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| 61. The Festival Tapes - Tellulive: Classic Recordings From The 1977 And 1979 Teluride Bluegrass Festivals | |
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| 62. What's That I Hear?: The Songs of Phil Ochs | |
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And so, so, so true today.
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| 63. Songs of the Civil War [New World] | |
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| 64. Between the Rails: America's Train Songs | |
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The set opens with Merle Haggard singing My love affair with trains, a song written for him by Dolly Parton, who never actually recorded the song herself. It is an appropriate song for Merle, who has been a train enthusiast from an early age. The singing brakeman (Jimmie Rodgers) is represented by Train whistle blues - not his most famous train song, but an excellent choice. Johnny Cash, who has also recorded many train songs, sings Blue train. Another prolific recorder of train songs, Hank Snow, is not represented directly but the Horse Soldiers do a fine cover of his Golden rocket. This is an excellent collection of train songs, mixing the famous songs with the obscure, complete with interesting liner notes. ... Read more | |
| 65. Southern Journey, Vol. 1: Voices From The American South - Blues, Ballads, Hymns, Reels, Shouts, Chanteys And Work Songs | |
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| 66. Arhoolie Records 40th Anniversary Collection: The Journey Of Chris Strachwitz 1960-2000 | |
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Amazon.com The spirited diversity of the 105 selections (including 13 available on CD for the first time) finds the label extending its reach from string-band country (Hackberry Ramblers) to hard-driving jazz (Jerry Hahn Quintet) to New Orleans brass bands to more recent forays into "sacred steel," featuring gospel music with pedal-steel guitar. Where so many folk preservations might as well be embalming musical relics, Arhoolie champions "vernacular music": music that retains a strong, integral connection to its community and gets people clapping, stomping, and dancing. Throughout the set, the immediacy of the performances transcends trendiness or timeliness, showing how America sounds beyond the plasticity of popular culture. --Don McLeese Reviews (5)
Beautifully presented with a very informative book and five high quality CD's. The sound quality is superb as are all the production values. The mixture of world music, old-time music and American regional sounds, as repesented in the output of Arhoolie Records, works extremely well here. I found my self playing all 5 CD's one after the other without strain and enjoying them all. Once having heard many of the artists for te first time the search wil then commence for solo albums if they exist, and they probably do in most cases. If this were a "Bear Family" set there would certainly be another $... on the askng price. If you are already a fan of this type of musci or are looking to explore it furter this really is THE set to buy as a starting point. All the tracks are strong and there is no "padding" at all. Combine this with a quite outstanding book giving full details on the artists and the history of Arhoolie and this is a set that will be cherished for years to come and played with great regularity. Highly recommended.
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| 67. Shabbat Shalom! Jewish Children's Songs For Sabbath At Home | |
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| 68. National Geographic: Destination Hawaii - Sounds of Paradise | |
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| 69. HARP: A Time to Sing | |
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Album Description Former Weavers Seeger and Gilbert, the irrepressible Guthrie, and Near had previously played together in various configurations, but never as a quartet, so there is much unique musical and personal interaction captured here. Each musician brought original, traditional, or contemporary songs to perform, which led to an entrancing program of folk favorites. The repertoire includes old favorites such as "Wimoweh," "Guantanamera," "Twelve Gates to the City" and "The Water is Wide," cover tunes ranging from Bob Dylans "Mr. Tambourine Man" (with riotous deadpan commentary by Arlo) to Steve Goodmans "City of New Orleans" to Marvin Gayes "Whats Going On," and trademark originals by Near ("Singing for Our Lives," "Emma," "Singing with You") and Guthrie ("You and Me," "All Over the World," and the hilarious "Oh Mom"). Political and social commentary are the underlying texts in many of these songs, recorded amidst the havoc of the Reagan administration. "These were very intense times," remembers Holly. "There were wars raging all over the world. The womens movement was reeling from the defeat of the Equal Rights Amendment. AIDS was new and frightening. The gay rights movement was in full force. Here are four singers, different styles, different generations, same tradition. This [CD] is live and raw and real. And when I think about how spontaneous this recording is, I am impressed by the skill of this quartet. These are people who know how to sing and what to sing about." With primary instrumental support by Pete, Arlo, and pianist/composer/arranger Jeff Langley, the four voices can be heard in varying combinations, sometimes uniting in a multi-generational rainbow of brilliant harmony. It was a time to sing and to sing out, captured for the ages on this invigorating and historic release. Reviews (1)
I would have thought that the dialogue between the songs and the political content of certain songs would make the recording seem dated. Woodstock, Reagan, the Chilean overthrow ... are decades away from September 11, Kosovo, Jenin. But the concerns of the songs, the peace and social justice issues implicit in the repetoire is still relevant and living. As on the original release "Pallet on the Floor" is a favorite - I song I suspect is Depression Era. The vegetarian fox Lebanese song "Ghannu Ma'i" is a wonderful cut that is only on this reissue. This is an excellent release - as timely now as when it was originally issued. I dare you to listen without joining in on at least one cut. ... Read more | |
| 70. Buy me, Bring me, Take me, Don't Mess My Hair : Life According to the Four Bitchin' Babe | |
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| 71. The Complete NFTY Recordings: 1972-1989 | |
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Album Description The long-awaited collection of the seven original North American Federation of Temple Youth (NFTY) recordings is finally here! Includes 28-page full-color booklet with complete album histories, a historical essay from NFTY-ite Elyssa Mosbacher and track/songwriter information. Discover the rich history of NFTY and liberal Jewish camp music - a little bit of Jewish liturgy, a little Israeli folk and some American folk music all mixed into one. This is the only collection of its kind. Reviews (2)
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| 72. Coal Mining Women | |
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Everyone in this album turns in terrific performances. Some of which involve spontaneous harmonizing to deeply felt solo acapella performances -- very scary stuff indeed. Which side are you on? If you can't make up your mind after listening to this album, you have no soul!
