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| 121. Magik 1-First Flight | |
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Reviews (7)
From the minute you put this in your cd-rom drive, you will be mesmerized, at times to the point where you will want to get off your seat and dance...it is THAT good. The vocals, harmonies, and beats of each song are so well-coordinated into one continuous sound that you will swear this was mixed digitally and not by mere hands. Magik is certainly an appropriate name for this album because there was definitely a good amount of it utilized in the inception of this mix. No matter how much criticism Tiesto receives or how bad any of his recent sets may have been in the eyes of those resentful of his popularity and success, he will always be #1, simply for this mix alone.
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| 122. Essential Mix | |
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Amazon.com Reviews (18)
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| 123. In My Memory | |
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Reviews (40)
For all those people on this site who have already reviewed this disc, most of you do not know or care to know what you talking about. Tiesto is one of the world's greatest mixologists in the world today, and his live sets prove this fact. Nobody else, except Van Dyk, can make a crowd move the way Tiesto does. In time, these musicians feel they can contribute to the scene by releasing an ARTIST album, heck they already know what it takes to move a crowd... so why not try to do that with their OWN productions. That's what this is folks: an ARTIST album. Tiesto made this music himself, and unlike the Magik series or the Search for Sunrise series of discs, (which by the way, are at the pinnacle of mix albums on the market)they do not need to be mixed. As a matter of fact, they shouldn't be or the listener would not be able to appreciate each track for what it really is... exceptional production work. These tunes are not meant to move a saturday night crowd, but they can with other talented artists re-mixing them or if they are worked into a set in just the right way. Tiesto deserves praise for toning down the tempo in most of the songs here. In most cases, it doesn't work with other artists (case in point: Oakenfold's "Bunnka" and Van Dyk's "Reflections") but here, Tiesto has learned something through the years in his work in clubs... the originality is the key. Keep them coming back for more, and they will love you for it. It also helps when you don't get poppy and play radio-dance-crap fodder. There is none of that here, and as long as Tiesto does not sacrifice his originality any time soon, there will never be any.
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| 124. 76 | |
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Reviews (18)
I don't know why some people think because this is NOT a million beats per minute and doesn't have an earth-shaking bass line that this isn't good. Believe me this CD is great. Everything flows nicely... Armin doesn't try to do too much on the CD. It has a nice warm feel. It's the kind of music that you can share with just about anyone. Not just a club-lover. You can listen to this at work, doing chores, chilling, hanging out or even when you are in the mood to dance. Excellent song selection and vocals. Not too much of anything. The start of the CD is just delicious. Armin, keep playing and producing music like this... don't follow everyone else. There is a definite huge audience for this. The death of this type of trance has been greatly exaggerated. If you stop making music like this, who will? Fantastic CD! Put this on and let it caress your troubles away.
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| 125. 10 Years in the Life | |
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Reviews (19)
Nontheless, you'll find the various songs from Bt's 10-year career in a 2-CD set. CD1 featues his own compositions and CD2 are the remixes he was commissioned to do for other great artists. I first got myself aquainted to his music on the deliciously penned Tori Amos collaboration Blue Skies. Tori's cold haunting voice matched Bt's self-styled techo-electronic sounds almost perfectly. You'll find it here on CD1, no doubt, for it represents one of BT's best triumphs. You also find such gems like his earliest works Moment of Truth and Relativity. You would realize how progressive BT has gotten on his later albums especially when he tried experimenting with electronic fusion with hip-hop/rap on Movement in Still Life. Dreaming, Giving Up The Ghost and Never Gonna Come Back Down truly represents this great leap forward. What's best, you'll get all the radio edits and remix single that were otherwise only available on vinyls or promo CDs. On CD2, BT showcases his skills as a remixer which, by far, is his most accomplished work done. Remixing for The Crystal Method to Billy Ray Martin and Madonna, the remix of Drowned World for the latter is one of his best remixes for the 90's. It simply added a multi-dimension to a song that was dark and brooding. A great ommission here would have to be his splendid remix of Sarah McLachlan's I Love You which literally transformed the broadway style ballad to a stomping dancefloor cut. If you just got on BT, this is is the best $20 to spend on without getting his whole collection. I recommend his new CD Emotional Technology too.
