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| 61. Harry For The Holidays | |
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Amazon.com Reviews (59)
And it didn't get any better by the time "Blue Christmas" rolled around, because then I started brushing my teeth with an egg-beater. Merry Christmas, Harry. Keep on torturing us with your merry brand of jubilee, buddy.
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| 62. The Rose | |
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Amazon.com Reviews (25)
When my copy of The Rose arrived I cranked it up. It was as if angels had dropped by to sing my spirit into heaven. Their voices were distinctive and harmonious, polished, yet still individual. My personal favorite cut is #7, "There Is No Rose of Swych Vertu". Maybe it was because I got The Rose around Thanksgiving, or maybe not. Somehow I just think this song would be a wonderful part of a Christmas church service. It's exactly the kind of music I would expect from an angelic host. Simply elegant and hauntingly beautiful. Another positive aspect of this album is its variety. The cuts range in tempo and style from elegant to lively, providing a musical feast for the ears. If you are not familiar with medieval music, this would be a wonderful introduction. And if you already enjoy music from centuries past, The Rose is definitely a blossom worth plucking!
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| 63. Kiri Te Kanawa - Ave Maria | |
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Reviews (13)
Track # 11, Purcell's "Trumpet Time", is a trumpet solo by Crispian Steele-Perkins, and there is also a good and jolly trumpet on track # 11, Handel's "Let the Bright Seraphim" from "Samson", which is the piece Dame Kiri sang in St. Paul's Cathedral for the Prince and Princess of Wales, at their wedding in 1981, and has become one of her most often requested songs.
Her rendition of Bist du bei mir moves my soul, and her sense of perfection in the Laudate Dominum would have pleased Mozart himself. Aside from her beautiful voice and enthusiasm for this music, she also articulates every phrase just right. It will not come as a surprise to you that she has been singing sacred arias for as long as she remembers, as the CD booklet mentions. Very highly recommended.
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| 64. Christmas Portrait | |
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Amazon.com Reviews (33)
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| 65. Christmas and the Beads of Sweat | |
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In some ways the difficulties in evaluating this recording is understandable. Nyro's ELI and TENDABERRY recordings have a uniquely timeless quality, and it would be difficult for a first-time listener to fix them at any particular year or even decade; SWEAT, however, is very distinctly rooted in the emerging music of the 1970s. But more to the point, the album sounds commercial while it is actually one of the least commercial recordings Nyro ever created: throughout SWEAT, Nyro repeatedly uses pop-music idioms, but she never actually allows them to evolve into anything that could be remotely described as pop music per se, and in the process she repeatedly leaves the listener hanging, waiting for musical phrases that she never creates. The result is a very strange tension between what one expects to hear and what one actually gets. Of the nine selections on this recording, the two that inevitably take the most heat from critics are "Map to the Treasure" and the title cut "Christmas and the Beads of Sweat;" oddly, however, they both bear a striking similarity to the most celebrated cuts from the recording: "God Standing on the Brown Earth," "Upstairs By A China Lamp," and "Beads of Sweat." In all of these selections, Nyro constantly plays with dymanics, shifting--sometimes gradually, sometimes with jarring rapidity--between loud and soft, fast and slow, at times pounding the piano and pushing her vocals to strident tones, at times dropping into semi-whispered vocals and the barest of bell-like chords. Her approach certainly takes some getting used to, and unless you are prepared to repeatedly listen to this album in order to fully grasp Nyro's odd aesthetic you might do best to leave it alone completely. But if you are prepared to think critically about what you hear, CHRISTMAS AND THE BEADS OF SWEAT is a truly remarkably and rewarding recording, and it is particularly noteworthy in the way it builds and falls away then rebuilds and falls away again from selection to selection, playing passion against exhaustion and frenzy against thoughtfulness. Nyro is in full control of her voice, her instrument, and her material here; this is the artist very close to the peak of her talents, working talisman-like and ritualistic lyrics into a seamless blend with her kaliedscopic piano-based fusion of funk-folk-freeform. A favorite and strongly recommended.