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| 73. Black Appalachia: String Bands, Songsters And Hoedowns | |
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| 74. Great American Train Songs | |
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| 75. Buy Me, Bring Me, Take Me: Don't Mess My Hair, Vol. 2 | |
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| 76. Best of Broadside 1962-1988 | |
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Amazon.com In 1962 Sis Cunningham and Gordon Friesen began publication ofBroadside, a topical song magazine that quickly would help to start anational movement. After the cold war '50s, a social, cultural, and politicalrevolution was in the air. Broadside began publishing hundreds of songs ofsocial dissatisfaction by musicians who later became the leading lights of thefolk and protest movements.Bob Dylan,Phil Ochs,Tom Paxton,Pete Seeger, and dozensmore all had their songs first published in Broadside. This five-CD set is a marvelously comprehensive document of the magazine's songsand songwriters, all of whom were recorded by Folkways Records. The lyrics ofeach song are printed and extensive information is given about the context inwhich the song was created. Background material is provided on all of thesongwriters, too. The discs are compiled primarily around the main topics: labor, nuclear weapons,social injustice, Vietnam, civil rights. Eighty-nine songs in all are featured,most of which loosely could be termed "folk music" in style: basic rhythms,acoustic instruments, spirited singers. Listening to the songs and following theannotations serve to remind one of an era of potent protest in this country whenmusic really mattered, and the songs themselves were the primary means ofexpressing dissatisfaction and disillusionment. Broadside was a small publication, primarily a labor of love, but itshistoric legacy looms large when all of its material is brought together in sucha well-researched, well-presented compilation as this one. --Wally Shoup Reviews (4)
I ordered this set sight unseen, and I was not really expecting to be blown away by it. I currently own a number of Bear Family box sets and other Smithsonian sets. If I arranged all these sets by quality, this set would not only be at the top, but would be a good distance beyond that. The couple of friends I have shown it to have echoed my feelings. In fact, I am seriously considering ordering two more sets before they go out of print in order to stash them away for my future grandchildren. Even if this set were selling in the $100+ range, this set would still be a phenomenal bargain!
I grew up with an Irish mother who hummed traditonal folksongs while she worked around the house. Maybe that is why I felt right at home listening to these indispensible songs. Sure, some of the lyrics are completely, shall we say, emeshed in their time, some almost border now on kitsch, but taken as a whole, the music here is a powerful testimony to the ability to use songs as something more than fodder for product-pushing. There is power and compassion and passion and grit and resignation and tenacity and a whole thesaurus more of emotions and feelings crammed into these five disks. I love humming some of these songs at work under my breath, while I grit my teeth and earn my daily bread. Good way to keep sane. And the packaging! A good many box sets are somewhat tarnished by their disappointing packaging (the Emmylou Harris box comes to mind; stupendous music, anorexic liner notes). But the Smithsonian has done its usual superb job of putting together a package to write...well, if not home, about, at least a review in Amazon. The Amazon review details all the goodies, but the package itself should be commended for its thoroughness and sheer cunning ingenuity (it opens like a Broadside magazine). I predict at least two Grammy nominations if not outright trophies for the liner notes and the packaging. I have enjoyed the Harry Smith boxes previously put out by The Smithsonian Folkways people tremendously. If you liked them, I can highly recommend this. The two packages compliment each other nicely. Now, if only we could get the Britneys and Christinas and Hokus and boybands and all the teenyboppers who are currently ruling the airways to listen to this, then they would know that the power of music is not in the number of units pushed but in the passion and commitment of the artist and his/her song. Thanks Smithsonian for yet another treat. ... Read more | |
| 77. The Power of Scotland | |
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| 78. Smithsonian Folkways American Roots Collection | |
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| 79. The Harry Smith Connection: A Live Tribute To The Anthology Of American Folk Music | |
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| 80. Alan Lomax Collection Sampler | |
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Amazon.com Reviews (5)
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