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On first thought, the idea of the Man in Black recording such covers as "Bridge over Troubled Water," "Danny Boy," and "The First Time Ever I Saw Your Face" might seem odd, even for an artist who's been able to put his personal stamp on just about everything. But American IV: The Man Comes Around, which also draws on Cash's original songs as well as those by Nine Inch Nails ("Hurt"), Sting ("I Hung My Head"), and Depeche Mode ("Personal Jesus"), may be one of the most autobiographical albums of the 70-year-old singer-songwriter's career. Nearly every tune seems chosen to afford the ailing giant of popular music a chance to reflect on his life, and look ahead to what's around the corner. From the opening track--Cash's own "The Man Comes Around," filled with frightening images of Armageddon--the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and destruction, poignant farewells, testaments to everlasting love, and hopeful salutes to redemption. He sounds as if he means every word, his baritone-bass, frequently frayed and ravaged, taking on a weary beauty. By the time he gets to the Beatles' "In My Life," you'll very nearly cry. Go ahead. He sounds as if he's about to, too. Unforgettable. --Alanna Nash ... Read more

Reviews (236)

Reach out and touch faith...
This American Recording is different. On this album Johnny Cash (who is now 70 years old) never tries to fool himself or us listeners into thinking that he's going to keep on making album after album after album. Let's face it - the voice is even more ragged and torn than last time (American III) and the lyrics are even more desolate, lonesome, and dark than ever before. But this album of new and old originals & covers is probably one of the most beautiful I've ever heard.

Johnny Cash is not a singer. He never was. But without that dark baritone these songs would not have the impact that they do. I could talk about ever individual track on the album - but I'd rather just make it short and sweet by mentioning a few personal favorites.

"The Man Comes Around" - A Cash original that seemed to take a lot of time to get down (coming from the linear notes). Amazing song about that thing called the apocolypse and judgement day. Nobody could do it like Cash. Nobody...

"Hurt" - Johnny Cash takes one of Trent Reznor's (Nine Inch Nails) best songs and makes it even better. Not only does Cash make the song better but he also makes it seem as if the song was meant for just him. Oh, and there is a word change. Where Reznor would say "I wear this crown of sh*t", Johnny now says "I wear this crown of thorns." The change first kinda put me off but then it seems that Johnny's variation make much more sense then the first.

"Bridge over Toubled Water" - just a great cover of an amazing classic. Fiona Apple adds some tender backing vocals that help Johnny along this tune of trouble and redemption.

"First time ever I saw your face" - Just as where Cash left off on "Spiritual" (from American II) he starts back at with this one. Truly beautiful. Sounds as if they recorded it in a church for Johnny has this amazing echo on his voice. If you don't get tears in your eyes from this one, you're hopeless.

"Sam Hall" - one of the "lighter" tracks, but still painted in black.

"I'm so lonesome I could Cry" - I don't know how it happened. They got 2 of the most interesting singers to appear on a country classic. Nick Cave (who's a big favorite of mine) lent "The Mercy Seat" to Johnny's last American Recording (III), but this time he's lending his voice. Cash and Cave swap lines from this Hank Williams classic.

"We'll meet Again" - so you go through this dark and cold world where people can't even remember how to pray let alone carry a bible and then you come to the end and a smile is finally cracks and some light pours through as the door opens. Cash ends on a positive note and the whole damn Cash family joins in at the very end.

Who knows if Cash will record anymore albums. It's hard to tell. The man is in and out of the hospital constantly (or so it seems) and any one of us would've probably called it quits. Elvis didn't make it, Orbison didn't make it, but the Man in Black is still reaching out and touching us. He's still tormented by the feeling that music must be played. He's still not thinking that this will be the last song he sings. He's still got soul and he's still got love.

Songs from the other side of the grave
Ever heard a dead man sing? If you personally lack that singular experience, then listening to this album is probably as close as you will ever get. I am referring not to the man's much-publicized recent health problems, but rather to his voice - one of the great treasures of American music - on this recording. Although it is as unmistakable as ever, you can hear the age, the experience, and the wisdom in Cash's voice - not to mention the depths of dispair. I pray I can sound this good when I am 70. The lyrical content of the album is in keeping with this motif. Though it contains only one newly-written song - something which I don't think many people have realized, as almost every review I've read of the album refers to multiple new songs - it is one of the most autobiographical albums of Cash's career. The vast majority of the songs focus either on death or on looking back at one's life. The one new song, the title track, is an absolute masterpiece and - dare I say - one of the best songs Cash has ever written (though, indeed, if Johnny wrote "three dozen pages of lyrics" to the song before weeding it down to what we have on the album, as he states in the booklet, surely he could have found a replacement for the "father hen" verse.) Scary and convincing, it gets the album off to a great start, and deftly sets the tone for the rest of the material. What follows are 12 covers - some traditional, some very well-known - as well as new workings of two classic Cash songs. These latter two tracks are highlights of the album, and Cash's new throaty growl sheds a previously undreamed-of light on Give My Love To Rose. The covers, on the other hand (and unlike on the previous albums in the American series) are more of a mixed bag. Though the man has proved again and again that he can perform absolutely any song in existence, the key to the covers on the previous American albums is that they were, for the most part, relatively obscure songs - or, at any rate, not tracks as well known as Desperado, In My Life, and Bridge Over Troubled Water. There are already so many versions of these songs out there (not to mention the fact that the original versions were already perfect and incapable of being equaled) that the question of whether or not we need one from Cash is debatable. Though I would not call them necessarily superfluous - I actually quite like the album's version of Bridge - they certainly were not necessary. Apparently, Cash and Rubin (probably the latter more than the former) now consider a diverse set of covers obligatory. Still, some are essential. Cash's version of Trent Reznor's Hurt is masterful and lends the song a depth and profundity merely hinted at on the original. Though NIN fans might be quick to dismiss Cash's changing the lyric "I wear this crown of ...." to "crown of thorns" as an old man's squeemish desire to be PC, it, in fact, makes much more sense than the original line, as well as being more meaningful and profound. Having never before heard Sting's original version of I Hung My Head, I was surprised to find that this great song was written by a songwriter that I normally despise; of course, Cash makes it his own. Bridge Over Troubled Water, which has been maligned in many reviews but which was also nominated for a Grammy, is a nice rendition; to this day, it is hard for me, just like anyone else, to imagine the song without Art Garfunkel's soaring angelic vocals, but Cash's deeply emotive growl is a nice trade-off. The Man In Black's duet with his greatest prodigy, Nick Cave, is also a worthy track. That said, though I hate to critize one of the greatest singers of our time, the man seems to have merely mailed in his version of the oft-covered Beatles classic In My Life - though it can still manage to draw a tear from your eye, just from thinking of Cash's life story while listening to him sing it. Though not quite as good as the previous American albums - perhaps it is time for the man to move on or re-evaluate their format - this is still a very good album, worth owning for the first two tracks alone. One can only hope that the sentiment Cash expresses in the final song - We'll Meet Again - holds true.

As cool as it is moving.
It's amazing how popular this album became, but that's fine, just more people to love "Johnny Cash". This 4th of the "American Recordings" albums is as good as the others, though you can hear that his voice is weaker than it was before. His originals here are all excellent as always, especially the title track, however "American 4" is also cover heavy. He does the popular "Nine Inch Nails" song "Hurt", as well as songs by "Simon And Garfunkel", "Sting", "Depeche Mode", "The Beatles", and "The Eagles". As always, he seems to make each song his own. Overall I actually like "Unchained" better, but this and all of his albums are wonderful. It's the sound of cool country.

Get the version with the "Hurt" DVD
Buy the version with the DVD containing the "Hurt" video, the most moving music video I have seen. Without the video, the song is powerful; with it, one can experience even more, as the images are well selected and well arranged.

