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| 61. Rio | |
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Amazon.com Reviews (53)
By the way stop your bitching about the album I have the US 1st version I LP, I have The US 3rd version on cd..with bonus tracks, the remasterd cd, plus I only the 81>85 box set, Night Versions, and Strange Behaviour, plus Decade, and Greatest, plus Decade on VHS and Greatest on DVD..so I have many versions of the songs, not all...I consider all versions to be a goal for me to have...so..read about the different versions before you complain! ... Read more | |
| 62. Now That's What I Call Music! 16 | |
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| 63. Revival | |
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Amazon.com Reviews (109)
The way Sam interprets the songs on "Revival", is unparallelled, unequaled, in all of music. You hear the pain, the joy, the fear, the hope pouring from his heart and his soul in each note. Over the course of 16 years we have been witness to the growth and maturation of this artist, from the Star Search stage to Internation Acclaim! His uncompromising approach of pouring his all into his music reaches the soul of listeners and pulls them into his joy, ecstasy and passion as he powers the soul through every emotion that God held in His heart at the beginning of time. "The Cirle" is the epitome of this CD. It's message of new beginnings so appropriate for Sam's beginning again, "Revivalized" and bursting with the power and the splendor that we have come to expect from the Ultimate Artist. Excellent! A must have for any true music lover, and a standard by which all future artists will be measured. No other entertainer can match the range of this talented young man. No one else can grip the soul of the listener and require him or her to touch the song in the ways that music has always craved. A powerful and complete experience.
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| 64. Substance | |
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Amazon.com essential recording Reviews (83)
The B-sides are not everyone's slice of pie. Owning the LP i had to go out and get the CD version of disc 2. (Not hard to find in a used CD store). The instrumental versions of the dance tracks are ok. "Thieves Like Us" probably is more pretty as an instrumental. Remember it's use in Pretty in Pink? But the real gems of disc 2 are "Procession", "Lonesome Tonight", and even "1963". Fairly brooding tracks but that's what's so good about this collection and New Order in general. It's a band that mixed dance with introspection and isolation. Substance is essential New Order.
so I ended up selling it for credit and got some
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| 65. Bridget Jones's Diary | |
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Amazon.com Reviews (84)
1.Shelby Lynne - Killin' Kind (4:41) 5 of 5 stars This is a absolutely lovely song, and appears to be the only US single off this soundtrack. (The UK variation has reaped five.) A beauty of a love tune. 2.Sheryl Crow - Kiss That Girl (3:15) 5 of 5 stars A strong new one from the great Ms.Crow, a slow rocker, and has grown on me from first listen. 3.Rosey - Love (3:33) 4 of 5 stars A good song, reminds me of the Lilith Fair wave of the mid-90s. Fiona, Alana, Paula, and so on. More appealing then some of those as mentioned artists. 4.Robbie Williams - Have You Met Miss Jones? (2:33) 2 of 5 stars Robbie singing a shabby Frank Sinatra kareoke. Awful. 5.Jamie O'Neal - All By Myself (4:49) 3 of 5 stars A bland Faith Hill sound alike doing a bland cover, of a previously bland song. Hmmm. 6.Tracy Bonham - Just Perfect (4:48) 4 of 5 stars A bit of a sultry tune, with an enjoyable voice. A good song. 7.Shelby Lynne - Dreamsome (4:12) 5 of 5 stars Another excellent track by the great Shelby Lynne. Beautiful. 8.Robbie Williams - Not Of This Earth (4:42) 2 of 5 stars This soundtrack does not showcase Robbie at his best, another dismal song! 9.Gabrielle - Out Of Reach (3:15) 5 of 5 stars A beautiful R&B song, I feel the longing Gabrielle feels when she sings it. 10.Dina Carroll - Someone Like You (3:22) 4 of 5 stars Another lovely slice of emotional R&B, a great love ballad. 11.Geri Halliwell - It's Raining Men (4:14) 5 of 5 stars I know, how can I give five stars? Geri may not have the vocal chops of Martha Wash, but she can whip this song into a frenzy. 12.Diana Ross & Marvin Gaye - Stop, Look, Listen (To Your Heart) (2:52) 5 of 5 stars This is a classic song, with two amazing voices coming together. What else should I say? 13.Chaka Khan - I'm Every Woman (4:07) 5 of 5 stars A disco-funk classic, Whitney never did this song justice when she covered it. 14.Alisha's Attic - Pretender Got My Heart (4:06) 5 of 5 stars This has a bit of mystery to it, and a great chilled out song. The second song by this group I've heard, and liked. 15.Patrick Doyle - It's Only A Diary (4:26) 3 of 5 stars A lovely instrumental, I'm not really too fond of film scores, so this gets a so-so three. Many complain about what this soundtrack lacks, but I think this a fine collection, and deserves a good rating. This also contains an enhanced element, which features a bit of story and a Bridget Jones quiz. All the extras, and the wonderful songs actually make me want to see the film, something a good soundtrack should make you do.
