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| 81. Essential Selection, Vol. 1 | |
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Amazon.com Reviews (45)
Fatboy Slim's set starts off with an annoyingly loud beat but falls into its groove by the fourth track, at which point he unleashes a set that includes some of the best track-to-track mixes I've heard anywhere. His lead-ins between tracks 4 through 9 are mind-bogglingly excellent, and then... the set degenerates into another annoying beat that continues through several full tracks. The remainder is spotty, though his mix of Groove Armada's "At the River" bears mention. Oakenfold's set is, well, Oakenfold. It's neither above or below the standard for most of his other material, and difficult to differentiate from Tranceport. It doesn't spend a lot of time in my MD player, but I'll throw it on at a party. Nothing specific on this second disc jumps to mind. I think this set is worth buying just for the incredible zone Fatboy Slim hits in the middle of the first disc, but I suspect not everyone would agree with me. Be sure to listen before you buy this one.
I didn't check out Paul Okenfold's mixes till he was rated best in the world by "Details?" and I bought TrancePort. This is better than TrancePort. I guess I don't like Fatboy Slim too much. Although I have liked a couple of his other CDs like "You've come a long way baby." I have them all I think. I didn't like this CD at all. FYI: I like Trance (Sahsa, John Digweed), NewAge (Enigma, Euphoria), Breakbeat (DJ Icey, Kurtis Mantronik, Micro), Techno Industrial (NIN, Front 242) and Chemical Bros. I really really liked the first Chemical Brothers, and the "Brothers Gonna Work It Out" mix album. I don't like Prodigy as much.
The first disc, the Fatboy Slim essential mix, rolls with the likes of The Chemical Brothers, Underworld, Art Of Noise, Groove Armada, and of course Fatboy Slim. Each track follows right on into each other but no track is very similar to another. Pinpointing the genre of this disk would be difficult. If you've ever heard Fatboy live, you know what I mean. Funky swelling guitars, disco beats, and twisted vocals fill the air with sound as this disc wanders on. While his "On The Floor At The Boutique" mix had a bit more personality, this mix has more big tracks. The highlights are Fatboy's own "Everybody Loves A Carnival" (very similar to "Everybody Needs A 303"), Mr. Spring's funky "Blaxtraxx 3", Underworld's "Born Slippy" (very tweaked by Slim), and the closer with Groove Armada's "At The River" is the best part of the album. In my opinion, this disk is much better than the staggering disk2. Disk 2 is Oakenfold's mix. While Oakey has been known for playing the big tracks everybody likes, I don't know what he was trying to do with this mix. His almost blasphemist use of "The Baguio Track" and the sickly tech-pop of "Free" and "Perfect State" make this disk unaccomlished. The best part of the mix comes on tracks 7-9 where his real talent finally begins to show with the strings in "Another Day" building up to heavy emotional trance on the awesome "Flesh" and "Seven Cities", the latter being the best track on the album by far. That vibe is way too soon deminished with the slow, housey closing tracks, which sound disturbingly out of place. His other mixes ("Tranceport", "GU004: Oslo", and "Another World") are MUCH better. Listen before you buy. ... Read more | |
| 82. Gatecrasher / Eng | |
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Album Description Reviews (29)
Need I say more?
The Gatecrasher DJ's somehow pack more energy into this set than in any mix compilation I've found anywhere. Apart from the manic energy level of the set, the mix is also excellent in that there is always at least one minute or so of the original vocals and bass line; with too many mixes, there's only a 15- or 20-second long sample of the original song before the foray into the DJ's particular mix rendition, or the opposite, not much mix at all. The segues between tracks are also brilliant, and the CD tracks are put together as one continuous mix, rather than tracks being separated. I guess I would call the music "trance", but it's definitely not the American flavor of trance, highly commercialized, overpriced, mediocre on quality. Oh, make sure you buy the Sony International Import Gatecrasher Red, not the US version; the tracks are different, I've heard. Anyway, the energy in both CD's is PHENOMENAL. I suggest JBL or Bang & Olafsen speakers to go along with it. Cheers!