"Upstairs by a Chinese Lamp" is one of Nyro's quietest songs, but unlike her '80s and '90s work (which tends to be almost polite, and a polar opposite to the naked abandon of her '60s work), it is quiet without being timid, and deeply heartfelt, with a dramatic piano keeping the feelings simmering under the surface and woodwinds adding an ethereal beauty. "Beads of Sweat" features Duane Allman on lead guitar; "Up on the Roof" was her only single (ironically, a cover -- this from a songwriter who had the Midas touch in the late '60s whenever somebody covered her songs) to break into the Hot 100 in Billboard, and "Map to the Treasure" and "Been on a Train" are two of Nyro's most compelling compositions. Recording was sharper and less dated than on previous recordings, and Nyro was in fine voice -- no longer swooping so far above her natural range as on Eli and the Thirteenth Confession, but retaining the evocative power of her vocal stylings. Blasted by critics (Rolling Stone's 1991 album guide called this album the worst of her career), Christmas and the Beads of Sweat is actually a perfect negotiation between early, expressionistic Nyro and Nyro in the '70s -- quiet, assured and soothing. By combining elements of both, Nyro crafted what is to me her best work.
People, people, people... let's, for once, get it right. Laura Nyro, reluctant iconoclast to the end, could only respond effectively to the dictates of her muse. The rest of us were free to come to our own conclusions - in either direction. If you look at the range of high-end musicians of her period who worked with her, you begin to understand just how unique and richly gifted she truly was. If you want to pick at her, you can say 'her voice was occasionally harsh and strident', or that 'her lyrics read like a diary authored on mescaline and absinthe'. Say what you like, you can't deny that: 1) Laura brought more honest and passion to her work than any but a very small group of her peers. 2) Her musical vocabulary was light years ahead of all but a very small group of her peers, and 3) Her integrity in consciously moving away from 'the biz' leaves no question as to her ultimate motivation - to produce the best, most meaningful music that she could. 4) Enough popular artists enjoyed success with her work to place her well up the list of "songwriters whose work enjoys mass acceptance". For my part, I cringe every time I hear a L.N. cover by Three Dog Night or Fifth Dimension. It's the audio equivalent of pouring ketsup on Filet Mignon. Christmas and the Beads of Sweat, more perhaps, than any of her other albums, was an intensely personal experience -- that is, it likely seeped into the fabric of those days when first it was heard, and thereafter allowed the listener to recall in full panorama, years later, every molecule, taste, smell, and emotional nuance of thoses days and times. Across all the album-length works I heard before and since I am totally at a loss to find any recorded work that achieves this effect more potently than "Christmas...". A songwriter myself, I cried like a baby when she died, and I still miss her to pieces every time I think of her. Borrowing from one of Laura's peers, as well as one of her few equals... Laura was truly "...the unknown child, so sweet and wild", She was "youth", and she was "too good to waste". Miss you, baby.
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| 66. Holiday Songs & Lullabies | |
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Amazon.com Reviews (31)
Regretfully, I can't put this album into the same category that I have put CDs by other female vocalists such as Judy Collins, Natalie Cole, Anne Murray, or Julie Andrews. But this is a good folksy type classic record to own.
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| 67. My Home Town | |
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| 68. A Christmas Album | |
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Amazon.com Reviews (28)
The other original songs are "Christmas Hymn," "Love Has Come," and "Heirlooms," which blend in just as well with the contemporary Christmas classics "Sleigh Ride" and "The Christmas Song." But the definitive song on this Christmas album is the last track, when Grant pulls out all the stops for an impressive medley of "A Mighty Fortress Is Our God" and "Angels We Have Heard on High," supported by the Hollywood Presbyterian Choir. Having more sedate Christmas songs preceding this finale only makes it a more powerful conclusion to the album. I did a quick check through my Christmas albums and Amy Grant's "A Christmas Album" has more original songs, songs that I have never heard, or songs that do not appear on any other holiday, of any holiday album that I have. If you have not picked up this Christmas album in the twenty years since it was first released, then now would be a good time to add this classic to your music library.
