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| 41. Billboard Top Hits: 1978 | |
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| 42. Let's Hear It For The Boy Vol. 2 | |
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Album Description Reviews (1)
Based on prior dance albums I've purchased, this is definitely in the top 5%. It's consistent, it's fun and it makes you want to move. Mission accomplished!! ... Read more | |
| 43. Disco Classics Volume 1 | |
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| 44. Disco Nights, Vol. 10: Disco's Greatest Movie Hits | |
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I'm sure there are more artist's classics that fit this specific niche that may be included. Did I see Car Wash? And what about the Andrea Ture Connection. (well if you know her other claim to fame, you'll know what I mean). Seen her movies advertised, but never (of course) watched, so I can't say if she sung in her movies. I guess that reminds me of Grace Jones, as well. And Vanessa Williams. No wonder certain groups didn't like disco. Not me, I love it--can't hear enough of it.Classic from the 70's that is. None of this Hip Hop garbage.
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| 45. Billboard Top Hits: 1987 | |
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It also hurts that this volume gives too much of a focus to adult contemporary tunes this time around, after the lack of them in the 1986 edition. And considering how light most of these tunes are here, this volume really needed some more shaking up in the songs, as Kim Wilde's dance cover of "You Keep Me Hangin' On" and Bananarama's "I Heard a Rumour" are not enough to fully provide that needed boost. So in this case, tunes like, say, Bon Jovi's "Livin' on a Prayer"; Cutting Crew's "(I Just) Died in Your Arms"; Los Lobos' updating of "La Bamba"; or anything from Madonna, Michael Jackson, or Whitney Houston would have been great inclusions in this set, as well as the aforementioned "I Still Haven't Found What I'm Looking For" and "Faith." But, in terms of a collection that, probably unintentionally, focuses on tunes adult contemporary radio would have played in 1987, this volume still works as a nice listen, especially since most of these songs here still get radio airplay. It's just not the same listen that came in previous volumes.
Kim Wilde's "You Keep me Hangin' On" is an underplayed radio song, seems like an older Debbie Gibson. Starship's last big one "Nothing's Gonna Stop Us", Billy Vera's soulful "At This Moment", Bananarama's happy "I Heard A Rumor" (one of their 3 hits) and Crowded House's perfect pop of "Don't Dream It's Over" are the high points. Ex Go-Go Belinda Carlisle's best solo song, the laid-back but confident "Heaven is A Place On Earth" and U2's "With or Without You" are also worth buying this for. Aretha Franklin's last big hit "I Knew You were Waiting" is fair, but the others are throwaways. Robbie Nevil's "C La Vie" sounds like unintelligible dance music and Chris DeBurgh's wimpy "Lady In Red" is a headache.
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| 46. Billboard Top Hits: 1976 | |
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This is a totally mixed bag as far as compliations go. I have very few of Billboards albums in my album collection. I highly recommend the year 1979 over this one as I loved every song on that. I like most of the songs on this record, but having to skip anything to get on the next best thing doesn't make me want to recommend it.
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| 47. The Disco Years, Vol. 5: Must Be the Music | |
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Only when I bought this CD did I realize that "Boogie Motion", by faceless act Beautiful Bend, was the theme to "Dance Fever," the Denny Terrio show that had hapless celebrities rate "real" disco couples yanked from the dance floors of America. (The liner notes omitted this crucial detail, yet somehow Rhino still won't let me write for them.) It's also great. Along with Evelyn `Champagne' King's awesome "Shame," Heatwave's "Boogie Nights," and strong songs from Gloria Gaynor, Diana Ross, and Cheryl Lynn, Volume 5 is one of the best of this series. It's true that Nu Shooz' "I Can't Wait" and a couple of the other '80's hits don't quite fit, but some say disco never really died, and they have a good beat and you can dance to them, etc., etc. As with the rest of this series, these are the single (7") versions, so some of the longer breaks you may remember from disco radio stations may be missing. But the first ten songs here are one smooth disco ride. (After this, maybe put on some Def Leppard just to ground yourself...) P.S.: I dedicate this review to my sister, whom I tortured with several of these 45's back in the day...
