Amazon.com

Veteran mandolinist and singer Ricky Skaggs teaches his new strings some old tricks on this collection, which draws from traditional bluegrass and contemporary country alike. Skaggs has long emphasized the brighter and bouncier side of his music; here "Brand New Strings" celebrates the redemptive power of love while "Enjoy the Ride" and "Spread a Little Love Around" provide inspiration to live life to the fullest. The album turns bluesier with "Lonesome and Dry as a Bone" and bittersweet on the reflective "If I Had It to Do Over Again," while three instrumental romps provide changes of pace romps amid the songcraft. The nimble virtuosity of multi-instrumentalist Skaggs finds superb support from his Kentucky Thunder band, augmented by guest performances from fiddler Stuart Duncan and singers Sharon White (Skaggs's wife) and Rebecca Lynn Howard. --Don McLeese ... Read more

Amazon.com essential recording

Pontiac is Lyle Lovett's finest album, but it still contains the strengths and weaknesses that have become Lyle's hallmarks. Crack playing, keen observations and clever lyrics, and a neo-traditionalist aesthetic that pulls in everything from Texas folk, honky-tonk and Western swing to old-school pop all shine brightly here, but they're consistently dulled by an ironic distance and a bitterness toward women that approaches misogyny. On Pontiac, the strengths generally win out, however, as Lovett convincingly stalks an old lover ("L.A. County"), says "take my wife, please" ("She's No Lady"), and, on the title track, offers a character sketch that could've been penned by Raymond Carver. --David Cantwell ... Read more

Reviews (32)

A Flawless Album
Having first caught wind of Lyle Lovett in the 80's following a TV concert, I went out and bought this tape and became mesmerized by his singing/songwriting talents. Whether it was from repeated play or some other external forces, my tape broke and I bought it again: one of the very few times I have enjoyed a musician enough to repurchase their material. While the more popular songs on the album (such, "If I Had a Boat") seem to garner the greatest number of reviews, the lesser known songs provide a keener insight into the wit and talent of Lyle Lovett. "LA County" is a personal favorite, though you probably won't find it played on most radio stations because of the "violence." Another is "I Loved You Yesterday" followed by "Simple Song." And I just recently had the opportunity to see Lyle Lovett in a free concert in NY's Central Park. It was 2+ hours of excellent music, covering many of his songs from "Pontiac." It also made me fish out my own Pontiac tape...only to find it had disappeared! So I have just purchased it for a third time! There is no finer Lyle Lovett album than "Pontiac," one that newcomers to Lyle's music should avail themselves of, and old fans should buy...no matter how many times it's necessary.

Not my favorite Lyle album, but worth having.
If you like Lyle Lovett for the same reasons I do this won't be your favorite of his albums. Although the CD sounds crisp and contains some of the witty, intelligent and uplifting songs I have grown to love from Lyle Lovett. There are a few songs that fall well outside of that category -- "Pontiac" and "Simple Song" are two of them. Although they are well written, their introspective and somber tone are a far cry from what I consider Lyle Lovett music to be. What I'm saying is, if I want to listen to quality introspective, somber music, I'll listen to Sara's Mirrorball. My affinity for Lyle's music, as unfortunate as it may sound, has no room for this type of music from him -- its just not Lyle Lovett.

I'm not sure I'm gonna stick around
Ok, I'm a new fan of Lyle Lovett's. And I dont know how long thats gonna last. The first song i ever heard by him was a Gospel tune he did called "pass me not". I thought his singing in the song was flawless and beautiful. I went out and bought ponitac, on the basis of critics saying it was his Best album. I just finished listening to it all the way through. And Maybe it will grow on me, but right now, im a little disappointed. I mean how do you write a song about a World War 2 vet and then follow it with "Shes Hot to Go". That felt weird to me after listening to it. I did like a few songs, although not that much. Simple Song was ok, so were a few others. "If I had a Boat" didn't do it for me at all, not like i was told it would. My firs impression of this album: Its like a bad mix tape with a couple dark songs, with little emotion, and a couple run-off-the-mill lighthearted ones.

