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| 161. Singles 93-03 (Bonus CD) | |
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Amazon.com From the seething siren, pounding breaks, breathy vocals and spellbinding post-acid electronica of album opener "Song to the Siren" to the ingenious collaboration with the Flaming Lips, "The Golden Path," Tom 'n' Ed have somehow managed to carve tracks that appeal equally to radio, clubs, and the live arena. Alongside the cement-cracking bass of "Leave Home" and "Block Rockin' Beats" comes the high-inducing sonic debauchery of "The Private Psychedelic Reel" and dancefloor filler "Star Guitar," to name but a few of the many highlights. Ingenious, boundary-baffling stuff, this compilation offers a hypnotic historical tour of one of the most creative careers in dance music. --Christopher Barrett Reviews (25)
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| 162. The Best of Stevie B [1998] | |
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Amazon.com Reviews (17)
Well, "The Best of Stevie B" contains many of Stevie's early and most well known songs: Spring Love, I Wanna Be the One, In My Eyes, Because I Love You, Dreamin of Love, and a few others. Because it only is a complation of the earliest hits, it contains some filler stuff from his earlier albums that might not as well known. However, this is still worth it. The other greatest hits album contains REMIXES of hits like Spring Love, etc and thus this album is the only one where you can get the original mixes. I recommend this album as well as the other album as good complements to each other. This one give you the older material in it's original form. The other album gives you remixed older songs, but some of Stevie's newer and less known material.
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| 163. Chaos Theory: Splinter Cell 3 Soundtrack | |
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Reviews (13)
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| 164. Magik, Vol. 5: Heaven Beyond | |
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Reviews (9)
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| 165. Back to Mine | |
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Album Description | |
| 166. 100th Window | |
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Amazon.com Reviews (227)
The big guest vocal star this time is Sinead O'Connor who sings three songs, reminding us that once upon a time she was known as the incredible singer that she really is. Sinead also gets to unload some of her politicized lyrics in "A Prayer for England." Reliable Massive friend Horace Andy lends his always breathtaking and crystal-clear voice to two songs this time, but not even he can save the bland material he's working with. And "bland" is the key word here. Four songs are dragged down by the atrociously poor singing (a better word is vocalizing) by Del Naja. You already knew he has a flat voice, though on previous albums he actually functioned well as a counterpoint to Tricky or Daddy G. But here he just can't carry a song on his own. Musically, the super-advanced Massive trip-hop is still in effect, though without the punishing grooves and creeping dread of Mezzanine. Especially missing are the dope basslines, which are only present in the album's two best songs - "Special Cases" and "Butterfly Caught." Otherwise the music is still innovative, but heartbreakingly bland and featureless. Also, the album closes annoyingly with a basic synthesizer loop that repeats ad nauseam for eleven minutes (after "Antistar"). This can be ignored. The Massive magic still peaks out occasionally on this album, but we're seriously headed for light ambient territory here. Oh well, they've had a good run.
The songs are completely modernized. Massive Attack started from the roots of Hip-Hop, and Hip-Hop has influenced almost every song they've released. But with one member gone, the remaining two Massive members have to struggle through to get a good image of Massive Attack out to the new age, and they do it well. With sounds from Radiohead and Portishead influences, Massive Attack changes their image completely. "What Your Soul Sings" is delivered well by Sinead, mixing with the synth sounds of 3D and Daddy G. The song has a very mellow, calm sound, which Massive is known for. "Everywhen" is another amazing accomplishment, with smooth sounds, hard beats and a very serene sound from Massive native Horace Andy. "Prayer for England" is a modernized, beautiful remake of "Safe From Harm" from their Blue Lines CD. And "Antistar" shines with a huge Radiohead influence. This is Massive Attack for the new generation. Their wisdom and knowledge in the music business has brought together an amazing CD. Any Massive Attack fan must check this CD out, along with fans of Portishead and Radiohead. And being a Massive Attack fan, it's sad to say that there are no vocals from Daddy G in this CD, as well as no Hip-Hop influence from the great Mushroom. Let's hope this is not a farewell CD to the great Massive Attack.