The Red CD is only for those who love collecting trance. It's definitely a highly ranked album. But the songs are faded and mixed together & into each other, only buy this album if you like Gatecrasher and their styles, or if you want something to play during trance parties/DJing for a weekend. ... Read more | |
| 83. Only Dance: 1985-1989 | |
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| 84. Disco Nights, Vol. 7: DJ Pix | |
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| 85. Discomania Vol. 5 | |
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| 86. MTV's Amp | |
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Reviews (13)
As for the content, there are some essentials. Underworld's "Pearl's Girl" still melts my cortex with its synth line that ebbs like amniotic fluid. The tracks by Photek and Apex Twin are still great abstract electronica(see the Mille Plateaux label for further excursions.) There are also some overproduced misfires like the Chemical Brothers remix of "Voodoo People and the Chrystal Method's work that sounds like Musak for future "extreme sports" commericals(whoops! it did.) Overall, Amp marks a time when MTV had this brief period of innovation before the advent of the Boy Bands and Total Request Live.
So when this CD came out, I ordered it in a music store that worked with imports, and WOW... even now after six years, few discs on my collection have the ammount of quality that this one has. It has the biggest artists in electronic music, as well as some of their most famous tracks. Of course, this cd may not be of the likeness of the "bang-bang-bang-boom-boom-boom" techno-fans, because every track on this album is pure flowing style. Real quality. Buy it NOW.
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| 87. Gay Happening Vol. 11 | |
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| 88. Let's Hear It For The 80s Vol. 1 | |
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Album Description Reviews (3)
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| 89. TSR Retro Dance Classics | |
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| 90. Vol. 6-Freestyle Explosion | |
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| 91. Alive in the 90's, Vol. 1-3 | |
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| 92. ROCKET: A tribute to Dead or Alive | |
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Album Description Dead or Alive burst forth, from the ashes of Nightmares in Wax, into the UK pop charts with a raunchy version of K.C. & The Sunshine Bands Thats The Way (I Like It). This cover may have been a Cheese whiz moment for the enigmatic DOA front man, Pete Burns, but it was an important record for many of DOAs fans. Coordinating and compiling Rocket was indeed a labour of love for us, and it was particularly satisfying to decide what bands to approach and on what songs to give them. One of our objectives with this release was to shift the focus away from their biggest hit "You Spin Me Round" (track 13) and to concentrate on the band as songwriters, by showcasing their other pop gems first. "Black Leather" (tracks 2 &14) is a prime example of this, and is a seminal track in itself, dating from the pre-DOA days as Nightmare In Wax. Its a song that today still sells for big money on the likes of ebay and record collector. All the artists included here took hold of the DOA mantel with flair, passion and determination. So thank you for supporting us and Dead Or Alive with your purchase of Rocket. Sit back and enjoy all the hard work contained in these interpretations. This Tribute was twenty years in the making, but only months in the realization
so watch out, here we come! Reviews (3)
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| 93. Let's Hear It For The 90s Vol. 1 | |
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Album Description Reviews (1)
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| 94. Billboard Top Hits: 1981 | |
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Reviews (7)
I will never forget my big tough brother-in-law belting every word to "9 to 5" as my sister and I watched in laughter. Buy this CD if not to get a great introduction to '81, then to laugh at the ones who know all the words! It's worth it either way!
Overall, a nice selection of songs that represents 1981, yet there are still some good (and big songs) that could have been here, like "Endless Love"; "Waiting For a Girl Like You"; "I Love a Rainy Night"; "(Just Like) Starting Over"; "Keep on Loving You"; and "Arthur's Theme (Best That You Can Do)." Most of us would have probably liked to have had a few of these songs replacing selections from this volume, but yet, a different set of ten songs could have rarely improved on defining the year as the set here does. And considering that the ten songs here are all good, anyway, they help make BILLBOARD TOP HITS: 1981 a nice collection of interest.
A great upbeat party song is "Celebration" by Kool & the Gang. Blondie's feelgood mid-tempo "Tide Is High" is one of her best. I thought Hall & Oates were better at upbeat rock than at ballads. "Kiss on My List" is a little of both. "Jesse's Girl" was Rick Springfield's biggest hit and an energetic rocker, not as 'teen idol' as it may seem. "Queen of Hearts" was perfect Pop/Country by Juice Newton, when Shania was in Elementary School. There's a few rare tracks too. Dolly Parton's "9 to 5" is another great Pop/Country tune from the hilarious Jane Fonda movie of the same name. Though Smokey Robinson was becoming an oldie, he had a good ballad in "Being With You." Olivia Newton-John's "Physical" was another now-vanished, cute song and a guilty pleasure. The similarly styled "Bette Davis Eyes" by Kim Carnes is a nice slower tune. Half the songs here were from women, which is nice too. The only one I don't like is Air Supply's "One you Love." I like ballads quite a bit, but this one is too sappy. Still a worthy, short collection of hits.