what "kind of blue" was to jazz, "pontiac" is to country
I own all of Lyle's albums. This is the first one I ever heard (when I was 5 years old.} It made a very strong impression on me All of his cd's are amazing in their own ways, but I think this one is still the best. I don't like country music, but Lyle has an extremely sophisticated style of songwriting, that incorporates elements of folk, jazz, blues,southern gospel,big band swing, and contemporary country. There is a very sly and smooth quality in Lyle's voice and the way he writes songs that will give you chills. The first song "If I had a boat" is what won me over as a fan. A very catchy and charming folk song with well played twangy guitars. "Give back my heart" is humorous country blues at its best, "I loved you yesterday" is a Texan style country ballad that sounds a little like a Spanish folk song. "Walk through the bottomland" is a great folk song with just the right amount of twang with good harmony vocals from Emmylou Harris {very haunting vibe on this one.} "L.A.County" has an interesting approach, the song is upbeat country, but the lyrics are dark and talk about the killing of an ex lover at her wedding, Matt Rollings plays some great synthesizer on this one. "She's no lady" is a great sly jazzy song. Although it's kind of bitter toward women, its a damn catchy number, good short piano solo too! "Money" is a good blues song about how to get classy women {funny}. Things get darker with "black and blue" very sly with a big band sound you sorta feel like your'e chillin at a smoky jazz club while this song is playing. "simple song" is beautifully morbid. It's a guitar song played around an ominous D minor chord with chilling strings, sounds kinda like Everlast's "What it's like" things get even lonelier and darker with "pontiac" a song with just a guitar and violin about a world war two vet coping with his haunting memories of what he did overseas many years ago... Lyle hits us with the funny and upbeat "she's hot to go" as the closer. If you like this one check out "thats right {your not from Texas}This is an all around awesome listening experience and well recorded/produced album.{I wish MCA would remaster Lyle's first three Cd's, maybe some more pictures or bonus tracks?!} If you like this I would also reccomend Bruce Hornsby's "the way it is" anything by Jim Croce {r.i.p.} and Nick Cave's "the boatman's call." Pontiac is amazing no matter what musical style you enjoy highly recommended!! your cd collection is hurting without it.

Lyle's best
Easily, his best album. It has his amazingly beautiful, humorous, poetic lyrics and the music is simple but great. Too many of his albums overuse the Large Band which detract attention from the lyrics without adequately compensating. I've owned this album for over 10 years and, while I own many other CDs, many of the Lyle's, this is a constant favorite. If you buy only one Lyle Lovett album, make it this one. ... Read more

Amazon.com essential recording

Because this 1988 album produced hits for others ("Passionate Kisses" for Mary Chapin Carpenter, "The Night's Too Long" for Patty Loveless), Williams is best known as a songwriter. She certainly deserves the rep: her "Side of the Road," for example, expresses the tension between loving another and remaining yourself better than any song ever written. But what makes this album so special is her voice. When she sings about wanting to visit "Crescent City," she packs more sheer longing into her delivery than even the greatest of songs could express. And, bonus, Lucinda Williams is chock full of great songs.--David Cantwell ... Read more

Reviews (58)

lucinda williams
the true test of ms. williams genius is the fact that so many artists have found her songs strong enough to cover. But the most compelling aspect of her songs is the fact that when she sings them herself, the resulting product is absolutely sublime. I love mary chapin-carpenter, but 'passionate kisses', sung in ms.williams voice, is truly a work of art. 'side of the road', with its beautiful violin chorus, is almost too much to describe in words. Let me try. You been in love recently, real love? this tells it all. Worthy of literary criticism, worthy of a slot on the soundtrack of your life. if your lucky enough to get the live version, a little longer and slower, you can consider yourself a lucky person. reminds me of dylan, really. take your divas and your wanna be's, this womans voice speaks in the language of the soul.

Good "Classic Lucinda"
First of all, the only bad thing about this album is that it sounds like it was produced when it was produced (1988) and it just doesn't have the "umph" that I think it could have.

That having been said, the songwriting is great, and the music sounds good. My favorites are "Crescent City", "Big Red Sun Blues" (if Jimmy Buffett could write songs this good, I might consider buying one of his records), and of course, the beautiful "Side of the Road". All the songs are great, the only thing is, although I like "Changed the Locks", Tom Petty's version rocks so well, that this one is pale. The story about the song (included in the CD) even making it on the CD is a good one, though, and shows that Lucinda knows what she's doing.

