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| 121. Laid in Full | |
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Amazon.com Reviews (7)
Why do I diss Matt Boogie? Because he thinks he's the bomb on his productions and he is no Peanut Butter Wolf, DJ Revolution, DJ premiere or Xecutioners. Matt Boogie should stop pretendin' and stick to signin dope ass talent and not frontin' like he'z got talent.
Pick this up if you want a real treat in your hip hop meal..and please..get rid of that junk like JAY-Z and DMX..MAsa P..etc..bad for your health.. Peace
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| 122. Front End Lifter | |
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Amazon.com Reviews (5)
if you are looking for an album that is nearly always interesting, never boring, and is sometimes quite funny, you should pick up "front end lifter". this is the surprise of the year for me. the things that these two cats can do with their instruments is amazing.
But now DJ Logic finds himself among an entirely different crowd. After being "discovered" by Medeski, Martin and Wood on their Combustication album, DJ Logic and his group, Project Logic, were quickly taken up by the jam band community. The only problem is, these bands want to turn Logic into a DMC-style turntablist: wow the crowd with some impressive scratching and be done with it. But, as Reid knows, that isn't his proper role. He is a musical handyman, filling in spaces and touching up grooves with conservative scratches, obscure vocal samples and any other sound he sees fit. There is no machismo here, no concern over dropping listeners' jaws. It's a chance to see two artists realize their full potential after waiting for so long. When you hear the album, it becomes apparent why they chose to name themselves after Africa's answer to Viagra. The Yohimbe Brothers start things off with Reid, maybe under the influence of the aphrodisiac, putting down a sexually charged guitar riff. Not to be outdone, DJ Logic provides an array of percussionist scratches and effects that matches Reid's intensity. The sexual energy builds even further, as producer Prince Paul (reprising his Handsome Boy Modeling School persona of Chester Rockwell) sends us on a tour with "6996 (Club Yohimbe)". This is probably the closest the album comes to living up to the '70s AFROdisiac feel of the cover art. As the midpoint approaches, things begin to cool off. The initial excitement has been expelled, and the artists take time to focus on a much gentler, sweeter sound. The slower pace also allows DJ Logic more time to manipulate the music. The echoed vocals and muted horn work of "$moke and Du$t Dub (version)" make it seem as if the song is being carried on the crisp night, instead of your home speakers. With "Bamalamb" we get a glimpse of what a Black Rock Coalition (the loose confederation led by Vernon and his old band, Living Colour) ho-down would sound like: violin, harmonica and a kick-ass guitar. But it seems that the sexual energy of the yohimbe root is not enough to carry the album all the way through. The tracks grow colder as the Brothers create a vast soundscape of crunching drums, modified guitars and an unending supply of electronic bleeps and blips. But with the mechanized sound comes more improvisation, a nice contrast to the more groove-oriented opening tracks. This album is the final piece in a vision that was started by Vernon Reid with his Mistaken Identity record. But now Vernon seems to realize that you can't keep an album interesting with simple guitar licks. Joe Schaefer | |
| 123. Invisible Soundtracks: Macro 2 | |
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Album Details | |
| 124. Increase The Beats, Big Beat Across America: Vol. II | |
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| 125. Class of 85 | |
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| 126. Pirate Fuckin' Radio 100 | |
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Album Details Reviews (2)
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| 127. Raida's Theme Remix | |
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| 128. Being Black | |
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Album Description Reviews (1)
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| 129. Steady Rocking | |
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| 130. Vol. 2-Return of the DJ | |
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Amazon.com Reviews (6)
First off, DJ Jeff is WICKED on track 3! I was PARALYZED with disbelief the first time I heard "Change the skratch" in my car. There's NO WAY a human could possibly scratch that FAST. And he juxtaposes the rawnesss of it all with a cool sax in the background to add a nice jazzy effect. Roc Raida and EQ deliver NY style, cutting up classic beats like butchers. Honestly, the only joint I wasn't feelin was Jimmie's Jam, whose sample just came off corny. On the whole, this album has a more worldly and experimental sound than Vol. 1 and it may require repeated listens to appreciate. But the sound is just as hardcore.
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| 131. Outer Perimeter | |
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Reviews (5)
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| 132. In 12's We Trust | |
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Album Details Reviews (4)
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| 133. Dreamer | |
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Reviews (2)
Shortee's usage of sampling is rather interesting, and all the beats are guaranteed headnodders. It's also neat to hear an album revolving around turntablism and dreaming. Two things I find quite intriguing..
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| 134. Now, Listen! | |
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Reviews (5)
Solis Steel is a radio show run by Coldcut, Dj Food, and DK, broadcast in London. It is known for its eclectic taste. This mix is based on the show, with DJ Food and DK mixing up a diverse selection of old, and new. The diversity of dance music is hown with the wide variety of the selection. The disc includes songs you have heard before, like the conscious rap of "Come Clean" by Jeru the Demaja, and other obscure joints such as the brazillain flavor of Dominique Dalcan's "Ritmo 2". The mix is good also, combinig the songs together, no botched beats or missed levels. Some songs are mixed togeher so well that giving them different track numbers is impossible. This is seen as the second wave ska of "Mirror in the Bathroom" is placed on top of the Roni Size produced drum-n-bass of Mask's "Square Off". The variet keeps this disc from getting boring. "Alphabetic Aerobics" by Blackalicious changes tempo from 80 to 135 b.p.m. in less that two minutes. The sixties soundtrack music from Dave McCallum may sound familiar, along with "Assembly Line" by the Commodores, it has been sampled by many artists. Here the disc gives you a musical history lesson. I could say more, but i will just tell you that evary track is good, and the interludes are great.Buy this disc if you want something truly eclectic and you cannot tune in to Solid Steel. ... Read more | |
| 135. Ibiza: The History of Chillout | |
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| 136. Scratch | |
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Album Description Reviews (3)
THE GOOD: The DJ Disk/Buckethead track is[...]Trip music as only they can make. DXT's Cut Transmitter is a nice little DJ+ band track, and Cat Five/Snake Eyez show off the more abstract side of the movement. THE DESCENT: Okay, first the Rockit remix--I guess I just expected more, especially with that many of the best DJs on it. I guess that's what happens when you mess with a classic. Rob Swift and Eddie Def's contributions were suprisingly average for their immense talents (although this should not be suprising for Eddie Def as the Space Travelerz not only bashed the film, but have admitted they unload their subpar material when it comes to compilations) THE TRULY WACK: The rest of the material (as classic as some of it is) can be/has been heard in many other places and it was disappointing to pay for it again. It seems that Bill Laswell wanted to combine a history-up-until-now type project (like MTV's "Masters of the 1s & 2s"--only good) and a this-is-the-status-of-the-movement-right-now album (like "Return of the DJ" did in 1995) but in my opinion simply failed. A true "History of Turntablism album", by the devoted for the devoted, would have been the ideal.
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| 137. Private Press | |
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| 138. Last of the Pro-Ricans | |
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Album Description Reviews (4)
Ciao
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| 139. Funky Instrumentalist | |
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| 140. The Best of Return of the DJ | |
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Reviews (1)
A lot of people don't know the DJ behind their favorite group or MC, but this is your chance to get more familiar with them. Or at least respect them. A search of the track listing should get you the DJs on the CD - we're not talking Dr. Dre (ex-NWA) or whomever, we're talking true cutmasters like Mixmaster Mike, Babu, and PB Wolf - just to name a few. If you've seen the film SCRATCH then you know who half of these DJs are. This CD is way better than the SCRATCH soundtrack - this is the true greatest hits for DJ's. Listen and learn, kids. Listen and learn. ... Read more | |
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