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| 1. The Bee Gees - Their Greatest Hits: The Record | |
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Amazon.com Reviews (130)
"Immortality": Barry Gibb really FAILED to perform this song. I really like Celine Dion singing this song. The reason Barry failed is his high voice was not suitable for that. He himself break that such beautiful song! I grade Barry for this song 4 points/10 points.
From the early 60's gems to the latter day classics, this compilation illustrates why the Bee Gees are one of the most important groups in popular music.. Tight harmonies, superb melodies,touching lyrics, and excellent production values...the Bee Gees are masters of their domain. If you are a collector, you probably have most of the hitscontained in these discs..but this collection is worth the price just to have recordings of the Bee Gees doing versions of songs they originally penned for other artists. The sound quality is great, but I wish they would have included more liner notes...maybe some factoids or artist thoughts..This collection is still a superb way to spend a couple of hours!
2001'S "The Bee Gees - Their Greatest Hits - For The Record" is a sort of a cheap way to obtain the great hits alread released n the boxed set, but that doesn't make it any less of a fantastic album. These disc encapsule what American pop music should be. Disc 1 begins with their hits between 1967 and 1968. During this time they were written off assecond - rate Beatles clone. I disagree with this statement, because at this time, as The Beatles were making complex albums like "Sgt. Pepper's Lonely Hearts Club Band", the three Austrailian brothers were cutting simple, enjoyable (not The Beatles' music wasn't) love songs during this time, such as "To Love Somebody", "Words", "I've Gotta Get A Message To You" and my personal favorite, the whistful, sad "I Started A Joke". Though thye remained cold throught the rest of the 1960s' and into the 1970s' - made offical by Robin's departure - the material they recorded during this time is among their best - "First Of May", "Don't Forget To Remember", "First Of May", "Saved By The Bell" (from Robin's solo album). The 1970s' begin with the eerie singalong "Lonely Days". This song, their first top 3 American hit, is unlike anything they had done up to that point, though the lead singer (I think Barry), sounds an awful lot like John Lennon). Then came their first number one hit, the haunting ballad "How Can You Mind A Broken Heart". Originially offered to Andy Williams, he passed and The Bee Gees turned it into one of their finest recordings. "Run To Me" ws another lovely ballad and a big hit for the group, but soon they hit it bigger than ever with 1975's classic "Main Course". Thye resuced their career with that album plus three hit singles: the funky number one smash "Jive Talkin'", the pulsating "Nights On Broadway" and the warm "Fanny (Be Tender With My Love)". The Bee Gees were all of a sudden superstars after 8 years of struggle. 1976's "Children Of The World" yielded another number one smash, the thrilling "You Should Be Dancing", as well as the powerful ballad "Love So Right". Disc 2 begins with their heyday. This time period (1977 - 79) was then they hit their peak of popularity. First there are the three number one smashes from the "Saturday Night Fever" soundtrack: the smooth ballad "How Deep Is Your Love", the exhillrating "Stayin' Alive" (probably their signature song) and the funky "Night Fever" (this song was probably their biggest hit, as it spent 8 weeks at number one). Next comes the three number one hits from "Spirits Having Flown": the haunting "Too Much Heaven", the electrifying "Tragedy", and the funk - injected ballad "Love Inside Out". With these songs, The Bee Gees became the first artists since The Beatles to have six consecutive number one hits. Also included is "More Than A Woman", a hit for Tavares, and a new recording of "Emotion", a hit single they wrote for Samantha Sang, who scored her only hit with the song. The 1980s' begin with the only non - Bee Gees song. "Guilty" was the hit duet between Barry and Barbra Streisand, and a lovely song at that. Next comes "Heartbeaker" and "Islands In The Streams". These are new recordings of old hits they produced for other artsist in the 1980s', during their third artistic slump. The former was a top 10 comeback hit for Dionne Warwicke, while the latter was a number one duet for Kenny Rogers and Dolly Parton. "Heartbreaker" is done well, but the Gibbs version of "Islands In The Stream" is too modernized, as it includes portions of "Ghetto Supastar", the rap version of the song. 1987's "You Win Again" is a great unknown song. "One" was their 1989 top 10 comeback hit. In the 1990s', they kept a low profile, though still releasing albums, and scoring a top 30 hit with "Alone". Closing the set is an old 1966 number, the somber romp "Spicks And Specks". Though is a great sets, there are plent of singles missing. There are to many to list here, so I'll just name a few that I would hav liked to have seen myself: "Jumbo" (number 57) But those singles are not well - known and there absence is not noted. This a great 2 - disc Bee Gees set that I highly recommend, as well as their boxed set "Tales From The Brothers Gibb" and the live album "2 Nights Live", plus their studio albums and the soundtrack to "Saturday Night Fever". Buy them as soon as possible.