If you like Lucinda's other stuff on "Essence" and "Car Wheels" then you should pick this one up. It's a good album to listen to in the car, and in general, a pleasant album that won't rock your world, but will give you something to sing along with.

A real treasure
This is one of my favorite Lucinda Williams albums.
Lucinda is a very talented songwriter. I love her voice as she sings her own songs. She also does a a most excellent job on the classic blues songs. Of these my favorite is 'Nothing In Rambling'. I'd buy the CD for this song alone.

Lucinda Wm's
She's Blues,Rock,Folk,Country An All Around Artist Start Here
To Begin Your Lucinda Experience

Essential - but only if you like Lucinda!
Unlike most of the gushing reviewers, although I've been a fan of Lucinda's for a decade or so, I feel ambivalent about a lot of her music. I discovered her on an Austin City Limits episode about the time "Sweet Old World" came out, and my first reaction was to laugh out loud. I don't care how many "not helpfuls" you give the reviews that say she can't sing, or how many reviews say she has an amazing voice: I honestly thought I'd tuned into a Saturday Night Live sketch and that her performance was a joke. That voice seemed so awful to me at first. Same for lyrics that seemed repetitive and without substance. The utter lack of charisma may have been what sent me over the edge - she may have more stage presence these days, but on television back then she put the "dead" in deadpan. When I saw her perform live in the mid-90's (I really do love her, honest!), she was still underwhelming in terms of stage presence except when she got into old blues songs on a long version of "Hot Blood".

So I think it's only fair to warn a newcomer that this may be a voice they love to hate. I love Patti Smith and Bob Dylan and Neil Young and PJ Harvey, but let's face it - they grate on a lot of people's nerves, and Lucinda's voice does the same. Heck, I'm a fan, and I own all her CD's, but if I'm not in just the right mood she grates on mine. Thus, I disagree with those who think the cover versions are inferior - I'd often prefer Mary Chapin Carpenter doing "Passionate Kisses". For all I know Lucinda might too. In my youth, I once told Don Schlitz it was too bad some country artist had ruined one of the songs I loved hearing him perform. He looked at me like I was crazy and told me he loved the record. Maybe I didn't like commercial country music , but just because we sometimes think it's best hearing the songwriter's own interpretation doesn't make it true. Often another person interprets a song better and makes it their own. Or at least, in the case of Lucinda covers, sings in what would conventionally be considered a much better voice.

Later I saw her on TV again, and she began to grow on me until eventually I came to enjoy a quirky voice and lyrics that are poetic. I wouldn't be here writing about her if I hadn't come around, I'm just saying it's good to have some reviews here that are helpful to non-fans, and to acknowledge her weaknesses as well as her strenghts. The woman can use words; it just took me a while to get used to someone saying so much with so few of them. And when I'm in the mood to enjoy her voice, it's a joy to just sink into such luxurious lyrics. So - that's the stuff for people who don't know Lucinda at all. On to the comparisons.

Like others below, I only have the original CD and can't comment on the bonus tracks except to say that "Sweet Old World" truly is a great song and that I wouldn't mind having an extra version. "Sweet Old World" was the first Lucinda CD I ever bought, and my favorite until "Car Wheels". This one was always last on my list, though "Essence" made me think twice. Going back today and listening after spending a good deal of time with "World Without Tears", I realize how great the original "Lucinda Williams" was, though, and how much it foreshadowed her future music. The production isn't as sophisticated as on "Car Wheels" (probably still the best entry point for someone new to her music, as well as the most likely one) or the recordings following it, but the songwriting is so remarkably consistently good.

It's funny how things change with time, too. Most of the songs I considered amazing classics seemed less so today, while others I'd glossed over in the past, like the sublime "Side of the Road", stood out. There just isn't a bad song here. What struck me most was how much this recording foreshadowed her future songwriting. The way "I Just Wanted to See You So Bad" expresses so much passion with so few words, no matter how repetitive or how unusual a voice. And the sheer poetry here - if "Side of the Road" stands out in terms of its imagery, it isn't alone in using words better than most songwriters can dream of. I also just noticed the gritty sensuality in "The Night's Too Long" that came back back later on "Car Wheels" with "Right in Time", or "Essence", or "Righteously" on "World Without Tears".

