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    $13.49 $8.89 list($18.98)
    1. It's Time
    $13.49 $12.73 list($17.98)
    2. Careless Love
    $13.49 $8.79 list($18.98)
    3. Come Away with Me
    $12.98 $8.89 list($18.98)
    4. When I Fall In Love
    $13.49 $8.64 list($18.98)
    5. Michael Buble
    $13.49 $8.98 list($18.98)
    6. Feels Like Home
    $13.49 $11.29 list($16.98)
    7. The Cosmic Game
    $11.99 $10.64 list($13.98)
    8. Whipped Cream & Other Delights
    $13.49 $12.93 list($18.98)
    9. Sympathique
    $8.99 $7.49 list($11.98)
    10. Kind of Blue
    $12.98 $10.70 list($18.98)
    11. De-Lovely
    $10.99 $8.40 list($11.98)
    12. Dreamland
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    13. The Girl In The Other Room
    $20.78 $19.82 list($25.98)
    14. Radiance
    $13.49 list($17.98)
    15. Simple Things
    $11.99 $11.25 list($13.98)
    16. Dana Owens Album
    $13.99 $7.93 list($18.98)
    17. At Last...The Duets Album
    $13.99 $8.12 list($18.98)
    18. Getz/Gilberto
    $13.49 $9.10 list($18.98)
    19. The Way Up
    $13.49 $9.99 list($18.98)
    20. Renee Olstead

    1. It's Time
    list price: $18.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B00070Q7VO
    Catlog: Music
    Sales Rank: 27
    Average Customer Review: 4.5 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Michael Bublé's assured debut and the tireless year of globe-trotting touring he spent promoting it elevated the 20-something Vancouver native into the first rank of pop crooner revivalists. His sophomore studio follow-up largely turns on the same formula that helped make his considerable vocal prowess so attractive to mainstream audiences, mixing the nigh flawless, if expected Sinatra-channeling ("I've Got You Under My Skin") with more playful and inviting renditions of pop standards like the Gershwin's "A Foggy Day in London Town," "Feeling Good," "Try A Little Tenderness" and Cole Porter's "I've Got You Under My Skin." But it's the eclectic mix of more contemporary material the singer seasons them with -- apt tribute to Bublé hero Bobby Darin -- that keeps him walking the narrow tightrope between artistic intrigue (a blues-tinged vamp of Holland-Dozier-Holland's "How Sweet It Is," Leon Russell's lovely "Song For You," with a guest turn by Chris Botti) and the kitsch-laden abyss ("Quando, Quando, Quando"'s Euro-centric duet with Nelly Furtado, a ring-a-ding-fling with the Beatles' "Can't Buy Me Love" that echoes fellow Canadian crooner/rival Matt Dusk's more successful flirtation with Lennon-McCartney). Arranger/producer Tommy LiPuma offers Bublé a welcome swinging jazz showcase on "The More I See of You," a bracing respite from the rest of producer David Foster's slick, if typically bloodless MOR production.-- Jerry McCulley [Note: Aspecial edition including two bonus tracks--"Dream a Little Dream" and "Mack the Knife"--is also available.]

    Michael Bublé and More

    Michael Bublé

    Come Fly with Me

    Totally Bublé

    Come Fly with Me (DVD)

    Two Shots

    Peter Cincotti

    ... Read more

    Reviews (103)

    Michael Buble continues climbing the ladder of stardom with his latest CD "It's Time". I saw Michael sing "Feeling Good" on the David Letterman Show and his performance was truly outstanding. With his International appeal and record sales in the millions, it has now become very apparent that Michael Buble has truly found his audience and has become one of the brightest stars on the worldwide music scene.

    With "It's Time" Buble has given his legions of fans exactly what we wanted, more of the same but with a bonus, an original song. This album like his first "Michael Buble" is a very well thought out mixture of well-loved standards, light rock, and classic pop hits with the addition of an excellent original called "Home". All thirteen of these songs are recorded and produced superbly and Michael's tremendous voice and performances just keep getting better and better. The addition of other well-known contempory artists on a few of the tracks makes this cd an extremely good value and I really like this formula of combining two or more wonderful talents to create great music. The sky is the limit for Michael Buble and if this CD is any indication it is going to be a very enjoyable ride.

    If you like Sinatra and Swing, I would also suggest Monte Procopio's "Swingin' With Style". He is another crooner that can really swing with the standards.

    5-0 out of 5 stars The absolute best male singer today...
    This man is one in a lifetime as far as I'm concerned. Ever since I was ateenager, and that was a long time ago, the sultry and sophisticated 'blues' sound of Frank, Dean, Tony, et al have kept me interested in 'real' music, and that's why I have played contemporary and Jazz piano for over 40 years.. the romance that is so delectable in a young persons' life -even if they don't know it at the time- is found- and will last- in Michael's music..thank God there is someone out there with the talent that Michael exhibits. His renditions are first rate by any standard, he brings new life and zip to old classics that the current generation(s) may not have even heard before. And his song "Home' almost brings me to tears every time I hear it.. isn't that something. Canada should get behind Michael as we have here a budding superstar of the magnitude of Celine Dion and even the untouchable GordonLightfoot.

    5-0 out of 5 stars What Can I Say?
    Before i bought this album, I'd only heard a few songs, mostly from Michael's first album. I bought "It's Time" solely for the track "Home" (which is totally worth it!). I was very impressed with this whole album. It's very eclectic. Michael Buble's vocals are amazing and soothing all at the same time. His covers are creative and polished.

    If you're looking for some great music, do yourself a favor and pick up anything by Michael Buble! You'll thank me for it!

    5-0 out of 5 stars Celebrate Michael Buble's musical magic!
    It's Time is a celebration of musical magic! Michael Buble is a refreshing and welcome addition to the music scene. Celebrate how he manages to make every song on this cd his own and he accomplishes it with style and panache.

    Since my purchase of It's Time it has been in steady rotation both in my car stereo and in the offices and will continue playing for a long long time. There is something on this album for all moods and it's refreshing to enjoy EVERY track on a cd for a change. Thank you Mr. Buble.

    5-0 out of 5 stars WOW
    I love all genres of music but hold a special place for jazz in my heart. I bought Michael's album "Its Time" because I love jazz and those whose musical opinion I value gave it the thumbs up. I popped it in and listened to the first track, "Feeling Good". Starts slowly, unassumingly... then WOW, it starts swinging, he starts showing off his vocal prowess, and I sat there with my jaw dropped and knew INSTANTLY this guy was something special! Its rare that I like a song the very first time I hear it, I've never loved one the first time I heard it. I LOVED "Feelin' Good" the first time I heard it, and had the same reaction to track 4, "Quando Quando Quando." Most of these songs are covers you will recognize, but the really amazing thing is that Michael makes them sound different... you feel like you're hearing them for the first time. Michael's voice is like a hybrid between a young Frank Sinatra and Harry Connick Jr., but his style is 100% his own. I literally have not stopped listening to this album (all tracks are great) since I bought it. I am going to see Michael perform in Memphis this August (2005), and I couldn't be more excited! I am very thankful for such a wonderful young artist who is bringing this fabulous music to the masses (and to many young fans previously unexposed to jazz). This music- and Michael Buble'- should be celebrated!

    ... Read more

    2. Careless Love
    list price: $17.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B0002NRRAG
    Catlog: Music
    Sales Rank: 55
    US | Canada | United Kingdom | Germany | France | Japan

    When Madeleine Peyroux's debut, Dreamland, was released in 1996, its success threw her for a loop. She's taken eight years to create this follow-up, and, at age 30, she brings a confidence and resilience to this dozen-song set. She's able to move seamlessly between songs by writers as diverse as Elliott Smith and W.C. Handy, whose title track was popularized by Bessie Smith. Though American-born, Peyroux absorbed the language and culture of France growing up in Paris with her French-teacher mother. On her debut, she covered Edith Piaf, and this time out she wraps herself around "J'ai Deux Amours," which Josephine Baker sang to the Allied troops during World War II. --David Greenberger ... Read more

    3. Come Away with Me
    list price: $18.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B00005YW4H
    Catlog: Music
    Sales Rank: 41
    Average Customer Review: 4.19 out of 5 stars
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    It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending intimations of Billie Holiday and Nina Simone without sounding like anyone but herself. Anyway you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic, "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to masterpieces such as these. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience, and some careful listening to artists like J.J. Cale and Shirley Horn, is the knack of remaining low-key without being sleepy--sometimes less is not, in fact, more. --Michael Ross ... Read more

    Reviews (1262)

    5-0 out of 5 stars "Come Away With Me".....I would!
    A buddy, affectionately known as 'That Ricky Guy,' discovered that I had never heard of Norah Jones. Well, he thought so much of this unique and gifted song stylist (and of me, for some reason) that he gifted me with a copy of this CD. I pay attention to Ricky's musical evaluations because he is the only still-living person I know who was actually there at Carnegie Hall in 1961 to witness Judy Garland's Ultimate Triumph (though he was probably on his mama's knee), and he said Norah Jones is good. He's right. He's definitely right!

    It's human nature for us, hearing a singer for the first time, to make the inevitable comparisons....and I did just that listening to Norah. There were touches of Peggy Lee, I thought...certainly Rita Coolidge...Blossom Dearie, though the voice isn't that fragile...some of Nina Simone's subtle emotion. And of course she's a jazz singer, but there sure is a touch of country in that delivery of hers, maybe even a gentle hint of smokey coffee-house folk singers. But finally it dawns on you that Norah Jones, this young girl with a talent far older than she herself, has seduced you....reeled you right in with her OWN individual brand of musical magic.

    Just as I didn't know Norah until this evening, many of the songs were also new to me....but I'm sure will become old friends. I especially loved "One Flight Down," and the title song she wrote herself, as well as "Nightingale" and "The Long Day Is Over." Of course my favorites were the two familiar standards, "Cold, Cold Heart" and "The Nearness Of You" (let's face it....I'm basically stuck back there in time wanting more details of Garland's encores from my friend Rick) but I really do think Ms. Jones would be doing herself (and us) a great service if she borrowed a page from Diana Krall and recorded an entire album of the old classics. She has the genuine talent to give new life to old chestnuts...and she should!

    5-0 out of 5 stars Music To My Ears
    I grew up in the sixties and am not a fan of most of today's music. Popularity and Grammy Award wins normally don't persuade me to buy an album. However, Norah Jones's invitation to "Come Away With Me" was too hard to resist. I fell in love with her voice and enjoyed every song on the album. The tasty arrangements, performed by outstanding musicians, not to mention her own melodic piano playing, perfectly complimented Norah's sensual, seductive voice. For me, the music recreated the atmosphere of a late night jazz club. "Don't Know Why" is one hit song that I never get tired of hearing. I was especially impressed by the arrangement of Hank Williams's country classic "Cold Cold Heart." She transformed it from a honky-tonk lament into a jazz ballad. J.D. Loudermilk's "Turn Me On," when performed by Ms. Jones, had the desired effect on me that the writer intended. The melancholy "The Long Day Is Over" effectively conveyed weariness, suggesting that it's time for the sleepy patrons to finish their drinks and go home, because even late night jazz clubs have to close sometime. Closing out the album with Hoagy Carmichael's "The Nearness Of You" implied that Norah will not be going home alone. "I need no soft lights to enchant me, if you'll only grant me the right, to hold you ever so tight, and to feel in the night the nearness of you." This album totally won me over and turned me into a Norah Jones fan.