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| 66. Number Ones | |
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Reviews (30)
Easily ranking with the now famous Beatles ONE and the Elvis ONE & TWO, as well as Mariah's set of #1's, Michael Jackson will never be unthroned as the ONE and ONLY King of Pop! Come what may, we will always have the music.*****
So that's precisely why Michael's latest release, "Number Ones," is essential for all fans of brilliant music. Since the early 1980's Jackson has captivated the world with his music. We've had fun dancing to his music and cried to his emotional ballads, and that's why he's the greatest male performer ever. His talent is undeniable, and even though he's gone a bit off the rails in recent years, the world and his die-hard fans have never forgotten the music which is what matters the most. First off, Number Ones is a title that tricks the buyer somewhat. There are eighteen songs on this album, and Jackson has had no where near eighteen US No.1 hits. He's had a total of 13 US No.1 singles, and his last was in 1995. Michael has had 7 UK No.1 hit singles, and his last was in 1997. His first UK No.1 hit was in May 1981 with "One Day In Your Life," which isn't included on here strangely enough. Michael's sixth US No.1 "Say Say Say" is also not included, and I have the UK version which includes "Human Nature" instead of "Man In The Mirror." Silly different regions and record companies! What is the point? Why not just have a complete tracklisting?! Also, "Ben," Michael's first ever US No.1, is included on the US version, but not on the UK version. Instead the UK gets "Blood On The Dancefloor," Michael's last UK No.1 single. Apart from these minor hiccups, all of Michael's biggest and most popular hits are included here. The album opens with "Don't Stop 'Til You Get Enough" and "Rock With You." Both songs are from Michael's debut album Off The Wall and both hit the US top spot. "Billie Jean," "Beat It" and "Thriller" are up next and all from Thriller, Michael's signature album. 50 million copies shifted worldwide, and nothing's going to take over it any time soon! Up next, we have six songs from the follow up to Thriller. Bad was Michael's third album, released in 1987 and sold 25 million copies as well. The songs from Bad on here are "I Just Can't Stop Loving You," "Bad," "Smooth Criminal," "The Way You Make Me Feel," "Man In The Mirror" and "Dirty Diana." All these songs were huge hits and all were US No.1's, apart from Smooth Criminal. After this we get "Black Or White," which was a huge US and UK No.1 hit. It's the only song on this compilation album from Michael's fourth album - 1991's Dangerous. "You Are Not Alone" was one of Michael's biggest hits ever, and is next on here, followed by Michael's biggest selling UK single, "Earth Song." No.1 for six weeks and shifting more than 1 million copies this masterpiece is a perfect world peace anthem. Michael's 2001 comeback single "You Rock My World" follows. It wasn't a No.1, so by rights it shouldn't be included here, but it's a great track, so why not? "Break Of Dawn" wasn't even released as a single, so it's got no excuse to be here! It's from Michael's trans-atlantic chart topping Invincible album from 2001. "One More Chance" is Michael's latest single, and will not top the charts by my 'expert' predictions. "Ben" closes the album, which goes back to the very beginning of his career. OVERALL GRADE: 8/10 I think it was a wise move for Michael Jackson to release Number Ones. It provides new fans in their teens a chance to get to know Michael's best music, for those who were too young to be digging it when 1995's "HIStory" was released, because let's face it, even people in their early teens love Michael's music! I think some minor adjustments could have been made to the tracklisting to improve this album, but it's still not a bad collection and definitely worth the money. Upon its release this album didn't even crack the US Top 10 - Britney stormed to No.1 that week, but in the UK, Number Ones did just that, and went straight to the top of the charts! All in all a brilliant record to add to any Michael Jackson collection. ... Read more | |
| 67. Super Hits | |
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Reviews (11)
tHIS IS WHAT i WOULD SAY TO THEM: "BABY WE WERE WONDERING -ML
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| 68. The Princess Diaries 2: Royal Engagement | |
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| 69. Ray of Light | |
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Amazon.com essential recording Reviews (699)
(...)