Although I am an atheist, I enjoyed Cash' version of the End Times on "The Man Comes Around," using such interesting phrases as "The Father Hen will call his chickens home" and the Biblical parablic allusion about the virgins trimming their wicks.

Perhaps the most moving line is to hear Cash, with his faded voice, sing, in "Streets of Laredo," "It was once in the saddle
I used to go dashing," realizing his dashing days are long gone, with the sum of his days nearly expired as well.

A wonderful album that you do not want to miss. Just be sure you get the DVD, as well.

Last Testament.
His voice is weathered but the overall effect is quite good. The cover of the Trent Reznor song, "Hurt," is surprising in its complexity and beauty. I would never have expected Johnny to sing that song so hauntingly which is in keeping with the theme of the free video DVD which is attached. "Danny Boy" is strong but the title track is superlative. His short interpretation of the biblical passage of the white rider bringing death is fantastic. I was not prepared for the way in which in this CD grew on me. ... Read more

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If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of"The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley ... Read more

Reviews (163)

TAKE ME TO THE HAREM!
Oh what a wonderful album release! In short words to describe it, brilliant, a masterpiece in the cross-over music and a must for every CD collectors. For the information of everyone, Harem refers to the forbidden places, where nobody can enter or explore the inner beauty of the faraway lands. It does not completely adapting the Arab musical instruments, but touches all the hearts for those who will hear "THE WAR IS OVER." Kadim Al Shahir participation is much appreciated by the arabs colliding with an artist from the West End. A collaboration by great artists like Nigel Kennedy, Ofra Haza, Natasha Atlas and A.Abdul Rahman. Best cuts to keep on listening are: The War is Over, Beautiful, The Journey Home, Free, Arabian Nights and of course, the title track harem. A very marvelous start to appreciate the beauty of this album! A real getaway music from the usual crossover albums she has made - Eden and La Luna. This surely will top previous album La Luna and Encore. I could say, if you have liked Fly, this one will definitely soothes your mind and soul...

A MUST FOR EVERY CD COLLECTOR OF SARAH BRIGHTMAN!

EXCELLENT, But Perhaps Not Sarah In Tip Top Form!
There are 3 Sarah albums that soar above just anything else out there today.(1) LaLuna,(2) Time To Say Goodbye,(3) Eden..It is asking too much for anyone to continue on such a high level, but this album is just about as good as these three! There are some nifty ,toe-tapping neo-disco tunes here which might even be called joyful, especially the first 3! And I admit I first did not really like this CD, but on further playing, it's now among my all-time favorites.On a few tunes, including the title "Harem", Sarah's breathing is very audible, something the sound engineers should have eliminated. (This is my only criticsm, though) An original here "Till the End of Time" is among Sarah's alltime best, and there are many other worthy moments, including new versions of the tried and true "Wonderful World",and "Strangers in Paradise"..If you're new to Sarah, this is surely the bounciest, least solemn album. I give 5-stars, since this is surely among the best of recent releases, though maybe not quite not up to Sarah's very best! But still many great songs, and another illustrious addition to the Sarah catalogue!

Soaring over the New Baghdad
Get on board a magic carpet ride with Sarah. "Harem" introduces us to the new Sarah with her coloratura voice & Arabian beats. This sets the tone for the whole album. Later we hear masterpieces such as "Free", "Beautiful" (Sensual), "It's a Beautiful Day" (Exquisite Madame Butterfly-inspired),. This album takes you through a journey of the soul. It's beginning teases us with the quiet melodic Arabian sounds, then kicks in with the full pulse-pounding beats & descending strings. Sarah then pours out her sensuality with meaningful ballads. After this, she gives herself to me by releasing her voice to its maximum abilities in operatic pieces that will "Take Your Breath Away". Buy this album and soar over Baghdad.

..What A Wonderful World.. What A Wonderful Remix!!!!!!!!!
When I first heard of Sarah's version of What A Wonderful World, it is definately one of the most beautiful song I had ever heard. I hated this song before, but Sarah takes the song and reinvents it to 'now'.. It sounded fresh as if the song was written yesterday!!! Loved it, though the music was sorrowful but it made me think of even though with all this 'war' going on right now, it made me think... "What A Wonderful World!!"

Buy It!!
Amazing music combination, from Classic, Pop, New Age, Chillout!! wow! ... Read more

Amazon.com

On first thought, the idea of The Man in Black recording such covers as "Bridge Over Troubled Water," "Danny Boy," and "The First Time Ever I Saw Your Face" might seem odd, even for an artist who’s been able to put his personal stamp on just about everything. But American IV: The Man Comes Around, which also draws on Cash’s original songs as well as those by Nine Inch Nails ("Hurt"), Sting ("I Hung My Head"), and Depeche Mode ("Personal Jesus"), may be one of the most autobiographical albums of the 70-year old singer-songwriter’s career. Nearly every tune seems chosen to afford the ailing giant of popular music a chance to reflect on his life--and look ahead to what’s around the corner. From the opening track, Cash’s own "The Man Comes Around," filled with frightening images of Armageddon, the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and destruction, poignant farewells, testaments to everlasting love, and hopeful salutes to redemption. He sounds as if he means every word, his baritone-bass, frequently frayed and ravaged, taking on a weary beauty. By the time he gets to the Beatles’ "In My Life," you’ll very nearly cry. Go ahead. He sounds as if he’s about to, too. Unforgettable. (This special 2003 version includes a bonus DVD with the music video for "Hurt.") --Alanna Nash ... Read more

Reviews (48)

Farewell to a Legend
Johnny Cash's music resonates through many genres, and this album is no exception. "Danny Boy" and "We'll Meet Again" hold even more meaning with his recent passing, and he does justice to the songs that he covered on the rest of the album.

The video for "Hurt" was eerily poignant to watch after June Carter Cash's passing in May, because it was as if she was watching over him in death as she did in life. It is one of the most stunning, emotional pieces of film I have ever seen. His rendition of the song is nothing but raw emotion.

Though he was frail and getting on in years, Mr. Cash was a wonderful musician, and he will not be forgotten. I encourage you to buy this CD, but also to check out his earlier works. You will not be disappointed. There will NEVER be another Man in Black.

RIP Johnny Cash.

OH MY GOD
I have heard both Trent Reznor's and Johnny Cash's versions of HURT. Trent's version speaks from a young person's point of view and is fine...but in the hands...and voice...and soul of Johnny Cash, it takes on a resonance and meaning that NIN can't even begin to touch. I have seen the video and listened to the song numerous times and I cry every time. It is particularly heart wrenching now that June has passed...Everyone I know goes away in the end...how much more than one man take?

The other songs are good...and the album is superior...but I honestly listen to it for HURT. This album is the crowning touch to a phenomenal career but HURT is the diamond in the crown...his whole life in one song. People need to get over categorizations. This is brilliant MUSIC, no matter what the genre. This is a brilliant musician. He does not have the best singing voice, but his vocals have more soul in them than ANYONE else out there now. I would put him with Billie Holliday when it comes to singing from the very core of being.

Singers like Johnny come our way so infrequently...we need to hold on to him as long as we can.

4.5 stars - His final album
American IV: The Man Comes Around (2002.)

For nearly half a century, Johnny Cash has been one of the greatest musicians out there, period. His stylings, which fuse elements of rock, pop, and country, have made hin loved by many (I personally am not too fond of country music, but Cash is one of the lone exceptions.) Over the years Cash has experimented with a number of different sounds, nearly all of which brought him a good deal of success. In 2002, Cash released his final album, entitled American IV: The Man Comes Around. How does this release, Cash's final album before his death in 2003, measure up? Read up and find out.