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| 48. Billboard Top Hits: 1984 | |
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People who grew up in 1984 could quibble about this volume because they are bound to find something important missing here. And yes, it is reasonable to complain when songs like "Against All Odds"; "Jump"; "Footloose"; "Time After Time"; or anything from Prince or Bruce Springsteen is not on a collection representing 1984. But this collection works because it incorporates many of the musical styles that were popular during the time it represents. It also helps, of course, that all of the songs featured here are pretty good- especially classics like "What's Love Got to Do With It"; "Caribbean Queen"; "Owner of a Lonely Heart"; "Ghostbusters"; "Karma Chameleon"; and "Wake Me Up Before You Go-Go." When these six tunes are paired with the very good second-tier tunes "Hold Me Now"; "Let's Hear It For the Boy"; "Talking in Your Sleep"; and "Jump (For My Love)", they make up a collection that can be considered both definitive and enjoyable.
These collections don't have alot of Hard Rock, so Yes' "Owner of A Lonely Heart" is welcome, but it's in a slightly shorter version. Sure it's total pop, but it's harder than most similar stuff. Punk/New Wavers the Romantics mellow out a little with the still rocking "Talking In Your Sleep." Ray Parker's "Ghostbusters" theme was an instance where both the song and the movie were excellent. Denise Williams was a one hit wonder whose infectious dance hit "Let's Hear it for the Boy" can be found here, as well as on the "Footloose" soundtrack. The Pointer Sisters' "Jump for My Love" is close in style. The 3rd female slot here is Tina Turner with her comeback. The somewhat serious "What's love Got to do With It" is another great song. Billy Ocean also has his first hit with the tropical "Caribbean Queen" in a much edited version. The Thompson Twins "Hold Me Now" is a slower pop hit, this album is worth it just for that song. One nice thing is 2 bands I usually hate have the one song I do like on here. The than seemingly straight George Michael with Wham performed "Wake Me up Before you Go-Go." I feel ridiculous for ever liking it, so it's nice to have it without going through the embarrassment of buying a Wham album. The same can be said for Culture Club's "Karma Chameleon." One of those songs you just kind of sing without even wanting to. All in all, there's a few missing artists (Cyndi Lauper, Van Halen, Huey Lewis, Springsteen, etc) but what IS here is worth it!
This album has it all! It has upbeat rockers ("Owner of A Lonely Heart"), good ballads ("Hold Me Now"), and some songs that are downright catchy ("Wake Me Up Before You Go-Go"). If you like rock 'n roll from the 80's, I definitely recommend picking up this gem.
My only problem with this CD is that "Girls Just Wanna Have Fun" was not included! ... Read more | |
| 49. The Disco Years, Vol. 2: On the Beat | |
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| 50. Gay Happening Vol. 12 | |
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| 51. Billboard Top Hits: 1985 | |
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And that listen, which infects most of BILLBOARD TOP HITS: 1985, is part of this collection's charm. Of course, most of the songs here defined the year pretty well, especially "Can't Fight This Feeling"; "Shout"; "The Power of Love"; "Broken Wings"; "The Heat Is On"; and the "Miami Vice Theme." Even though all of the songs here are pretty good, pop-culture freaks could complain about any missing songs that had potential on this collection- it would have been nice to hear songs like "Money For Nothing"; "I Want to Know What Love Is"; or "Heaven" here- but the only songs that are arguably truly missing are USA for Africa's "We Are the World" (the actual number one song of 1985, too!) and any of the year's hits from Phil Collins- particularly, "One More Night" or "Sussudio." At this point of the BILLBOARD TOP HITS series, however, that type of complaint had become irrelevant, since the series could only cross-license so many songs. Unfortunately, limitations like that would take its toll on further editions of the series as they gradually became less accurate, but volumes like BILLBOARD TOP HITS: 1985 still defined their year pretty well. It's a good yet enjoyable collection to pick up.