This album presents a compilation of hits spanning from 1993 until 2002 (when it was issued) of Brian Transeau (a.k.a. BT), one of the masterminds behind the electronica/dance movement of the past decade, considered by many to be "bigger" than the very own Paul Oakenfold (I subscribe to that view, by the way...) '10 Years in the Life' gives a clear idea of how the sound of BT evolved through time, with a more techno/dance type of sound in the first half of the first disc (and in general in the first five years covered by the compilation), morphing into a more ambient/trancey sound toward the end of it (which closely match the most recent five years), when he takes a plunge into some originals and some remixes extracted from the great ESCM album. As the first disc closes, we get a feel for BT's scoring abilities, with "Believer" (from the movie "Go") and "The Revolution" (from "Tomb Raider" part I). Disc 2, for a change, presents a continuous mix bundled with remixes that BT did of other artists' work (and a couple of his own crop) between 1995 and 1999, with Madonna's "Drowned World/Substitute For Love" and an almost unrecognizable (though very powerful) remix of Crystal Method's "Keep Hope Alive" as the high points. In general, I prefer the first disc by far, since it sounds less dated and sticks more with the more trancey music/remixes by BT that I learned to love. As for me, though I didn't grow up to this music (not in the sense of going to school listening to it), I found more than one spot in the compilation that made me feel more alive than ever, as if being reborn. Hope it gives you the same feeling when you spin it... keep a young spirit! ... Read more | |
| 126. Totally Dance | |
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Amazon.com Reviews (37)
I have to cry that it is brand new and going right into the trash... ugh.
This CD is jam packed with awesome dance songs that are not only great for busting a groove, but great for listening to while exercising, or anytime you need a good energy boost. This is the best collection of dance hits you will ever find, don't turn it down! (the only dissapointment is that they didn't have the radio remix of I'll Fly With You) I can only pray for a Totally Dance 2.
1. Faithless - We Come 1 I hope Arista Records comes out with another dance compilation soon, but I don't know how they're gonna top this! ... Read more | |
| 127. Best of Trance, Vol. 2 | |
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Reviews (14)
I just bought vol. 4, it's it's head and shoulders better than this one. Skip this and buy that! :)
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| 128. Right of Way | |
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Album Description Reviews (10)
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| 129. DJ in the Mix | |
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Reviews (8)
This CD is truly a gem of current trance, but I only have two rather minor complaints, that unfortunately force me to give it 4 stars and not 5: 1) it's a tad too long; combine it to one disc and edit it down to only the best tracks and you would have perfection; I find myself skipping tracks here and there. 2) a little too many instrumental tracks; only about 7 out of the 32 tracks had vocals; could have evened it out more. This is kind of the opposite of his new release No Silence, which has 9 out of 13 tracks having vocals. I also highly recommend grabbing No Silence right away!! If you want a current 5 star DJ compiled and mixed CD then look no further than the new release Positive Ways 3 by Ronski Speed. It's a simply amazing CD. I find that and Tiesto's In Search of Sunrise 3 to be the best two mixed CD's I have in my collection. Two other awesome mix CD's by ATB are the Ministry of Sounds Clubber's Guide to Trance and the first Trance Mix USA CD. They are a few years old now, but are excellent mixes I still play consistently and can leave in all the way through. One other note: there is a 3 disc Asian import of this album Don't bother. It's not worth the extra dough because the 3rd disc is just a compilation of older ATB stuff that can be found on previous cd's. It's a chill CD too, so a much different pace than the other two discs. If you are an ATB fan, chances are you already have just about every track on that bonus disc. It comes in a huge, chunky fold out case, which takes up an incredible amount of room in a CD collection. Just get the normal 2 disc set in it's nice normal CD size, and save some bucks!