The outstanding new song is, of course, Tennessee Christmas, which was written by Amy and has since been covered by Alabama, Steve Wariner, Lee Greenwood, B J Thomas, Bill Gaither and Porter Wagoner among others. Other notable songs here are Emmanuel, Christmas hymn, Love has come and Heirlooms. This is an album that gets better with each listen and it's a classic. ... Read more | |
| 69. Frank Sinatra Christmas Collection | |
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| 70. 20 Greatest Christmas Songs | |
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Album Description Reviews (6)
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| 71. American Idol: The Great Holiday Classics | |
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Amazon.com Reviews (166)
Have Yourself A Merry Little Christmas - Ruben/Tamyra: Meh. I expected a better vocal performance from Ruben...after all, he's the supposed winner from this season. Tamyra has a beautiful voice, though, so it's worth hearing. O Come All Ye Faithful - Everyone: It's pretty good, they do a nice a capella version. Silent Night - Tamyra Gray: Her voice is still amazing, though she kind of overdoes it toward the end. This is a really serene and peaceful song and she turns it into a Whitney Houston pwoer ballad. Not that her voice can't do that, but it's not right for the song. Silver Bells - Clay/Kimberley: It's cute, but you can SOO tell they recorded it separately. I wish Kimberley had used more of her voice though, she's totally holding back. Santa Claus Is Coming To Town - Everyone: It's painful. I really just can't stand listening to it. Sorry. The Christmas Song - Kimberley Locke: She does an excellent job. Her voice is impeccable and she hits the note on "fly" toward the end so perfectly it gave me chills the first time I heard it. I'll Be Home For Christmas - Justin Guarini: I was surprised by Justin, because he did a much better job than I would have excepted. That being said, I can only take about 2 minutes of it, which is okay, because the song is only that long. Winter Wonderland - Christina Christian: I think she was trying to sound cute/sexy and she just...failed. She wound up sounding like a little kid. Not a fan of it. This Christmas - Ruben Studdard: It grated on me after a while, though I gave it a fair shot. It just wasn't my kind of song, I guess. Oh Holy Night - Kelly Clarkson: She does a good job, but the backup choir is kind of, well, strange. That's the only way I know to describe it. However, her voice is gorgeous and kinda makes it worth it. My Grown-Up Christmas List - Kelly: Yeah. I love this song. And she does an amazing rendition of it. Yay for Kelly. A big non-yay for this being a separate CD. I find it kind of annoying to have to switch CDs to hear two little songs. If you like Christmas music, you'll like it. There has been better, but there has also been much worse, and it's worth it.
But what was wrong with the CD? Christina Christian isn't spectacular, and its obvious why she wasn't in the top 4 of AI. Ruben Studdard, while he is officially an American Idol, will never make it to my list of good singers. His voice started raspy and got worse. He is very easy to identify on this CD, because he has a very strained voice, and he's lost some of the range he started with. The one thing that saved the rest was that Nikki McKibbon was nowhere to be seen on this CD, and that's something to applaud for!
first noel- 5/5 clay sounds great singing anything... just great... cant wait until his christmas cd comes out this christmas Have yourself a merry little christmas 3/5 - i personally think its a little boring... not my favourite song O Come, all ye fathful- 5/5 i think the vocals r amazing... its one of the only songs these days that r not overproduced silent night- 5/5 i've always been a fan of tamyra... her voice sounded amazing as usual... silver bells- 4.5/5 i love both clay and kelly but its not my favourite song... although their voices sounded great santa clause is coming to town- 4.5/5 great upbeat rendition of the song...very enjoyable to listen to the christmas song- 5/5 kim sounded amazing... its defintely one of the greatest christmas songs of all time i'll be home to christmas- 3/5 i've never been a fan of justins... it wasnt as good as the others winter wonderland- 2.5/5 christinas voice doesnt sound as good as it usually does... nothing special about it... this christmas- 5/5 i think this is a great song and ruben did a great job of it... o holy night- 4.5/5 kellys voice is great and she sounded great my grown up christmas list- 6/5 I LOVE THIS SONG!!! easily the best of the album... im actually a clay fan.. i'd usually be giving clay the highest but this song is AWESOME!!! and kelly sounded AWESOME!!! the only thing that annoys me about this cd is that they split kelly and the rest of the lot... u have to change the cd to hear kelly...
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| 72. Sing We Christmas | |
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Amazon.com Reviews (9)
It was my first Chanticleer CD, recommended by a music club, and it certainly hasn't been my last, but it's still my favorite. I love it so much that I listen to it year-round--even in the heat of summer, when I put on this CD, it's Christmastime to me by the end of "Es ist ein Ros". The voices are simply amazing. It sounds like angels singing. I think part of the haunting, resounding sound that sets this CD apart from other choral CDs (and even from other Chanticleer ones) is that it was recorded in a cathedral, so there are some amazing acoustics. I don't know all that much about music theory, so I'm sure my words seem amateurish and maybe a little silly, but this is a truly glorious CD.
The repertoire here runs from the early Renaissance (Josquin's O Virgo Virginum) to the more well-known 18th and 19th centuries (including the purest performance of Stille Nacht available) thru the American colonies (Billings' A Virgin Unspotted) up to the 20th century. This latter time period includes a marvelous little gem, Noel Canon, and a surprisingly lyrical composition by Charles Ives. Jennings (the director of the group) has chosen the original Holst version of In the Bleak Mid-winter (as opposed to the Harold Darke setting, which has become more popular over the last several years). This performance of the Holst is simply impossible to improve upon. Defintely one of my half-dozen picks for a desert-island Christmas CD. Highly recommended.
