiced mind) that I bought the movie version. It surprised me greatly that this vision of How to $ucceed met up to my already high standards. Only a few songs from the musical were not included. But the movie is 2 hours long, so it was necessary to do some cutting. If you like musicals, if you like big business, if you like to make fun of big business, this movie will make you laugh. As far as the DVD goes, there were not a lot of special features, which is to be expected from an older film. It did include the trailer, which was amusing in its retro-style, and it's nice to be able to go back and play the scene of a particular song I liked here and there. The widescreen version really enhanced the film for me, especially when my cats decided to nap lazily on the television and dangle their limbs about while I was watching. Good movie!
All I can add is this outstanding Broadway musical translated to the big movie screen extremely well, and then it almost disappeared from broadcast/cable TV -- and for reason. To much theatrical action and choreography was lost through cropping for the TV screen, and the magic was lost. (I only saw it listed once for TV before letterbox, and it was a mega disappointment). Even if you've never heard of it before, please consider this late 1960s-era musical comedy if you want to enjoy some solid entertainment.
The engaging, original music in the film, which was written by Frank Loesser, includes the songs: * "How To" (sung by Robert Morse). Though some of the activities shown in "How To Succeed in Business Without Really Trying" are dated and chauvinistic by today's business standards (and discouraged by the Labor Department and the EEOC), the basic message of the story regarding nepotism, brownnosing, favoritism, scapegoating, affairs between employees, people hired for their appearance, backstabbing and mismanagement within corporations is just as relevant today as it was over 40 years ago. Creative employees are summarily fired for their ideas, others with more corporate clout get those same ideas approved by management. People who went to the right schools or joined the right clubs move up quickly, as well as people who easily agree with superiors and/or dress as well as possible. It's not what you know, but who you know, how well you brownnose, how good of an appearance you make and how well you avoid trouble that makes one successful in the corporate world. Robert Morse is hilarious in the film, as are Rudy Vallee, Maureen Arthur and Michelle Lee. The film was well scripted and the sets are appropriate for a late 1960's office building. It is likely that the film inspired Michael J. Fox's 1987 film, "The Secret of My Succe$s". Overall, I rate the film with 5 out of 5 stars. So sit back, get a bowl of popcorn and see whether you want to do things the company way. ... Read more | |
| 173. Bing Crosby's Gold Records | |
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| 174. Sublime Harmonie: Victorian Musical Boxes | |
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| 175. Sweetheart of Song | |
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| 176. Dick Tracy in B-Flat | |
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| 177. Al Jolson on Broadway | |
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| 178. Moonlight in the Fifties | |
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Album Description | |
| 179. Going Hollywood, Vol. 1: 1930-1936 | |
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The songs here on this album, are featured in the following movies Bing appeared in: "King Of Jazz", "Reaching For The Moon", "Confessions Of A Co-Ed", "The Big Broadcast", "College Humor", "Too Much Harmony", "Going Hollywood", "We're Not Dressing", "She Loves Me Not", "Here Is My Heart", "Mississippi", "Two For Tonight", and "The Big Broadcast Of 1936". The sound quality on these 2-Discs, is very good, more so for the commercial recordings. However, some of the songs have been slightly edited. "Dinah" for one example, has a few cuts in it. I would guess this is due to time restraints that they got on each disc. Dont let that bother you though, they have been edited well, and its only the case for a few songs. The album also comes with a small booklet. This is a great Album of Bing's songs from his many movies, lasting altogether, more than 2 and a half hours in length. I would recommend you get this, along with the other volumes in the series too.
Two highlights here are"I'm Hummin', I'm Whistlin', I'm Singin'" and "Just An EchoIn The Valley." Neither are given the ink they deserve and bothvividly show the amazing vocal range Crosby had. When he hits those highnotes and holds them it sends shivers up your spine. This is a greatintroduction to those new to Bing Crosby and a welcome addition to moreseasoned Crosbyphiles.
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| 180. The Very Best of Bing Crosby Christmas | |
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Amazon.com Reviews (10)
However, the record became so hugely popular that he was soon obliged to include carols on his radio broadcasts each holiday season, and in 1940 and 1941 Silent Night made the Billboard charts at # 19 and 16. In 1942 he cut both sides again, this time with the John Scott Trotter orchestra and The Ken Darby Singers, and although it became a seasonal favourite, neither side charted until well into the 1950s, Silent Night in 1957 [# 54] and 1960 [# 54 again], and Adeste Fideles in 1960 [# 45]. It was also in 1942 that he appeared in Holiday Inn with Fred Astaire where, for the first time, we heard Irving Berlin's immortal White Christmas. A record release, again with Trotter and the Ken Darby Singers, reached # 1, and would chart for the next four years, reaching the top again in 1945 and 1946. That is the version heard here, fully restored to its full glory. In 1947 Bing re-recorded White Christmas with the same ensemble and that version would chart for the next 20 straight years, b/w God Rest Ye Merry, Gentlemen. Other charted Christmas singles for Bing included I'll Be Home For Christmas (If Only In My Dreams), which peaked at # 3 in 1943 [track 11], again with Trotter's backing, and also reached # 10 in 1944. In 1950 he, along with just about everyone else, recorded Gene Autry's Rudolph The Red-Nosed Reindeer and saw it climb to # 14. That same year he also had A Crosby Christmas, with sons Gary, Phillip, Dennis, and Lindsay, reach # 22, and A Marshmallow World peak at # 24 [neither, unfortunately, is included in this set]. It was also in 1950 that Decca released Silver Bells [track 15], a duet with Carol Richards, and while it failed to chart that year, it did make it to # 78 in 1957 b/w That Christmas Feeling, also cut in 1950. Another charter for Bing that year was How Lovely Is Christmas [# 97] with the Arthur Norman Choir & Orchestra for the Kapp label [also not included]. In 1963, for Capitol, he cut Do You Hear What I Hear? which reached # 2 on the special Billboard Christmas charts, and in 1965 had The White World Of Winter reach # 20 on the same charts for the Reprise label, seldom seen on his Christmas albums. But this CD gives us the best and most memorable of his Decca releases, including the fabulous collaborations with The Andrews Sisters on Santa Claus Is Coming To Town, Jingle Bells, and Here Comes Santa Claus (Down Santa Claus Lane). I still have the 78 rpm "album" my father purchased way back when with the five records intact and the wonderful cover graphics. This is one of the best deals you will find at Amazon when it comes to CDs. Order early.
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