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| 130. Xpander | |
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Amazon.com Reviews (38)
Except the radio cut for "XPander", all of the tracks are very long (10 minutes and up) and yet do not find them boring. Instead, they really do what they were meant to do : put you in a trance. All the tracks are absolutly fantastic, and I don't think you'll find a respectable trance collection CD that doesn't have one track from this EP. XPander has the best potential to be a radio hit, but my favorite track on this EP is "Bellfunk". Sasha is not afraid to put stop to the beats in this track, and so you get 2 minutes of a dreamy chillout sound in a middle of a really poundy track. "Rabbitweed" is a fine tune too, and Baja is a bit different, starting slowly and climbing up. I believe that after this EP Sasha will become a very wanted person in the production studios as he is on the clubs. You should really try this EP and experience a sophisticated, non cheesy trance and progressive house sound.
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| 131. Dance Divas | |
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Reviews (6)
1. Mr. Lonely -- I can listen to about a minute of this. I know Deborah Cox has a good voice, but enough already! 2. Wish I didn't Miss You -- I like this song, but I heard it a lot on the radio so I tend to skip over it. 3. I Never Knew -- She made a come back and it was good. 4. Ti Amo -- I loved this song when I heard it. I even saw them perform at a club, and they really aren't that bad. I love the beat. 5. Making Love -- This is my FAVORITE song on the whole cd. I play it over and over and over again. She just has a powerful voice and its just so upbeat. 6. Better off Alone -- I always liked this song, even though she says the same 3 phrases over and over again. 7. Rapture -- Old and overplayed. I did like it at one point. 8. Feel it -- Next.. 9. Find Another Woman -- It's ok.. next 10. Skin -- Next 11. Sexual -- Always liked this song. Still good after all this time. 12. Never had a dream come true -- I like this song. A little bit on the cheese factor, but it does ok. 13. Gotta tell you -- I usually skip this one. I can listen to about a minute on this one as well. 14. Free -- Another ok song. 15. How do I live -- This mix is nice, but the song was never one of my favorites. 16. Say A Little Prayer -- I keep thinking "My Best Friend's Wedding" 17. Unbreak My Heart -- This has a disco beat to it. An improvement on the original. 18. Make The World Go Round -- Next.. 19. Dance Divas Mega Mix -- Pretty good. I always like the mega mixes. So you're probably wondering why I would give it 4 stars if I only like half the songs. The songs that I do like on this cd are very good, so I base it on them solely. I do think that the Underground Dance party series is a heck of a lot better and Dance Factory 1 is good too. (See my review...shameless personal plug) Overall a good first effort on a Dance Divas cd.
VERY BAD, GET NYC UNDERGROUND VOL.5 MUCH BETTER
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| 132. Exodus | |
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Reviews (14)
I own almost 200 of the greatest trance and other techno cds on the market, from artists including Oakenfold, BT, Sasha & Digweed, Chemical Brothers, Pete Tong, Judge Jules, Johnny Vicious, and Dave Seaman, to name a few. (If you don't know who these amazing DJs are, I urge you to do yourself a favor and pick up some of their cds...you won't be sorry!) I also know that, at least in my own humble opinion, most Christian music is no where near as good as secular music from the same genre. I am pleased to report, however, that Andy Hunter is a shining exception to the rule. "Exodus" is a CD so dense, so full of exceptional composition and talent, so well-produced, so moving and so beautiful that a written review could never fully express it. Nothing about this CD is overtly "Christian" or preachy, but a close examination of the samples and lyrics reveals that they tell of a loving and worthy God and are very moving and meaningful to those who understand about Him. Those who buy this album just because it is wonderful trance music cannot be disappointed either--the beats are just so perfectly laid out it's almost scary! If you love techno, especially artists like Oakenfold, BT, Timo Maas, or the Chems, buy this cd. Christian or not, it is one of the best CDs of 2002. I wish all artists were as devoted to their craft and as phenomenally talented as Andy Hunter.