The group sings as one, in perfect balance. ALL of the songs on here are outstanding. I have never heard any Christmas music better than Chanticleer's "Sing We Christmas." To brighten anyone's Holiday Season, I recommend this glorious masterpiece.
The vocal sound and ensemble are unparalleled by any other group I've heard. Every line is clear and beautiful, from the bass up through the soaring countertenor voices. While there are occaisonally soloists, there really are no stars in this album - it is a performance by the entire group. The arrangements are also very creative, such as Silent Night with 3 verses, each in a different language, and In Dulci Jubilo with 4 verses, each by a different arranger. The bottom line, however, is the music itself. It doesn't matter how many different styles will fit on one album if the end result is musically lacking. That is not a concern here - music is first and foremost, and this album rises well above a densely-packed field of Christmas records. ... Read more | |
| 73. Rocky Mountain Christmas | |
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Amazon.com Reviews (22)
John Denver bridges the pop-folk-country boundaries and gives us good doses of each. He opens with "Aspenglow", as typical Denver as you can get, and goes on with some familiar songs of the season, but also surprises us with new material. "Please Daddy, Don't Get Drunk This Christmas" delivered in a strong country manner certainly isn't something you'll find on your typical Christmas album. The way it's delivered, it sounds almost autobiographical, and it sure is a song to make a person think. His original, "A Child Like You", is a real standout. Oh yes, that "Jingle Bells" delivered as an emotional, nostalgic ballad... Trust me, this is a Christmas CD you should have.
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| 74. Ally McBeal: A Very Ally Christmas | |
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Amazon.com Reviews (55)
Many of the highlights are traditional standards such as LET IT SNOW and HAVE YOURSELF A MERRY LITTLE CHRISTMAS. Much of the music is performed by legal bar superstar Vonda Shepard. There are contributions from a number of her Ally castmates including Calista(Ally), Jane(Elaine), and Robert(Larry). A great variety of music, too. Jane K really has a lot of fun with RUN, RUN RUDOLPH and I SAW MOMMY KISSING SANTA CLAUS. Calista vamps it up with SANTA BABY. Meanwhile, Vonda really puts it all out there on the Carpenter's WHAT ARE YOU DOING NEW YEAR'S EVE. Whether or not you've followed the show, this is a fun holiday CD to add to your seasonal selections.
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| 75. Dream a Dream | |
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Amazon.com Reviews (119)
"dream a dream", the third offering by the remarkable Charlotte Church is an absolutely luminous collection of well-known (and not so well-known) carols and songs. But beyond being just another Christmas CD, this one just happens to be performed by what some people believe is the most beautiful voice in the world today. My favorite track on the CD (so far) is "Draw Tua Bethlehem", sung in Welsh and English and showcasing the remarkable growth her voice has undergone in power and color in the past two years. However, Charlotte is now able to employ a wide variety of vocal styles, ranging from the angelic "When a Child is Born", to the triumphant climax of songs like "Joy to the World". She also performs a truly astonishing rendition of "Ding Dong Merrily On High", and a touching version of "Gabriel's Message" - with only a harp as backup. "dream a dream" is by far the best work Charlotte has recorded so far. If you buy one Christmas CD in the next ten years, this should be the one. Thank you, Charlotte!
Ms Church continues her tradition for excellence with this latest release. More than just another Christmas album, "Dream a Dream" is a mixture of the ancient and new, spiritual and contemporary, Pop and traditional. Ms Church's crystalline pure voice accompanied by the London Symphony Orchestra carries one to heavenly heights with the greatest of ease. It's a real delight to listen to this latest work by Ms Church and it will be one I'll be listening to long after the passing of the Season of Christ. My favorite's on the album include these moments: Rhodri Davies' harp accompaniment on the beautiful Ave Maria is one of the finest ever heard, this pairing of harp and voice is nothing short of one of the finest moments in music history. Charlotte's "child like voice" in O Tannenbaum conjures forth images of Christmas settled and celebrated around the Christmas Tree by millions of children around the world. The only all a cappella song on the album is "Lo! How A Rose E'er Blooming". Dating from the late 1500's it is the most regal of all the spiritual songs on the album. Dream a Dream is Ms Church's first step into the season of Pop and is superlatively performed. What else are we going to see from this very versatile young lady in the way of Pop? The full orchestral backup of "O Come, All Ye Faithful" truly expresses the spirit of the season. "Draw Tua Bethlehem", a Welsh hymn of praise, is expertly carried by Ms Church in Welsh and English and sets one on a journey of hope. Not only does this album express the measure of the season but it gives us an insight into the sophistication of voice and value of this very beautiful young lady. The album is beyond the land, lore and love of Charlotte's Welsh citizenship, it speaks to millions throughout the world of all languages and cultures.