This is my long way of being the 58th person to say this is essential classic wonderful Lucinda, but with a grain of salt for those who might not find her voice palatable. This is a shopping site after all, and I'd never tell a friend to buy a Lucinda CD without first making sure her voice didn't drive them up the wall, or that she wasn't too country for them, or that the lyrics seemed as brilliant to them as to me - she really isn't for everyone. ... Read more

Amazon.com essential recording

Hank 101. Country 101. After 27 years in print as 24 Greatest Hits, Mercury kindly reduced it to 20 Greatest Hits. It's still excellent value, and it's still sobering to realize that Hank recorded just 66 songs during his lifetime, almost all of them essential. Here are those that serve as a working definition of country music, and as an admonition to artists who try to get too wordy or try to lose themselves in minor keys. "Your Cheatin' Heart," "Honky-Tonk Blues," "Cold, Cold Heart," "Lovesick Blues," "You Win Again," "ICan't Help It," "I'm So Lonesome I Could Cry," and the rest. Fifty years later, they still have the power to move, and the power to shape modern country music. --Colin Escott ... Read more

Reviews (10)

The Real King Of Country Music
This is definitely worth 10 stars-all of Hank's major hits are here. A great collection for those who only need 1 cd of the big hits. Between his heartfelt songwriting and that wonderful voice with the teardrop in it, this man proved himself to be a colossal talent right up to his untimely death at 29. Anyone who's made it big in country music, male or female, owes a debt of gratitude to Hank Williams. Highly recommended.

A keystone of modern music.
I am not a country music fan. This album, however, is an example of a singer-songwriter long before Tori Amos or James Taylor. Hank wrote songs that have been recorded by numerous others, for one reason--they are ground-breaking and continue to sound fresh and sincere. Unlike so much of the country music today, Hank's search was not for the perfect cliche, rather, for a sound as honest as his lyrics. Because of this, his album is a must for the audiophile, as it has shaped music to this day.

Too limited for the Master
Naturally, this is a great disc. However, to really get a grasp on the greatness of Hank Williams, you, at least, need to own "40 Greatest Hits". "20 Greatest Hits" is just not enough. When this was originally an LP in was, at least, "24 Greatest Hits". Sadly, "40 Greatest Hits" is out of print, why I do not know. Nevertheless, you can get it used on Amazon. In all reality, if you are willing to spend a little bit more money, you need to get the three disc set "Hank Williams Original Singles Collection". You get every thing Hank ever recorded that was not a duet or poem. Plus, you get several essential demos. This is, with out a doubt, the best box set ever. "The Complete Hank Williams" is great but too costly for the casual fan. It contains all that "Original Singles" contains, all of the demos and most of the radio performances. As well, as the poems and duets with his wife.

5 Stars if there were more here. Way too short!
Look, perhaps only Frank Sinatra had more musical influence than Hank Williams. Hank directly influenced Elvis and was commended by Bob Dylan in "Nashville Skyline." Hank even helped create the Beatles! How? A Hank Williams fan and British singer, Lonnie Donegan, was idolized by Head Beatle John Lennon.

So, look up PolyGram's "40 Greatest Hits" and buy that set. Even better, shell out for the 10-c.d. COMPLETE HANK WILLIAMS while it's still available. A limited number were produced and already it's hard to find at a good price.

Why? Beats me...
Ya know, it's weird enough when you like some of the music your parents listened to in their young adulthood. But it's a whole 'nother platter of grits when you like to listen to some of the stuff your GRANDPARENTS enjoyed in their heyday! And what's even weirder, is that I can't stand listening to most country-and-western so-called 'music'! But for some reason, I kinda dig the works of Hank Williams, father of the 'Monday Night Football' intro singer guy. It could be the trailer-trash genes callin' me back to my roots or somethin'. Speakin' of which, this baby's great to listen to while I'm downin' the deep-fried, ketchup-slathered Spam-and-Macaroni-&-cheese casserole. It also makes a fitting soundtrack for 'Redneck Rampage', one of my fave first-person shooter games. Yep, them slow, old-style country cuts really get me in the mood for a bit of virtual killin' and mayhem, lemme tells ya. And you thought Ozzy Osbourne's tunes are a bad influence on people...