I'm a long-time fan of Massive Attack and have given this album many chances. I was a bit on the fence regarding it, but seeing so many desperate 5-star reviews from people with such obviously low expectations reinforces how far this band has sunk. My copy is already residing in the trash-bin.
The dark and eerie theme displayed in these tracks give new meaning to electronica music. All of the sounds and instruments combined wonderfully give listeners the intended sensation. The variety of haunting styles keep listeners interested in every song, starting with "Future Proof". The intimacy is always present through the darkness. As the theme becomes deeper, the heartpounding effect becomes stronger. The strong and personal lyrics blend wonderfully with the background. The only other artist to accomplish such emotional words with electronica music is Madonna on her "Ray of Light" album. Their performances wonderfully express them soulfully, including guest vocalist Sinead O'Connor ("Nothing Compares 2 U", 1989) in "Prayer For England", "When Your Soul Sings", and the hit single "Special Cases". Despite the songs clocking in at over five minutes, Massive Attack never lose contact with their talents. "100th Window" is great for several occasions, especially great during sex. Such tremendous music quality will surely continue pleasing listeners for a long time. If their musical evolution continues in the future at their past rate, their next album should have exciting expectations. ... Read more | |
| 167. The Sign | |
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Reviews (78)
5. Living in Danger-one of the best cuts on the album! Dark, mysterious, should've done better in the US 9/10 Please, just pick up this album it is worth every penny!
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| 168. Hotel Costes V.1 | |
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Album Details Reviews (6)
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| 169. Hotel Costes, Vol. 3: Etage 3 | |
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Album Description Reviews (27)
I've played this CD for friends of every ilk and of every age, and everyone loves it. The perfect background music for every occasion-- I've use it at a range of affairs, from intimate gatherings to corporate events-- and it flies every time. Thanks to Todd's "What CD's I'm listening to" list for turning me on to this spectacular music. And what a brilliant idea on the part of the Hotel Costes-- you can bet I'm spending time there on my visit to Paris in a few weeks!
I for one enjoyed this Costes a bit more than the others. From the kickin' Shirley Bassey cut to now classic lounge cuts like "Cruisin" by Can 7 or "Yachts" by Coco-Steel. You have a bit of a global experience with the tunes and some diverse musicians. A splash of Brazil, a touch of Tango... you name it! The Costes series prided itself on not being just any old lounge compilation with the same redundant tracks and atmosphere. It was hip, cutting edge, for the swanky and the people in the "know". Stephane Pompougnac always has at least one of his own tunes on the cd's and this isn't an exception. Good bachelor tune - every lady I know digs this when I put it on. I recommend this one. You'll always get a quality unique cut with Pompougnac. IMO, Etage 3 is one of the better cd's of the franchise. However it's not without a few missteps - this particular rendition of Lustral's "Everytime" hardly seemed to fit in, even for an ender. And the Boyz from Brazil Remix of Hi-Fi Trumpet isn't my favorite version of the song either. Also you'll want to be careful of serious overlap if you pick up French compilations - in otherwords, some cd's may have the same cuts on one another. And if you like this series... check out Boss-A-Troniq, Break & Bossa 4 and 5 and Paris Lounge 1.
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| 170. Buzzin' Fly Volume One | |
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Album Description Reviews (6)
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| 171. Fired Up | |
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Reviews (7)
It's a very good listen overall, but there are definite stand-outs. Melanie C.'s #1 dance/club smash "I Turn To You" is an awesome track and it's too bad that it never crossed over to American radio. ATC's "Around the World" was an irresistible club and radio smash back in the spring of 2001. Alice Deejay had a huge dance hit with the instantly recognizable hit "Better Off Alone" the summer of 2000. "Barbie Girl" by Aqua was a worldwide dance sensation nack in late 97 and is a novelty song if ever there was one. "Do You Miss Me" and "Just A little Bit" are definitely hot dance tracks as are "One More Try" and "Call Me." Eiffel 65's top 5 Hot 100 hit "Blue" was inescapable around the turn of the century. However, the undisputed champ is Amber's 1996 dance smash "This Is Your Night" that managed to rule the clubs and radio both but never became old. It's catchy as heck. For fans of dance music, this is a must have! It will be sure to get you just as the title says. Dance music really is not as good and as mainstream as it was in the 90's. It really needs to make a comeback. Long live dance music!!!!