    1-0 out of 5 stars GET AWAY FROM ME
    Cold, calculating, but ultimately callow Upper Middle Class pop jazz from an Ice Queen who sings with all the soul of a doorstop. If this is indeed Ravi Shankar's daughter, she inherited not one iota of her father's passion and artistry. Phony through and through.

    5-0 out of 5 stars Beautiful, distinguished voice and sophisticated music.
    In a world where the new "singing sensations" are the unoriginal screamers who participate to "American Idol" and similar TV monstrosities, it's really refreshing to witness the rise of a REAL talent with a REAL music background and an exceptional panache for musical "buon gusto."

    Norah doesn't have a "big" voice, so what? Neither did Billie Holiday, but I'll take her over any screamer at any time. It's not by chance that I mentioned Billie Holiday, because that's the kind of voice Norah reminds me of, and I simply love it. Sultry, smoky and haunting are the three adjectives that immediately come to my mind.

    On to the music, Norah's songs are a delightful blend of country, blues and jazz, all encased by electronic-free arrangements (i.e. real singers need no walls of synthesizers and special effects to cover the flaws of their voice...) and some very tasteful but unobtrusive piano playing by Norah herself.

    I basically like all songs in this album, but my favorites are the title track ("Come Away with Me", a really delightful jazzy waltz), "Don't Know Why" (a Pat Metheny-esque tune featuring a beautiful melody and an exceptionally tasteful arrangement) and the amazing "The Nearness of You", where Norah showcases her incredible ability to perform immortal standards with nothing behind her voice but her own superb piano accompaniment.

    The fact that this album received 8 Grammy awards makes me a little less pessimistic on the future of pop music.

    2-0 out of 5 stars cub away wif be
    Norah Jones... either she ought to have her deviated septum fixed or she was suffering from a head cold when she cut this album. In either case, perhaps Amazon should put together a two-cd deal featuring Norah Jones and one of Jonathan Richman's records. Stuffy-nose pop fans, rejoice!
    But seriously folks, this stuff is not music. If you want to hear comatose jazz stylings, check out Blossom Dearie Sings Comden and Green or her version of Someone to Watch Over Me. This is pure heroin. You bang it in the mainline and fall back on the flophouse bed with the hypo still sticking out of your arm. Norah Jones, on the other hand, is not satisfied until her tracks ramp up to some up-tempo peak of countryfication. Just so you know she means it when she whispers out, "Cub away wif be... inna dight." Sounds suspiciously like the cold sufferer on a Nyquil commercial. ... Read more

    4. When I Fall In Love
    list price: $18.98
    our price: $12.98
    (price subject to change: see help)
    Asin: B0002VL0K6
    Catlog: Music
    Sales Rank: 23
    US | Canada | United Kingdom | Germany | France | Japan

    This is not the typical example of an artist from another genre jumping on the crowded standards-and-ballads bandwagon. When I Fall in Love instead represents an instrumental stylist busting out of a box to find a much more suitable platform for his craft. These tracks are the fruits of an obvious labor of love for everyone from the featured musicians to the arrangers to the engineers. The arrangers, particularly Billy Childs and Gil Goldstein, give Botti's trumpet a broad-brushed orchestral backdrop that allows him to emerge from the swirling strings and bouncy horns with bold strokes of creative improvising. Some tracks are obvious nods to Gil Evans and the lush arrangements of 1970s CTI recordings. Even the guest vocalists, Sting and Paula Cole, let his trumpet sing first before their respective cues on "La Belle Dame Sans Regrets" and "What'll I Do." The only blemish here is the obvious attempt at smooth jazz airplay with Sade's "No Ordinary Love." --Mark Ruffin ... Read more

    5. Michael Buble
    list price: $18.98
    our price: $13.49
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    Asin: B000088E6D
    Catlog: Music
    Sales Rank: 247
    Average Customer Review: 4.45 out of 5 stars
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    Pop's rush to raid the cradle continues with this promising debut by 25-year-old Canadian singer Michael Bublé. And while the young vocal star's good looks are smart enough for a boy band, his muse seems to have sprung from a more sassy and compelling musical era. Mentored by Paul Anka (whose '50s hit "Put Your Head on My Shoulder" is covered in dreamy, cabaret fashion here), Bublé sings in the orbits of Darin and Sinatra, covering swing epoch gems ("Come Fly with Me," "The Way You Look Tonight," "That's All") and rock era standards (Van Morrison's "Moondance," "How Can You Mend a Broken Heart" by the Brothers Gibb, Queen's "Crazy Little Ting Called Love") with equal aplomb. David Foster's production is typically slick and played to the back row of the bleachers, but it's informed by smart contexts provided by such arrangers as Johnny Mandel, Randy Waldman, and Mike Melvoin. If the choices of material are sometimes staid and predictable, they also give the singer a crucial framework for building toward something more challenging; his is a bright future. --Jerry McCulley ... Read more

    Reviews (345)

    4-0 out of 5 stars I Like this CD - A Lot
    I just bought this CD 3 days ago, and I've played it probably 10 times already. Its a pretty good album - Michael Buble has a very good - although Sinatra/Torme/Connick - sounding voice. The arrangements are well made too - but Just The Way You Look Tonite should have preferably been arranged as a slow croon rather than bossa nova style.

    I usually look into the Tower reviews to see if anybody else liked the CD's I buy, and it seems that a lot of other people like MB as well as I do. There are however a few people who really blasted him in their reviews. Not only blasted, but outright insulted him - a Karaoke singer!? Really now. Around 10 of 155 reviewers gave him 1-3 stars, and all I can say is that talent is in the ears of the beholder (or in this case, the listener). Measuring MB on the review scale, he is most obviously a talented singer who has moved his audience.

    I hope MB comes out with his own album of The Great American Songbook. I'll be looking forward to hearing it, and reading the reviews.

    5-0 out of 5 stars Harry Connick Jr. eat your heart out!
    I first heard Michael Buble in the film DOWN WITH LOVE. I turned to my friends and asked "Who is that singing? He's great!" But I didn't think about the unknown singer for weeks.

    Then I was in a CD store with the same friends and one turned to me and said "You must get this CD. This is the guy you liked from DOWN WITH LOVE." Well, I bought the CD and rushed home to listen to it.

    This guy has real talent. Harry Connick Jr. may be a fine musician but he is but "a poor man's Sinatra" next to a singer like Michael Buble. Buble brings something more to the standards. He has a sweeter voice than Connick yet brings a more individual style too. In some ways he is reminiscent of Bobby Darin but whereas Darin could certainly swing, Buble also brings a sensuality to his music. His version of "Sway" is by far the best I have heard and my current favorite from the CD.

    The arrangements are all great and the selections range from standards like "Fever" and "Come Fly With Me" to new classics like "How Can You Mend A Broken Heart" and "Moondance". Buble's cover of "The Way You Look Tonight" would make even Fred Astaire proud.

    5-0 out of 5 stars The boy is soooooooo good!
    I bought singing lessons on CD "Voice Lessons TO GO" by Vaccarino, because I was tired of being embarrased to sing with him when my husband was around! I love to play Buble's CD over a good home cooked meal. It is is such romantic music- his voice is so charming. I am also a huge Harry Connick Jr. fan. If you like one, you'll like the other.

    5-0 out of 5 stars A word to the detractors;
    So you like Frank and Bobby better? Quite a left-handed insult. Although it's fair to say that Bubel comes from that style, (and who could be interested in this kind of music without listening to a -lot- of Sinatra?), it's also apparent to me that this guy just opens his mouth and -sings-, naturally and musically. Some people aren't built to punk out, guys. Let's allow two or three saloon singers to have a career .

    5-0 out of 5 stars "Michael Buble" one CD you will never get tired of playing.
    Michael Buble is a special talent. I have been listening to his self-titled album "Michael Buble" for quite some time now and every time I hear Michael sing I am just amazed at how mature and seasoned his voice is. Others have mentioned comparisons to other great performers from the past, but Michael doesn't have to rely on anyone's reputation but his own. With his gorgeous voice and unique style he will be a permanent fixture in the pop music scene for many years to come. This CD is really well done. The song selections and production are perfect for a singer of Michael's great ability. You are really going to enjoy this CD!

    If you enjoy listening to crooners and Big Band Swing, I would also suggest Monte Procopio. His 13-piece band swings and Monte can really sing the standards. ... Read more

    6. Feels Like Home
    list price: $18.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B00018D44U
    Catlog: Music
    Sales Rank: 15
    Average Customer Review: 3.61 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Norah Jones blew everybody away with her jazzy, country-tinged,Grammy-winning debut CD, Come Away With Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, "Sunrise" to Tom Waits' "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley, Jr. ... Read more

    Reviews (495)

    3-0 out of 5 stars Middle of the road
    I am a Norah Jones fan but have to admit that her music is somewhat generic. The songs seem to blend into each other - besides the first single 'Sunrise' which is at least distinctive. She has a tendency to repeat a single word/line all throughout the song, until the fade out .. kind of following a formula of sorts. Not much content in the songs, not very good songwriting perhaps. I'm not a songwriter but would prefer songs where it doesn't feel like a broken record at times.

    The good points are that it's a very nice soothing album that you can put on in the background. Plus, she does have a wonderful voice. It's more country than her previous album, but that's a good thing .. I presume that's why it's called 'Feels Like Home'.

    Definitely recommended. It's good music to just put on during a drive home or for relaxing with a cup of hot chocolate (or coffee or whatever's your poison).

    PS: The CD has copy-control, I haven't had any problems with it but it's just something to keep in mind .. since according to the back, it might not work with most car CD players.

    5-0 out of 5 stars A unique, musical sound; great songs
    I was in a mood to find some new artists, and indirectly heard of Norah Jones. Amongst the other albums I ordered, I was very surprised and pleased to find this one. Norah's voice is very cool -- the songs are a little jazzy, a little bluesy and a little rock. They are all pleasing and complex without being too much, too loud, etc. I find myself listenging and discovering new aspects of the music each time and this has become one of my favorites.

    1-0 out of 5 stars Short and Sweet...
    A Norah Jones CD would sound just like one long continuous boring song if there were no breaks between tracks!
    I really tried hard to find some enjoyable quality in her music. But after the third song, she really starts to become annoying to listen to. It's like someone dragging their fingernails across a chalk board.

    5-0 out of 5 stars heaps better than the first cd...
    I was never a fan of Norah's, but the week this cd was released every music store in town was playing it in heavy rotation, so i started to like it, then i decided to buy it and i love it! it took me ages to get into it though. first i played my favourites and now have worked up to playing the whole cd. My faves would have to be Sunrise, Creeping In, Toes, Humble Me, Don't Miss You At All and The Prettiest Thing. The line in Humble Me 'Baby Teresa she's got your eyes, i see you all the time, when she asks about her daddy i never know what to say', really got to me. it's such a sad made me think of Norah as a mom though, which was kind of weird, but i think she'd be a great one : ) This CD is fantastic and well worth the money. What's the enhanced bit on this CD?