Disc 1 starts in 1967. This was the year The Bee Gees hit big. They scored with 5 consecuitve top 20 hits, including "New York Mining Disaster 1941", "To Love Somebody" and "Words". They were written off by fickle critics as Beatles clones, but that didn't stop them. In 1968, they made the top 10 for the first time with "I've Gotta Get A Message To You" and "I Started A Joke". But soon, they hit a slump that took a while to get out of. They reemerged in 1971 with the "2 Years On" album, which yielded the single "Lonely Days". The song was their biggest American hit yet, going to number 3. "How Can You Mend A Broken Heart" followed, and it topped the charts for 4 weeks beginning on August 4, 1971. "Run To Me" made the top 20, but once again their career soon hit the skids. In 1975, they began work on the "Main Course" album. The first single was the discofied "Jive Talkin'", which went to number 1. "Nights On Broadway" was next, and it peaked at 7. "Fanny (Be Tender With My Love" went to number 12, giving them a hat trick of hit singles. The "Children Of The World" album was next. Its first single was the dance classic "You Should Be Dancing", which became their third charttoper. "Love So Right" came next and went to 3. Disc 1 begins in 1977. That year, the group was asked to record some songs for the "Saturday Night Fever" soundtrack. The first single from the film was the pretty ballad "How Deep Is Your Love". The song went to all the way to number 1 and stayed there for 3 weeks. It stayed in the top 10 for 17 weeks. "Staying Alive" came next", and climbed to number 1 and stayed there for another 4 weeks. "Night Fever" followed, and was their biggest hit ever, staying at number 1 for 8 weeks. To show how successful they were during this period, at one point, all 3 of these songs were in the top 10 simultaneously. After the 25, 000, 000 - selling soundtrack, they released the "Spirits Having Flown" album. It yielded 3 more number 1 singles: "Too Much Heaven", "Tragedy" and "Love You Inside Out". With these 3 hits, they became the first artist since The Beatles to have 6 number 1 hits in a row. It also marked the end of the hitmaking era. By 1980, their career had yet again gone stale. They decided it was time to write songs for other artists. They penned hits for Dionne Warwicke ("Heartbreaker"), Jimmy Ruffin ("Hold On To My Love"), Barbara Streisand ("Guilty"), Diana Ross ("Chain Reaction"), Kenny Rogers and Dolly Parton (the platinum - selling duet "Islands In The Stream"). By the late 1980s', they resurfaced, and scored a top 10 hit with "One". They continued to perform together until Maurice died last year, thus ending one of the most enduring partnerships in music history. Overall, it's a great collections. I have one small complaint. I wish they would've left off the recordings of their hits for other artists and replaced them with a few other singles like "Boogie Child", "Living Eyes", "Someone Belonging To Someone", Robin's version of The Beatles classic "Oh Darling", "The Woman In You", "He's A Liar" and Robin's German number 1 hit "Juliette". Otherwise, it's a stunning collection of hit singles. ... Read more | |
| 2. Earth Wind & Fire: Greatest Hits | |
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Amazon.com essential recording Reviews (40)
This set is great for people who are re-discovering EWF like myself - who really only heard their popular hits on the radio, but never bothered to buy a single EWF CD/Album. What is neat about this set when I bought it is that with some of the titles, I never knew... until I heard the song and said..."oh I know this one!... "didn't know they did this song"! It ended up I knew about 12 of the 17 track on here already, which was great! Bottom line: Great funky tunes, R&B classics, as well as nice soulful ballads. That's what EWF is and will always be... a shining star. Get it!