'Late ... Read more

Amazon.com

Deana Carter's multiplatinum 1996 debut, Did I Shave My Legs for This?, established the Nashville native as a winsome risk-taker: the Matraca Berg/Gary Harrison-penned hit "Strawberry Wine" positioned Carter as a maker of Southern--though not strictly country--music, and dared to put steamy sensuality back into the threadbare theme of lost innocence. Nine years later, she's still crossing the line and watching love slip through her fingers, though perhaps not as memorably as before. The Story of My Life, her first record for an independent label, is a full Carter showcase--she wrote, produced, and played on all eleven cuts. That's both the album's strength and its weakness. Carter starts out like a house afire with "The Girl You Left Me For," a declaration of desire ("I want your perfume on my pillowcase... I want to feel you on my fingertips") wrapped in a blanket of smart, sexy pop. But as the relationship sours in subsequent songs, Carter loses her producer's chops, even as the melodies linger. She's always been a fan of '70s pop, but inserting a Beatlesque break in the middle of "She's Good for You" is both jarring and precious, especially since other offerings, like the wistful "Not Another Love Song," seem underproduced. While Carter would do well next time to bring in a more seasoned partner behind the board, there's no denying her winsome charm as a Southern girl who has no qualms about going all the way. --Alanna Nash ... Read more

Reviews (11)

Story of her life
I've been a fan of Deana Carter since her debut in 1996. With every album she's released since that one, I think as listeners we get a glipse more and more of the kind of artist she is. Her second album in 1998 was much more acoustic and less radio friendly, but still a marvelous album. Her third album in 2003 was a nice country album but didn't do too well either. On this new album she's embraced a more alt-country sound, which I like, but it doesn't all click for me. There's some decent songs, others don't work for me based on the lyrical structure. Still it's a decent album, more for her fans, I don't think it will broaden her fanbase much but at least she's doing what she wants to.

CountryInterviewsOnline.net
By: Michael Coyle

If Deana Carter's fourth studio CD, The Story of My Life, is truly an autobiographical depiction of her life, then Ms. Carter can be identified as a heartbroken optimist whose life as an independent woman has come full circle. Since her 4x platinum smash Did I Shave My Legs for This?, she has seen a slew of personal and professional downslides including increasingly slower sales of each new CD (despite critical acclaims), a DUI conviction, a divorce from her husband, and a split from her former record label. Independent now - in life, in her new record label, and with her new baby - Carter comes back with a "nothing to lose" artistic expression of herself.

Led in by the Avril Lavigne-esque track "The Girl You Left Me For" and her current single "One Day at a Time," she proves more than able to belt out lyrics like the 70's rocker she still seems to be influenced by. Although she roars in like a lion, Carter continues most of the CD gently as a lamb on such heartbreakers as "In a Heartbeat" and "Not Another Love Song" - two songs that may seem like cookie-cutter balladry, but Carter manages to make them original for herself and her perspective. After co-writing all of the tracks on this 11-song set, she seems to be at her best somewhere in between the lion and the lamb, on the cozy number "Getting Over You" and the spunky "She's Good for You."

Although independence does have its artistic privileges, some songs suffer from under production and a bit of pointless banter in the likes of "Katie" and "Sunnyday," both of which seem like trial songwriting sessions of a meager budget.

Still, those few tracks aside, The Story of My Life is a gem of artistic revelation for this ACM and CMA award winner. The CD may have few - if any - radio hits, but it is packed with heartfelt songs of creative integrity. Carter's coarsely sweet southern drawl manages to tell quite a tale, and on this CD, after all her downfalls, she sure does have quite a story to tell.

http://www.CountryInterviewsOnline.net

love it! WELCOME BACK CARTER!
This is a great CD, just the first track, makes this CD worth Listening to; Girl you left me for.... and it doesn't get worse from there, it only gets better, as she sings "The story of her life" to us, with such beauty and grace. One(of the many) things i really like about this album is the roughness in her voice. And she has lyrics and themes in her songs, that she preformes for us with such a hearfeltness... And the songs are lined up perfectly, the sound of each song fit together in the order they are played out, without floating into each other and becomming uninteresting and boring. ONE of the Best CDs so far this year(all though the year is young, i'm sure, the CD will stand out in my mind as one of the best STILL when the year is over.)