The new song here, a duet with Billy Gilman, is the title track, resplendent with the orchestral arrangements. "Dream A Dream" has the subtitle Elysium, indicating a place of ideal happiness. Between the two artist, it's clear who's the better vocalist, and it's the one who's not from the US. "Ding Dong Merrily On High" is sung more on the isles, and it's a chirpy number I first heard on Monty Python (don't ask!). After hitting that high note in the gloria of "Gloria, Hosanna in Excelsis!" I momentarily though her name was Gloria, before I remembered it was Charlotte. In "Winter Wonderland", she sings a first verse I've never before heard whenever I've heard this overplayed on radio or on nauseating mall muzak. Normally, I hear the chorus straight out, so it shows that maybe those Brits and Welsh are more complete in their carol renditions. The London Symphony Chorus does wonders on "O Come O Ye Faithful," with Charlotte coming in on the second verse. They sing together in the third one, and the fourth verse, the symphony chimes in, a bit on the bombastic side, I might add, but that's compensated by Charlotte hitting that high note like there's no tomorrow. The symphonic excess is absent in "Hark! The Herald Angels Sing", making a classic X-mas song resplendent, also replicated in their rendition of Handel's "Joy To The World." The songs involving the chorus rank as my favourites here. "The Coventry Carol" is clearly from the other side of the Atlantic and it's a welcome change from the usual material. It tells how to save Jesus throughout Herod's orders. The Welsh song she does is "Draw Tua Bethlehem", Welsh for "Far Over Bethelem." She sings the verses in both Welsh and English, and her voice really rings out here. One of the better songs here, and for once, the Symphony is at the right level. "Lo, How A Rose e'er Blooming," a more religious song, was originally written by Michael Praetorius, the German choral music composer of the seventeenth century. The chorus features the chorus in the first verse Of the other standards, "The Christmas Song", "Joy To The World", and "Gabriel's Message" is done tastefully. Charlotte's voice is at its usual glory, coming as it does after her self-titled album, but the symphony can be a bit overbearing at times. How much do I appreciate this? Considering that this is the only serious X-mas album I have left in my collection, go figure. However, I would've changed the album cover for something better.
The album opens with Dream a Dream (Elysium), Charlotte's duet with young Billy Gilman; granted, this is not exactly a Christmas song, but it is a beautiful, soul-stirring piece of music I can't keep myself from playing over and over again. It is a wonderful introduction to the eighteen songs to follow. Among the tracks are several secular songs that all will recognize. Charlotte's unmatched professional musical styling imparts a refreshingly new spin on Winter Wonderland and The Christmas Song. The more serious When a Child Is Born, a song I was unfamiliar with, and The Little Drummer Boy, along with the joyful Ding Dong! Merrily on High stand somewhere between secular and religious pieces, providing an easy transition to the spiritual songs Charlotte was seemingly born to sing. One comes to feel as if one knows certain hymns such as Joy to the World, O Come, All Ye Faithful, and Hark! The Herald Angels Sing from singing them in church every December, but no one I have heard has ever imbued these songs with the power and splendor that pours out of Charlotte's soul. The final verse and chorus of each of these hymns is simply amazing, with Charlotte gracefully lilting over notes far too high for most talented sopranos. The same can be said of O Holy Night; to me, this is the quintessential Christmas hymn, and only a rare few have the voice to sing the song the way it was meant to be sung. Of course, Charlotte's voice loses none of its power and beauty in songs written in a less vocally challenging register. Songs such as Mary's Boy Child, What Child Is This? (Greensleeves), God Rest Ye Merry, Gentlemen, and Silent Night reflect a somberly respectful quality, and Charlotte more than does these songs justice. She brings equal amounts of passion, warmth, and respect to each of the songs on this album. Charlotte also provided me with a wonderful introduction to several songs I had never heard before: The Coventry Carol (Lully Lullay), Draw Tua Bethlehem/Far Over Bethlehem, Gabriel's Message, and Lo! How a Rose E'er Blooming. Draw Tua Bethlehem features both Welsh and English lyrics, and Charlotte's voice is equally beautiful in any language. For me, this entire album is nothing short of perfect. The contributions of the London Symphony Orchestra and Choir as well as the New London Children's Choir should not be overlooked, especially given the fact that several of these songs basically require the backup of heavenly choirs proclaiming the good news, and Julian Smith deserves recognition for his superb arrangements of most of the tracks on the album. With so much talent brought to bear on this project, it is only natural that this CD should find an important place in many a music lover's Christmas traditions. ... Read more | |