Some of the era's most needed, heeded messages ran deep and sweet atop Verdine White's bass grooves (front and center on "Getaway"), brother and leader Maurice's drum and percussion tracks honed over years with Chess Records' rhythm section ("Saturday Nite," "Kalimba Story," 1977's dazzling "Serpentine Fire"), Louis Satterfield's horn section scrambling through jazz-rock mazes every track (becoming a 80s rock stalwart backing Phil Collins), and Phillip Bailey's high, clear falsetto on "After The Love Has Gone," the prom dance standard "Reasons," the soaring chorus of "September," and the elegant "Fantasy" which, with "Serpentine Fire," gave R&B one of its best 1-2 LP opening tracks. (It's restored to album length here, with Larry Dunn's superb keyboard intros, after being edited on two previous best-ofs). Messages like "You're a shining star...shining bright to see what you can truly be," "If you sing a song today, you will make a better way," "Try to resist all the hurt that's all around ya..." moved feet and hearts, misinterpreted by spiritual seekers and hedonists alike in the "Me" decade's last discofied days. The Whites understood disco's falsity: "Morning deals a bad hand to a woman who has made too many bets," Maurice sings on 1979's galloping disco smash "Boogie Wonderland," adding, "You dance and shake the hurt." But by early 1982, needing a hit after a slow-selling double-LP the year before, EWF gave in to the dance grooves and party-down lyrics of "Let's Groove," their last Top 5 hit. Despite a generous 18 tracks (and an excellent geneology of the group by Kevin Goins), longtime fans will miss "In The Stone," "Fall In Love With Me," "Head To The Sky," "Let Me Talk," and others. These are found on 1995's "Eternal Dance" box, the "Elements of Love" ballads collection, or two previous best-ofs. This "Greatest Hits" packs their best-known pop songs into an exceptionally sounding disc (thanks to Mark Wilder's remastering), providing an essential introduction to one of the Rock and Roll Hall of Fame's most surprising, satisfying member groups.
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| 3. Saturday Night Fever: The Original Movie Sound Track | |
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Reviews (90)
Even though both the film and soundtrack are now approaching the quarter-century mark, the music here seems timeless and holds up to a great deal of scrutiny. Three #1 hits from the Bee Gees and one #1 from Yvonne Elliman originated from this album, which sold a then-unheard-of twenty-six million copies, a figure which keeps climbing. The album stayed at #1 on the US album chart for twenty-six consecutive weeks. Among the many lesser-heard gems of the album are Kool and the Gang's "Open Sesame", MFSB's "K-Jee" (originally a hit for the Nite-Liters in 1971), and David Shire's "Night On Disco Mountain" (a discofied adaptation of Mussorgsky's 1867 tone poem "A Night On Bald Mountain"). The entire albums captures the time, the feel, and the essence of an era that a lot of people make the mistake of ridiculing. Time has shown the SATURDAY NIGHT FEVER soundtrack to have endured well beyond its Seventies heyday. In twenty years, can the same be said for the soundtracks to either THE BODYGUARD or TITANIC? Only time will tell.
Sure, the Bee-Gees contributions have stood the test of time, along with those from Yvonne Elliman, The Tavares (singing a Bee Gees track!), The Trammps and KC & The Sunshine Band. But COME ON! Can anyone really admit to liking "Open Sesame" by Kool & The Gang, "Night On Disco Mountain" by David Shire, "Calypso Breakdown" by Ralph McDonald or even "K-Jee" by MFSB?? Apart from Kool & The Gang, have you heard anything else by these performers? Don't kid yourselves folks, these are NOT Disco classics! Of course "Saturday Night Fever" was a great movie. I own the soundtrack CD, and still play it every once in a while. More to the point, I only PLAY the bona fide CLASSICS and skip the rest of what can only be described as JUNK! If you're after a 70s soundtrack you can play over and over again and ENJOY, buy "GREASE". Jon.