Bedtime Stories set the path to Madonna's public redemption, yielding the #1 hit Take A Bow - her first in three years. But it is 1998's Ray of Light that put Madonna's career back on track, returned her to multi-million selling status, and finally - finally! - earned her a Grammy Award, several actually. It's a stunning reinvention, perhaps the most dramatic of any popular artist. Was this Yoga posturing, Sanskrit-chanting woman the same singer who only six years previous proclaimed she'd like to teach us how to ****? Was the world's most famous woman really saying that fame wasn't important? Yes, amazingly. What is most astonishing, however, is that she pulled it off. Ray of Light became perhaps the most critically acclaimed album of year, and it virtually erased the misadventures of '92. The Material Girl became The Spiritual Woman. Water is the alchemical symbol of birth. So it is fitting that Ray of Light, marking the rebirth of Madonna's career and released shortly after the birth of her daughter, opens with two singles evoking water's imagery: Drowned World and Swim. "I'm gonna swim to the Ocean floor," Madonna sings. What a calm, peaceful, rejuvenating image. It permeates the entire album. Even where negative situations are confronted, such as in Frozen and The Power of Goodbye, there is an awareness of life's possibilities and a hint of awakening. You're in a negative situation - now leave it, and go find something else! Or rather, look within yourself for happiness instead the outside world. Over the last few weeks I've become horribly nostalgic for the Ray of Light era. Ray of Light harkens me back to my introduction to Living Enrichment Center, which is a New Thought Church and retreat center I became involved with in 1996 when I was 21. The music of Ray of Light and the grounds of Living Enrichment Center were perfect mates. Statues from just about every major faith, including a statue of Krishna, Buddha, and a Peace Pole, were on display throughout the lush 90-acres. It was an otherworldly, infectious, beautiful atmosphere. And after a childhood and teen years in show business, always dreaming of stardom's redemption, I was starting to glimpse that perhaps fame wasn't the end-all, that maybe I should let go of my "substitute for love" and seek out the real thing. Who better than the world's most famous woman to assure me that fame isn't important? Maybe I wasn't a failure after all. Lately, I am playing Ray of Light on a daily basis, sometimes twice daily - singing "traveling down this road watching the signs as I go" on my long bike rides on the local back roads. The motif of spirituality, forgiveness, and just a touch of Hinduism (her pronunciation ain't the best, but I still love Shanti/Ashtangi) is exactly what I need right now. Living Enrichment Center will soon move from its beautiful grounds, the church engulfed in a financial scandal that may mean prison time for the head minister. I long for innocence and rejuvenation once again. When is her next album due? Andrew Michael Parodi ... Read more | |
| 70. Metamorphosis | |
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Amazon.com Reviews (2321)
Really, the only songs I found enjoyable were the two tracks I mentioned earlier (Come Clean & So Yesterday). I was very surprised, because looking in the liner notes, there were plenty of great songwriters and producers on this album, like John Shanks, Kara DioGuardi, and The Matrix, (among others) and over half of these songs are filler-ish. I did actually enjoy "Workin' it Out," one of the better songs on this album. "Little Voice" was a little too young for me, but I could see it being appealing to a younger crowd. "Where Did I Go Right?" is a sweeter, softer song. "Party Up" did appeal to me. "Inner Strength" was a big disappointment.. seemed like a good message, but it's basically a recited poem to music. It's only a minute and a half-- not much of a song. I think this album was to really test the waters for Hilary as a recording artist. Even though her voice is very thin, it seems to work on most of these songs. I've heard some of her newer material and her voice has become stronger, so I think her second time around will be worth a listen!