When you looked at the tracklist to this album, you may have noticed something - MANY of the tracks on this album are cover songs. The cover songs are what I will discuss first. The first of these songs to discuss is Hurt, a cover of a Nine Inch Nails song. I admit, I was in shock when I discovered Cash was covering one of THEIR songs. But when I listened to Cash's version, I was quite impressed. Cash's simplistic yet emotional take on the song makes for a very pleasant listening experience. Another cover song featured here is Bridge Over Troubled Water, originally performed by Paul Simon and Art Garfunkel. This cover isn't actually too far off from the original version. It isn't better than the original, nor is it worse. I Hung My Head is a country-inspired tune that was written by former Police frontman Sting, but by listening to Cash's version of the song, you would never guess that Sting wrote it - the song sounds like a Cash original. Another thing that shocked me is that Cash was covering Personal Jesus on this album - a highly bizzare new wave song originally performed by Depeche Mode. But what shocked me even more is that Cash's version of the song is better than the original! Cash's stripped-down take on the song, in my opinion, makes it stronger than Depeche Mode's original. Desperado is a country-style song originally performed by classic rockers The Eagles. Once again, this is a tune that doesn't differ greatly from the original - it's no better, no worse. In My Life is a cover of a Beatles song, and in my opinion, it's the only song on ths album that is inferior to the original recording - but that's not to say Cash's take on the song isn't excellent. And, almost needless to say, the other songs featured on the album are excellent, too. Many of them are the classic fusion of pop rock and country that we love Cash for, and some (like Give My Love To Rose) are emotional masterpieces. All in all, this is an excellent album - it's just a shame it will be Cash's last.

Honestly, how many musicians do you know of that were still making records at age seventy - much less GOOD records? More than likely, Cash is the only person you know of that falls into this category. His age definitely shows in his singing on the album, but surprisingly, it doesn't detract from the overall quality of the album. Regardless of who you are, I strongly recommend giving this album a listen - I think you'll be pleasantly surprised.

The Album that Brought Me Back to Cash
When I was growing up, I loved country music. Johnny Cash was a particular favorite until I was around 13, and stopped listening to anything from Nashville. From 1995 until 2000, I didn't buy country albums, watch country videos, or listen to country songs. Gradually though, I started to listen to the songs of Hank Williams, Willie Nelson, and others again, but for some reason I never picked up my Johnny Cash cds. That was until I saw the video for "Hurt" on the internet.

I was shocked to see the Man in Black so ravaged by time, so obviously weak and frail, his voice losing it's power. I was also amazed at how wonderfully the song fit the man, and how well he delivered it regardless of his ailments.

Within a month I had purchased this album, and discovered that there was not just one gem on this album, but rather an entire cd of amazing music. Soon after buying American IV, I completed the American Recordings collection (including the Unearthed box set), and finally began listening to those great albums I had had all along. Now everyime I listen to songs like "Folsom Prison Blues", "I Walk the Line", "San Quntin", "Long Black Veil", ect..., I have "American IV: The Man Comes Around" to thank. Do yourself a favor and pick this modern classic today.

video hurt is incredible bonus
I'm new to Johnny and got turned on by Dawn of the Dead. This is the CD to get. ... Read more

Album Description

For more than a half-century, the United States and its leaders have been pursuing a grand imperial strategy with the aim of dominating and controlling international politics. Our elected leaders have been willing to follow the dream of dominance regardless of the cost. In War Crimes & Imperial Fantasies, Noam Chomsky talks to Alternative Radio's David Barsamian in Chomsky's MIT office about the history of the United State's perusal of imperialism and the crimes against humanity committed along the way.

Is George W. Bush and international criminal and is his war in Iraq an egregious criminal act? In this thorough, in-depth two-disc interview, Noam Chomsky (commonly referred to as "the conscience of the American people") carefully places Bush into a historical perspective, explaining Bush's actions in relation to past U.S. presidents and how the war in Iraq is in blatant disregard of the findings of the Nuremberg Tribunal. In this exposing interview, Chomsky recounts America's history of aggressive war, war crimes and murder while placing George Bush's Iraq invasion and occupancy into context. Just in time for Election Day, War Crimes & Imperial Fantasies is an exercise in American honesty and objective, factual criticism. ... Read more

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One of the few truly bigger-than-life rock bands, Led Zeppelin continues to cast a giant shadow over contemporary rock two decades after the group's breakup. The slickly packaged set offers a solid introduction to the band's work, with two discs of remastered, sonically upgraded album tracks, plus a third disc of interviews with surviving bandmembers Jimmy Page, Robert Plant, and John Paul Jones. Hearing all these Zep classics--"Stairway to Heaven," "Whole Lotta Love," "Dazed and Confused," "Rock and Roll," "Kashmir," "Immigrant Song," "Black Dog," "Good Times Bad Times," "Heartbreaker," "Houses of the Holy," and "The Song Remains the Same"--assembled in one package is an impressive testament to the group's pervasive influence. --Scott Schinder ... Read more

Reviews (26)

STOP If You've Heard This Before....
"LED...ZEPPELIN...IS...BACK!" shouted the TV advertisements for this collection, distilled from 1990's four CD box set. Indeed, the 3CD "Remasters" (two music discs plus a third interview disc) provides near-perfect middle ground between the group's collected works box and 4CD box, and the inferior "Early Days" and "Latter Days" one-disc sets.

"Remasters" spends its first disc on Zeppelin's seismic first four albums, leaving out some essential "II" tracks ("What Is And What Should Never Be," "Living Loving Maid") but culminating where it should, with "Stairway To Heaven." The second disc concentrates on Zeppelin's most experimental work and could lead to greater appreciation of 1976's "Prescence." "Achilles Last Stand," with its understated (for him) Robert Plant vocal, and "Nobody's Fault But Mine" are represented; "Candy Store Rock" would've been a nice addition also.

The third disc features a 30-minute radio special (featuring a lo-fi, interwoven "Hey, Hey What Can I Do"), individual interviews with surviving band members, and some Jimmy Page's song intros ("Hello, this is Jimmy Page and this DJ is insane!" "Hello, I'm Jimmy Page. It's time to wake up and get the Led out!") This is all as essential music as any released since the Beatles' breakup, and should be owned (either here or on the original LPs) in some form.

The perfect starting point for begginners...
All of Led Zep's albums (with the possible except of Led Zep IV and Physical Graffiti) have had some outstanding tracks, but some not so great ones. And here, in one handy package, are virtually all the outstanding ones. This is nearly as good quality as buying all 8 seperate albums, but much much cheaper (I got the British edition, which doesn't have the interview disc but has the two music discs, for [amt], which is about [amt]!) It has all the classics, from the opener 'Communication Breakdown' through 'Babe I'm Gonna Leave You', 'Whole Lotta Love', 'Since I've Been Loving You', 'Black Dog', 'Rock and Roll' and my favorite track of all time 'Stairway To Heaven', then onto the second disc which is concerned with Physical Graffiti (once described by British music magazine Q as the heavy alternative to Seargeant Pepper) and the other experimental albums, and contains more great numbers like 'The Rain Song', 'Houses of The Holy' (which, contary to logic, does not appear on the album of the same name but on Physical Graffiti), 'Kashmir' and closer 'In The Evening'. It is a great place to start for begginers to Led Zep, and despite some ommisions (where is When The Levee Breaks or What Is And What Should Never Be) it is a wonderful collection of music and a brilliant introduction to one of the most pioneering rock bands of the 20th century.