Yvonne Elliman and Travares, are also great, but they used Bee Gees's songs, Yvonne Elliman sang If I Can't Have You (Bee Gees's own edition in Bee Gees Greatest), and the Travares sang a different version of More Than a Woman
Not only are you wildly incorrect, there exists one major diffrence between the Folk Rock and Disco. Folk Rock is gaining more and more YOUNG listeners. Same applies to all the music of the 60's. Disco on the other hands is getting NO new listeners. DISCO is a hokey, sequin and polyester strewn mess. At least Folk Rock musicians were genuine and were playing for love of the music(rather than love of the paycheck), and to make political changes. THE 1970's PRODUCED ONLY ONE GREAT MUSIC GENRE: FUNK instead of the beegees, listen to War. They're 500 times better. ... Read more | |
| 4. The Journey: The Very Best of Donna Summer | |
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Reviews (44)
Now, onto the really great news about this CD. The remix of "I Will Live For Love" is a fantastic dance tune that should have everyone hitting the dance floor over and over at least through the Christmas holidays. But, the show-stopper is the cool and breezy "That's The Way". Her throaty and teasingly optimistic vocals just make me shiver with anticipation to replay the song (and to hear an entire CD with Giorgio Moroder). So Donna, I can't give you 5 stars this outing, but hopefully 4 will do for you and the rest of the listening world...
A must have for any Donna fan and a great CD for new Donna fans. Highly recommended!!
The remixes are great and they are a great way to play some Donna Summer music at a party. ... Read more | |
| 5. Pure Disco [Polygram] | |
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Reviews (29)
Some are better than others, of course, but each song is catchy and the bass lines are funky. Not to mention cheesy. If you're looking for a cool collection of disco music and don't want to splurge the cash for expensive box sets or individual artists' albums, the "Pure Disco" series is a great investment. Throw in the "Saturday Night Fever" soundtrack and you've got enough great disco songs to blister your feet up. Why only four stars instead of five? That's easy. Barry White's "the First, the Last, My Everything" isn't the REAL version. Polygram omitted the spoken introduction and the phrasing is just a bit different from the original version. Must be some sort of radio edit. Despite this, great compilation. Two other recommendations: "the Bee Gee's Greatest Hits: the Record" and "Barry White: the Ultimate Collection."
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| 6. Number Ones | |
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| 7. The Very Best Of Cher | |
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Amazon.com Reviews (147)
And, all things considered, the 2003 issue THE VERY BEST OF CHER follows that trend, but it's actually Cher's most complete collection to date. The reason for that it contains more of her big hits than any prior collection from the infamous "I Got You Babe" with Sonny Bono in 1965 to the insistent "Believe" in 1999, while taking in other essential tracks like "All I Really Want to Do"; "The Beat Goes On"; "Bang Bang (My Baby Shot Me Down)"; "Gypsys, Tramps, and Thieves"; "Half-Breed"; "Dark Lady"; "Take Me Home"; "I Found Someone"; "After All"; "If I Could Turn Back Time"; and "The Shoop Shoop Song." But the biggest problems with this collection do not really consider that some big songs are still missing. First off, there are too many tracks from BELIEVE and LIVING PROOF; "Believe" was the only top 40 hit Cher had in those two albums, and the rest of the material was pretty generic. The sequencing of this collection also does not work very well (even if it does roughly work from the present to the beginning) largely because those particular tracks from the last two albums, plus the new mix of "A Different Kind of Love Song," slow down the collection's pace considerably. It is because of these flaws that the collection only emphasizes what's missing: "You Better Sit Down Kids"; "Where Do You Go"; "Alfie"; "Living in a House Divided"; "The Way of Love"; "All I Ever Need Is You"; "A Cowboy's Work Is Never Done"; "Train of Thought"; "We All Sleep Alone"; and "Love and Understanding" could have been possible candidates. But yet, if you're trying to look for that one definitive Cher collection, THE VERY BEST OF CHER is the closest record to that title. And even if the overall listen is a little tiring because of the unnecessary tracks, it is still nice to have a concise collection that gives consideration to all of the styles Cher has achieved fame with over the years.
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| 8. 70's Pop Hits | |
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Reviews (7)
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| 9. Pure Disco, Vol. 2 | |
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Reviews (24)
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| 10. The Best of KC & the Sunshine Band [Rhino 1990] | |
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Amazon.com Reviews (26)
My only (little) gripe is that the compilers should have included his 1978 cover of the 4 Tops "It's the Same Old Song" - the song didnt do so well nationwide (it barely scraped the Billboard Top 40) but it still got a lot of regional and dancefloor airplay. Other than that, this whole CD is a lot of fun.