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| 71. Starsky & Hutch | |
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Amazon.com Reviews (9)
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| 72. Boogie Nights: Music From The Original Motion Picture | |
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Amazon.com Reviews (21)
Misses are: the instrumental "Machine Gun" - The Commodores God Only Knows by The Beach Boys and the eerily instrumental Check out VOLUME TWO of Boogie Nights soundtrack also! It's great! Happy Listening!
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| 73. Amplified Heart | |
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Amazon.com essential recording Reviews (64)
Tracey Thorn has one of the most beautiful voices I've heard and in it she exudes confidence and control. My favorite songs are "Rollercoaster", "Troubled Mind", "I Don't Understand Anything", "Get Me", "Missing" and "Two Star". The entire album is great but those songs are gems. If you're not impressed on the first listen, the songs will get better and better each time and the album will have a long shelf life in my home.
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| 74. Christy Carlson Romano: Greatest Disney TV & Film Hits | |
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| 75. The Hits--Chapter One | |
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Amazon.com Reviews (175)
Even if it seems like a last gasp for success, this CD is a great summation of the group's work up to this point. It provides proof that the group wasn't just the best of their breed (boy bands, that is), but that their best moments transcend the the recent bugglegum pop music boom. "I Want It That Way," "As Long As You Love Me," and "Quit Playing Games (With My Heart)," are lovely, timeless pop ballads, featuring great vocal performances. The dance numbers, like "Everybody (Backstreet's Back)" and "Larger Than Life," are clearly a product of modern music, but offer infectious rhythms that even early Bandstanders can dance to. If most of the rest of the singles on this 13-track collection aren't quite as good as those afforementioned tunes (the midtempo "Show Me The Meaning Of Being Lonely" also certainly ranks with the Boys' best), they nevertheless are well-crafted. That the new single "Drowning" is the weakest track on the set may not bode well for the future however. But regardless of what the future holds for this group, this retrospective provides a strong look at what was popular in pop music around the turn of the century.
While this album is basically a greatest-songs package, the disc flows fairly evenly with its pure melodies and smooth harmonizations. Brian, Nick, Kevin, A.J., and Howie's voices blend together flawlessly on the sweet-not-sappy- "All I Have To Give." The five-some dive shamelessly into the rock/techno world on the dance hit "Larger Than Life" and explore the subject of infedelity on the epic song "The Call." However, the album gets bogged down with the slow, ho-hum ballads "Show Me the Meaning of Being Lonely," "I'll Never Break Your Heart," "Shape of My Heart," and "More Than That." If one can get over those slow moments, than this is a great disc to pop in the player when chilling out. With the various boy bands clogging the airways, it will be interesting what the Backstreet Boys decide to do in chapter two of their career.
Whilst as I was back then I would certainly have appreciated a softer sound controlling the airwaves than the hyperamplified grunge sound that in those days defined the word "alternative" for me, the fact is that the Backstreet Boys scarcely did anything that opposed the grunge sound in a new and serious way. Rather their music was basically a watered-down version of the sound with which such artists as Michael and Janet Jackson, Madonna and Simply Red had been having hits for a great many years. There was some sort of familiarity to the sound of the Backstreet Boys, but at best it can only be described as annoying. All any listener is likely to remember is the ultra-catchy choruses with which almost every song they recorded (and had played on commercial radio) ended: there can never be any substance to songs that were written for what was/is by any standards an artificially promoted group. Scarcely any better than most "hip" people will tell you, the Backstreet Boys were/are in no way anything worthwhile for a moment. More than that, the Backstreet Boys unlike any other group before them will have those listening to commercial radio questioning whether it is the best option even if they hate what is played on the noncommercial stations. This is the one thing notable about them, indeed. ... Read more | |
| 76. Karma | |
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Amazon.com Reviews (158)
I cannot wait for the next Delerium album to follow up this one. But for now, this along with other Delerium albums such as Semantic Spaces and Spiritual Archives are staying in my CD player.