    5-0 out of 5 stars great sophomore cd
    please ignore and disregard the mean one star reviews foe this excellent sophomore album from the grandaughter of the great indian sitar maestro ravi shankar and it gives me great pride as an indian to listen to her great albums and her accompilshments.very highly recommended.go norah go!!!!!!! ... Read more

    7. The Cosmic Game
    list price: $16.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B0006ZXJ3E
    Catlog: Music
    Sales Rank: 126
    Average Customer Review: 4.5 out of 5 stars
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    There's always been a psychedelic edge to Rob Garza and Eric Hilton's Thievery Corporation project. 2000's Mirror Conspiracy is a downtempo classic precisely because of its druggy expansiveness; sober listeners and saucer-eyed trippers alike could find common ground. Similarly esoteric and nocturnal, The Cosmic Game floats around the room on a wave of mystic beats and guest vocals from Perry Farrell, The Flaming Lips' Wayne Coyne, and David Byrne. Garza and Hilton are less devoted to non-electronic sources here than they were on The Richest Man in Babylon or The Outernational Sound, though their fascination with dub rhythms and world music remains intact. A fair amount of armchair travel is involved as you go from the late, late-night, beach-club-in-Jamaica sound of "Amerimacka," to the Brazilian percussion of "Ambicion Eterna" and "Pela Janela." But more than anything, the record feels like a return to the duo's own ethereal sonic roots. It's a nice blend of their music over the last half-decade for longtime fans, and a hazy glide down the rabbit hole for newcomers. --Matthew Cooke ... Read more

    Reviews (46)

    5-0 out of 5 stars another impressive album!
    Thievery has been one of my favorites for a long time now.This album is fabulous!Very smooth and well mixed.

    4-0 out of 5 stars Hat's off the Thievery Corporation
    I'm going to have to disagree with some people about the only bad song of this great disc. I personally think Warning Shots is really bad. If they took out the lyrics it would be good, but it's just too out of place of this cd. The rest of Cosmic Game is pure heaven with a great mix of dub, reggae and awesome Indian vocals, percussion, and amazing sitar! It really reminds me of Mirror Conspiracy. All around good stuff, and I recommend it to everyone.

    5-0 out of 5 stars The duo's talent ages like wine!
    The three CDs released by the Thievery Corporation are among the best I have listened to. While "Mirror Conspiracy", their first CD, is a classic, "The Cosmic Game" is the high point of their career thus far. Although there are many tracks that do not reflect their previous work, they are exemplary.

    A few favorites:

    -"Marching the Hate Machines" a song to definitely "just chill to." Every time I listen to it, I feel I must lay back casually and forget my surroundings until its ultimate blend into...

    -"Warning Shots" by far the most surprising song produced by the Thievery Corporation. The most beautiful rap song I have listened to. This song is incomparable to really anything.

    -"Satyam Shivam Sundaram" in my opinion, the best track on the CD. This song is music at its best. The spellbinding lyrics are so magical, I don't want to know what they translate to... it could break the spell.

    -"Amerimacka" is completely and utterly amazing. Melodious poetry put into reggae terms. Notch's vocals are sure to place a anyone into an audio-induced trance.

    -"Sol Tapado" a cool, refreashing brazilian tune. Though I live in Colorado, every time I listen to this in my car, I feel as if I'm driving under palm trees. Copacabana Beach compacted into a song.

    -"The Cosmic Game", "Holographic Universe", "The Supreme Illusion", and "A Gentle Dissolve" are some of the most mesmerizing instrumentals ever made. The epitome of what the Thievery Corpration is known for.

    The Thievery Corporation keep getting better with every CD. They have yet to let me down with their molding of sheer audio beauty. If you thought nothing could top "Mirror Conspiracy" or "The Richest Man in Babylon" then you ain't heard nothin' yet. The "Masters of Bass" (as I like to refer to them) have done another outstanding work. Don't let the stars fool you... ten stars out of five.

    5-0 out of 5 stars Best offering from Thievery Corporation yet
    Although there are already numerous reviews of this CD, it's so good that I felt I needed to show support for it in some way.This is a bit of a departure from their more dub-oriented albums, but in no way does that diminish this release.

    This album has more of an Eastern (Indian & Arabian) feel to it, as well as some South American influences (occasional tracks on this CD remind me a bit of the inimitable Gran Hotel Buenos Aires (also published by ESL, surprise surprise!) - an absolute must-buy if you're a downbeat/lounge/dub enthusiast).That isn't to say that they don't head back to their dub roots (see tracks like Amerimacka), but this just feels like a very mature offering from a band that has grown immensely over the years.

    As some other reviews note, the CD isn't without its weak tracks, but with so many crammed onto one CD, you really cannot go wrong.I would definitely rate this as Thievery Corporations best release to date - perhaps only matched by their recent Babylon Dub Rewind...excellent in its own right, but clocking in at only about 1/3rd the length of The Cosmic Game.

    4-0 out of 5 stars Not as good as The Richest Man In Babylon
    I like this album but it definitely has it's weak tracks. My favorite tracks are "The Supreme Illusion", "Holographic Illusion", "Warning Shots", "Amerimacka", "A Gentle Dissolve" and "The Cosmic Game", I think the weaker tracks are the ones with the celebrity guest vocalist. Like the weakest track on here is "The Heart's a Lonely Hunter" (Featuring David Bryne). It's just awful! Overall though the entire album is listenable so get check it out because the strong tracks definitely overpower the weak ones.

    SJ ... Read more

    8. Whipped Cream & Other Delights (40th Anniversary Edition)
    list price: $13.98
    our price: $11.99
    (price subject to change: see help)
    Asin: B0007MRXUQ
    Catlog: Music
    Sales Rank: 47
    Average Customer Review: 5.0 out of 5 stars
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    Album Description

    40th Anniversary Edition Of The Classic Album!

    1965's Whipped Cream & Other Delights transformed Herb Alpert & The Tijuana into bonafide superstars, spending an incredible 8 straight weeks at the top of the charts. The album was not only memorable for its music, but for the iconic cover art which featured model Dolores Erickson strategically swathed in whipped cream.The original twelve tracks revolve around the theme of food and include such classics the triple Grammy-winning hit, "A Taste of Honey" and the Dating Game theme "Whipped Cream."This special 40th Anniversary edition features two studio bonus tracks along with a 20-page booklet and a collector's poster.

    Each album in the Herb Alpert Signature Series features meticulously remastered sound, deluxe packaging, detailed liner notes, and an intro by Herb Alpert containing personal recollections and anecdotes. ... Read more

    Reviews (10)

    4-0 out of 5 stars A TJB CLASSIC!
    I grew up loving this album (along with other TJB records) in the mono format. My father who was a product of his times, was a firm believer in mono. He would say - wherever you happened to be standing, you'll at least hear the proper balance(mix).

    Years later when I became a TJB fanatic, I of course picked up the stereo records and grew to love these mixes as well. But there are those occasions where the mono mix has something special to offer. I think it would have been nice to have both the mono and stereo versions on the same disc. Maybe someday "Shout Factory" will put out a four disc MONO box set of those first eight albums (1962-1967) which were available in both formats.

    Anyway...a great album of course!

    5 stars - for being a classic.
    3 stars - for a blown opportunity.

    4 stars!

    5-0 out of 5 stars Me Too!
    Me too! That really sums up my experience with this album, because, like almost everyone else, it brings back great memories of my childhood. It was released the year before I was born, and even before I was old enough to stand, my dad used to dance to it with me. "A Taste of Honey" and the title track were my favorites.

    5-0 out of 5 stars Herb Alpert Was Hot Then & Still Is
    I own this album on a reel to reel.If you like brass and lots of it, the hi-fidelity of Herb Alpert & His Tijuana Brass will get your foot a tappin and your body dancin.This is one hot, hot album that no one should pass up.Buy it today!

    5-0 out of 5 stars forgotten album!
    i had forgotten all about this album! i was born in 1966, and remember my parents having this album (the cover was confusing to me..i thought who would want to do that?)....the songs seem sort of campy now..this was the kind of music that was played in the background of every cool, swinging, 60's movie...really cool and a fun flashback!

    5-0 out of 5 stars At last!
    I had this album on an 8-track tape when I was young, remember those?Yes, I'm that old.

    When I went searching for this album on CD I found that it was out of production and was bringing HUGE prices in the used markets.I was thrilled when I came to Amazon one day and found it was being re-released.I pre-ordered it right away, and now I have it and can listen to all this fantastic music again (and again!).

    This is one of the all-time great albums, don't miss it!
    ... Read more

    9. Sympathique
    list price: $18.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B000005IQ6
    Catlog: Music
    Sales Rank: 214
    Average Customer Review: 4.84 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    While the cocktail lounge fad has seen more than a few musicians climbaboard as a career move, the members of Pink Martini are no bandwagon-ridingaficionados. Fronted by pianist Thomas Lauderdale, Pink Martini is the real article--aband that approaches the music with unwavering seriousness yet never forgets the fun atthe heart of it.Sympathique, the band's debut album reveals an incrediblydiverse musical vocabulary on the part of frontman Lauderdale. And what singer ChinaForbes lacks in range and dynamics, she more than compensates for in attack, approach,and a clear understanding of the material. While most of the songs are upbeat, in thehands of Lauderdale and Forbes, "Qué será será," with its dark atmospherics should berechristened "Qué será noir." --Wayne Pernu ... Read more

    Reviews (132)

    5-0 out of 5 stars Sympathique, Fantastique!
    Pink Martini is a Portland based band and therefore, I am already biased. However, if you enjoy truly great music by truly talented people, this CD is for you. Do you like old French clasics or just music that gets your soul moving? Then listend to some tracks and place your order!
    "Bolero" is absolutely beautiful! You can tell it's the original song, but their added and updated alternations of this piece makes it a new classic of their own. The cello intro is deep and throaty and when the piano moves in, you actually FEEL like you're in a different country, touring the vinyard hillsides...
    The lead female vocalist (China Forbes) has a wonderful voice and allows songs like "Amando Mio" to ring out and demand attention...again, listening to Thomas Lauderdale's fingers work magic on the piano allows this song to be one of their top pieces. And if that's not enough, both of these musicians graduated cum laude from Harvard University.
    This CD is almost 5 years old and their 2nd CD has been postponed for a couple years, sending the Portland crowd into a frenzy on the much anticipated next albulm due spring of 2003. The male lead vocalist is no longer with the band (Pepe Raphael on "Donde Estas Yolanda"), but his first solo albulm is excellent, respectively as well (Pepe and the Bottle Blondes) which turns out some great Spanish influenced songs that make you want to jump up and yell "Cha-Cha!!!"

    5-0 out of 5 stars Still one of my favorites!
    I bought this CD when it came out years ago -- frontman Thomas Lauderdale is an old friend of mine. Call me biased, but this CD is still one of my favorites! The music has universal appeal, blending big band, latin beats, campy lounge-lizard music, and classical pieces into a groovy and infectious package. I would have expected nothing less from Thomas. These songs have popped up as background music on the "Sopranos," in a Lexus commercial, and in several coffeehouses I've visited -- it's so cool to see Pink Martini getting the exposure and raves they so richly deserve!

