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| 181. Pillow Talk [Collectables] | |
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| 182. | |
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| 183. The Very Best of Imagination [BR] | |
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Album Details Reviews (10)
The band had a sound all of its own, in the middle of the crazy European disco scene. The up-tempo songs are still the best: Just an Illusion (their big break-through hit in 1981), Music and Lights, Flashback, Changes, Looking at Midnight (albeit regretfully here in the "single" version), New Dimensions, State of Love,Burnin' Up, and on and on... The ballads are not bad either (such as Body Talk, In and Out of Love, etc). This compilation is what anyone interested in Imagination would ever want. All the hits are here, and as a bonus, there is a "Megamix" tagged on as well. Classify this as a "guilty pleasure": this isn't serious music, but oh so enjoyable!!
Nhlanhla
If anyone knows where I can get Phil Fearon/Galaxy's Greatest Hits, let me know. ... Read more | |
| 184. Living In Oblivion : The 80's Greatest Hits, Vol. 3 | |
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I give this two stars only because you can't take away from the 80's music, but I figure that the inane commentary on the CD booklet should be calculated in this rating too. It was highly unnecessary and insulting to 80's fans to include disparaging remarks about the decade and banal political commentary by obvious leftist sympathizers.
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| 185. Irons in the Fire | |
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Reviews (8)
Pick this up (as well as "It Must Be Magic") and see for yourself.
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| 186. Best of Tavares [Collectables] | |
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| 187. Skyy - Greatest Hits | |
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| 188. Most Famous Hits | |
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Album Description Reviews (2)
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| 189. Shape Fitness Music: Walk Plus | |
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Amazon.com Reviews (6)
I purchased this CD because I wanted to shed a few of those leftover baby pounds. So far I'd have to say that it's been pretty effective in that arena. The pace is quick, great to keep you going, but not too fast for walking with the jogging stroller. And a simple warning for those of you with young babies. These songs, while kicky and fun, have a way of seeping into the crevices of your brain. It is for this very reason that I suggest skipping song #13 entirely. If you are up at two AM feeding a hungry baby, and this little ditty pops into your head, honey, you may never get back to sleep!
Unfortunately, I was looking more for of a set of studio tracks on the CD. ... Read more | |
| 190. Nuggets II: Original Artyfacts from the British Empire and Beyond | |
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Reviews (43)
Neophytes to the freakbeat scene will find this wealth of material a bit overwhelming at first, but the sheer brilliance of the music will soon win them over. The most famous bands here are the Small Faces, the Move, the Creation and the Pretty Things. Fortunately, the lesser known groups contribute songs that stand up to the heavy weights in the genre. Stand out tracks are by the Masters Apprentices and the Yardbirds wanna-bes, the Misunderstood. This set is the sequel to the first NUGGETS, which featured American garage acts from the 60s. NUGGETS II illuminates lesser known gems from around the world. In some ways, this set betters the original because it unearths obscure chestnuts that deserve to be heard 35 years later whereas many of the original set's songs are a bit more easily found. Frustratingly, the music illustrates how little popular music has progressed since these heady days. Mike Stax's liner notes are vital in explaining this music to people who are just now stumbling into the scene.
Disc 1 is the most consistent of the four, the others are more patchy but have some good tunes. Some of my favortie bands are represented (Move, Easybeats, Small Faces) and some surprises (The Mickey Finn track is AWESOME, couldnt stop playing the darn thing). And the tracks by Kaliedoscope are intriguing, though they sound a little too much like early Pink Floyd (and pale in comparison to the American band of the same name). But the track that really knocked me out (even more than the Mickey Finn track) was Timebox's "Gone Is The Sad Man", an absoultey amazing song. As a whole though, this box is nowhere near as consistent as the first one, which goes to show that when it comes to great garage rock you just cant beat the good 'ol USA.