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| 172. Forever Your Girl | |
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Reviews (56)
After her success as a choreographer to the mega pop dance stars of the 80s, Paula Abdul breaks out on her own with her debut release of Forever Your Girl. This was a smash hit in the late 80s, and many of the hits off this release are still being played today on top 40 stations. To show that kind of staying power after over 10 years, this release obviously has something special to offer its listeners. If you love that style of pop dance music with fun lyrics and awesome beats and orchestration, this is a must have release. We start off with one of many smash hit singles "The Way That You Love Me," which is a great dance and attitude song that still stands true today. I still see that sexy gold video every time I hear it... mmm MMM! "Knocked Out" was a moderate success as a single (I saw the video more on BET than MTV) but is really a great dance tune with some great lyrical and orchestration hooks. "Opposites Attract" is pretty good and has gotten a recent resurgence thanks to Sabrina the Teenage Witch. I still remember how groundbreaking the video was with Paula dancing with the animated cat. "State of Attraction" wasn't released but could have easily been a hit with great dance beat and orchestration hooks. "I Need You" isn't as trite as it sounds and is a strong pop dance tune with an R&B groove. "Forever Your Girl" was a pretty big hit with its happy, bouncy, upbeat message and orchestration. We finally get to Paula's first huge single, "Straight Up." I must admit, I'm not exactly fond of this tune for some reason - something about the orchestration. But this was a phenomenal success and is a classic late 80s dance favorite. For you trivia buffs, the video featured Arsenio Hall. "Next to You" is the only ballad on this predominantly danceable release; very smooth and relaxing. "Cold Hearted" is an awesome attitude dance song with fantastic lyrics and a killer beat; it was a pretty big hit with a great concept dance video. The bridge features an almost rapped chant that really hooks you and was pretty innovative at the time. The release concludes with the somewhat cheesy and shallow "One or the Other," but it is still fun and danceable. I'm personally torn between giving this release 4 or 5 stars. I like most of the songs, and I remember watching, dancing to and loving the videos for many of these songs (which were visual and dance masterpieces). However, the release never really made that perfect connection with me. While this release holds a special place in my history, it just didn't have that something special to become part of my soul. Therefore, I give it a very strong 4 star rating. As a recommendation, if you are a fan of late 80s/early 90s dance pop, you should have this release. It's not earth shattering or mind altering, but the release is a strong representation of the era, and it really does make you want to get out onto the dance floor. It's a shame if you missed the videos, because they were all quality pieces that enhanced the songs and, at the time, broke a lot of new ground. As a bonus recommendation, if you like this release, I strongly suggest you also get the remix album Shut Up and Dance, which features songs from Forever Your Girl.
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| 173. Queer as Folk: The Second Season | |
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Amazon.com Reviews (28)
The only part that shouldn't surprise anyone (especially not the gay men who were the original target audience for Queer As Folk) is the focus on female singers. Deborah Cox, Kim English, Sara McLachlan, and several other top-notch vocalists give strong, impassioned performances. While the first soundtrack included a remake of the already danceable "Let's Hear it for the Boy," this one includes Etta James belting out a thumping dance remake from a more unlikely source; "Miss You," started as a laid-back, blues-flavored hit by the Rolling Stones. As with the first season soundtrack, I love this one all the way through. While there isn't a particular song that I like above all the others (like Full Frontal's "You Think You're a Man" on the first soundtrack), it's a nonstop dance collection that offers nonstop satisfaction. Club DJ's can go take a break while this one plays in its entirety. Better yet, they can go dance with the crowd!
Although the first season was good, two thumbs up for this album. If your into heavy beats and dance party music, this album is it. Watching QAF second season may help, but if your a die-hard fan like I am with Queer as Folk, You'll love this album, just like the Series! I also recommend third season sound track! Complete your collection and buy all three!