I started listening to Delerium through the side-door: I'm no fan of Front Line Assembly or much of Leeb and Fulber's other work produced under various names, including Delerium. Then a friend leant me the awe-inspiring Semantic Spaces. Shortly, I got ahold of Karma. And it's been stuck in my Rio player for six months now, and I've no plans to remove it any time soon. It's hard to write about something that sounds so beautiful: words don't do it justice. But imagine ethnic beats, electronic sophistication, angelic lamentations, and ethereal landscapes, and you might get an idea of what this album sounds like. If you're at all a fan of Semantic Spaces, or Enigma's early work, you'll definitely enjoy Karma.
So Leeb and Fulber have a good idea here. As always they have a vision for creating a style of music unique for any type of mood. Using female vocalists such as Kristy Thirsk creates a sort of sensual feel to this cd. The entire album is solid, with no song sticking out as a best or worst. Like I said it's a cd designed for that 70+ minute mood that we all sometimes feel. It's not at all like early Delerium and certainly different from most Front Line Assembly. If you're a big fan of heavier FLA this album might dissappoint you. If you expect Delerium to sound like they did on "Faces Forms and Illusions" then this album is bound to raise a few eyebrows. But I gave this album a try and liked it. I guess I believe that all music has it's place and purpose.
1:enchanted- I LOVE kristy thirsks voice! it is so sexy, when she comes in with her oohs and aahs. this song is tribal, ambient, poppish, and a little ethereal. So angelic. 2:deunde- When I first got this album this was my favorite song. it has a great powerful beat, some sampled chants, and a great vocal job by camille. It almost makes you feel like you are in the aboriginal outback, but it is still pop influenced. 3:twilight- an ethereal tranceey instrumental track with some chants. very pretty and inspiring. 4:silence- outstanding song. it has monks in the bigenning but after about 1:30 sarah mclachlan comes in, and starts singing. piano is interlaced through parts of the chorus and there is a nice piano solo at the end. 5:forgotten worlds- very otherworldly, you can see why they put the title there. the song takes you to a long forgotten temple and awakens it and brings you inside. it only starts out dark, then it begins to glow. Chanting in this one too. 6:lamenation- definitley tribal, especially during the first three minutes or so. then it gets really pretty. too bad it has such a long introduction. a little weak, could have been on semantic spaces. 7:euphoria (firefly)- two slightly slow instrumental somgs make way for a dancey pop song. this was the first single from the album. it is catchy and danceable. if you heared and liked other poppish songs like silence or deunde you'd probably like this. 8:remembrance- one of my friends claims to have heared this on the radio, but I never knew it was a single. (or is it?) this starts out with some woodwinds, but about 1:00 in this song comes to life with chanting monks and then gets spacey and synthesized after about three minutes, and then the chanting comes laced in with the spacey sounds. very interesting. 9:wisdom- a short song, but still welcome. yay, more thirsk! This song is a little like enchanted, but less tribal sounding. 10:window to your soul- this is not at all even hinted with pop. it is a piece of mood music, very relaxing, and inspiring. and even though it's around 10 minutes, it dosent drag on. it keeps you listening. it starts out dark, but dont skip it, after about two minutes you will be on your way to a very peaceful place. this song has chimes, synthesizers (of course) and chanting. REALLY pretty. 11:til the end of time- this is probably the weakest song on the cd. it is a lot like wisdom, but slower. vocals, too. ----------------------------------------------------------- You need this in your collection! there is a little something for everybody, but you will probably end up liking it all. :) ... Read more | |
| 77. Hits: The Very Best of Erasure | |
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Reviews (23)
Since Vince and Andy were better at the singles than at the albums anyway, the finest of their singles truly sparkle as gold from the eighties. Given that their later output was lackluster at best (save "Always"), this is a bland primer for a fun band. And Erasure is pretty much a fun sugar candy duo. With two notable exceptions, the best songs were campy or beat heavy hook records. Only with the environmental lyrics of "Chorus" or the call to arms of "A Little Respect" did the duo ever push towards anything really weighty. Not that there is anything wrong with that, mindless fun is better than no fun at all. But it was the early part of their career where Vince was still innovatively exploring the compositional range of the synthesizer. Which meant that, when he was on, he was brilliant, and Andy almost always found the kind of vocal exuberance to overcome any deficiencies (think "Love To Hate You"). It's also that, after the album "Chorus," the band began to bog down. So unless you feel that "Always" and a cover of Peter Gabriel's "Solisbury Hill" are worth having over the deletion of eight other, superior Erasure songs, I'd recommend "POP!" over "Hits."