This collection is great, for one, because it's largely filled with rock songs. Glenn Frey was good in the Eagles as well as solo, but half of his hits weren't on studio albums (like Kenny Loggins), so the rough-edged pop of "The Heat is On" is a huge plus, as is Starship's upbeat, fun rocker "We Built this City". I'll always love it partly because of the DJ's Golden Gate Bridge reference. I lived in Sausalto (just north of San Francisco) when it came out. REO Speedwagon's light, emotional keyboard drenched power ballad "Can't Fight this Feeling" is another wonderful addition. John Parr's one hit wonder song, the passionate mid tempo rocker "St Elmo's Fire" is another lost hit. No music collection can be complete, though, without Huey Lewis' anthemic arena rock hit "Power Of Love". Besides, this song comes from "Back To The Future", who can forget Marty Mcfly, or that movie at all? The instrumental "Miami Vice" theme is the only one I don't care as much for. I won't complain though, this is a better collection than many.
Out of the 80's Billboard Top Hits albums, I think the '85 and '83 ones are the best. ... Read more | |
| 52. Bangin The Box, Vol. 4 | |
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P.L.U.R.R
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| 53. Freestyle Explosion, Vol. 1 | |
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| 54. Freestyle's Greatest Hits | |
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| 55. Suddenly '70s | |
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| 56. Disco Heat Vol. 2 | |
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| 57. Diggin' The Crates Vol. 3: For The Old School Beat | |
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| 58. Wipeout XL | |
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Amazon.com Reviews (24)
This CD has several 'straight' (not remixed) techno/dance/electronica singles which are just great listening, and a few other cuts that simply grate on your ears. This was recorded a few years back, when techno/big beat was more daring and experimental (before it started to sound stupid: like old-ladies "jazz" with a beat added) The 2 versions of "We Have Explosive" by The Future Sound Of London might seem excessive, but the two versions are different enough that they enhance, rather than detract from the overall musical quality. Besides, that song is so good here, you WANT to hear it 2 or 3 times. "Atom Bomb", by Fluke and a better-than-the original version of Chemical Brothers' "Loops of Fury" are good enough to make you want to play them each again, and again. "Firestarter" by Prodigy, also sounds better here. Buried surprises (good ones), include tracks from Orbital, and Leftfield. What's really mind-blowing is: this is a soundtrack from a video game! Just a bit of warning may be in order: don't listen to this and drive at the same time if there are any traffic police in the area. BTW: This sounded terrific through my new Klipschorns! Thanks to Paul W. Klipsch for his pioneering work in audio engineering over teh past 6 decades.
Let me point out the differences. The above soundtrack has 14 tracks, the following of which are not on the actual PlayStation game: 02 Fluke - Atom Bomb Besides that, FSOL's We Have Explosive lasts 6:14, while the PlayStation version stops a little abruptly at 5:53, and Underworld's Tin There stops at 5:00, while the PlayStation version is 6:08. The PlayStation disc has 11 audio tracks, the following of which are missing from the above soundtrack CD: 03 FSOL - Landmass The PlayStation selection is much less harsh than the soundtrack CD. The soundtrack-only "herd killing" version of We Have Explosive is a pretty good track, but other than that, the PlayStation CD is much better. The PlayStation-only tracks are all good, especially Dust Up Beats and Canada. Dust Up Beats is something Chemical Brothers have played live, but I haven't seen it on any CD besides the PlayStation WOXL. Another odd thing about the WOXL soundtrack is that the version of Petrol it has is the same as the version on Orbital's In-Sides CD, except the WOXL version fades out at 5:49, while the real one is 6:20. 1999's Wipeout 3 also has 13 songs, but it's only available for PlayStation. It has six great original Sasha tracks, a 4:03 version of Paul Van Dyk's Avenue (showed up later on his Out There And Back CD), a 3:06 version of Underworld's Kittens (from Beaucoup Fish), the album version of Chem Bros' Under the Influence (from Surrender), two MKL tracks, and Orbital - Know Where to Run & Propellerheads - Lethal Cut, which I don't think are on any other CD's.