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| 174. Suzuki | |
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Reviews (53)
Unlike reviewers before me, I think Pearl In (track 1) is entirely appropriate. It pearls in (pun intended) to the rest of the disc and at the end (Pearl Off) is the perfect backdrop to the music, creating a well-rounded sound. The Disc itself showcases the innovative and mixing talents of the two artists (now I know who contributes the dubbing/echoing sounds on K&D's music). The tracks are mostly average with a few standouts: Suzuki, Honey, Boss on the Boat, and Ocean Beat. Others fall short of the completely mellow sound that we, or rather, I, have come to expect from talents of Dorfmeister's caliber. I like the CD, but I was expecting more, hence the 4 star rating. Still, if you want the complete collection of the artists' work, go ahead and buy it. In retrospect, you will come to enjoy the entire experience.
I first heard of Tosca off a compilation album with the track "Honey", a very pretty song. When I read that Richard Dorfmeister (of K&D Sessions fame) was behind this music, I knew I had to check it out. The tracks are nice and consistent, but sometimes too similar; you won't find yourself always able to easily distinguish tracks from one another. You may not easily remember the names to too many songs. Tosca's first work, Opera, seems a lot more jumbled and much less smooth than this music.
After hearing tracks from this album and "Opera," on the internet radio station Monkey Radio, I felt it was my duty to find out who this mysterious 'Tosca' was. Turned out it was made up of Richard Huber and the latter half of Kruder & Dorfmeister, a duo for which I already had much respect. The choice of Opera and Tosca was a tough one, but after listening to both, I can say Tosca is the more solid effort. Though not as gritty as Opera, Suzuki effortlessly moves through many worlds of sound, keeping a consistently funky beat going for each song. Each song on this album has a beat that will creep into your head without knowing it, and before long you'll know which beat, rhythm, and theme goes with each song on the album. Even though Dehli 9, Tosca's next original album after this, contains two CDs, don't let twice the CDs fool you. With a second disc containing what sounds like Huber hungover, stammering on the piano for an amazing beat similar to what opens and closes Suzuki, Dehli 9 boils down to one CD with some good highlights, but overall a drag for the latter half. If you're picking and choosing for the Tosca album to be happiest with, and don't mind missing out on Opera's Chocolate Elvis, Suzuki will keep you in a very happy place for a very long time.
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| 175. Zero Gold | |
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Album Description It took Pole Folder almost 2 years to produce "Zero Gold", a timeframe necessary to develop the complete idea of the concept and his musical translation of the ideas into an album. Drawing on inspiration from artists like Pink Floyd, Pole Folder has fought to find a common idea behind the tracks and reflect this in the development of one track into the next. Rather than following established conventions of structuring the album or even worse, giving it no thought, the development of each individual track and each track into the next is governed by a strict desire to by driven by artistic motives and not the fears that lead to the easy options. From Abrasion to Before it all changes Pole Folder shares his analysis of the fears and doubts which afflict the human condition and that despite the palpable presence of melancholy made evident through the lyrics, and the atmospheric tone, a delicate optimism rises from the album. "Zero Gold" is not simply a dance album. It is a carefully crafted work, grounded in timeless musical concepts, stellar production and genuinely felt artistic presence. It acknowledges its influences without parodying them and is ultimately an expression of the artists endeavor played out through the use of modern technologies and musical techniques. | |
| 176. Moments in Love | |
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Album Description Reviews (1)
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| 177. Magik, Vol. 6: Live in Amsterdam | |
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Reviews (53)
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| 178. Involver | |
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Amazon.com Reviews (33)
As an amateur prog/tech music critic I feel it is my duty to evaluate and think of a compilation in a both domestic AND live environment. In reference to the 20 minute section between DJ Spooky's 'Belong' and Lostep's 'Burma', one must acknowledge the pure beauty and energy this would create in a dark, crowded club. Unlike some of today's underground music genres, this new kind of presence Sasha has created is everthing but boring, traditional, generic, or insignificant. 'Involver' promotes the idea of personal signature in the ubiquitous digital world we live in, sasha: a true and important artist.
Involver is crafted so well that I agree with one reviewer that there isn't a bad song down the list. It's different from what everyone else is doing, a very innovative, creative mix. I too will make a airdrawndagger reference here. If airdrawndagger was a 5 star fresh new style/ prelude of what Sasha was up to, then that would make Involver a 6+ Star complete package mix! I'm not saying this is the greatest DJ mix album of all time but it is truly the best thing in its time (June 2004) to come out this year! I just love the new/old feel of the music and the new direction it goes in. If your looking for a dance CD you'll wait till the last third of this album to get your fix, sorry. This is a great album to kill time, chill out to and listen to while you wait for the next Mastermind (Sasha or whoever) to come out with the next breathtaking, house style, old school electronica, 1 - 3 Trance anthem beat thing to come into existence and get sold off to you in CD form! Enjoy this one! I'm sure Involver will become known as a "classic" by the fans!