HOPEFULLY people will give her and this album a chance and give it a try, cause this is an album you'll be sorry you missed.

MUSIC LOVER
I was tempted to review each song, and go on at length about how wonderful each one makes me feel.However, let me be brief.This is evidently a very personal experience for the artist.Her voice tells the stories so well that to over analyze each song would be an injustice.This is an very good album that deserves, but probably will not get much airplay because the songs were not cut as "radio-hits."They are in truth artistic expressions.Do youself a favor and listen to each song yourself and let Deana touch you as she will undoubtedly touch everyone with a heart who listens to her.She could sing the phonebook to me, and I would be happy.Her voice is an instrument that exposes her soul.

Career Album?
This may be one of the best albums to come out this year...sadly, many people will probably not get a chance to hear it. I heard a preview of the song "Atlanta and Birmingham", and I was hooked, and hoped that the rest of the record would be as indearing. It is. I does have its slower sections, but even its downsides are better than a lot of what is deemed for as "good" music, country or other wise. Standout songs: "The Girl You Left Me For", "One Day at A Time", "In a Heartbeat", "Atlanta and Birmingham", "Not Another Love Song". The rest are good too...these are just the cream of the crop ... Read more

Reviews (15)

redundent
Don't get me wrong - I love Billy's music!Especially his last album music Through Heartsongs. I was basing the good quality of that album on this one and I would've been extatic if Billy would have made another album of songs based on poetry, because it's actualy a challenge to remember!
But this album... well I don't even care for the title track of this album.I'd say the only good tracks are Hey Little Suzie, Three Words Two Hearts One Kiss, and Awaken The Music.Awaken The Music is the song that is most different than what Billy has previously released and I would love to see him do a Broadway-ish album.
Other than the previously mentioned songs, the other songs on this album are dull ballads, with the choris's being repeated way more than I can bear to listen to.

Pray for him
His voice is fine. These songs are horrible. Who wrote them? Certainly nobody with talent. Billy needs to ditch this squeaky clean image. He's not singing to kindergartners anymore. He just comes across as fake on this album.

Very Good and Going to Get Better
For those of you who think Billy's voice is ruined, you couldn't be more wrong.You have to remember that he is still only 17 and his voice has years yet to reach it's full potential.So give the kid a break!I think he sounds wonderful for his age and his music has the ability to comfort and inspire.Any TRUE Billy Gilman fan will love this album.

About Everything and More by Billy Gilman
This cd is wounderfull i cant wait to listen to it again its so wounderfull i havent herd him sing since his voice change and he sounds great better then every i would recommed this cd for any Billy Gilman fan or not a fan when you hear him i will be a fan then take my word for it .

Everything and Less
I am somewhat dissatisfied with this latest effort from the talented Billy Gilman.His vocals are fine. He amply demonstrates his ability to sing any kind of song. It's the material he has to work with that is disappointing.Most of the songs have a staleness to them.I'd like to see him do more covers.Please put BEN on one of your future releases! ... Read more

Album Description

Momentary Setback takes a trip into the realm of Urban Soul! ... Read more

Reviews (19)

Absolutely, Positively Amazing
I drove two hours to see Maroon 5 perform at Myrtle Beach House of Blues, expecting a great show from them. Marc was the first one to perform before Gavin DeGraw and Maroon, and had he been the last, the entire trip and all money spent would have not only been worth it, but a bargain. Marc's set was EASILY the highlight of the night, and he is one of the most talented artists I've heard in my entire life, with an eclectic feel, an unbelieveable voice, and the most energetic, passionate stage presence i've ever seen. HE IS AMAZING, and after buying the live CD of his HOB set that night, I knew I had to have his studio album. It hasn't left my CD changer since I bought it, and i'm sure it won't for a long time. Not to mention, after meeting him after the show, I can honestly say that Marc is a genuinely nice guy. Not only is Marc going to be HUGE one day, but he deserves it. BUY THIS CD, you will most certainly not regret it.

unknown gem
only brought this on spec while listening to clips on amazon,what a gem i have to hold my hands up and say i know nothing about marc but the cd is amazing,one draw back is the use of drum machine WHY?
Unfortunately in england this music is too classy for radio
but i`am not complaining when people hear this at home or in the car they cannot believe how good it is.