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| 11. Blondie - Greatest Hits | |
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Album Details Reviews (26)
To put it bluntly, the title says it all- GREATEST HITS collects nineteen of the biggest hits Blondie has scored from 1976 to 1999. Besides including their biggest hits on both sides of the Atlantic- "Heart of Glass"; "Call Me"; "The Tide Is High"; "Rapture"- this collection also includes lesser-known US hits ("Dreaming," "One Way or Another," "Atomic"); songs that only became hits in the UK ("Sunday Girl," "(I'm Always Touched By Your) Presence Dear," "Maria") and standout album tracks ("X Offender," "Rip Her to Shreds", "In the Flesh"). So basically, every essential hit and album track that Blondie scored during their career is here (with the exception of the UK hit "War Child," which is barely a loss at all). Hardcore fans will likely have a personal favorite or two missing, but GREATEST HITS pretty much tells everything a casual fan needs to know about one of the greatest new wave bands. If there is any complaint about this collection, it's that upon listening, it may seem that more than one group is being represented, for GREATEST HITS does not sum up all of Blondie's styles into one effective mix. That may actually be nitpicking, but casual fans should still consider purchasing THE BEST OF BLONDIE instead, for not only does it focus on the very best of Blondie (and for the record, everything from BEST OF BLONDIE is on GREATEST HITS), but its nonchronological sequencing actually works so that it showcases only one group- a group that was seemingly consistent. But if you want to get virtually every essential Blondie hit and album track on one collection, then you should purchase GREATEST HITS.
THE SONGS Call Me- One of my favorites!!! Also the theme from American Gigolo. (which happened to be a great movie) One Way Or Another- Truly a great ROCK N' ROLL SONG! Heart Of Glass- A true gem!!! One of Debbie's finest songs. The Tide Is High- A happy summertime beach song! FUN!!! X Offender- Classic as always!!! Hanging On The Telephone- A great punk-rock tune! Rip Her To Shreds- Reminds me of some of the girls at my school. Rapture- I think Debbie can rap!!! Atomic- You can really dance to this one!!! Or at least I think so!!! Picture This- A nice sweet song thats likeable. In The Flesh- Sounds like something out of the 50s. But its a great song!!! Denis- Gotta Love Denis! (I'm Always Touched By Your) Presence Dear- Not my favorite, but I like it. Union City Blue- A great vocal performance!!! The Hardest Part- Loved It!!! She Can Sing!!! Island Of Lost Souls- Catchy tune! Sunday Girl- Love the French! Maria- Another true pop gem!!! Blondie is a band! (A great one I might add) And I am so glad they made such enjoyable music! Thanks!!! Peace Out!!! Blondie Is: Debbie Harry | |
| 12. Flashdance: Original Soundtrack From The Motion Picture | |
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Reviews (18)
1983 Academy Award Nominees Flashdance: Giorgio Moroder, Keith Forsey, Irene Cara [Song: Flashdance...What a Feeling] . . .and the Oscar goes to: "What a Feeling!" by Irene CARA!!! It made the film FLASHDANCE a monster success, and also went to #1 on the Billboard Hot 100. Too bad the song "Gloria" by Laura Brannigan is not on this soundtrack, because it was in the film.
There is very little difference in the remastered version with regards to sonic quality. The sound level is a little bit higher with a little more bass and a little more treble. Otherwise, nothing that could be considered a revelation ...
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| 13. Hard-To-Find 45s on CD 8: 70s Pop Classics | |
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Album Description Reviews (7)
Nevertheless, there are a lot of good memories here, so it's a decent value. Just don't kid yourself into thinking you're getting rare songs on this CD, because most of these songs are all over the place.