    I just saw them live the other night, and they are even better in person. Unfortunately, CDs just can't record the sheer joie de vivre this group has -- they love what they do, and it shows. They opened with "Bolero," which was amazing, powerful, and breathtaking, and closed their encore with "Acuarela de Brazil," which brought people to their feet (it's hard to sit still to this music!)

    Those who love this CD would be happy to hear that the next CD is anticipated next year (one of the band members told me it was 2/3 in the can). They busted out a few new songs at the concert I attended, and, like "Sympathique," they ranged from lush classical renditions to clever tongue-in-cheek ditties. Pink Martini throws in a generous splash of international flavoring to create refreshingly original material (over the course of the night, lead singer China Forbes sang in Japanese, French, Spanish, Portuguese, and Croatian), and finds inspiration in unexpected places. The "Song of the Black Lizard" was an homage to a Japanese drag queen; one new tune performed at the concert was inspired by a classic Heinz ketchup ad.

    Get this CD -- and try to see them live if you can!

    5-0 out of 5 stars Without a doubt, my favorite CD in my collection
    Simply put, this graceful compellation of sounds is my most favorite in my collection of over 600 albums. These Oregonians reach to all ends of the earth for musical inspiration and then brilliantly synthesize it into something entirely fresh. This CD is perfect for pleasing all generations of listeners, and if you get the chance, Pink Martini is fantastic in concert...nothing is done to their sound in a studio...all of the talent on all of the instruments is God given.

    5-0 out of 5 stars Simply Fantastic
    Went to Oregon for a friend's wedding and discovered this CD (they used part of the music at their reception) and immediately fell in love with it--cannot stop playing it! The title track is simplly fantastic, as are the other tracks on this album. Some are upbeat, others haunting, still others evoke a sense of poignant wistfulness that is irresistible. And the reinterpretation of Que Sera Sera is brilliant. If Pink Martini is reading this PLEASE--put out another album--your fans are waiting!

    5-0 out of 5 stars It's all been said
    So many people have written reviews on this cd that describe just how infectious it is, that I need say no more. My only comment is WHEN oh, WHEN is Pink Martini going to put out another album?!!! I'm beginning to lose hope. Thankfully I will probably never tire of this one. ... Read more

    10. Kind of Blue
    list price: $11.98
    our price: $8.99
    (price subject to change: see help)
    Asin: B000002ADT
    Catlog: Music
    Sales Rank: 134
    Average Customer Review: 4.77 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan essential recording

    This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed ... Read more

    Reviews (495)

    5-0 out of 5 stars Music for the ages
    I've must have listened to this recording many times over the last thirty years and I've never gotten bored with it. This recording can be enjoyed by casual jazz fans and jazz fanatics and musician types like myself.

    The music is very "accessible" as opposed to the heavy hard bop that turn non-jazzers off. Yet, for all its accesibility, the music swings from the first beat of the crash cymbal that starts "So What" to the cool "All Blues". The haiku-like "Blue in Green" is the closest to a Jazz tone poem I've ever heard before or since. If i were to characterize this recording with one word it would be "understatement"(maybe that's two words).

    The personnel: Miles Davis,trumpet;John Coltrane,ten. sax;Cannonball Adderly,alto sax;Paul Chambers, bass; Wynton Kelly and Bill Evans on piano; J. Cobb on drums, have all been freed from the strictures of chord fragments and progressions to create and develop any improvistional idea they could dream up. This was some revolutionary stuff in the pop song dominated hard bop repertoire of that era. With the exception of "Blue in Green" all the tunes are based on modal scales. Which freed the musicians to play anything they wanted within that scale.

    Coltrane is superb. It's one of his last dates with Miles before recording exclusively as a leader. His ideas are muted, inventive and never tired. Cannonball complemented the horn section with bright,exuberant and rapid fire phrasing. Miles' "less is more" approach to playing on all of the tunes tie the whole album together into a seamless masterpiece, yes masterpiece. The spaces between his notes are as much of the music as the notes played.

    If you are a musician and want to play with the CD, I would suggest you purchase versions that correct for the original pressing being recorded at a slightly faster speed than the music was actually performed. This resulted in the tones being a half step higher resulting in slightly sharper tones. If your ear won't or can't detect that, it really doesn't matter which version you pick up just as long as you add this to your collection. You won't be disappointed.

    5-0 out of 5 stars Miles Revelation!!
    Admittedly, I was a latecomer to the genius of Miles Davis. On several occasions, I was told of the level of greatness in his music. Kind Of Blue was the first album I heard - thanks to two family members who might have been trying to tell me something; I received the album twice, on the same Christmas Day! Is this the epitome of cool/love ballad jazz? Complex enough to feel the aesthetic, modal harmonies- Concise enough to blend into the accessible rhythm. The clarity is powerful enough to validate that these notes, initially written down on scraps of paper and subsequently distributed to each established musician. Delicately chosen, Miles was always secure in knowing what type of sound he wanted. I listen to 'All Blues' and love the fact that the song is quite the odyssey, performing a complete three-sixty, ending up right where we started. As are all the tunes a myriad of the melancholy, (Blue In Green) across the gamut, displaying the bouncy-hip style of, "Freddie Freeloader" named after a real-life character. Miles Davis crossed definitive boundaries purposely, creating a timeless sound.

    5-0 out of 5 stars This album is the jazz's quintessential !
    This album is incredible , amazing . It doesn't happen very often one recording reachs so cosmic heights .
    You may consider a simple account about this statement.
    Think in I love Paris (Michel Legrand)(see my review) . In this case Davis is present in the recording session , and we are just talking about the supreme jewel of the instrumental music in any time . I mean , if I love Paris (made in 1954) reached this status (years before A kind of blue) , you must agree with me that Miles Davis owned the magic playing , moreover, the poetic level (and when I talk about poetry , I mean the greek sense of the term , which is creation ).
    Specifically , Davis was a very illustrated man , with a strong introspective approach . The notes are there , but the scope is the difference , the velvet touch , the exact expressiveness and the precise instant in what the note must sound vibrato or languish . Davis played music as he would be making a film, writing a book or painting , his trumpet was a brush , a pen or a script according the case .
    Notice for instance the Davis sound . I mean Davis was original because he goes to the origin , and transforms the notes , making them "sing" . There are other examples in jazz such as Stan Getz in the saxophone , Wes Montgomery in the guitar or Bill Evans in the piano .
    In Davis there was a deep sense of the expression and the wholeness meaning about jazz represents : this sense of freedom , and also a wide spectre of changing sensations , loneliness , happiness , sadness , anguish , desperation or seduction . This gradual sense of the tonal color about every note he played , you may find in the classical music giants , like Casals in the cello playing the Bach suites , Sandor Vegh conducting Mozart or Furtwangler conducting Beethoven or Bruckner , or Lipatti playing Chopin waltz . The sense of the expression and the real presence of commitment to achieve one specific sound and no other one.
    A Kind of Blue will be a reference standard not only for many years but also centuries .
    I have not any kind of doubt about that.

    2-0 out of 5 stars Worth listening to once.
    I wasn't too surprised to see that no-one's reviewed this item yet. I'll admit this is not a good album, but the trumpet player on here (Miles Davis) has an interesting style that's reminiscent of Orville Reddenbacher's playing during his final "consumptive" period. This album has been out of print for a long time, but as you can see there are a couple of used copies available, both for less than the price of a cup of coffee. So you might want to ChEcK iT oUt.

    1-0 out of 5 stars Only rated it one star so that everyone will read it
    Okay- here goes,
    Now, first of all there is NO ONE that can possibly even doubt Davis' ability as a player. You listen to ANY OTHER trumpet player then listen to him and you will right a way be able to tell how he has his own unique voice whenever he plays his instrument. It is so different than anyone else, and his soundis INCREDIBLY hard to reproduce, most trumpet players can only dream of having a sound and dynamic control like his. Being able to play stuff like this that isn't just fast lound and flashy, and keep it MUSICAL is true genius. You listen to anything on this cd and it is all GENIUS. It really takes a true genius to come up with the stuff he does. After hearing the album Davis makes it extremely clear the mood he was trying to convey to us because thats what music is....a language and he definately says something with this album. No matter if you like it or not, NO ONE can disagree thathe does not get what he wants to say said through this album, because Jazz truly is a great artform- where someone like him can actually do something like this and say so much through music. So honestly, whether you as an individual likes it or not does not matter, because this album besides being hailed as the greatest jazz album of all time, and just plain being insanely amazing, is a true statement of Davis' genius, and this album is truly the greatest piece of art and mastery ever to be created, even though some may not like the music- he gets what he wants said. ... Read more

    11. De-Lovely
    list price: $18.98
    our price: $12.98
    (price subject to change: see help)
    Asin: B00023GGHQ
    Catlog: Music
    Sales Rank: 126
    Average Customer Review: 3.42 out of 5 stars
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    At first glance, the approach picked for De-Lovely will be familiar to those who already own Red Hot + Blue: A Tribute to Cole Porter. On both albums, contemporary pop stars cover classics by Porter. But many of the interpretations on Red Hot + Bluewere modernized, whereas the approach on De-Lovely is more traditional---it's the soundtrack to a biopic about Porter, after all, so a classic (though not quite period) sound prevails. What's surprising is how well many of the singers deal with the songs without the crutch of a contemporary pop retooling. Who would have thought that Alanis Morissette had such a natural affinity for "Let's Do It (Let's Fall in Love)," for instance? She fares equally well in her screen cameo, whereas Diana Krall sounds superb on "Just One of Those Things" but looks horribly uncomfortable in the movie. Other good surprises include Robbie Williams's "It's De-Lovely" and Kevin Kline as Porter, coming across as a more-tuneful Rex Harrison. Elvis Costello, meanwhile,confirms he's a better songwriter than singer, and as Linda Porter, Ashley Judd is hesitant at best. In a nice touch, a recording of Cole Porter himself performing "You're the Top" provides the album's coda. --Elisabeth Vincentelli ... Read more

    Reviews (38)

    5-0 out of 5 stars Refreshing Cole Porter
    The sound track of DE-LOVELY features some of the greatest standards of the American Songbook, sung by such contemporary artists as Alanis Morissette (Let's Do It); Sheryl Crow (Begin the Beguine); Elvis Costello (Let's Misbehave); Diana Krall (Just One of Those Things), and Natalie Cole (Ev'ry Time We Say Goodbye). All of the tracks, except Cole Porter singing "You're the Top", are newly recorded for the sound track of this telling of Cole Porter's life story. Kevin Kline, who plays Porter has a couple of well-chosen cuts as well.
    If the film is as good as the recording, this could be one of the better films for adults and show-biz fans for the summer.
    Ashley Judd portrays Porter's wife Linda and she, too, has a few songs.