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| 78. The Definitive Collection | |
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Amazon.com This is the canon from whence the term "Europop" sprang. With a continental sense of vocal neoclassicism, informed by just the right ethnic clichés (and oft wed to the era's insistent 4/4 disco beat) to make songs like "Mama Mia," "Fernando," "Chiquitita," and "Voulez-Vous" work on a global scale, the writing team of Björn Ulvaeus and Benny Andersson and their respective partners in music and life, Agnetha Faltskog and Frida Lyngstad, developed the seamless, wall-of-sound productions contained herein. The Definitive Collection features a rare single remix of "Ring, Ring" and a 1979 promo-only extended mix of "Voulez-Vous" as bonus tracks, as well as a concise, illustrated history of the band and each track. --Jerry McCulley Reviews (20)
The set begins with the pre-Abba track People need love - it features Benny and Bjorn but not Agnetha or Frida. The featured female singer is Svenska Flicka, who is otherwise unknown to me. Ring ring was Abba's first real single, while He is your brother is an interesting song, but Abba only really hit the big time with Waterloo, which was their first British number one and also reached the top ten in America. Subsequent singles met with varying degrees of success and it was not until Dancing queen was released in 1976 that Abba had another hit that could be called truly international. It went all the way to number one in Britain, America and many other countries. Their other British number ones were Mamma Mia, Fernando, Knowing me knowing you, Name of the game, Take a chance on me, Super trouper and Winner takes it all. Many of their other singles went into the top five, including I have a dream, which spent a month at number two. In America, Take a chance on me was a huge hit but the others were markedly less successful. This is a wonderful collection of Abba's music. If you only want one Abba collection, this is a good one to choose.
Such nonsense mattered as a 14 year old, now I can openly say Abba's music is wonderful and their arrangements were as innovative as anything coming out of the 70's. It is simply impossible to listen to Dancing Queen or Take a Chance on Me and not want to hear the songs again and again. The vocal intricacies on Take a Chance are equal to the harmonies on most Beach Boys records. How about Waterloo? Three minutes of the most pulsing, catchy music ever put on a disc. Abba's music sounds better today than it ever did, particularly when you know what dreck was produced by other bands in the intervening years. They might not have been Dylanesque lyrically, but few have ever written songs with such clever hooks, bridges and infectious rhythm. Thirty years after the fact, the impossible has happened: Abba has finally become cool!
For the 3 people who still hate Abba, GET OVER IT!!! To deny Benny/Bjorn as great pop songwriters (IMO, in a league with Lennon/McCartney, Taupin/John and Brian Wilson in terms of writing great pop songs) is showing that you still hold the image of Abba against them. Get over it. Abba still rules and people will be listening to them until the end of time.