Disc 1 is the best of the box, with classics like The Creation's "Making Time" (UK), The Smoke's "My Friend Jack" (UK), Q65's "The Life I Live" (Sweden), The Haunted's "1-2-5" (Canada), The Thoughts' "All Night Stand" (UK), and even better tunes you've probably never heard of (We All Together's "It's a Sin to Go Away" [Peru], The Tages' "I Read You Like an Open Book" [Sweden], The Mockingbirds' "You Stole My Love" [UK], The Motions' "Everything" [Sweden], The La De Das' "How Is the Air Up There?" [New Zealand], The Marmalade's "I See the Rain" [UK], The Mickey Finn's "Garden of My Mind" [UK], The Easybeats' "Sorry" [Australia]). Disc 2 is great, too, but the awesome songs are fewer and farther between. Highlights: The Misunderstood's "Children of the Sun" (UK), Wimple Winch's "Save My Soul" (UK), Them's "I Can Only Give You Everything" (Ireland), The Birds' "Say Those Magic Words" (UK), Golden Earrings' "Daddy Buy Me a Girl" (Holland), Timebox's "Gone is the Sad Man" (UK), Rupert's Peoples' "Reflections of Charles Brown" (UK, and a direct copy of Procol Harum's "White Shade of Pale), Love Sculpture's "In the Land of the Few" (UK), The Boots' "Gaby" (Germany), and The Creation's "Biff! Bang! Pow!" (UK). Disc 3 and Disc 4 could have easily been shorn down into one disc; the fourth disc has two or three really good songs, but the third is fine. Highlights of Disc 3: Cuby and the Blizzards' "Your Body Not Your Soul", The Twilights' "Cathy Come Home", The Matadors' "Get Down from the Tree" (Czechoslovakia), Q65's "Cry in the Night" (Sweden), Los Chijuas' "Changing the Colors of Life" (Mexico), The Bluestars' "Social End Product" (New Zealand), The Guess Who's "It's My Pride" (Canada), The Open Mind's "Magic Potion" (UK), Episode Six' "Love Hate Revenge" (UK), The Status Quo's "Pictures of Matchstick Men" (UK), and The Downliners Sect's "Glendora" (UK). On disc 4, the sole redeeming gems are Tintern Abbey's "Vacuum Cleaner", The Wheels' "Bad Little Woman", Winston's Fumbs' "Real Crazy Apartment", The Zipps' "Kicks and Chicks", and The Small Faces' "Here Comes the Nice", those out of 28 songs! The major problem with NUGGETS II is the inclusion of too many bands from the United Kingdom. Mainland Europe's garage/psychedelic bands had a lot more adversity to battle and usually came up with better R&B and head-thumpin' rock than their British counterparts. Perhaps Rhino should have released an all-UK box and then an all-international box? Regardless, it's a collection you'll definitely want to add to your shelf, just not one worth revisiting that often.
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| 191. Human League - Greatest Hits | |
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Reviews (6)
Besides "Don't You Want Me", "(Keep Feeling) Fascination", "Mirror Man", "Human" and "Tell Me When", the other songs will probably not be so familiar with people in the United States because they were actually U.K top ten hits. The song "Being Boiled" which appears on three of the "Greatest" albums is the only disappointment simply because it is not the revamped techno-punk version that appears on the "Travelogue" album, but rather the original (and very bland) version that was recorded in 1978 on the Fast Product independent label. Otherwise, this really is a chock full of goodies from The Human League, the undisputed pioneers of synth pop.