Not a Knockout, but still a TKO
I am not a die-hard Led Zeppelin fan. But I have come to have enormous respect for the quartet of Robert Plant, Jimmy Page, John Paul Jones, and John Bonham. I have come to realize that the efforts of a great work ethic have produced some of the stuff that legends are made of - and Led Zep takes the cake. As a 30 something music fan, I decided this would be one of my first entry points into the Led Zeppelin music library. 'Remasters' seemed like the perfect entry point - most of Zeppelin's great songs remastered on 2 CDs - plus a third 'Interviews' CD to get insight into the band. This box set is very good. It doesn't deliver that knockout punch or homerun, but it is very good.

First the packaging - It seems that nowadays everything that is above 2 CDs that is considered a "Boxed Set". There really have become 2 categories of Boxed Sets. The first is a "Classic Boxed Set". This comes in a covered box about the size of an LP and contains CDs (sometimes in jewel cases, sometimes just on the bottom of the box) and a book about the same size. The second type is more like a 5.5" x 10" hardcover book which I term "Hardcover Box Set'. The CDs basically are stored in the hardcover binding and the book is in the middle. I much prefer what I call the Classic Boxed Set to the Hardcover format. The 'Led Zeppelin Remasters' set is a subset of Hardcover format. The disappointing thing - no book in the middle. Just two little booklets in the upper left corner. I know Led Zeppelin has more comprehensive boxed sets (The Complete Set and the 4 CD set), but I still would have liked to see a little more here.

The music is on 2 CDs and basically is divided into Early Zeppelin and Late Zeppelin. The first CD encompasses songs through the 'Led Zeppelin IV' album while the 2nd CD takes us to the end with songs from 'In Through the Out Door'. I think the Zeppelin fan will be satisfied here. I am more of a fan of the later stuff. I was very disappointed to find that 'Fool in the Rain' was not included on this set. However if you want to hear remastered versions of 'Stairway to Heaven', 'Kashmir', and 'Trampled Underfoot' - you won't be disappointed. On a side note, I think those are the three best Zep songs.

The third CD is divided into 3 sections over 43 tracks. The first section is a profile of the band which is 28 minutes long, but much of that is taken up by replaying songs such as Kashmir. I think it would have been nicer to go deeper with the band profile. The 2nd section is Station Liners and if you are a die-hard fan, this is perfect. I wish more boxed sets had preserved this type of stuff. The third section is individual Q&A with Jimmy Page, Robert Plant, and John Paul Jones. Much like the first section, it doesn't go as deep as I would have liked to hear. The potential is there, it just doesn't deliver the depth.

All and all, I'm still happy I got this and it left me for wanting more.

Question
Is this the album in which "Stairway to Heaven" is an instrumental? Played with an electric guitar for about 5 1/2 minutes.

The Best Collection by Led Zeppelin
All the tracks are very good but there should have been "When the Levee Breaks" instead of "Misty Mountain Hop", "Over the Hills And Far Away" instead of "No Quarter", "That's the Way" instead of "Celebration Day".

The should have been also more tracks from their second best album "Physical Graffiti", there's only three tracks ("Houses of the Holy", "Trampled Under Foot" and "Kashmir"). I would include "Custard Pie", "The Rover" and "Ten Years Gone" here. ... Read more

Reviews (2)

Wow
I love Collective Soul, and it was really great to hear about what went into the songs. If you're a CSoul fan (like me) I'd suggest this

Decent Knowledge, but not that great.
This is basically a cd on what it says: an interview. The band just goes through their thoughts and actions in the making of their first three albums: "Hints, Allegations, and Things Left Unsaid", "Collective Soul", and "Disciplined Breakdown." It is a good cd if you are a fan of the band and want to know the feelings and emotions that go into their songs, but if you just like the music for the sound, I wouldn't recommend this for you. I enjoyed it, but most people should probably shy away from it for now. ... Read more

Amazon.com

If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of"The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley ... Read more

Reviews (44)

"I am dreaming a dream or this is Paradise and...
the Abode of Peace!" ~ Arabian Nights

I've been a fan of Sarah Brightman since the release of 'Eden' back in 99 and have since then acquired many of her albums and concert DVDs and, imho, this is by far her best work to date (although many will disagree because it's so experimental). She's a true angel of music and 'Harem' (forbidden places) explores the exotic with beautiful, crystalline singing and ethereal, wordly-pop meets middle eastern beats that will keep you entranced until the very end (and then you'll probably start it again because world music can be very addicting if it's done the right way and if you've got the ear/taste for it). This album is hypnotic and enchanting and very different from her successful predecessor 'La Luna' but it definitely rises above anything she's ever done before and it showcases her love of varied styles. Operatic singing is pretty much nonexistent here but she still incorporates her old roots with a well-trained classical voice on "A Stranger In Paradise" and a great adaption of Puccini's "Un Bel Di" (It's a Beautiful Day). Frank Peterson continues to guide Sarah's career in the right direction by producing the sweeping, dance-infused "Harem" (the title being a song in which she wrote herself) while bringing in some new faces to spice the mix up, like keyboardist Jaz Coleman (ex-Killing Joke who also worked on the highly praised New Zealand project, Oceania) to breathe life into the soaring string orchestrations.

'Harem' also features a lot of guest artists, such as the passionate Iraqi vocalist Kadim Al Sahir on "The War Is Over" and classical violinist Nigel Kennedy who recently worked with crossover star Josh Groban. The late Ofra Haza appears on "Mysterious Days" while Natacha Atlas lends additional background vocals on "Arabian Nights" (the theme for this record) which, lyrically, is separated into five different parts that fuse together seamlessly.

Since the entire album is absolutely stunning, it's nearly impossible to choose favorites here but "What You Never Know", "The Journey Home", "Free", "The War Is Over", and her breathtaking remake of Mandalay's "Beautiful" seem to standout the best with me. The Asian-influenced, U.S. bonus track "You Take My Breath Away" is another notable mention but it's hardly new to me. It was originally released on her import album "Fly", which would probably be the best of her previous albums to compare this to as it was her first real venture into the pop-rock genre.

Sarah may be singing simpler tunes on 'Harem' but she's never sounded better.

As for the limited edition DVD, that is a very nice inclusion for fans like me who can't get enough of this goddess in motion. She's such a fun person to watch and you can really see that she loves what she's doing. On the making of Harem you get to experience several behind the scene features, such as the recording of the orchestra, the backing vocals, many instrumental sessions and, of course, Sarah at Nemo Studios with boyfriend/producer Frank Peterson. The DVD also consists of a Marrakech photo shoot, a trip around Morocco with Sarah, the original and alternate music video for "Harem", a slow moving photo gallery, a discography of her recent albums (excluding the less popular "Dive" and "Fly", for some reason), and a very interesting biography.

------The Journey Home Is Never Too Long------
Sarah Brightmans fourth concept album (Dive - Eden - La Luna) is a breath of fresh air to our sad and stale music industry. My favorite songs on this album are Harem (alternative version on DVD), It's A Beautiful Day, Free,What You Never Know, Misere Mei/Beautiful (as well as the hidden remix version of Beautiful on part 11 of the DVD) , Mysterious Days, You Take My Breath Away (which was originally in The Fly Album) and The Journey Home.
This woman's natural voice, concert presentations (ie. La Luna Tour), style and dedication to her craft can teach some of these so called 'Divas' what real raw talent should be.

experimental success!
I loved La Luna and Eden, so I was a little taken aback by Sarah's heavy pop leaning on this album. It took a little getting used to, but I now find Harem is perhaps my favorite Brightman release.

She is a vocal chameleon, as anyone who's heard It's A Question of Honour will agree.