Little man HUGE voice
Marc is probably all of 5'5, but when he opens his mouth youi swear he is 10 feet tall. I love to hear him sing, it always makes me feel better. Like I have finally come home. And in person, he just has this incredible aura about him, that you just have to fall in love, becasue he commands that from you. He is the sweetest person, and I would recommend this cd to any one, especially if you are far from home becasue he brings you back to a very familiar place.

Great New Artist
Would have given It 5 stars, but the production could have been better. Unfortunatly a drum machine is used on a few tracks. Live drums would have definetly pushed me to a five.
I had the pleasure of seeing marc broussard in concert and it was one of the best performances I have ever seen. Not only was the music amazing, but it was matched lyrically as well. About half way through his set I went down to the merchandise table and bought this cd and went back at the end of the night to purchase a copy of that nights performance. Although "Momentary Setback" is amazing, it does not compare to the amazing sound he generates live. I highly suggest going to
www.marcbroussard.com ,clicking on the music tab and checking out all of his audio clips(full songs). I guarantee you wont be dissapointed. Unfortunatly amazon does not offer all of his work,(live cd/comp cd) but soon enough this guys gonna get big and amazon will wanna get there hands on everything there is to offer. Hopefully the band he plays with live will be recording on his new album due out in August 04'. He couldnt have gotten a better band to back him. If you like Acoustic guitar, Funk Riffs, and thought provoking lyrics sang with soul, This cd is for you. SPREAD THE WORD ABOUT MARC BROUSSARD>

Amazing Diverse Playing and Singing Styles
I uncovered Marc Broussard while listening to and researching Gaving Degraw, whom I would also recommend. I listened to the first 3 songs on his cd and each one is very different from the other. They almost sound like songs sang by totally different artists. Along with his pure vocals and amazing ability to write a good "hook", many of his songs could be huge hits. He has yet to be discovered by the mainstream of music listeners, but once found he is sure to blow up. To give you some advice, go and buy this cd so you can tell all of your friends that you found this great musical artist before everyone else did. ... Read more

Reviews (23)

The second coming of Conway?
From hearing Jeff's solid, if a little trite, first single "The Love Song", I thought his voice bore a strong resemblance to fellow (late) Mississippian Conway Twitty. After hearing his debut CD, I'd say it's more than a strong resemblance... it's an uncanny kinship, in voice and in subject matter. More than once, Jeff says 'darlin' or 'baby' in that old familiar way that Conway used to drive the women wild back in the day. Jeff's his own man, though, and his individuality and spirit shines through every song. The only negative I found about this album was the lack of variety... a heartbreaking ballad or a drinking song wouldn't have been out of place here, but they surely were missed. Despite the too rosy atmosphere of the record, it's worth the buy. The standouts are "Already Spent", a humorous take on the age old struggle to make ends meet; "I Want to Make You Cry", a song Conway would have killed for(!); and "The Wings of Mama's Prayers", a touching confessional. This is a strong debut for an artist with unlimited potential in the country market. The material could be a little stronger next time out, but he makes even the clunker lines sound good.

TRADITIONAL MASTERPIECE
Wow,Jeff Bates is true country,no bubblegum or candyass stuff here ! His sound is traditional,true to the roots of country and hauntingly, his deep voice sounds somewhat like the late Conway Twitty{Country's Highest Priest) and a little like Trace Adkins ! If you like GOOD Country,buy this CD instead of all the new manufactured sound-a-likes of Nashvilles Bubble-Pop Boyz !
Love it Dr DJ

This man is country!
I have not really bought a country album in a couple of years because the crop of pop-country formula singers around just do not make me want to spend the money. But a buddy of mine put this cd in my car radio and I knew from the first beat, this guy is a winner. Ok, He sounds a lot like Conway, and I was not that big of a Twitty fan, but man do I like the way this guy can phrase and deliver a tune.
His vocals are upfront, masculine, and not riddled with pop licks. This guy sings country music like it should be sung, from the heart, straight, plain and simple.
Jeff Bates is the best thing to happen to country music in a long time!
Unfortunately, our Baltimore radio station has not picked up on his latest single," I Want to Make you Cry".