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| 79. Like, Omigod! The '80s Pop Culture Box (Totally) | |
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Album Description Reviews (39)
The problems: Almost all of these songs have been released on other 80's compilations, and many on Rhino's own product. Billy Crystal's novelty song is probably the rarest thing here. This is a general beef with Rhino, which reissues the same one or two tracks by a certain artist over and over as opposed to picking a lesser known hit. My guess is that most people likely to buy a package like this probably has at least some of Rhino's "Just Can't Get Enough" series, perhaps some of their Billboard 80's discs, and some other companies' compilations. I end up feeling like I pay $10 to $20 per song, or end up buying a package because I like the packaging! (It's true -- suckers are born every minute.) What's most disappointing, however, is that Rhino did a much better job with their 70's box set. The 70's box set DID contain a few rarities from some big name artists. In fact, their "Have a Nice Decade" box is the ONLY place I'm aware of that one can buy the single version of David Bowie's "Fame" on cd. Similarly it was one of the first cd's to feature the single edit of Gladys Knight and the Pips' "Midnight Train to Georgia." These are just two examples. The only unusual sounding mix I heard on this box was the Romantics' "Talking In Your Sleep", and I didn't listen closely enough to be sure that there was something different about it. The 70's box also had many interesting sound bites from the 70's (Nixon, Patty Hearst, etc) placed at amusing points during the program. The 80's box contains NO sound bites. This makes this box set more of a collection of tunes and less of an "experience." Sure, the music alone evokes nostalgia but sound clips from Reagan, Bush, Quayle, or "Murphy Brown" would have been interesting. Imagine a soundbite from the news of the shuttle exploding right before Peter Shilling's "Major Tom (Coming Home)". That's the kind of fun the 70's box provided. I also thought the first essay in the booklet was lame, but that's neither here nor there. I know that my critique may seem overly harsh to some. If I were reviewing this only for people who didn't have any 80's music on cd and wanted a great amount and variety of tunes, I'd certainly recommend this at the 5-star level. Somehow I don't think that is the primary market envisioned for this.
OK, seriously, this is quite a comprehensive collection of 80's music, and just about every genre is represented to some extent. There's Eddie Rabbit, Blondie, New Edition, Dexy's Midnight Runners, Devo, Simple Minds, Duran Duran, just to name a few. Of course, though, it is heavy on the pop numbers, and it certainly brings back memories of high school for me, particularly since the collection seems to lean heavily toward early to mid '80s music. There's not much on it after 1987, which doesn't bother me personally, but I would have liked, for example, "We Didn't Start the Fire," by Billy Joel. Indeed, that is the one problem with this collection, but that can be said for any collection. For all the wonderful songs on there, so many more were left off. There's nothing by A Flock of Seagulls, Journey, Michael Jackson, Madonna, and each artist that is there is represented only once. Why was The Thompson Twins represented with "Lies" and not "Hold Me Now" or "Doctor Doctor"? Where was Howard Jones? Still, it was well worth the money. Now, I just need a CD player with more spaces . . .
LIKE, OMIGOD... hits almost all of the popularly acknowledged high points, including "867-5309/Jenny," "Tainted Love," "Girls Just Want to Have Fun," - as well as great novelty numbers and underground tunes like "Pac-Man Fever," "Da Da Da," and "Turning Japanese." While not in strict chronological order like Rhino's 70s set, HAVE A NICE DECADE, LIKE, OMIGOD... is well-sequenced and provides a relatively satisfying trip - as well as a great set for any party. No need for "random play" here - just load this set, hit "play" and dance away. While this set is almost certainly a one-stop shop for the music fan simply looking for a well-balanced 80s collection, the completist and discerning collector will no doubt view this as the tip of the iceberg. Those such as myself, more enthralled with the simultaneous New Wave movement, will find lots more to love (approximately 300 tracks worth - with minimal duplication) in Rhino's 15-volume JUST CAN'T GET ENOUGH 80s collection. Even then, LIKE, OMIGOD... will spur you on to fill up your shopping cart with with entire albums by Billy Squier, Duran Duran, The Fixx, Pretenders and more. The only downside to be found is that LIKE, OMIGOD... also forces the listener to take the bad with the good (or the worse with the bad?), presenting end-of-the-decade stinkers such as New Kids on the Block and Richard Marx toward the end of the seventh disc. For this listener, those musical tragedies are still too recent, too terrible to revisit with any degree of nostalgia. As gaudily packaged as the decade it represents, LIKE, OMIGOD... is presented in a hardcover book format identical to HAVE A NICE DECADE and contains a similar full-color booklet complete with essays, trivia, 80s timeline and notes on each of the performers and songs included. The sound of the CDs, as with all Rhino product, is pristine. As for the sound of some of the music - well, you can't blame Rhino...
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| 80. The Best of Brandy | |
![]() | list price: $18.98
our price: $14.99 (price subject to change: see help) Asin: B0007PLKU2 Catlog: Music Sales Rank: 4005 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Album Description Reviews (24)
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