This isn't so much a middle eastern album. It's got more to do with Sarah's love of stories and literature (1001 Arabian Nights, for example) she grew up with, so what you get is Eastern inspired fantasy. (Some have criticized the album for being an unfaithful representation of Middle Eastern culture and music, but that was never the claim or intent of this album.) A self-proclaimed lover of fantasy, Sarah brews a mesmerizing concoction of musical landscapes that stars her as almost an Arabian princess in a mystical, far-away land.

The title track, Harem, takes its music from Cancao do Mar, a traditional Portuguese piece. Latin music lovers will know this as "Oye, Mar," a Spanish song that's also an adaptation of Cancao do Mar that was sung by the likes of Chayanne (of 'Dance With Me' fame, costarring Vanessa Williams) and Chenoa. This is a beautiful song, passionate song. This single alone could sell the record.

The second track, What A Wonderful World, is a wonderful rendition of the Louis Armstrong classic. I absolutely love Sarah's version, as it's one of my favorite songs from this album. Her rendition soars; it somewhat reminds me of "Winter Light" from her Classics CD, but with more passion and 'oomph.'

It's A Beautiful Day is taken from Puccini's Un Bel Di (from Madame Butterfly). It's infused with an Arabic inspired treatment plus dance beats, so it isn't a laid back number by any means. Those who have heard 'Anytime, Anywhere' off her Eden CD will be familiar with the formula Sarah uses with this song. Like with 'Anytime, Anywhere,' 'It's A Beautiful Day' is comprised of classical verses sung in Italian and in an operatic style, coupled with an English pop-chorus. It's beautiful piece.

'Free' was originally a German song, but was given new lyrics by Sarah and Sophie B. Hawkins. She strays into Kate Bush territory with this one at times, but it's nevertheless a pretty song.

'Mysterious Days' features the late Ofra Haza who adds a terrific energy--plus lovely vocals--to an already energetic song.

'The War is Over' is a beautiful ballad, though I didn't think so the first time I heard it. It wasn't until I actually listened long enough to hear Kadim Al-Sahir's contribution that I was blown away. He only sings a few lines (in Arabic) and can be heard backing the chorus, but he shines in his heartfelt delivery--what an amazing singer!

'Beautiful' is a Sarah's version of the Mandalay song by the same name. I can't say I like her version more, as Nicola Hitchcock sings the original in a very fragile, delicate, yet intense voice, and that description contradicts itself. It's not easy to duplicate, by any means, but Sarah definitely does the song justice. Sarah's voice gives the song a bit more power than Nicola does, and it makes for an equally intense delivery.

'Stranger in Paradise' is from the American musical, Kismet. Once considered the least favorite song on Harem by me and my friends, we've since come around and warmed to it. It took us a while, but it's quickly becoming one of our favorites.

'Arabian Nights' is probably the most entertaining song on this record. It's broken down into sections: Scimitar Moon, Voyage, Promise, Hamesha, and Alone. Each section is a short blip of a different song that transitions from one into the next in a surprisingly seamless way. Indipop singer Shwetta Shetty contributes on Hamesha (she also sings on Journey Home) with hauntingly beautiful vocals. I absolutely adore this track.

People who hear this album either love it or don't. I didn't when I first sampled it (probably because I was expecting something along the line of her previous albums), but I was mesmerized by Sarah's Harem Tour concert when I saw her perform in Seattle, so I went home and gave it another chance. Once I got over Harem not following the same formulas as 'Eden' and 'La Luna' and having more pop pieces, I fell in love.

Sarah hasn't ventured this far into experimentation since 'Fly,' and how glad her fans are that she's done it again! This time, however, it's done with more finesse and mastery. The Brightman/Peterson camp has produced another masterpiece, indeed, with Harem, that's more varied, versatile, and brilliantly put together than her other works, in my opinion. Plus, despite me using the word 'pop' to describe this album, it does feature Middle Eastern and Mediterranean influences (mostly in the percussions and strings).

The DVD that comes with this is actually a decent addition to any fan's library. It's approximately 30 minutes long and shows behind the scenes footage of the writing and recording process of the album, and also of photoshoots. It was rather enjoyable to watch, and made the decision to purchase the limited edition CD/DVD one that I'm happy with.

AWESOME
AWESOME -- what else can I say?

My friend introduced me to Sarah Brightman a couple of years ago. She gave me a copy of La Luna, which I couldn't stop playing. After that, I had to go out and buy all of her CDs. So, I was really excited when I found out that she was putting out a new CD. I bought it the day it was released. I can't stop playing it, either. All of the slots in my CD changer are devoted to Sarah. She's absolutely AWESOME!!! With all of the "stupid non-music" out there today, she is very refreshing, too. I can't wait for another album.

Amazing
The dvd is amazing to watch.....get the DVD that is supposed to be bundled with this cd....and if you know of more dvd's like this...email ME! ... Read more

Amazon.com

If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of"The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley ... Read more

Reviews (44)

"I am dreaming a dream or this is Paradise and...
the Abode of Peace!" ~ Arabian Nights

I've been a fan of Sarah Brightman since the release of 'Eden' back in 99 and have since then acquired many of her albums and concert DVDs and, imho, this is by far her best work to date (although many will disagree because it's so experimental). She's a true angel of music and 'Harem' (forbidden places) explores the exotic with beautiful, crystalline singing and ethereal, wordly-pop meets middle eastern beats that will keep you entranced until the very end (and then you'll probably start it again because world music can be very addicting if it's done the right way and if you've got the ear/taste for it). This album is hypnotic and enchanting and very different from her successful predecessor 'La Luna' but it definitely rises above anything she's ever done before and it showcases her love of varied styles. Operatic singing is pretty much nonexistent here but she still incorporates her old roots with a well-trained classical voice on "A Stranger In Paradise" and a great adaption of Puccini's "Un Bel Di" (It's a Beautiful Day). Frank Peterson continues to guide Sarah's career in the right direction by producing the sweeping, dance-infused "Harem" (the title being a song in which she wrote herself) while bringing in some new faces to spice the mix up, like keyboardist Jaz Coleman (ex-Killing Joke who also worked on the highly praised New Zealand project, Oceania) to breathe life into the soaring string orchestrations.

'Harem' also features a lot of guest artists, such as the passionate Iraqi vocalist Kadim Al Sahir on "The War Is Over" and classical violinist Nigel Kennedy who recently worked with crossover star Josh Groban. The late Ofra Haza appears on "Mysterious Days" while Natacha Atlas lends additional background vocals on "Arabian Nights" (the theme for this record) which, lyrically, is separated into five different parts that fuse together seamlessly.

Since the entire album is absolutely stunning, it's nearly impossible to choose favorites here but "What You Never Know", "The Journey Home", "Free", "The War Is Over", and her breathtaking remake of Mandalay's "Beautiful" seem to standout the best with me. The Asian-influenced, U.S. bonus track "You Take My Breath Away" is another notable mention but it's hardly new to me. It was originally released on her import album "Fly", which would probably be the best of her previous albums to compare this to as it was her first real venture into the pop-rock genre.

Sarah may be singing simpler tunes on 'Harem' but she's never sounded better.

As for the limited edition DVD, that is a very nice inclusion for fans like me who can't get enough of this goddess in motion. She's such a fun person to watch and you can really see that she loves what she's doing. On the making of Harem you get to experience several behind the scene features, such as the recording of the orchestra, the backing vocals, many instrumental sessions and, of course, Sarah at Nemo Studios with boyfriend/producer Frank Peterson. The DVD also consists of a Marrakech photo shoot, a trip around Morocco with Sarah, the original and alternate music video for "Harem", a slow moving photo gallery, a discography of her recent albums (excluding the less popular "Dive" and "Fly", for some reason), and a very interesting biography.