I listen to a lot of techno, the same artists as the previous reviewer does, and I'd have to say that Andy Hunter is VERY much like BT. His first album has a good mix of relaxing almost ambient style music mixed in with some nice semi-hard trance tracks as well. If you own BT's album ESCM, you'll know what I'm talking about. The track "Show" alone is worth the price of the CD! Not to mention that the first track "Go" is used in the trailer for the "Enter the Matrix" video game. The opening song to the final Matrix reloaded trailer is also off of this CD. This is just a glipse of how good this cd is. This CD is a great buy even for the non-Christian. You can check out his music streaming @ his website (just do a google search), so you can see just how good it is before you buy it!
I can't wait for more from Andy and I hope that his sophmore effort is just as well done!
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| 133. Cream | |
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Amazon.com Tranceport 3 offered trance of epic scale, but Cream is more ambient and minimal. Much of the album is simply a 4/4 beat with little adornment except the occasional alien percussion or a ghostly voice sampled and inserted for effect. Each track supports the current Collins manifesto of minimal dance music for quick clubbing, but these tracks foster an insular mood of cold, sleek uniformity. Carissa Mondavi's "Solid Ground" is the ambient-ish intro, with a warm vocal and tribal percussion aiding the glowing groove. The CD builds slowly, changing little while layering thin synth and bass sounds, rolling through Manhattan's "Robot Funk 2001" and 16th Element's "Warp" until the repetitive beat grows harder and more direct with Traveller & Quest's "Chaos Engine." High hats get busier and the beat syncopates for Voyager's "Derangement of the Senses." This track--along with Chiller Twist's "Do You Hear It?"--provide the album's mellow mid-section. "Thriller"-esque accents in the latter make the welcome rests sound corny, not profound. The closing tracks by JBN, T-Empo and Maurice & Noble ratchet up the intensity, but nowhere near the intense levels of Tranceport 3. Is Collins mellowing with age, or simply becoming more cerebral? Her Cream mix shows a clever DJ keeping it hard, lean, and mysterious. --Ken Micallef Reviews (27)
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| 134. If You Don't Know Me by Now | |
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Reviews (4)
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| 135. Ima | |
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Reviews (38)
Despite the disappointment in his latest album, you really got to give BT props for giving us this masterpiece.
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| 136. Communicate | |
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Amazon.com Reviews (128)
There are tracks here from usual suspects like Breeder (the magnificent soundtrack styled "Tyrantanic" making its second appearance on a Sasha/Digweed compilation, this time mixed by Slacker), POB, Van M, and Slacker themselves, plus a few superstars like The Orb, Chemical Bros, and Sven Vath. And of course, a bunch of finds from artists I've never heard of like Trisco and Jaimy and Kenny D (a duo whose name sounds to me like the two least popular members of some hypothetical boy band). Plus, there's an unlikely but effective appearance from a drastically remixed Eric Clapton. Highlights include two mixes of "Voices," the latest single from Digweed and Nick Muir's Bedrock project, a dreamlike track from P.F.N. called "Put Your Earphones On" with beautiful keyboard sounds and a wailing female vocal that'll make you want to do just what its title says, and the tough, funky Peace Division remix of Trancesetters' "Roaches." This is a quality set, very much worth adding to your collection.