Those 3 are McCoo & Davis, Prelude, and Boney M. And at least in Canada, every CD store has a bargain Boney M's greatest hits collection around. Nonetheless, the songs themselves are great, but I'd like to find some of the REALLY hard to find hits of the 70's. Like the following: ... and that only covers 1970-71. So how about some REALLY hard to get tracks, please? ... Read more | |
| 14. The Very Best of Kool & the Gang | |
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Reviews (12)
Never as popular as the comparable Ohio Players at their mid-70s peak, Kool & The Gang with producer Eumir Deodato crafted a funk/R&B/pop formula that clicked literally as the clock struck midnight to begin the 80s. They hit equally with funkier tunes and lush ballads, many with one-word titles: "Fresh," "Misled," "Cherish," "Joanna," "Tonight," and the cliched #1 hit "Celebration" (refreshed little by a house remix). You also hear the group's bass-heavy, influential and heavily rap-sampled early hits like "Funky Stuff," "Hollywood Swinging," and the "Pulp Fiction"-featured "Jungle Boogie." Together, these songs form nearly 15 years of hitmaking that, despite personnel changes that ultimately sunk the group, stands with the best in modern classic R&B. Recommended.
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| 15. The #1's | |
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Amazon.com Reviews (67)
This collection is amazing and worth every penny. Unlike other compilations that have been remastered, the first 15 songs on this compilation have been REMIXED from their original 3, 8, and 16 multi-track session tapes! For those who don't know, remastering and remixing are very different. Now the songs are crystal clear, have longer fades, and the mixes are a vast improvement. They sound like they were recorded yesterday! Another reviewer inaccurately wrote that the versions between older compilations are indistinguishable, but he is so wrong. The differences are like night and day. I guarantee it! Harry Weinger, Andrew Skurow, Jeff Moskow and Suha Gur did an incredible job on this compilation. They must be fans because the proof is in the results. I like their past compilations on Diana Ross (The Motown Anthology, diana - Deluxe Edition, To Love Again), and the Supremes (DR&S Anthology, The '70s Anthology, Rodgers And Hart), but this time, they've outdone themselves. Thank you guys, and keep up the great work! This collection is wonderful! It includes the best #1 hits, and a few that were #1 on dance charts, AC charts, R&B charts, and regional charts. They even mention other number ones that wouldn't fit on the single disc and TELL YOU where you can find them! Finally, the Almighty remix is incredible. It has club hit written all over it. These guys have done the best remixes on Cher, Elton John and JLo. Again, this is the perfect set to to have. You won't be disappointed! Buy it now!
2. The songs are newly mixed for clarity and many songs have extended fades. The songs actually sound better than any other collection out there, and not slightly, the differences are truly amazing. One cannot hear the difference on a streaming download, the proof is in the purchase. 3. For those purists who want original mixes, or perhaps more hits than exist here, there are MANY Supremes collections currently available: The Ultimate Collection (Mono masters), Anthology (Stereo masters on 2 CD sets for DR&S, 70s Supremes and Diana solo), a box set, and countless others. 4. Some people are giving this CD less than 5 stars because they want the original albums (there are over 30). I don't think this CD deserves to be penalized this way. Besides, Motown's new Hip-O select line will surely re-introduce several of these albums in the near future, I look forward to it. Bottom line: Buy this CD, it's well worth every penny...and what a great price!
BUTT - What about tracks 16 thru 23 - the Diana solo #1's??? These are unfortunately BADLY REMASTERED. "Ain't No Mountain High Enough" is not the wonderful mono single mix that appears on "The Motown Anthology" or even the stereo single mix from "Motown Year-By-Year: 1970". It is a murky, muddled mess that sounds like it was culled from one of the old 80s CDs. "Touch Me In The Morning" is - criminally - the early fade rather than the sublime long fade (3:52) that first appeared on "All The Great Hits" and was mixed and remastered by Paul Elmore. "I'm Coming Out" is slightly SPED UP! It is actually noticeable upon listening. The best mix of the single mix is to be found on the "Disco Years: Vol. 4", remastered by the guru Bill Inglot. And for the best remastered single mix of "Upside Down", you must get "Billboard #1 Dance Hits: 1980", also remastered by Bill Inglot! Ultimately, while most of the new 1960s Supremes mixes are exciting and pleasing on the ear, the Diana Ross solo mixes on this CD are shoddy. The Diva deserves better!
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| 16. I Want My 80's Box | |
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Amazon.com Reviews (12)
This CD has a lot of good memories, but some are still missing.