------The Journey Home Is Never Too Long------
Sarah Brightmans fourth concept album (Dive - Eden - La Luna) is a breath of fresh air to our sad and stale music industry. My favorite songs on this album are Harem (alternative version on DVD), It's A Beautiful Day, Free,What You Never Know, Misere Mei/Beautiful (as well as the hidden remix version of Beautiful on part 11 of the DVD) , Mysterious Days, You Take My Breath Away (which was originally in The Fly Album) and The Journey Home.
This woman's natural voice, concert presentations (ie. La Luna Tour), style and dedication to her craft can teach some of these so called 'Divas' what real raw talent should be.

experimental success!
I loved La Luna and Eden, so I was a little taken aback by Sarah's heavy pop leaning on this album. It took a little getting used to, but I now find Harem is perhaps my favorite Brightman release.

She is a vocal chameleon, as anyone who's heard It's A Question of Honour will agree.

This isn't so much a middle eastern album. It's got more to do with Sarah's love of stories and literature (1001 Arabian Nights, for example) she grew up with, so what you get is Eastern inspired fantasy. (Some have criticized the album for being an unfaithful representation of Middle Eastern culture and music, but that was never the claim or intent of this album.) A self-proclaimed lover of fantasy, Sarah brews a mesmerizing concoction of musical landscapes that stars her as almost an Arabian princess in a mystical, far-away land.

The title track, Harem, takes its music from Cancao do Mar, a traditional Portuguese piece. Latin music lovers will know this as "Oye, Mar," a Spanish song that's also an adaptation of Cancao do Mar that was sung by the likes of Chayanne (of 'Dance With Me' fame, costarring Vanessa Williams) and Chenoa. This is a beautiful song, passionate song. This single alone could sell the record.

The second track, What A Wonderful World, is a wonderful rendition of the Louis Armstrong classic. I absolutely love Sarah's version, as it's one of my favorite songs from this album. Her rendition soars; it somewhat reminds me of "Winter Light" from her Classics CD, but with more passion and 'oomph.'

It's A Beautiful Day is taken from Puccini's Un Bel Di (from Madame Butterfly). It's infused with an Arabic inspired treatment plus dance beats, so it isn't a laid back number by any means. Those who have heard 'Anytime, Anywhere' off her Eden CD will be familiar with the formula Sarah uses with this song. Like with 'Anytime, Anywhere,' 'It's A Beautiful Day' is comprised of classical verses sung in Italian and in an operatic style, coupled with an English pop-chorus. It's beautiful piece.

'Free' was originally a German song, but was given new lyrics by Sarah and Sophie B. Hawkins. She strays into Kate Bush territory with this one at times, but it's nevertheless a pretty song.

'Mysterious Days' features the late Ofra Haza who adds a terrific energy--plus lovely vocals--to an already energetic song.

'The War is Over' is a beautiful ballad, though I didn't think so the first time I heard it. It wasn't until I actually listened long enough to hear Kadim Al-Sahir's contribution that I was blown away. He only sings a few lines (in Arabic) and can be heard backing the chorus, but he shines in his heartfelt delivery--what an amazing singer!

'Beautiful' is a Sarah's version of the Mandalay song by the same name. I can't say I like her version more, as Nicola Hitchcock sings the original in a very fragile, delicate, yet intense voice, and that description contradicts itself. It's not easy to duplicate, by any means, but Sarah definitely does the song justice. Sarah's voice gives the song a bit more power than Nicola does, and it makes for an equally intense delivery.

'Stranger in Paradise' is from the American musical, Kismet. Once considered the least favorite song on Harem by me and my friends, we've since come around and warmed to it. It took us a while, but it's quickly becoming one of our favorites.

'Arabian Nights' is probably the most entertaining song on this record. It's broken down into sections: Scimitar Moon, Voyage, Promise, Hamesha, and Alone. Each section is a short blip of a different song that transitions from one into the next in a surprisingly seamless way. Indipop singer Shwetta Shetty contributes on Hamesha (she also sings on Journey Home) with hauntingly beautiful vocals. I absolutely adore this track.

People who hear this album either love it or don't. I didn't when I first sampled it (probably because I was expecting something along the line of her previous albums), but I was mesmerized by Sarah's Harem Tour concert when I saw her perform in Seattle, so I went home and gave it another chance. Once I got over Harem not following the same formulas as 'Eden' and 'La Luna' and having more pop pieces, I fell in love.

Sarah hasn't ventured this far into experimentation since 'Fly,' and how glad her fans are that she's done it again! This time, however, it's done with more finesse and mastery. The Brightman/Peterson camp has produced another masterpiece, indeed, with Harem, that's more varied, versatile, and brilliantly put together than her other works, in my opinion. Plus, despite me using the word 'pop' to describe this album, it does feature Middle Eastern and Mediterranean influences (mostly in the percussions and strings).

The DVD that comes with this is actually a decent addition to any fan's library. It's approximately 30 minutes long and shows behind the scenes footage of the writing and recording process of the album, and also of photoshoots. It was rather enjoyable to watch, and made the decision to purchase the limited edition CD/DVD one that I'm happy with.

AWESOME
AWESOME -- what else can I say?

My friend introduced me to Sarah Brightman a couple of years ago. She gave me a copy of La Luna, which I couldn't stop playing. After that, I had to go out and buy all of her CDs. So, I was really excited when I found out that she was putting out a new CD. I bought it the day it was released. I can't stop playing it, either. All of the slots in my CD changer are devoted to Sarah. She's absolutely AWESOME!!! With all of the "stupid non-music" out there today, she is very refreshing, too. I can't wait for another album.

Amazing
The dvd is amazing to watch.....get the DVD that is supposed to be bundled with this cd....and if you know of more dvd's like this...email ME! ... Read more

Amazon.com

Narrated by Elliot Gould, this four-CD set is almost exclusively comprised of the voices of Holocaust survivors. As they tell their stories, the nightmare of the Shoah-the attempted annihilation of all Jews in Europe-unfolds as a living memory of one of mankind's most horrific periods. All these stories are first-hand accounts of Jews from this period. Some, of course, were very young at the time, but many were adults living a "normal" life before the Nazis imposed their will. They are true witnesses, and in various voices--some measured and calm, some choking with emotion--they tell their stories. We are taken from the time before the war when life was relatively idyllic, through the persecution and eradication of Jews, to the re-establishment of Israel as a permanent Jewish state. There are far too many stark and dramatic anecdotes to single one out, but to hear an American soldier, the only Jew in his company, describing the sight of railroad cars full of skeletons-the only sign of life being a few eyes moving-makes abundantly clear the absolute horror of the Holocaust. For these survivors, the Shoah is not merely history, but an unforgettable, permanent part of their beings. Through their remarkable voices, we are reminded that this evil was in fact witnessed, and with powerful documents like this, should never be forgotten. Rhino Records should be commended for this project and for understanding that the deep eloquence of a single human voice can serve as the most powerful testimony of all. --Wally Shoup ... Read more

Reviews (2)

ESSENTIAL, HISTORIC AND HONORABLE
Simply said, this is one of the most important collections to ever emerge on the spoken word scene -- the first, and only comprehensive audio documentary of the Holocaust, as told by survivors and witnesses. The four CDs feature first-person accounts (drawn from more than 180 interviews recorded between 1988 and 1998), traditional music of the era and solid narration by Elliott Gould. An accompanying 100-page hard-bound book includes complete transcripts, historical (and often disturbing) photos and suggested activities and questions for parents and teachers to use to help explain the horror and its repercussions to children. Rhino must be commended for donating a generous 12% of royalties from the sales of each set to the Jewish Federation of Greater Los Angeles. An essential to everyone's library.