There is the defining track of new wave and eighties that is "Don't You Want Me". A scenario of a man makes a star and her going it on her own. And she leaves him? The engaging dialogue really captures you and the techno savvy mix of keyboards is just legendary and catchy. "Keep Feeling Fascination" is a cute upbeat keyboard number with a touch of ska feel but without the horns. The things this group did with keyboards, I'll tell ya. "Human" is a sensitive love song and is a continue in the direction of new wave brilliance but this time R&B masters Jim Jam and Terry Lewis take a crack at the group. The production is a simple blend of drum machines and light touches of ivory. A classic of the big hair era and their second number 1 ("Don't You Want Me" being their first). Their next well known hit on here might be kind of obscure, but if you had an eye on MTV and VH1 for about a month or so in 1995 you got a listen to this clubby record with a retro feel. "Tell Me When" is very much like "Don't You Want Me" but the sound is updated for a Europe dance effort that is very catchy, but I don't know that it was a huge chart topper here. You might know and be fond of those four songs like I was and still am, but looked at the rest of the set and wondered "This Could Be Good". Well the truth is revealed in this set that The Human League really isn't that pop of a band, but more of an out their New Wave experiment that worked a few times. The rest of the songs are for the most part dark sounding accounts of love. "Mirror Man" is Motown like trip to "The Church Of a Poison Mind" (although this came first). No one asked for this, did they? Trippy desire comes off as scary in "Open Your Heart" and "Love Is All That Matters". These early efforts along with "The Sound Of The Crowd" are just plain dated and horrible. "The Lebanon" gets so much talk here that you think it was a great political song, but it's so dry and pop rocky that it feels stale. The non big hits aren't so bad, but a required taste that you don't expect on here. The fun pop hits on here, though, are quite essential and very danceable. For those hits, you might want to get this set, but the aging eighties synth arrangements drag the album down. Also, I know it odd that I have the import, but I found it on a trip and just had to get something musically different from the UK. Maybe next time I should go for something modern.
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| 192. Voices & Images | |
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| 193. Teenage Mutant Ninja Turtles 3 | |
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| 194. Billboard Top Hits: 1977 | |
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| 195. Klaus Nomi | |
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Album Details Reviews (3)
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| 196. Sandra - 18 Greatest Hits | |
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Album Details Reviews (27)
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| 197. Jackson's Story | |
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| 198. From Here to Eternity | |
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Album Description Reviews (13)
With that in mind, if you weren't old enough to hear this music in the 70's, this will not sound right to you. But, you have to listen to this with the history in mind. Moroder was THE pioneer in electronic pop music. His groundbreaking work on Donna Summer's 1977 "I Feel Love" was the first time a song without "real" instruments hit the Top 40. Moroder's work then paved the way for the 80's synth pop revolution.
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| 199. | |
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| 200. Bad Girls [Deluxe Edition] | |
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Reviews (26)
Now, it's been reissued in a fabulous, glossy, digipack, which folds out like the original double vinyl package, with extra photos and a real in depth write up on the recording of the album, as well as other hits of Summer's. The set comprises 2 cds, the first which features the original 15 songs, as well as the demo of 'Bad girls' produced by Donna herself, which makes for an interesting contrast to the familiar album version. The styles range from dance, ballads, country, rock, to electronic music, a little something for everyone. The second cd features 9 extended mixes, including the rare 'Foxes' movie soundtrack version of 'On the radio' (which is awesome), 'Mac Arther park Suite' (with the single version of 'Heaven knows' with horns, unlike the vinyl 'Live and more' version), 'I feel love, and more. I actually got this, despite having the 'old' 'Bad girls' cd and it is well worth it. For newcomers, this is an excellent introduction to the sound of Summer, as it was nominated for 5 Grammys (including Album of the year, best pop song, best R&B song) of which 'Hot stuff' won for best rock song, topped the Billboard hot 200, and sold millions and millions, and shows why Donna Summer was, and still is the leader of the pack.