    3-0 out of 5 stars I'll see the movie anyway.
    I haven't seen the movie yet because musical movies come late to this overrated tinhorn resort town where I live, in the redneck state of Arizona. But I did buy the soundtrack. I am speaking as an old lady who has loved musicals all my life. I remember when Cole Porter's songs were on the Hit Parade (the Top 10 of the '50s). I memorized his lyrics when I was a teenager.
    With the exception of Natalie Cole, my experience with most of these singers is name recognition only (Morissette, Crow, Costello, maybe Williams; I've never heard of Krall, Lemar, or Hucknall).
    Now that I've heard them actually sing, I think they must be rejects from American Idol. Their voices are terrible; they're only reciting the lyrics, not singing them as if they have any idea what the words mean (listen to Frank Sinatra). And now I know why I dislike most of today's popular music: so much of it is in a minor key, like Crow's embarrassing rendition of "Begin the Beguine." Whoever had that idea should have been outvoted. Porter must really be spinning.
    In my opinion, only four tracks did the music justice: "Anything Goes," sung by Caroline O'Connor, who mercifully did not go overboard in suggesting the performance of Ethel Merman; "Love for Sale," beautifully sung by Vivian Green, perhaps the best version of that song I've ever heard; "Be a Clown," sung by Kline, who obviously appreciates that he's playing an intelligent, sophisticated man of the world and one of the finest Broadway and Hollywood composers and lyricists ever; and, of course, "Ev'ry Time We Say Good-bye," sung by Natalie Cole, who learned how to put over a song from one of the best singers: her father, Nat ("King") Cole.
    I'll still go to see the movie, if it ever opens here, but generally I was disappointed with the arrangements and the singers.

    2-0 out of 5 stars Movie: 5, Soundtrack: 2
    Great movie... BUT... hearing ONLY the soundtrack it is a 2... why? Because the music is some of the most melodic and beautiful ever written and several performances are neither authentic of the time, or not sung in a way the beauty of the song can be heard. This music is NOT about the performer... it was about the song! Most of the original recordings which featured a singer did not even have the singers name on the record! That is because the song was beautiful and did NOT need a song "stylist" to make it "all about the singer"!

    Having said that, most of the songs in the film are not bad... and standouts include Natalie Cole and Diana Krall. The sad renditions are worst with Sheryl Crow TRYING to sing "Begin the Beguine" and Elvis Costello who butchers "Let's misbehave."

    Get these tunes on CD from some great people who sang them in the past... like Sinatra, Torme, Clooney, Bennett and Vaughn.

    5-0 out of 5 stars New Life to classic tunes
    With quite a few negative reviews here, I must put a positive hand up for this movie and for its terrific soundtrack.
    Many great songs, in new - sparkling arrangements, sung by todays artists give so much emotion to the movie, setting the scene, and telling the story - musical dialogue in effect... I especially enjoy "Begin the Begine" with Sheryl Crow. The instrumentation includes a Bass Flute which adds a sultry sheen to this moody performance. Cole Porters wonderful songwriting lifts these songs - decades later, for a new audience to appreciate.

    3-0 out of 5 stars Stop
    You just saw the movie, loved it, and now you want to buy the soundtrack? Stop. Instead, buy either "The Very Best of Cole Porter" or "Cole Porter: A Centennial Celebration". Of these two, I would recommend "A Centennial Celebration" first because it contains three original Cole Porter recordings.

    I don't think that there is a perfect Cole Porter collection out there. They all seem to either leave out an important song or they allow someone to butcher one of his songs. However, either one of these is far better than the movie soundtrack which simply strays too far Cole Porter's original work. ... Read more

    12. Dreamland
    list price: $11.98
    our price: $10.99
    (price subject to change: see help)
    Asin: B000002JAX
    Catlog: Music
    Sales Rank: 427
    Average Customer Review: 4.77 out of 5 stars
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    Reviews (39)

    4-0 out of 5 stars Surprise someone you love--this is a great gift CD
    When I first heard this album on NPR two years ago, I was stunned. Peyroux sounds like Billy Holiday filtered through Patsy Cline by way of Edith Piaf. Her phrasing is fabulous, especially given her young age when the CD was cut. My only gripe is that sometimes she sounds too much like Lady Day, Patsy, or Piaf. I cannot wait for her to develop her own voice and sound--it will be incredible when she matures and deepens. I hope a second album is coming soon--I will get it immediately. Give this as a gift and you will be seen as a true afficianado! By the way, Marc Ribot is on guitar on this album--for another special treat, listen to his Marc Ribot Y Los Cubanos Postizos, a wonderful Cuban-inspired guitar CD.

    5-0 out of 5 stars Also looking..
    Yes, like everyone else I have been anxiously awaiting a new album from Peyroux. Aside from all of the comparisons to Billie Holiday, I can honestly say that she has a wonderful voice and is also a great performer. I was fortunate enough to see her perform twice about 5 or so years ago. She sang at the University of North Florida. I also saw her perform at a cafe with her Lost and Wandering Blues and Jazz Band. I was very impressed with the more intimate venue. I will never forget her three piece band which included someone who played a real washtub bass. After the set, they sold cassette recordings of her and the band. The cassette is great, but I am looking for a copy on CD. If anyone knows of this please e-mail me!

    4-0 out of 5 stars Good but she has improved much since this one....
    I recently saw Madeleine in NYC and was just mesmerized- I thought her voice was fantastic and her style of performing was simple but bewitching. I bought her CD afterwards (its a short version not available in stores I think) and was similarly excited. I had been looking forward to hearing Dreamland for awhile but I have to admit that now that I have, it's just okay in my mind compared to what she is capable of. No doubt that her voice is wonderful here but I feel the songs chosen and the arrangements for much of the album are not nearly as great as she is capable of. It's enjoyable to hear but it doesn't stand out in my head. Your best bet is to see her or get the new one when it comes out.

    4-0 out of 5 stars Buy this album, then GO HEAR HER LIVE!
    Unfortunately, I did it the other way around--heard her gorgeous, heartbreaking singing at a little Red Cross benefit in October 2001 and then picked up the record, which is beautiful but almost sterile by comparison. Hence the loss of a star.

    I do listen to _Dreamland_ whenever MP hasn't done a local gig for a while, and it tides me over, but I try to go see her whenever I can (find gig listings at I took my parents to hear her, and my dad--a lifelong Billie Holiday fan--literally had tears rolling down his face, he was so happy. Every foot in the place was tapping. She is so much The Real Thing.

    MP does keep saying that the new album's coming soon. I hope that it includes more of her own songs, as the ones I've heard are beautiful.

    5-0 out of 5 stars Evocative Voice
    I bought this CD based on the reviews here and was not disappointed. She has a voice reminiscent of Billie Holiday, but she doesn't sound like she's trying to copy her.
    Great Jazz/Blues sound that is different from many of today's artists.

    It's amazing that someone so young has such an interesting voice ... Read more

    13. The Girl In The Other Room
    list price: $18.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B000148KK2
    Catlog: Music
    Sales Rank: 67
    Average Customer Review: 3.09 out of 5 stars
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    Singer/pianist Diana Krall breaks new ground interpreting modern standards by Tom Waits, Mose Allison, and Joni Mitchell, as well as compositions by her and her new husband, Elvis Costello. Krall's piano-jazz cred comes through loudly and clearly on her Count Basie-styled version of the Bonnie Raitt staple "Love Me Like a Man" (written by folk-bluesman Chris Smither). But it's the collaborations with her spouse that unearth untapped emotional nuances of her velvet voice; many are reminiscent of Bill Evans's moody, impressionistic pieces. The title track, "Narrow Daylight," "Abandoned Masquerade," and "I’m Coming Through" all deal with love and loss. "Departure Bay," a picturesque ode to her hometown of Nanaimo, B.C., proves that this is the start of something big, and that two heads--and hearts--are better than one. --Eugene Holley, Jr. ... Read more

    Reviews (238)

    5-0 out of 5 stars Finally, the one...
    Diana Krall ultimately made it. The setting with the jazz band rather than an orchestra brings an intimate feeling. Right tempo, great songbook and the voice create "be here now" atmosphere. The album sets the mood.

    Listen to the record either loud or low, you will be amazed with its feeling of closeness to you that still allows space for aloofness.

    Stop The World sets the spirit of the recording and promises a great adventure through the music journey with Diana Krall. And the rest of the album does not disappoint. Indeed. Temptation is, of course, the track that can be played again and again. You won't be able to resist listening to it one more time, every time. Abandoned Masquerade brings scenery of a late night cafe - dimmed lights, a few remaining guests, deep smoke from cigars in the air. The last track on the disc proves great thought put behind the record. Nowadays, there are not many records that end in a way they should be. The Girl In The Other Room with its Departure Boy is a rare exception. You wouldn't end the record in a better way.

    Don't tempt yourself. You can't resist listening to Diana Krall this time. This record will definitely be the one for jazz record of the year.

    4-0 out of 5 stars Much Better Than Many of the Reviews Would Have You Think
    I too have written a negative review of a Diana Krall release, but it was one of the recent 'heavy on the strings / short on the trio / very short on good piano' CDs. I almost did not buy this CD because of the number of negative reviews on Amazon, but I'm very glad that I tried it anyway. Frankly, I hear none of the adulterating influences that many reviewers attribute to Mr. Elvis Costello. These songs, though they're not the jazz and torch classics that populated her previous albums, have a character and performance that typifies much of the rest of her work. Gone are the syrupy strings and orchestral accompaniments, the sparse piano work, and sublimation of the jazz trio interplay that made her earlier CDs so good. And if none of these songs are destined to become classics, most of them are very good. The title track is a beautiful, haunting song which I could not get out of my mind after the initial hearing. The covers of Temptation, Black Crow, and Stop This World are better than other recorded performances. The piano is up-front in most of these songs, and the arrangements are masterfully done. Of special note are the piano work in the title track and the spare and atmospheric use of the Hammond in Tom Waits' song. Mr. Costello wrote or co-wrote (with Diana) many of the lyrics of these songs, and they have come under especial vituperation in other reviews. Here, too, I disagree. After listening to and reading the lyrics of the original songs on this release, I find them to be far above the quality of lyrics encountered in most popular music, and if they lack the profundity of though inherent in some (rare) classic songs of the past, there's certainly nothing for the composers to be ashamed of. Indeed, many jazz standards have lyrics that aren't worthy of much consideration: Straighten Up and Fly Right, The Frim Fram Sauce, Broadway, name some from previous Diana Krall albums. All in all, I found this CD to be very enjoyable and of a quality similar to some of her previous works. To her credentials as a pianist and vocalist she displays solid strengths as a composer and lyricist. Much to my loss if I hadn't tried this....

    3-0 out of 5 stars Diana*** - Dena*****
    I went to two jazz concerts recently one by Diana Krall, and one by Dena Derose. Diana perforrmed most of the songs from her latest album. It simply wasn't up to her standards, musically or vocally. I was hoping in concert that Diana would really sell these songs. I hate to say this but, they don't sound much better live than her CD, songs performed went over with less than enthusiastic reception-- all the songs were slow and boring, felt no emotion, and "many people left halfway through the concert."This was very disappointing". ANOTHER CONCERT, more enjoyable was Dena Derose. Dena DeRose gets inside the lyrics, and with a slight vibrato to end her phrases and a luxurious tone, she can be absolutely commanding. Her phrasing as a singer is immaculate. Her strong piano soloing is a pleasure, Versatile, resourceful, and genuine, Dena DeRose is without a doubt one of jazz's most exciting singers. Dena DeRose is a singer-pianist who gives deeply-felt life to her interpretations of ballads and standards. Her sense of phrasing and understanding of the lyrics is impeccable. Suddenly songs that I've heard hundreds of times before came alive as Dena sang the lyrics in a way that perfectly conveyed the story they were meant to tell.