An astounding journey
Most material on the Holocaust is depressing, sad, dark, and not something that I find myself jumping up and down to purchase. But because I am a historian I usually buy the material because of work-related reasons. This package, Voices of the Shoah, was different than anything I have ever seen or heard relating to the Shoah. It moved me, it inspired me, and it allowed me to safely transport my thoughts and imagination back to Jewish life before WWII. Thank you so much for making an amazing piece. Plus the book is beautiful too. ... Read more

Reviews (2)

Trewnt Weznor?????
I really like this CD, but It really annoyed me that they couldn't get someone to pronounce the name correctly. I was delighted to finally be able to hear his voice, since he is a very discreate man, and I don't get to hear much about him. The interviews were great, but the announcers voice really got to me.

A great insight into the mind of Trent Reznor
This Star Profile of Trent Reznor is a must for die-hard Nine Inch Nails fans. This package comes with an Audio Documentary CD with many Trent Reznor interviews as well as a synopsis of his musical career by a narrator. It also includes a vividly colored 100 page book filled with pictures of Trent Reznor and Nine Inch Nails, and a biography of the man behind NIN. This package is an excellent medium into the mind of Reznor, and gives us an insight into the searing psychosis that is Nine Inch Nails, and the man who brought it to the front of the music scene. While it contains so songs, and may dissapoint casual NIN fans, die-hards and NIN collectors will love it. ... Read more

Album Description

Full Title - The Emerging Framework Of World Power. NoamChomsky, professor of linguistics at MIT, is an esteemedauthor of popular books & CDs on US foreign policy, massmedia & linguistics. Chomsky's book about 9/11 has been onbestseller lists of major newspapers such as NY Times, LATimes, Washington Post, Village Voice & the Boston Globe.On this CD Chomsky surveys the role of the US in apost-9/11 world-and finds nothing has changed. Now morethan ever, the venerable professor stands as the voice ofreason in an apparently insane world. AlternativeTentacles. 2003. ... Read more

Reviews (2)

Summation of various works highlights tragic comedy
As a previous reviewer noted, this is nothing exceptionally new from Chomsky, but it's a good collection of thoughts and ideas he's been trying to get across, wrapped up to comment on the title subject, especially as it relates to post-9/11 US foreign policy and the (then) coming war in Iraq.

I wouldn't recommend this as an introduction to Chomsky's work or his ideas. Rather, it accents much of what he has written and spoken about concerning American power and foreign policy and influence, especially after 9/11.

What really hit me recently when I listened to this again is the very, very bone-dry humor that runs through it. Chomsky talks about Iraq, the massive hypocrisy of demonizing a tyrant we whole-heartedly supported in order to justify a legally suspect war, with such a straight forward attention to the facts that what became clear is that a sick and sickly funny comedy is being played out on the world stage. Only it's not supposed to be funny.

It's highlighted that the hypocrisy and cynicism of American foreign policy is not limited to Bush, but goes right back through every administration, and Bill Clinton is painted as having an immensely cynical foreign policy. It's not controversial that the US has worked to actually undermine democracy in certain parts of the world by supporting oppression (Israel, Turkey, Colombia) once easily verifiable facts are examined.

As if the facts further highlight the absurdity of the world, the word 'atrocities' appears over and over, and by this time it's no accident. To get the point across that the war on terror is being fought by the most righteous good guys, it is plainly pointed out that the US backed major atrocities in places like Colombia, Indonesia, and Turkey in the last decade, all in the name of spreading democracy. While selectively demonizing a Milosevic, for instance, an Israel or an Indonesia gets plenty of guns and ammo to carry out their own state violence and terror. Since Vietnam was about the last war the US could get away with atrocities, we've had to find indirect ways to swing our power. Chomsky doesn't chuckle--there is no need to at this point.

Even if you vehemently disagree with Noam Chomsky, a disc like this is indescribably more useful and informative than hours of television and cable news or the latest pundit's 'book'. And Chomsky's message is that it's up to you. We live in a very free society where information is widely available and facts are verifiable. It's our choice if we want to continue to selectively choose what to believe rather than taking a closer look at the power structure.

The disc concludes with a pretty good Q&A session between Chomsky and audience members and covers topics such as Cuba and China. The picture that does emerge is indeed one of immense power. The funding of mercenary states, the support of state terror, the unrivaled business of dealing weapons to the world, all go toward asserting that the US does not have to directly put a gun to anyone's head anymore when it can influence the world in more indirect and 'democratic' ways. We have to always maintain credibility, but we can set the stage through influence and global hegemony. The pen is indeed mightier than the sword.

Good but not Overwhelming
This album is a lukewarm remix at best, with all the interest in Chomsky's point of view post 9-11 the concepts and ideas presented here have become repetitious.
If you own " American Addiction" and "New War an Terror" you really have covered everything discussed here.
I can't totally dismiss "Emerging Framework" though; the always-brilliant Chomsky Q&A at the end of the disc is well worth the price of admission. ... Read more

Reviews (2)

Good for hard-core fans, but others will be disappointed.
No Toriphile can disagree that Tori's speaking voice is haunting and real. By reading her interviews, I have seen another side of her that the music doesn't necessarily show. "In Conversation," an audio interview, was a compilation I picked up after I had purchased the Star Profile, which I pretty much bought only for the "look it's Tori" booklet that came with. "In Conversation" does not have a booklet, only one sheet, and the disc itself looks like a rip off of the Star Profile disc (or is it the other way around? ) Put the Star Profile and Interview discs together: It's the same picture! The bootleg appearence of the In Conversation C.D. doesn't add to it's credibility, and the people talking and ambulances in the background are unprofessional (and so rudely interrupt Tori's "onion" analogy!). However, a lot of the points that Tori makes are very insightful and contain views unheard of on the more general Star Profile. You also hear about Tori's views on truth and some of the things she said here literally made me cry, especially about truth and how to keep moving and about her grandfather's view of nature. The more human side of Tori comes out on the In Conversation disc, unlike the Star Profile. If you're a hardcore Tori fan, you'll know to appreciate this, but I wouldn't recommend it to many. The point of an audio interview is that it conveys something that a transcribed interview could never capture, and I could name 50 interviews with Tori from magazines that are better than this. But some may argue that if Tori was speaking Greek, they wouldn't care because 'It's Tori Amos!'. If it's a draw between this or Star Profile, pick up the latter.

Very Intersting
The only thing that i could say that i didnt like about this cd is that it wasnt long enought 30 min. I listened to it and it helped me gain insite onto my view of things. I would reccomend this to any Tori fan. ... Read more

Album Description

2003 release for the literary artist/global citizen'sacclaimed Lannan Foundation lecture in which she speakspoetically about the U.S. government's 'War on Terror',globalization, & the misuses of nationalism. Also featuresan introduction & discussion with Howard Zinn. 79 minutes.Mono recording. Alternative Tentacles. 2003. ... Read more

Reviews (1)

I don't rate this, I feel this....
I first heard this (I'm not sure how to name it--message?) by Arundhati Roy while driving in my car and listening to NPR. I again found it here at Amazon.com, thankfully, as I am ever more grateful and capable of receiving it. I was debating in my mind to title this review "A Message of Hope", but I guess for me there's still quite a bit of pain mixed with the hope that I just entitled it the way I did. This CD has been and continues to be a process for me--it's like the two sides of a coin, there's pain with it, but there's also liberation, liberation in hearing truth being spoken by a compassionate and kind voice, who has also felt immense pain but who has managed to realize the courage to work and strive for a full life, well-lived. This CD actually sat in the middle of my workspace for 2 weeks, then there came a time when I felt strong enough to insert it in my CD player and listen, and it's still a process. For I don't want to primarily feel anger and bitterness with it, but catharsis and freedom, and it requires strength, for some more so than for others, but still strength. Sometimes hearing the truth requires strength. But for me, I was (and am ) immensely grateful to have tuned the radio to NPR that day, and to have found this, and then again to have been able to find it here.
--Ursula Schumann ... Read more

Reviews (10)

a nice attempt
Being a massive Garbage fan, I bought the star profile to add to my collection of Garbage memorabilia. The cd documentary is nice, the interviews are good. The documentary gives information that you can find anywhere, however. The book has good pictures, but the writing is very poor. It is full of grammatical errors and some of the information isn't correct, such as where they say Butch's real name is Brian Vig when it is really Bryan Vigorson. I would suggest that people only get this star profile if you are a huge fan and want to add to your collection.