The fact is, BAD GIRLS was arguably the greatest album to ever come out of the disco genre, and it was also one of its most transcendent; by dividing the LP into four sections- one for pop/rock-oriented dance material (tracks 1-4), one for straight disco (5-8), one for ballads (9-12), one for what would later be called electronica (13-15)-, BAD GIRLS provided a blueprint for many divas over the years to come (prime example: Madonna). This is an extremely infectious album, one that brims with ideas in every song and sounds richer with each listen. Of course, like any album directed towards the mainstream, BAD GIRLS did have singles-the tight, sexy "Hot Stuff" and the lustful title track are masterpieces; "Dim All the Lights" and "Walk Away" have first-rate productions-but they don't work against the rest of the album; they compliment it, since they make the album tracks' treasures more evident. Naturally, that trick couldn't have been pulled off if the album tracks were not good themselves, and BAD GIRLS never had a dull moment- in particular, "Love Will Always Find You" is intoxicating ear candy; "Can't Get to Sleep at Night" is seductive; the country-ish "On My Honour" and the lush, rich "There Will Always Be a You" are beautiful ballads; and the closing "Sunset People" is more alluring with every listen. Now, it is true that this album sounds a little calculated, particularly in how the last song of every set prepares the listener for the first song of the next set (and yes, that includes "Sunset People" into "Hot Stuff"), but that is nitpicking, really, since any calculation can be considered negligible when the songs and production are good. And while it is true some of the production techniques clearly recall their time, the music itself has not dated because music this fresh and full of ideas never loses its impact. The fact of the matter is, BAD GIRLS is not just a great dance album, it's a great album. Period. [In 2003, Universal gave BAD GIRLS a much-needed remastering by making the album part of its Deluxe Edition series; like all of the Deluxe Editions, the sound of the album has never sounded richer, and the packaging is stellar. Even though the Deluxe Editions tend to focus on demos as bonus tracks, the deluxe edition of BAD GIRLS only features one demo- a very good early version of the title track tacked on to the end of the first disc. (As Brian Chin claims in the liner notes, the album sessions for BAD GIRLS hardly had any demos.) This leaves the second disc for nine 12" remixes and singles from 1977 to 1980. Three of these mixes came before BAD GIRLS: The 12" mix of the monumental single "I Feel Love" (easily the most influential song towards dance music after the disco years) makes its influences more evident; a 12" 'promotional' single of "Last Dance" is a skillful reworking; the "MacArthur Park Suite" (which consists of a cover of Jimmy Webb's psychedelic chestnut "MacArthur Park," "One of a Kind," and "Heaven Knows") is presented in its entirety on record for the first time in years (however, it is cut off early, most likely because the second disc is already running close to 80 minutes). Four 12" mixes of the hits off BAD GIRLS follow: "Hot Stuff" adds a saxophone solo; "Bad Girls" does not sound any different from its album track (it must be mentioned that like the album, the two mixes are segued together); "Walk Away" and "Dim All the Lights" are not very interesting mixes. The 12" mix of the Barbra Streisand duet "No More Tears (Enough is Enough)" basically takes the original eight-and-a-half minute song and adds a guitar and rhythm vocal medley and an extra rendition of the chorus to the end, and "On the Radio" is the original album version from the FOXES soundtrack. It should be mentioned that with the exception of the album version of "On the Radio," the rest of the material on this disc has been released before on CD, so those devoted fans on a tight budget who own the original CD issue may wish to think twice before upgrading. Still, like the album itself, none of these mixes have sounded as good as they do here, so in that sense, the Deluxe Edition is worth getting for that reason alone. But regardless of this edition's attributes, the second disc really doesn't offer any revelations; it's generally pretty good, but the music here works best as historical curiosities, meaning that it won't be played as often as the first disc. However, that's a typical nitpicking complaint with all of Universal's Deluxe Editions. Besides, unlike many of the Deluxe Editions in the series, these semi-rarities aren't simply tacked on to the CD for monetary purposes-they bring a greater perspective to the BAD GIRLS album itself.]
1. MacArthur Park Suite is NOT the original version from "Live and More": it is the 12" single version and it contains a shortened version of "One of a Kind" while seguing into the Radio Version of "Heaven Knows." This is NOT the originally mixed MacArthur Park Suite that we all know and love. 2. Extended version of "Walk Away" (my least favorite song)sounds awful and is in MONAURAL VS STEREO!! Figure that one out. 3. It is acoustically engineered on the "bright side" as mentioned earlier. I think it was to "match" the radio versons vs. the original somewhat murky MacArthur Park Suite when it was mixed. The "Bad Girls" album sounds a bit better, but it is a bit bright and heavy on the high ends. I always found the original album to be decently engineered and crisp. Don't know why it was ear splittingly remastered. All in all, it is a mixed bag. For the MacArthur Park Suite, buy the "Dance Collection" album -- before that one is remixed and changed! Shame on you you Island Def Jam records!!! Stop playing with masterpieces and give us the real thing!
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