More than any other album I know (I've never been able to get my hands on their legendary Renaissance set), Communicate defines what Sasha & Digweed represent in terms of soundscapes. It showcases 2 completely different yet perfectly complementary DJ styles, and IMHO, catches both of them at the peak of their abilities. Sasha simply condenses what he did with GU 013, adding a grittier texture to the spacey sound that is his trademark. Digweed... well, suffice to say that if all other works by John Digweed were lost in a fire, and I could choose 1 mix for preservation, I would pick this one in a heartbeat. Disc 1 contains quite a few tracks that were familiar in the day - "West on 27th", "Roaches", "The Baguio Track"... all recognizable as some of the biggest tunes of that year. The beauty of this disc is in its programming & arrangement - the beautiful DD remix of Sven Vath's "Barbarella" is a ready example of what track placement can do to augment the overall mood of a CD. The ambient, spacey aural vibe of Sasha's sets is present, but is mixed in equal parts with gritty, grinding bass synths & straight, hard beats. The resulting cocktail is what happens when the man decides to tear up a dancefloor - groove oriented sound retaining signature style. Disc 2 takes things to an altogether different plane. The brilliance of this mix lies in the fact that - while being the single darkest, moodiest, eeriest and most subterranean mix ever crafted by Digweed - it unearths and showcases such absolute purity of sound that 90% of these tracks sound cutting-edge even today (remember, this is a 2000 mix). "Narkotik" establishes the hypnotic vibe of this mix at the very beginning, "King of Spin" incorporates a wobbling, echoing synthline sounding like its coming straight at you inside a closed, pitch-black tunnel, "Voices" highlights what careful sampling can do to a track... each track contains something to rave about. The highlight of the disc for me was the stupendous mix into JVM's "ECI-PS" - 3 1/2 minutes?!?!?! That is the best single track-into-track mix I've ever heard, period. The mood is carried on seamlessly by another awe-inspiring mix into POB's "Waah!", and by the time the last, quivering strings of "Enjoyed" fade away into the silence, you're left completely speechless. This is NOT a CD you'll find yourself dancing to too much - you'll be too busy just letting the sound play around with your head while shutting yourself off from the rest of the world. Today, I wouldn't consider Sasha & Digweed the 2 best DJs in the world. Their latest efforts, while good, aren't what I would call masterpieces. Maybe the sound has moved on, past what they represent - I don't know. But if you want to hear what they sounded like as partners in sonic crime in their hey-day... if you want to - 20 years on - look at a CD and know that it represents the absolute BEST of what was playing when it was released, then this is the one. Buy it, make a copy every year so that you have a mint-condition copy at any time. This album is a genuine, A+ work of art. 4 1/2 stars for Sasha. 5 for Digweed. Overall Verdict - 5 stars.
Norhtern Exposure focuses more on delicate sounds and textures with produces a great aural feeling for the listener. Their GU mixes are reflective of their current styles. The GU mixes have more energy but doesn't quite get "gritty." Gritty...which is the key word for "Communicate". I listened to this cd and I said to myself "man, it's got dirty bass no fruity vocals and sinister sounds. It sounds like them live...hell yeah!" Sasha and digweed got tougher for this compilation. It's not exactly what you expext but nonetheless its another side to these 2 freakishly talented individuals. Just remember to keep in mind that this is NOT Northern Exposure IV and I promise you will have a better time understanding and enjoying this album. I hope they expand on this series and continue to make mixes that have a "raw" sound to them.
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| 137. Vorsprung Dyk Technik | |
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Album Details Reviews (1)
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| 138. Vol. 1-Trance Nation | |
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Album Details Reviews (25)
Second CD rocks just as much as the first. Offshore was the best song there. So get this Cd and you will not be disappointed!
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| 139. South America | |
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Reviews (11)
At least Paul Oakenfold's Perfecto-picked buddy Hernan Cattaneo chooses songs which refuse to noodle off into the background. Careening through proper progressive house doozies "After 2" and "Storyreel," full-on emotive anthems with tough backing, to novelty hooker ode "You Are Sleeping," and sizzling acid house "The Search," he's selected (gasp) actual records to play, even if duff vocal "No More Ghosts," and so-5-years-ago-vogue NASA recording "The Way" are dragged along in the process. Thankfully disc two earns your cash, leading with the rapturous tones of Shmuel Flash 5-star "Chilling Moments" an accordion and chimes-filled operatic vision that harks back to the blissful trance of days gone by. Hot on those heels, the conga-percussion "Lights Out," warm electro "Western Nights" and spellbinding trifecta of "Walking on Fire," massively dubbed out "Headstrong" and epic closer "Numb" reworked by Bedrock production engineer Nick Muir send this set into stereo rewind. Disc 1: 3 stars Disc 2: 5 stars
Hernan Cattaneo es sin dudas el mejor DJ de Sudamerica, no quiero decir del mundo por que voy a sonar como un exajerado, pero crean que lo es.
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| 140. Explorer | |
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Album Description Reviews (1)
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