    1-0 out of 5 stars Great in the past, and hopefully again in the future
    Diana Krall should be credited by helping to end the obnoxious screaming and yelling that became popular with the "love anthems" of Whitney Houston, Celine Dion, and Michael Bolton in the 90s. Thank goodness that is going out of style and this new calming and romantic sound is coming into vogue.

    Unfortunately, this is probably a bit too watered down, introspective and muted to be exciting, passionate or particularly interesting for more than one listening. DIana's "Look of Love", "Love Scenes" and "Live in Paris" tower above this effort and I hope she gives us more of this type of brilliance again in the future.

    This CD is imaginative, but seems aimless and confused.

    5-0 out of 5 stars A Watershed Recording
    Don't like it? Your loss. Those of us in the know already realize that this recording will be a watershed in Ms. Krall's long and illustrious career. She has the musical gifts and the artistic sensitivity to make her one of the great jazz singer/pianists of her generation. Long live the Costello /Krall collaboration. ... Read more

    14. Radiance
    list price: $25.98
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    Asin: B0007YH4EO
    Catlog: Music
    Sales Rank: 263
    Average Customer Review: 5.0 out of 5 stars
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    Returning to the solo live format for this double disc, one hour and 20 minute set, Keith Jarrett is in fine form. Recorded on two nights, three days apart, in Osaka and Tokyo in 2002 (but not released until 2005), Jarrett approached these recordings with no planning. Instead he let the energy transport him and his hands to places that can only be found when the philosophical and physical join as one. It was a risky move, but it paid off in one of the most inspired and challenging albums of his near four decade career.

    The usual Jarrett musical concepts apply as he combines classical, jazz, avant-garde, and dynamic melodic ideas within a single piece. Even in the album's many quiet moments, the energy level never wavers as this performance proves that the space between notes is every bit as intense and important as the notes themselves.Shifting between subtle passages such as those in "Part 6" and the more dissonant work of "Part 7," Jarrett takes his audience on a journey that seems as illuminating for him as it is for us. This is cerebral, obdurate yet flexible and emotionally driven music from a musician who always follows his inner calling. Established fans will be thrilled with this performance and open-minded newcomers will be left slack-jawed at Keith Jarrett's talent and uncompromising vision. Hal Horowitz

    Recommended Keith Jarrett Discography

    The Köln Concert (LIVE)
    The Survivor's Suite


    Keith Jarrett at the Blue Note: The Complete Recordings (Box Set) (LIVE)

    Nude Ants

    ... Read more

    Reviews (6)

    5-0 out of 5 stars Both Avant-guard and Romantic Aspects in Osaka and Tokyo
    14 - 17 tracks are from Tokyo, October 30, 2002.Later than track 15, Keith once stopped his improvisation due to an ill-timed applause.He should got excited and restarted even more avant-guard tune, even destroying not only melody but rhythm also.I felt that it was like sonatas of Prokofiev or Boulez.Please enjoy this section in DVD released in this autumn.Tunes in this album are the beginning and the end of the Tokyo concert.Keith even broke tonality and rhythm in tracks 1, 4, 5, 7, and 11.They are spontaneous inspiration on the night of Osaka, started from his left hand.Many people remember his romantic and nostalgic recitals in Bremen, Sun Bear (six CD Japan tour), and Koeln.This album may be the avant-guard development of the idea in Dark Interval or Solo Tribute, both in Tokyo.The world of Jarrett improvises freely in various ways, rushes, deeply considers himself, and released to the memory of adolescence.Personally, tracks 1, 4, 5, 7, and 11 are extending the world of Jarrett.In the framework of concert, nostalgic tracks 3, 6, 8, 13, and 16 are well contrasted with avant-guard parts.Keith also played in Tokyo on October 31, 2002, but it was too much romantic and not avant-guard.I prefer the coexistence of avant-guard aspects and romanticism found in this album.This album is based on classical aspects of Keith.In his solo in Tokyo, this October, I also eager Jarrett promoted by his groove and swing, as I experience in Tokyo, September 29, 1999.

    5-0 out of 5 stars Sublime Return
    It's truly a joy and a privilege to hear this cutting edge artist, who has proven himself pretty clearly to be one of the best musicians of the last 30 years back on top of his game after falling into chronic fatigue syndrome. This album, which is a recording of a live solo performance, is deeply moving and introspective. I'm glad they decided to leave Keith's humming in the recording at the last minute. What is evident from his playing here is that he is a true artist, who is constantly devoted to sharing his most private feelings and challenging our ears. He seems fully energized here, though he has sections of amelodic and very dark and perhaps even slightly aggressive movements. Highly varied and beautiful. The conclusion is among the most intense bits I've ever heard. To any fan of music, do not miss this record!

    5-0 out of 5 stars Thank you Keith and ECM
    This is the only forum I know of to express my deep appreciation for the music that Keith shares with his audience. I can't imagine the talent, emotion, effort and expressiveness that goes into making music this wonderful. I figure I've spent about $400 in 20 years of buying Keith's music. I will treasure all of it for the rest of my life. This excellent recording only adds to the list. Buy it and you will understand what I mean.

    5-0 out of 5 stars Exquisite New Solo Work
    To sit and listen to Keith Karrett's piano, particularly when it entails his solo improvisations on the piano, puts me in a state of awe before the first note is touched on his keyboard. Yet, saying this stems less from the faithful love of a long-time fan but rather from the recognition of the quality and depth of a man's work over so many years.
    "Radiance," his first solo offering in many years, can only reaffirm my appreciation and anticipation for the depth and range of moods he has me accustomed to, with his recordings.
    Throughout the seventeen pieces selected for this double CD release, Jarrett, again, conjures up moments of sublime tenderness and vivid and soulful conflict.
    Not knowing in much detail about his ordeal with chronic fatigue, the compositions included here seem to portrait the range of emotions of a man that has gone through a journey of initiation.
    At times, through melodies that evoke a profound sense of personal peace or bound to stir some ancient pains, whether the notes seem to flow or be painfully forced out of a difficult confession, the album as a whole confirms Jarrett's artistic stature and the maturity and deep honesty of his current work.
    Jarret's a virtuoso, yet this not only accounts for his exquisite technique but, even more, for the troubled vulnerability he can express so vividly on each of these pieces. It's hard not to be moved by the wondrous combination of blissful and disturbing truths coming out of his piano.
    So, my awe has been more than justified, and my gratefulness for a work of such emotional and austere beauty cannot sufficiently do justice to what you are about to hear in these two CDs.
    This is one of the most moving, intelligent and courageously vulnerable sets, in any genre, I have heard in a long time.

    5-0 out of 5 stars Profound
    Perhaps it was his battle with fatigue and stress, but ever since the CD, THE NIGHT ALONE WITH YOU, Jarrett's intensity has taken on an ever more profoundly reverent regard for silence, for what is not uttered, for what is and must be left unsaid because our deepest spiritual aspirations can only approximate and in some way parenthesize what id ineffable. It is what is in Music itself that calls upon musicing to articulate, to clear a ground, to shine and glimmer in a night, not so it can radiate in its own glory, but so that it can remind us of what remains left unsaid. In dwelling so poetically, Jarrett has through his trio and solo work, always sought what breathes when all else goes quiet. Rapturous at times, melodic, abstract, the considerations on this disc operate from a spontaneity that he deliberately attempeted to avoid thinking about and planning for.
    The results are profound. Possibly his very finest work to date. The audience was with him all the way on this, even though he notes that they were likely as unprepared as he was. Some sections end without applause, startling both him and his listeners. In the end, there is a silence before the enthusiasm that speaks volumes for hwat they have done together. He hesitated to remove audience coughing and his own sounds, gracefully at a minimum, and reinserted them because they somehow further articulated what was perhaps uneasiness on one or the other's part.
    This is not simply improvisational. This is spontaneous. This is Music announcing itself through the hands of one man hitting notes, chords, motifs that either occur or are delivered whole through him, to point back to what it is in the human soul that so desperately needs Music in a world so noisy, so full of things, that something as ephemeral as this would have so everlasting an effect seems at direct odds with our reifying existence. This music belongs to no one and yet infuses all of us, as though we belong to it, and to what it leaves unsaid about the very truth of our lives.
    ... Read more

    15. Simple Things
    list price: $17.98
    our price: $13.49
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    Asin: B00005R5M6
    Catlog: Music
    Sales Rank: 490
    Average Customer Review: 4.53 out of 5 stars
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    Reviews (131)

    4-0 out of 5 stars A beautiful album, but too similar to AIR for 5 Stars
    I first heard of Zero 7 when I saw their video, "Destiny." I have to admit that they first time I saw it I immediately thought that it was a new AIR song, so I was surprised to see a different name at the end. I just bought this album two days ago and don't regret it. I will say that they are HEAVILY influenced by AIR, which is a fabulous electronic band from France. Zero 7 almost sounds TOO much like them, which is why I couldn't give this album 5 stars. However, their sound is different because of the volcalists. There is a male vocalist as well as Sia for many of the songs. Sia has an angelic yet haunting voice that adds to the mellow and hypnotic sounds of "Destiny" and others. Electronic music is such a general term, since there are so many genres within it. I would recommend this album to anyone who has enjoyed AIR's Moon Safari. (although I still believe that Moon Safari is much more innovative and original than Simple Things).

    5-0 out of 5 stars One of the best of 2001...
    Simple Things, the first LP by British programming duo Zero 7 is one of the most imminently listenable albums to come along in a very long while. The whole album is layered with downtempo, almost ethereal beats that will undoubtedly take the edge off any migraine until you're awash in a sea of contentment. Zero 7 (aka Henry Binns & Sam Hardaker) say that the true joy of their music comes from the talented core of guest vocalists found on their debut album. This statement proves true as these vocalists bring out the amazing beauty of this disc. Among the standout tracks on the album is the sultry 'Distractions,' a sensual collaboration with Sia Furler, which feels just as at home in a smoky jazz bar as it does at a candle-lit bedside. Other great tracks include 'I Have Seen,' featuring male vocalist Mozez and the beautiful bonus track 'Spinning,' featuring Sophie Barker. Simple Things is more than just electronic music... it is music that creates a most beautiful atmosphere.

    1-0 out of 5 stars Unoriginal and Uninspiring
    Am I the only one who sees that this Emperor has no clothes?! No new clothes, at least. This drippy cd rehashes every uninspired a.m. radio-soft-jazz tune you ever heard.

    And people are saying the female vocalists recall Portishead?! What the fuzzy?!! The 2 singers are 0h-So-Pleasant, and Beth Gibbons' voice is nothing if not relating displeasing emotions!

    Please, check out some real downtempo, sonic-texture artists like Airlock, Crustation or Thunderball. These artists throw in jazz, samples, djs and guest vocalists, too, while maintaining an experimental edge to create melodies you never thought you'd hear, much less heard before!