Then I happened to learn that he was doing an in store appearance at Virgin in Union Square. I was only able to hear the last 11 minutes of his set--which I was told was an hour. There were only about 100 some people there. Basically---if he had spun for a half hour more the place would have turned into a full on all nighter. He blew the first floor off the building------ And it was with tunes from INVOLVER. This is worth noting as I have read people who think he needs to return to his GU:Ibiza ways. At one point, I too wished that INVOLVER--was a floor stomping mad hatter party. But Sasha is really pushing himself as a producer/artist as much as he is already the Man Like who can mix with his right toe alone. No, you probably won't blow your windows out with this one. But I guarantee, Beyond any reasonable doubt, that this album should entice you to want to hear him spin live even more. He has never been, but cannot, now more than ever, be given the label as simply a great mixer, but an artist as well. And AIRDRAWNDAGGER is still amazing.
I have NEVER heard anything like this and I wish there was more of this out there. If anyone knows of another CD that is similar PLEASE e-mail me: missyL3@hotmail.com, I would be forever grateful.
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| 179. Pure Disco, Vol. 3 | |
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Reviews (15)
There are better disco collections out there. Keep looking...
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| 180. Madonna | |
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Reviews (57)
BEFORE: AFTER: Madonna's debut is one of the greatest dance records ever. Released not too long after Flashdance began to make dance music accepted again, every single track off this album was played in clubs around the world in 83/84. There is no "substance" song on this that Madonna has added as she got older and wiser, but in the terms of this album, it was amazing. Like A Virgin was the blockbuster, but "Madonna" was a stronger album in my book, and it also lasted on the Billboard album chart for FOUR YEARS. Every song is a classic on this. Still one of her best.
I. Lucky Star A remake of the classic childrens rhyme. This song is remembered for the video which first showed the world the famous look that is remembered to this very day and began the stuff about her bellybutton, as well as starting the trend of "Madonna wannabees". The song however isn't that good. This was the 5th single off the album and hit #4 in the US and #14 in the UK 5/10 II. Borderline A good song. It's mainly the same as the video version but she also sings some other lyrics that aren't in the video. This was the 4th single off the album and it hit #10 in the US and #56 in the UK. Borderline and Lucky Star were so successful that Madonna moved back the release date of Like A Virgin. 9/10 III. Burining Up The best song on the whole album. It has a great beat and it never gets boring. The lyrics here also forshadowed all those controversies that were to come "I'm not the same I have no shame I'm on fire". This was the 2nd single. 10/10 IV. I Know It Out of the 3 songs that weren't singles this is the only good one. The refrain is good in this song. 7/10 V. Holiday A truly immortal song. Holiday is the only song that Madonna has performed on every single one of her tours and it's still played on the radio a lot. This was Madonna's 1st big hit. It was the 3rd single from the album and hit #16 in the US and #6 in the UK. The IC version is better, but this is also very good. A fun and joyful song that will live forever. 10/10 VI. Think Of Me The worst song on the whole album. The music just doesn't attract at all. And the lyrics are bad too. You should skip this song 2/10 VII. Physical Attracion Another bad song. The only good part here is a tiny instrumental part that appears twice in the song. 4/10 VIII. Everybody The song that started it all. This song got the ear of Sire boss who signed Madonna in while he was in the hospital. This was Madonna's very first single. Sounds a bit dated, but still a great song. 10/10 IX. Burning Up (12"Version) Burning Up is the best song on the album and this version males it better. There are more synths in this and it's also extended. You'll probably listen to this one a lot. 10/10 X. Lucky Star (New Mix) This is mainly just extended with minor changes. A bit uselessm they should have put in a mix of Holiday instead. 4/10 Overall this has good songs, and as time went on Madonna made better music. 9/10
Though it broke through quietly still manadge to sale more than 5 million copies in the U.S ...................................
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