Electronica today (2003) isn't quite what it used to be back when it was new and clearly still experimental and at the top of its form. This 78:18 CD offers up some classic tracks that will last forever. I have a lot of CDs from various electronica artists that have songs on this compilation (Fluke, FSOL, Orbital, Chemical Brothers, Prodigy) and others that don't (namely Crystal Method) and they're all great but none quite capture the diverse essence of what electronica can encompass. This is that CD! The version of Atom Bomb on here is a cleaned-up AND remixed version of the original on Fluke's own Risotto CD. None of the other reviews really pointed that out.
Maybe you bought 'Exit Planet Dust' but if you missed out on the Chemical Brothers' (in my opinion) best single "Loops of Fury", you could atone buy picking up this disc. The instrumental version of "Firestarter" is better than the original, and "PETROL" is not representative of the Orbital album ('In Sides') it comes from, but still kicks. The whole 'Electronica' wave was over-done and rightfully put in its proper place on the musical scheme of things, but in retrospect, there were some singles you had to own, and this is a superb compilation of them. Made to be booming out of your convertible, even if it's a k-car. ... Read more | |
| 59. Diggin' The Crates Vol. 2: For The West Coast Funk | |
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| 60. Global Underground: 008 Brazil | |
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Album Details Reviews (33)
The second disc, however - I don't think I've ever heard a CD as good as this one. Warren takes us on a journey from the first beat of the first track right up until the end, and along the way we hear everything from eastern sounding instruments on Madagascar's "Your Beautiful" to exotic chanting on Voices of Khawan's "Ya Yea Yo Yo Ma" to hard sounding synths in Forth's "Reality Detached" and gorgeous vocals in Tekara's "Breath In You". This disc has it all, the perfect build up and peaks that can make listening to this disc while driving a near hazardous experience :) Bottom line here is that your paying for a 2CD set even though there's only one disc here that's really worth bothering with - but its sooooo unbelievably good that it makes the price very well worth it. The only thing I've heard that even comes close is Sasha's Global Underground Ibiza album.
CD1 immediately grabs you by the throat and doesn't let go. Each track is packed with energy and has a degree of raw grit to it. Those worth noting are "Marching Powder", "Lose It" (my favourite), "India", "Tequila Flange", and "New Sunset". CD2 lets the listener breathe a little easier, as it isn't as intense as disc one. "Psychout (Thing)" rocks. "Your Beautiful" and "Kill City" are relatively mellow. "Reality Detached" is a favourite with its quick, heavy drum beats and gritty synths. "Ya Yae Ya Yo Yo Yo", is, as one can draw from its title, weird. O.K., who pulled Café del Mar off the shelf?! Tekara's "Breathe In You" makes up for it, though. Pink Bomb's "Indica" and POB's "Boiler" are two remaining tracks worth noting on this disc. This Global Underground compilation is a great starter for those who want to become acquainted with Nick Warren. Sure, it's over four years old, but it still manages to sound as fresh and as different from everything else that's out there these days. Classic trance at its best.
Nick Warren spins house, trance and some early progressive house tracks into a wonderful mix. CD1 starts out with a harder edge, and picks up the melodies around track 6 and never lets you down again. CD2 starts off beautifully and never stops, with the most energy featured on a GU release (IMO). There are a few tiny flaws in the mixing between a few songs, but its nothing noticeable if you're completely lost in the mix as I typically am when I have this set going. To sum up this mix in a few words: This is a timeless mix. It still sounds good today, several years after its release. Great tracks, no cheese, no filler; Its Nick Warren. What else would you expect?
Do yourself a favor and buy this CD. ... Read more | |
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