Don't Waste Your Money
This cd is a waste of cash. Trust me, you don't want to hear the opinions of Garbage, especially Shirley Manson's. Better off to just enjoy the great music that Garbage has created, even if the lyrics in a few of the songs on Version 2.0, and most of its singles, sound dumb and whiny.

It's okay
Let me say first that i am a HUGE Garbage fan, and I absolutely worship Shirley Manson.

However, I was really disappointed with this. To be honest, I only bought this because it came with 2 free singles (both versions of When I Grow Up, which I was also surprisingly disappointed with).

The narrator guy starts to get annoying near the end, and there are a few boring bits (such as when some people on the phone talk for what seems like hours). I do, however, like the bits where Garbage themselves are talking, that's cool.

Only get this CD if you really really need it.

A Great Garbage Collectable
Wow, it seems as if a lot of reviewers reviewed the wrong Garbage CD. This CD is only a documentary about Garbage, nothing else. It includes a nice little book and a CD that talks about how the band got together, their lives, etc. A must have for Garbage fans.

If you want to hear their music, check out their self-titled album (which is awesome and original), and their sophomore album, "Version 2.0" (which should have gotten album of the year!).

An excellent CD
Words cannot describe how good this CD is. You have to hear it for yourself. I liked it so much i went to hear them play live at the celebrations for the opening of the Scottish Parlaiment! ... Read more

Reviews (5)

OLD NEWS.
This is the only CD from Enya I've ever rated this low.I'm not sure but I think I heard Enya say that she was 28 years old in this interview? If thats so,this interview took place about 13 years ago.There has been a lot of changes over those years.On the plus side,this is the first time I heard her talking.It was worth the money to me just to listen to her voice.She talks the same as she sings,soft and gentle.And you get a glimpse into her personality.A warm and gentle personality.The worse thing about this CD is that its all on 1 track[about 1 hour long].If you have to leave in the middle and come back later,you have to start over.But all of this aside,im still glad I have this CD because it let me see a little into the personal life of my favorite singer.

Could be interesting for a fan but poor value for the money
I got this album a few years ago because I wanted to hear what Enya had to say about herself and her music. I was very disappointed because for your money you get an interview that wasn't very recent even then and was recorded under atrocious conditions. I would have gotten a lot more from it if the interview hadn't been conducted inside a very noisy cafeteria, the constant rattling of dishes was very annoying, they could have at least gone out in a hallway somewhere. I do seem to remember that Enya pronounced her name, I liked that because Irish Gaelic is so unusal to me.

OBVIOUSLY, THIS CD IS A MUST FOR THOSE WHO LOVE ENYA
I did have a slight bit of trouble with the background noise, but that wasn't enough of an annoyance to knock any stars off an item which obviously will be a treasure to Enya's greatest fans. She comes across the same as she does in her music, a very warm, very intelligent, very likeable human. And this recording makes one feel much as if they really know her.

A great way to learn about Enya
This interveiw provides good information about Enya. It is a good way to learn about her and understand her music. This is a must for fans. Even people who haven't listened to her music might want to get this to learn more about her. It was pretty long (about an hour) but it was very informative and interesting.

Never Underestimate A GOOD Review!
I must confess, this interview turned out rather boring after listening to it for sometime. Nonetheless, it's really interesting to listen to what Enya has to say about her musical career - from working with her Irish family group Clannad, to a rocky start as an individual new-age musician, to her stardom right now. Personally, I feel that hearing what she has to say helps you understand why she wrote her various songs. Yup - definitely something all Enya fans MUST HAVE! (But you know, even if you weren't an Enya fan, listening to what she has to say may spark off an interest in her music! Don't miss out on this great opportunity - you never know what could happen!) ... Read more

Reviews (3)

This interview was terrible, don't buy it!
This interview sounds terrible! Don't blame ozzy! It sound terrible cause they recorded it at a public place with lots of people around (and a Stinkin' Video Game Arcade!) By the sound of recording, the interviewer was trying to get Ozzy drunk, but the interview took too much of his own stuff! In the end the Interviewer sounded drunk and messed up. There was nothing new at all covered in the interview anyways. As poor as the recorder is, I'm surprised how this disc ended up in music stores across the USA. The basic bottom line here is: "Don't buy this interview."

This interview was terrble
This interview sounds terrble! Don't blame ozzy! It sound terrable cause they recorded it at a public place with lots of people around(AND A STINKING VIDIO GAME ARCADE!) By the sound of that interview, The interviewer was trying to get Ozzy drunk but the interview took too much of his own stuff! LOL! Don't buy it.

Stick To Singing Mr.Ozzy!!!!
First of all,I love Ozzy's music. The man is a legend but let's get real. Ozzy has done alot of drugs in his day and it has affected him. The interview could be cool but Ozzy can barely speak at times and his constant mumbling makes this thing barely listenable. ... Read more

Reviews (1)

Rock 'N' Roll Mammal
This not-so-revealing interview prooves more than anything else that Lou's primary interest after music is character assassination, which ended up being the whole purpose of his late 70's Live Take No Prisoners album. You find out more about who Lou hates in the course of the interview than what he thinks about anything. He seems to struggle at times to offer something interesting and controversial but fails to articulate a clear opinion on any relevant subject and always lapses back into a barrage of insults toward other entertainers.

Lou's made it pretty clear that there are only a few reviewers and music journalists he has any respect for. The woman interviewing him on the CD, perfectly willing to play the weak giggling female for Lou's attempts at biting New York wit, is obviously not one of them. They never get past the "worship of the celebrity" phase of the interview into what could be a more interesting two-way exchange.

The most interesting aspect of the interview is listening to Lou's condescending banter with Sterling Morrison as the Velvet Ed MacMahon in the background. ... Read more

Reviews (7)

*GRIN*
everytime i hear no doubt i get shivers up and down my spine... i LOVE just being able to listen to no doubt talk like real people... this is a MUST for obsessed fans, like myself... but everyone should run out and find it now... (it took me a while to find though...)

Great for people interested in No Doubt
This profile IS a documentary. What do you expect to find in a profile of a band. It is perfect for hardcore fans and anybody else interested in No Doubt. It has no music on it because it is a doc-u-ment-ary. People looking for music, this is not for you. Just buy one of their CDs if you want to hear them, don't expect to get a greatest hits cd with this profile.

I Love No Doubt
Ok there aren't any songs but, if you are truly dedicated to the band I think you'd be interested in this it is a 50 and something minute 1 track interveiw/documentary. I loved listening to it. There is also a 100 page full color book with the bands story in it. I liked all the great pictures.

I love No Doubt!
I am No Doubt's biggest fan, the first day I got this set I had read the book twice and listened to the interview twice! I still listen to it to this day and I bought it 2 years ago. I almost have it memorized. "In the beggining, it was hard to imagine that..." yah okay..you buy it and find out what was hard to imagine!

Documentary
There is no music on this CD. The whole documentary is also completely on track #1 making it impossible to stop in the middle without having to start at the beginning. The documentary is intersting and the little book that comes along with it is nice, but if you're looking for music, keep on looking. ... Read more