    5-0 out of 5 stars Nothing Simple About This Album...
    ...Except for the fact it is Simply Amazing! Its difficult to even describe the style of music at hand here - chill-out, lounge, trance, with traces of jazz, classical, and pop music throughout. Zero 7 takes you from porno music to polished, sultry and sinful to sweet and smooth within tracks and within the album. No matter what kind of music you listen to, "Simple Things" will surely relax your mind and your soul as you just take in all of the delicate yet complex songs arranged.

    There are a number of styles explored on the album, which can be categorized in two large subdivisons - with vocals and with out. The vocal songs mainly feature male singer Mozez who stars on the albums opening disco-lounge track "I Have Seen", the absolutely amazingingly mysterious title track, and the sultry ballad "This World".

    The two female vocalists are quite similar sounding, as noted on the stunningly addictive "Destiny" where they share lead vocals. The sound of Sia Furler and Sophia Barker's voices is accented softly with both a British sound, and almost a southern twang, but no worries their voices are like liquid on all the songs they sing. Furler returns on one of my fave tracks on the album "Distractions" a sweet love-ish ballad, while Barker is given the slightly weaker "In The Waiting Line" which shows the difference in the two girls voices as they are back to back, although Barker recuperates on the closing track "Spinning".

    Within the non-vocal tracks the guys that make up our beloved band in question experiment with 1970's synthesized porno beats and keyboard sounds, mixed with smooth bass, acoustic guitars, and elegant strings, and of course that "air" sound that has led them to be labelled as "british air". But if that doesn't sound appealing trust me it is - I'm not a fan of music with out vocals but this album wouldn't be complete without Zero 7's delves into the instrumental and vocal-track worlds. Of course there are a few exceptions to the general sounds they use, including the Semi-lyrical African masterpiece "likufanele" sung by the Philanai Mothers and mixed over a xylophone (i think) driven sound. Another exception is the track afterwards, "End Theme" which is rightfully titled as it sounds very much like a song you'd find in a movie score. A beautiful and energetic, almost regal arrangement of strings is what you'll find here, and is another one of my faves on the album for its uniqueness alone, I'm proud of the guys for taking a chance and putting this song on the album.

    The best thing I can say to you at this point is to definitely buy this album, if just to give it a listen, because after hearing the opening strains of "I Have Seen", the vocals of Furler and Barker, or the smooth tones of any of the instrumental tracks you will be so hooked on this album! Its great to play as background music during a dinner with friends, or when you are stressed and enjoying a drink after work, or even just to play in the car - works well for rainy or sunny days. I suppose the most amazing part of it is how simple the songs appear at first glimpse - but when examining the layers and the beauty in each track, you'll begin to realize your feelings for this album are anything BUT simple.

    5-0 out of 5 stars Musical sedative (in a good way)
    I won't lie here: I origianlly came into contact with this music because i was looking through one of my friend's music collection on Itunes and thought the name Zero 7 sounded interesting. I know it's a bad way to choose, but the guy had good taste and too many artists to go through them all. So I listened to it and it took me less than 10 mins to get hooked on everything written by this group. I loaded it on my player and took on Spring Break to ski- and literally the entire time this is what was playing. I don't do that often. I listen to a lot of different music and rarely listen to the same thing non-stop for more than a day. I just don't know what to say. This music is addictive. The melodies/harmonies are so relaxing. They just make you want to sit there and contemplate life. ... Read more

    16. Dana Owens Album
    list price: $13.98
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    Asin: B0002XL1XU
    Catlog: Music
    Sales Rank: 91
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    Everyone grows up…even rappers. Pioneering female MC Queen Latifah shows a newfound level of maturity on The Dana Owens Album.A set of standards the rapper/actress decided to cover, the album features a host of jazz classics and R&B favorites.

    Latifah is at her seductive best when playing the sultry siren on Al Green's "Simply Beautiful." With a little help from Green himself, Latifah's vocals slide over the warm, organ-drenched instrumental. The result is one that works today as well as it would have several years ago. Similarly, the big band-backed "Baby Get Lost" swings with bluesy groove that is pure nostalgia.

    However, it's when Latifah mines more standard fare that the album seems to hita snag. Fans of James Moody's "Moody's Mood for Love" may want to skip Latifah's version as it misses the subtle perfection of the original. Her rendition of "I Put a Spell On You" doesn't falter, but it's not impressive either. It ends up being the kind of performance that finds you constantly waiting for more but never getting it. The same can be said for her cover of the Mamas & The Papas' "California Dreamin'."

    That said, with Latifah's recent critically acclaimed turn in the film Chicago the timing for this album couldn't have been better. And with help from legendary producer Arif Mardin (Aretha Franklin), The Dana Owens Album is an interesting and impressive new chapter in the star's diverse career. --Rashaun Hall Exclusive
    Hear an exclusive audio stream of Queen Latifah’s "What Is This Thing Called Love."

    ... Read more

    17. At Last...The Duets Album
    list price: $18.98
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    Asin: B00064K2RQ
    Catlog: Music
    Sales Rank: 147
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    18. Getz/Gilberto
    list price: $18.98
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    Asin: B0000047CX
    Catlog: Music
    Sales Rank: 519
    Average Customer Review: 4.84 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan essential recording

    Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist João Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to reach number one in the pop charts. In fact, the story goes that Getz had to push for the release of Getz/Gilberto since the company did not want to compete with its own hit; it was a good thing he did. Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit "Girl from Ipanema" (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also "Corcovado" ("Quiet Night")--an instant standard, and the definitive version of "Desafinado." Getz/Gilberto spent 96 weeks in the charts and won four Grammys. It remains one of those rare cases in popular music where commercial success matches artistic merit. Bossa nova's "cool" aesthetic--with its understated rhythms, rich harmonies, and slightly detached delivery--had been influenced, in part, by cool jazz. Gilberto in particular was a Stan Getz fan. Getz, with his lyricism, the bittersweet longing in his sound, and his restrained but strong swing, was the perfect fit. His lines, at once decisive and evanescent, focus the rest of the group's performance without overpowering. A classic. --Fernando Gonzalez ... Read more

    Reviews (105)

    5-0 out of 5 stars Tall and tan and young and lonely...
    The 1964 winner for Best Album was this mellow but spright cool jazz album that pushed Latin bossa nova and samba rhythms on the map. With a lineup that included Joao Gilberto on guitar and vocals, Antonio Carlos Jobim on piano, Tommy Williams on bass, Milton Banana on drums, and on the two most memorable songs, Joao's wife Astrud. However, the driving force behind this was tenor saxophonist Stan Getz, and his straight-tone, controlled-vibrato sound.

    The album starts appropriately enough with the Grammy winner for best song, "The Girl From Ipanema". This is the full 5:22 version that begins with Joao Gilberto singing in Portuguese. Then comes that soft voice and those familiar lyrics: "Tall and tan and young and lonely/The girl from Ipanema goes walking/And when she passes/Each one she passes goes haaa." Well, the thing that makes me go "haaa" here is Astrud Gilberto's voice. Getz's sax solo and Jobim's piano in the middle serves as a bridge between the two refrains. There is a 45 rpm version of this classic, the 2:46 single edit of just Astrud singing, included later. I must confess that I first heard a parody of this song, Bob River's "The Girl With Emphysema", and then sought hard to find out the original version, which led me to this album.

    "Corcovado (Quiet Nights of Quiet Stars)" is the other song featuring Astrud Gilberto. In the full 4:14 version, we have Joao doing Portuguese lyrics, as he did in the full version of "Ipanema." There is a dreamy quality about this song, particularly when Astrud sings "Quiet nights and quiet dreams/Quiet walks by quiet streams/And the window lookin' on the mountains and the sea how lovely." And Getz's sax really enhances that exoticness as does Jobim's piano. BTW, Corcovado is the name of a mountain overlooking Rio de Janeiro. There is a 2:21 45 rpm issue included here as well.

    As for the rest of the songs, Getz's rich saxophone provides the rich qualities that make this a winner, particularly his solo on "So Danso Samba" with its "vai vai vai vai vai" refrain by Joao Gilberto. The song title means "I Only Dance Samba", as opposed to calypso, the twist, and the cha-cha that were sweeping the country's dance floors in the 1960's. And Joao Gilberto's soft vocals complement the soft qualities of the other instrumentalists. Only complaint: Astrud should've been featured on more songs.

    5-0 out of 5 stars Masterpiece
    This is such a terrific CD. It was a break trough in 1964 when it was released introducing Bossa Nova to world audiences. Every Grammy it received like best album and best song for The Girl From Ipanema was well deserved.

    It's hard to say which performance is more impressive. Would it be the marvelous Tom Jobim composition? Or the whispering Joao Gilberto's voice accompanying his wonderful guitar cords? Would it be the melodic Stan Getz sax solos. Or the soft almost childish Astrud Gilberto's voice? Probably the combination of all.

    Every track is special but my favorites are Corcovado and Doralice. Doralice has the most beautiful saxophone solo I ever heard however, for some strange reason, the song is almost unknown even in Brazil.

    Most of the lyrics are in Portuguese but The Girl From Ipanema and the beginning of Corcovado are sung in English by Astrud but this shouldn't be an obstacle for the appreciation of this masterpiece. With under 40 minutes of total play time and two very similar releases of The Girl From Ipanema and Corcovado it might seem not too much bang for your buck but believe me it pays off.

    5-0 out of 5 stars THE Best Bossa Nova Album
    Have owned two vinyl copies of this album. Wore out the first copy. Will probably buy the CD. I can't add too much to the previous reviews but let me add two words, 'Timeless & Elegant.'

    5-0 out of 5 stars One thing to say---
    I do not know a word of Portugese, but I can sing "The Girl From Impanema" by heart -- in Portugese. That's how many times I've played this album.

    If you can and have the means to play it, get this in its original LP format. But the CD is most excellent as well, and if you haven't ever heard it, I encourage you to buy it right now; you won't be disappointed.

    5-0 out of 5 stars Something about Samba
    This will just be a short review..this CD is absolutely wonderful. I am not going to compare it to anything...I'm not even going to try and describe it other than to say it brings me an incredible amount of joy. It's sexy cool, it's flippin' hot.

    It's just right for a night of loving.

    My only complaint is that it is too short...but maybe that's the genius of it because it made me crave other music by both Getz and Gilberto.