ROLE CALL! Culture Club, present. Blondie, present. Tears For Fears, present. Michael Jackson, absent. Soft Cell, present. Duran Duran, absent. Eurythmics, present. Frankie Goes to Hollywood, present. Cyndi Lauper, absent. Thomas Dolby, absent. Peter Gabriel, present. Madonna, absent. Kool & the Gang, present. Bryan Adams, present. New Kids on the Block, absent, but who cares? Not a bad turn out. Given that there's under 50 tracks, there's a pretty good representation of the hits of the day, and even a few misses (Tempted, Oh Yeah, Weird Science) that have aged better than several high charted songs. If somehow, by this point in your life, you've avoided buying these tracks separately, this is a good way to get them together for your next retro party. But you probably already have more than half of them or you wouldn't be reading this far. As such this may be more than you want to spend. Check out Rhino's New Wave Dance Hits (Just Can't Get Enough) series for a lot more depth and a lot less repetition with your current collection. Wonder who'll be included on the first 3-CD review of this decade...
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| 17. Pure Funk | |
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Reviews (36)
After having played the CD, I was like, WOW! Every song on this CD totally jams! I found myself buying albums from the likes of Issac Hayes and Curtis Mayfield just through the influence of this CD. I now have a much broader musical taste and enjoy the strains of "The Theme from Shaft" while rolling down the highway. This is my favorite CD by far, and is unlikely to be unseated by another in the near future.
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| 18. Starsky & Hutch | |
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Amazon.com Reviews (9)
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| 19. Boogie Nights: Music From The Original Motion Picture | |
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Amazon.com Reviews (21)
Misses are: the instrumental "Machine Gun" - The Commodores God Only Knows by The Beach Boys and the eerily instrumental Check out VOLUME TWO of Boogie Nights soundtrack also! It's great! Happy Listening!
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| 20. The Definitive Collection | |
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Amazon.com This is the canon from whence the term "Europop" sprang. With a continental sense of vocal neoclassicism, informed by just the right ethnic clichés (and oft wed to the era's insistent 4/4 disco beat) to make songs like "Mama Mia," "Fernando," "Chiquitita," and "Voulez-Vous" work on a global scale, the writing team of Björn Ulvaeus and Benny Andersson and their respective partners in music and life, Agnetha Faltskog and Frida Lyngstad, developed the seamless, wall-of-sound productions contained herein. The Definitive Collection features a rare single remix of "Ring, Ring" and a 1979 promo-only extended mix of "Voulez-Vous" as bonus tracks, as well as a concise, illustrated history of the band and each track. --Jerry McCulley Reviews (20)
The set begins with the pre-Abba track People need love - it features Benny and Bjorn but not Agnetha or Frida. The featured female singer is Svenska Flicka, who is otherwise unknown to me. Ring ring was Abba's first real single, while He is your brother is an interesting song, but Abba only really hit the big time with Waterloo, which was their first British number one and also reached the top ten in America. Subsequent singles met with varying degrees of success and it was not until Dancing queen was released in 1976 that Abba had another hit that could be called truly international. It went all the way to number one in Britain, America and many other countries. Their other British number ones were Mamma Mia, Fernando, Knowing me knowing you, Name of the game, Take a chance on me, Super trouper and Winner takes it all. Many of their other singles went into the top five, including I have a dream, which spent a month at number two. In America, Take a chance on me was a huge hit but the others were markedly less successful. This is a wonderful collection of Abba's music. If you only want one Abba collection, this is a good one to choose.
Such nonsense mattered as a 14 year old, now I can openly say Abba's music is wonderful and their arrangements were as innovative as anything coming out of the 70's. It is simply impossible to listen to Dancing Queen or Take a Chance on Me and not want to hear the songs again and again. The vocal intricacies on Take a Chance are equal to the harmonies on most Beach Boys records. How about Waterloo? Three minutes of the most pulsing, catchy music ever put on a disc. Abba's music sounds better today than it ever did, particularly when you know what dreck was produced by other bands in the intervening years. They might not have been Dylanesque lyrically, but few have ever written songs with such clever hooks, bridges and infectious rhythm. Thirty years after the fact, the impossible has happened: Abba has finally become cool!
For the 3 people who still hate Abba, GET OVER IT!!! To deny Benny/Bjorn as great pop songwriters (IMO, in a league with Lennon/McCartney, Taupin/John and Brian Wilson in terms of writing great pop songs) is showing that you still hold the image of Abba against them. Get over it. Abba still rules and people will be listening to them until the end of time.
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