| 76. Greatest Cowboy Songs Ever | |
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| 77. Hung for the Holidays | |
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| 78. We Three Kings | |
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Amazon.com Reviews (9)
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| 79. Home for Christmas | |
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Amazon.com Reviews (30)
IT IS ONLY HIS VOICE WE HEAR, AND WHAT A VOICE !!! But at the live shows, he does the same thing, but without the music, and the effect it has IS LIKE A PHYSICAL BLOW TO THE SENCES. I think every one in the place just held our breath until he was finished. IT'S THE MOST BEAUTIFUL SOUND THAT EVER CAME FROM THE MOUTH OF ANY SINGER I HAVE EVER HEARD. I play that one number over and over just to hear ANTHONY'S VOICE. I guess by now you know that I think all THE IRISH TENORS are great, but there is always something special about each of them on certain numbers they each sing. I especially like the trio doing AMAZING GRACE. They do it so well together. Just can't wait for the new "STUFF" FROM YOUR #1 FAN. JOAN WAY
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| 80. Brand New Year | |
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Amazon.com Reviews (44)
They have a random array of songs on this album; some classics, some new, and some classics arranged SHeDAISY style. Track 1 is "Deck The Halls." This was released as a single last year and did GREAT on the charts. The success of the single was why they were encouraged to make a Christmas CD. Track 2 is "Santa's Got a Brand New Bag." I love the beginning of this song! Okay, I actually LOVE all of this song. It is very catchy. All the lyrics of this song had me rolling laughing! Example-"I've got his big fat kiss / Right at the top of my list." Track 3 is "That's What I Want For Christmas." Well, since this is a classic, there is nothing much to say here. I mean, it is just another song to show off those beautiful sister harmonies. It's sweet. Track 4 is "Jingle Bells." Okay, let me see, so they "SHeDAISY-FYed" the song. This track is already feeling the effects of the repeat button on my stereo. It is so awesome! I love the way the chorus is arranged. Next is "A Really, Really Merry Scary Intro." You will have to hear that for yourselves. =0) Track 6 is "Tinsel Town. The lyrics are cute. "Can't get the kids to sleep, sugar's got them wired." It is just another fun SHeDAISY song. Track 7 is "Sleigh Ride." This is just a rockin' awesome song! I love it! Track 8 is "What Child Is This." As soon as Kassidy's vocals began my heart just dropped. I mean, I was thrown into a trance. I have HEARD this song many times BEFORE, but with Kassidy's vocals it is just wonderful! I am in love with this song. This *is* my favorite Christmas song on the album. Then when Kelsi and Kristyn's harmonies intertwine in... They just wrap around Kassidy's voice so magically. Track 9 is "Hark The Herald Angels Sing/Carol of Bells." This is a fun song! I love it! dc Talk's Toby McKeehan raps in part of the song. Track 10 is "The Secret Of Christmas." This is another Christmas classic. Track 11 is "Christmas Children." I love the vocals on this song. It is wonderful. Track 12 is "Twist Of The Magi." The Rascal Flatts join them on this hilarious song. All I can say is, "Oh. My. Word. Listen to the lyrics!" I can't even single out any one lyric that I think is funnier than the other. I love the humor of this song. Track 13 is "Brand New Year." What a hit! They have to market this one for a movie, commercial, or SOMETHING! It makes you want to dance! I love it! And I love the "bonus track." =0) Talk about a perfect display of Osborn harmony. *sigh* This is an excellent CD. For all the SHeINFO you might ever need, head to the official web site at www.shedaisy.com Oh, and don't forget to "Share the SHeLOVE!" -The Texas Spaz
1. Deck the Halls (5/5) - This song is easily my favorite. The powerful opening, the great harmonies, it's awesome. An upbeat remake of a classic song. All in all, this CD is one that should not be missed. You won't be disappointed.
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