    So I'm going to let you stop reading and let you purchase this beautiful recording. ... Read more

    19. The Way Up
    list price: $18.98
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    Asin: B0006M4SO6
    Catlog: Music
    Sales Rank: 363
    Average Customer Review: 4.0 out of 5 stars
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    For nearly 30 years, guitarist Pat Metheny and his longtime musical cohort, pianist/keyboardist Lyle Mays, have covered an incredible amount of diverse material. On their debut recording for this label, they and their international group--bassist Steve Rodby, Mexican drummer Antonio Sanchez, Vietnamese trumpeter Coung Vu, and the Swiss-born harmonica virtuoso Gregoire Maret--distill that diversity into a continuous 68-minute opus. The challenge here lies in sustaining the melodic narrative thread while keeping the sound of surprise.Thanks to Mays's evocative pianisms and Metheny's array of acoustic, electric, and synthesized guitars, the group pulls it off.For Metheny fans this disc contains elements of his most acclaimed recordings, from the straight-ahead swing of Question and Answer and the folk-fusion of Offramp, to the Afro-Latin tinges of We Live Here, the atonally adventurous Zero Tolerance for Silence, and the Asian impressionism of Secret Story. --Eugene Holley, Jr. ... Read more

    Reviews (117)

    5-0 out of 5 stars The album I always hoped they would make
    I have been a Metheny Group fan since I first heard "Still Life (Talking)" and "The First Circle" in the mid-80's.These guys always find melodies and changes that sound so logical they seem almost obvious, both when they really are obvious and when they are something we have never heard.For those of us who crave the "new" part of the equation, the transitional segments that occasionally pop up towards the end of medium-length compositions like Minuano (Six-Eight), The First Circle, And Then I Knew, or Lyle Mays' Highland Aire are like that whiff of pine-scented air you sometimes catch in the spring.

    May I present an entire cedar forest.Flawless, exhilarating performances, crisp and rich recording, and composition that you can get lost in after repeated listening.Music that is both cerebral and moving.The Group doing what they were always capable of, but never inclined to do before: a work that's long but not stretched, organized but not predictable, tonal but not too sweet, exciting but not raw, thematic but not repetitious.

    4-0 out of 5 stars Cocktail of Sounds
    You take Imaginary Day , Speaking of Now , We Live Here , add some wild Trumpet and sequence touches and Voalá : The Way Up is Sea Level ... Not bad for a rainy day ... The art work is All The Way Down ... So , not everyday is kind of wonderful , so what , still , good music from some of the best players and writers of the moment ... For lack of Weather Report , get Pat Metheny Group ...

    4-0 out of 5 stars Orchestrally amazing, but missing something
    I've heard this album so many times I can't even begin to count.I feel bad giving this album 4 stars because I hold Pat to standards miles above everyone else.So this review is based on Pat's standards; keep in mind that it's still a piece of music far beyond the capability of anyone else alive.

    This album is basically a bunch of different sections that weave in and out, sometimes overlapping.It works quite well actually--but the middle section is just simply too long and missing that emotional level that usually exists in Pat's music.The intro and closing are fun to listen to because they are busy with strumming, odd beats, full chords and buildup.The first six minutes of Part One introduces the simplest yet most prevalent theme on the album that's played over and over in many different contexts, and almost sounds progressive-rocky.Yet after this section dies out, I feel as if I'm walking across a very long desert.There's a couple of rocks here and there, but mostly it's just a flat walk.I want the moutains that Metheny creates--I don't want to get bored.

    The straight-ahead jazz sections kind of pop out of nowhere, and I almost feel like he put those in there as a response to people calling his music cheesy (which it sometimes is, but we learn to get past that).The Way Up definitely has its share of beautiful sections--the pinnacle I'd say being in Part Three (the closing) starting around 7:45 or so when all of the themes sort of come together and build up to a climax.

    There's no doubt that Metheny is a master of composition and his instrument.I don't think he went in over his head with his album.I think he was trying to not keep the middle section "too busy," but in doing so he kind of left an opening that needs to be filled somehow.

    Just a quick recap on the musicians: Antonio Sanchez (drummer) is out of this world on this album.Cuong Vu (trumpet) makes some really well-fit-in background noises and adds color to this album that no other trumpet player can do--his range isn't amazing, but that's not what he's here for.Lyle Mays takes more of a background approach in this as well--he has a few solos, but nothing extraordinary.Gregoire Maret (harmonica) has his moment of glory, and it sounds nice and Western (because that's how harmonicas sound to me), but I get a little bored when listening.Steve Rodby holds his fort down, and has a little solo where the bass plays the melody (I love this part) in what I call the "whale section"--it kind of reminds me of whale song.And Pat is at his best with soloing here, although I feel like more recently he plays the same licks more and more often.With the exception of his solo in Part One at around 20:00, where he plays one of the best and most melodic, unique, and well developed solos I've ever heard.

    Overall, a definite must, but didn't quite live up to its year-long hype.But that would have been nearly impossible.

    4-0 out of 5 stars Uplifting.....
    Having just been given this album the other day it has made quite an impression on me. Although it is not the 'highest' music I have ever heard it has many beautiful moments and the recording sounds great. I've been off listening to other things for a while so to hear the lyricism of Metheny and Mays is refreshing to say the least.
    Other reviewers have described the album in some detail so I won't. What I do want to remark upon is how many reviewers seem to have a very stale and fixed idea of what 'jazz' is and how they pour scorn over anything that does not conform to their limited ideas. This attitude has been a factor ever since Davis started to experiment with different sounds and forms and has continued in the Masarlis vein, etc. So what is jazz? Does it have to be an endless rehash of bebop in 'clever' contexts - nods and winks to the establishment and those who only want to be reinforced and not challenged? Or do we have to play the same standards over and over again? How much can you do with that music that hasn't already been done now? Isn't that why a lot of contemporary jazz sounds so dead and uninspiring? Beyond which quote to pull in the next moment, the spontaneity has been left behind somewhere.
    Personally, I am relieved to hear Metheny steering away from yet another 'jazz' album and towards something that's actually sort of unique. I enjoy what I consider to be the best of all musical styles - I love a taste of bebop, free-jazz, modern orchestral, baroque, prog, jazz-rock, folk or even pop. If I don't change between them fairly frequently I get bored.
    So to those who deride new music of difference I wish you an eternity locked in a small room listening to the Residents. Enjoy.

    5-0 out of 5 stars Maximal musical historisism is what you get...
    if you join PMG The Way Up. It is the last 400 years of music history incorporated into multi-layers of sound, individual world class performances (I heard them in Oslo 15. May, amazing!!) and melodic simplicity as the "red thread" through the album. Buy it!

    ... Read more

    20. Renee Olstead
    list price: $18.98
    our price: $13.49
    (price subject to change: see help)
    Asin: B00020HEL6
    Catlog: Music
    Sales Rank: 361
    Average Customer Review: 4.81 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    No less an expert on pop affairs than Neil Sedaka likens the impossibly mature voice of 14-year-old vocalist/TV star (CBS' Still Standing) Renee Olstead to "Patsy Cline, Ella Fitzgerald and Billie Holiday all wrapped in one." There's no disputing the sultry vocal talents showcased on this debut that balances familiar chestnuts from the great American songbook ("Summertime," "Someone to Watch Over Me," "Sentimental Journey") with more recent fare that veers from R 'n' B sass ("Is You Is Or Is You Ain't My Baby") to 70s chart hits like Sedaka's own "Breaking Up Is Hard to Do" and Maria Muldaur's "Midnight at the Oasis." A cynical ear might question how much of Olmstead's own life informs these bluesy performances: how trying can eigth grade be for an attractive redhead with a major label contract? Indeed, the tagline for at least one latter-day Ella Fitzgerald project comes frequently to mind here: "Is it real, or it Memorex?" Olmstead is yet another teen protege of hugely successful producer David Foster (who's midwifed the careers of Josh Groban and Michael Buble in recent years), and he provides her with some sturdy jazz arrangements to riff emotively on here--even if his production is as slick and bloodless as ever. Still, Foster's penchant for overwrought melodrama is kept mercifully in check on his own composition "I Want a Love to Last," while his shrewd teaming of the young chanteuse with fellow teen pop phenom Peter Cincotti on Sedaka's "Breaking Up.." deftly underscores the promising talents of both. --Jerry McCulley ... Read more

    Reviews (62)

    5-0 out of 5 stars Excellent and only better from here
    The orchestration, arrangements, and amazing singing talent in terms of style, timing, phrasing, and voice on this CD are worth every penny if you are a fan of this type of music at all ... "older standards." Some songs are very much Diana Krallesq and one or two lean in the direction of Norah Jones. Those I can do without. In Norah Jones I find nice music, but nothing special. Renee has much more to offer and, when she turns to a Diana Krall style of orchestration and adds her own voicing, she wins me over completely.

    At 15 years old, this young lady and comic actress seems to be an amazing talent. Her bio bears witness to this fact. Her singing is wonderful and, judging by the list of well knowns, including Chris Botti, that helped her on this CD, the right people seem to agree.

    Buy this CD and hope that she continues, because if she does, with another 3 or 4 years of maturity, this will be a singing talent to be reckoned with. If she takes the time to further develop her own style, phrasing, and voice even more, she will be a premiere singer who's CD releases we will all anxiously anticipate. I am already looking forward to the next one.

    5-0 out of 5 stars Who Knew? Renee Olstead is the real deal!!!
    Renee Olstead is the real deal! Who knew this sitcom star ("Still Standing") had such a great voice. This new singer takes a collection of great standards, intermixed with a couple of newbies, and makes them her own. She's a pop singer with a jazz sensibility that is absolutely intoxicating. One can only hope that her record company will promote her as well as Norah Jones was promoted by her label. This is a fresh take on titles from the Great American Songbook, with arrangements that match.
    Her duet with Peter Cincotti on "Breaking Up Is Hard To Do" is worth the price of the CD all on its own! A wistfully done "Someone To Watch Over Me" is equally great. Listen to her rendition of the Barry Manilow song "Meet Me, Midnight", and tell me that you aren't hearing a new singing star being born!
    This is one terrific CD!

    5-0 out of 5 stars I listened for a week before I checked her out ....
    My 22 yr old daughter works at a major chain that sells CDs, books, & coffee. She brought home this free CD with 3 tracks on it. I put it in my CD player and listened to these 3 tracks off and on for a week. I liked it right away. The more I listened, the more I liked it. I went on Amazon (like I usually do) and bought two of her CDs for myself. When I took the free one to work; others really liked it too. One of my employess took the time to read the liner notes. Boy was I surprised that learn from him that Renee Olstead was only 14 yrs old! I was impressed. She has a beautiful voice! She is a beautiful redhead! This is a great selection of songs! I rate this CD 5 STARS. I have been listening to Jazz, rock, and classical music for at least 50 of my 53 years. I have played in folk groups, rock bands, and even in church when I was a kid. I've spent hours in practice halls and recording studios. This is great music sung by a great voice and I love it.

    5-0 out of 5 stars A great singer at any age
    I am sure some people or going to attack this person because they don't like her music or her age or something to that effect. If you close your eyes and listen to her sing, you won't even notice anything like that. Reminds me of the attacks against the talents of Nora Jones by fans of Avril Langione. I love all kinds of music myself as well except maybe attack rap songs and a few others. I listen to the Motown Oldies station here at my job because that is about the only clear fm I can get.

    But this girl has been singing for a number of years and I am sure she was involved here in Houston with a number of local singing groups. A friend of mine said he recognized her from some of the vocal workshops he use to go to.

    She has a talent and knows how to display this to the audience which is where her acting talent comes in.

    You will be hearing her name for sometime.


    5-0 out of 5 stars Wow. Just Wow.
    As a hard core swing dancer, I hear more than my fair share of good music but it takes a lot to get me excited. This CD gets me excited. Go to her website and listen to her version of "Summertime" all the way through. Wow. ... Read more

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