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| 95. Black Box: Wax Trax! Records, The First 13 Years 3 CD Set, Includes 76-Page Book | |
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Reviews (6)
The packaging is beautiful -- a heavyweight black box covered with hip lettering and disturbing images; three black CD cases containing labeled discs and a listing with artist, cut, time and version information; and a terrific booklet that relates the anecdotal history of Wax Trax! -- it's artistically interesting as well as substantive and entertaining. If you enjoy industrial music, you cannot go wrong with this incredible collection of the music and people that started it all. And why not put a few bucks into the pockets of the guys who loved the music more than the profits?
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| 96. Best Of Moog: Electronic Pop Hits From The 60's & 70's | |
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Reviews (11)
If you like that unique analog Moog sound, you'll probably like this -- it's that simple. But please, don't buy it mainly for the music -- likely you'll be disappointed. If you buy it because you love the sound of the Moog, you're sure to be rewarded.
Anyways, here's a list of all the performers as they appear on the CD: It's also helpful to note that many of these groups were actually organized by Perrey and/or Kingsley. In effect, this is nearly a best of Perrey and Kingsley CD! The label rep goes to all the trouble of claiming he wants to reissue OOP and expensive classic tunes, but he only has like 3 artists on here, not to mention the lame Fatboy Slim remix. Despite all the huge flaws in this release, it's still a fun listen. There are only one or two tracks on here that aren't worth the time, and even the covers are fun. I'd recommend it to those of you who aren't huge Moog fans, but not to the hardcore followers (though you guys probably know not to buy it already). For those who are still learning ot beauty of the Moog synth, I suppose I'd recommend this. The actual records are far too expensive now, so go ahead and pick up the cheap comp and see what you think before shelling out major cash...
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| 97. Generation Trance 2000, Vol. 3 | |
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Reviews (6)
The tempo is not extremely fast, and Talla's mixing is excellent. My only complaint is that the CD was partitioned into tracks incorrectly in some places (e.g. Track 6 starts in the middle of the 6th song). In all other respects, however, this CD is extremely impressive. Enjoy.
I played this CD for my girlfriend and it made her stomach hurt it was so evil sounding. I love it thought all the dark sounds, especially the voice in the "Revelation". That's enough to send chills down any ones spine. Not to worry though if you not into the darkness, after it reaches "The Voyage", it turns the darkness into beauty, and the warm happy feelings come alive the rest of the CD. Lots of good hard tracks, very original. This disk doesn't get boring or annoying. It keeps changing enough to keep me interested. I didn't like it too much when I first got it, maybe because of the intimate doom that lingers over the first three tracks, but the more I listened to it the more I grew to love it. Excellent Trance Anthems, so if you're an anthem fan, especially if you like darkness spun into your sets, this would be worth checking out.
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| 98. Gay Dancing | |
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Album Details Reviews (16)
The only thing that lowered my rating for this CD was the horrible "predictable" art work on the cover jacket along with the STEREOTYPICAL TITLE....both should drop. How can any label believe they'll mass distribute such a title and cover jacket to a homophobic middle America ? Does that label think we all "gay dance" while listening to the songs on this compilation ? Truly the Dumbest title for a CD....EVER !
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| 99. Promised Land, Vol. 1 | |
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Amazon.com Reviews (7)
Fans of other Bukem CD's might enjoy this, but I'd recommend Logical Progression as a more suitable starting point for those just beginning to explore his catalouge.
I am a big time LTJ fan, but don't let that thought underestimate the importance of this cd. Featuring many all time progressive jungle classics this cd is a must have for everyone who enjoys electronic music out there. Oh MC Conrad is magnificinet as always. You will especially enjoy his words rythmically blending to the beats and few lyrics of (Adam F's) Circles. The other tracks are great too. Don't wait just buy it.
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| 100. Disco Nights, Vol. 3: The Best of EuroDisco | |
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Reviews (13)
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