JEFF BATES THE MAN
I THINK JEFF BATES WILL BE ANOTHER CONWAY TWITTY. I SAW HIM IN CONCERT AND I WAS SO OVERWELMED THAT I COULD HARDLY WAIT UNTIL THE CD CAME OUT. THE RAIMBOW MAN REMINDS ME OF ME TOO. AND HIS NEW SONG I'LL MAKE YOU CRY JUST MAKES ME CRY AND HAVE THIS FEELING IN SIDE THAT I CAN NOT DESCRIBE. I WOULD LOVE TO SEE HIM AGAIN AND MEET HIM SOMEDAY.

Better than I expected
I wasn't crazy about Jeff's single ("Love Song"), but my sister bought this cd and I was pleasantly surprised. Many of the songs I felt were better than the singles Jeff has released. I already knew Jeff has a great, deep voice that is both melodic and rich. Glad I gave this a try. ... Read more

Amazon.com

Threading his way through 11 tunes penned with collaborators, Texas native Pinson's gravelly, twangy voice sets him apart, as do his slice-of-life vignettes evocative of John Mellencamp. Celebrating a tiny hamlet's vagaries in "Nothin' Happens in This Town" and an ancient car in "Ford Fairlane," Pinson stands apart by celebrating responsibility and common sense as opposed to the usual honky-tonk hellraising.While "Don't Ask Me How I Know" strings together clichéd homilies, its simple, clever structure renders it surprisingly effective. The same applies to "Man Like Me," a tune lauding adult behavior, and to the haunting teen tragedy ballad "I Thought That's Who I Was." Pinson, however, is anything but a pious stuffed shirt. While "Shadows of the Heartland" is way too cut and dried, in the unconventional gospel tune "One More Believer" he sings of a convert who remains as sardonic as he is honest. "Time Well Spent" unabashedly celebrates youthful partying. By refusing to parrot radio-friendly formulas, Pinson's blend of grit and simplicity result in a remarkable first effort. --Rich Kienzle ... Read more

Reviews (3)

think it is very good
i think this album is very good most the songs are very good i love the song don't tell me how i know

Best Album I've Heard. Ever.
I heard the single "Don't Ask Me How I Know" and immediately ran out to by this CD. Each song is so impressive. The lyrics are so powerful and moving, and the way Bobby Pinson sings conveys the the message that he did not just write these songs, he lived them. you can hear the tears in his voice on "I Thought that's who I was." Some of the songs may cover similar experiences, but each one justifies why it is on the album and presents the raw emotion of the singer/songwriter. Not only that, but do to his experience in the business prior to his singing debut, the album is well produced and sounds great. The songs may not resonate with everyone, but it will with a large number of people. and it will resonate better than anything they've ever heard before.

BEST NEW ARTIST/CD IN QUITE SOME TIME
I bought this cd yesterday and it is great.This type of quality comes around very infrequently.His song writing is awesome and the songs are great.Give Bobby a listen and you will not be disappointed. ... Read more

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Whereas Nickel Creek'sdebut album established theyoung California trio at the progressive vanguard of traditional bluegrass, thisambitious, risky follow-up finds their acoustic artistry straying far afield.Mandolin player ChrisThile and the Watkins siblings--guitarist Sean and fiddler Sara--continue toimpress with their intuitive instrumental interplay and lush vocal harmonies.Sean Watkins's title cutachieves the sprightliest blend of traditional bluegrass instrumentation andcontemporary pop craft, while the ruminative melancholy of "Hanging by a Thread"and "Green and Gray" sound as though Thile has been listening to a lot ofElliott Smith (andreading the published poetry of Jewel). The album also featuresPavement's "Spit on aStranger," CarrieNewcomer's "Should've Known Better," and a traditional British ballad,"House Carpenter." However, much of the collection's original material lacks thematurity to match the trio's musical gifts, as songs incorporating influencesranging from neo-psychedelia to alt pop often suffer from self-consciousness.Kindred-spirit producerAlison Krauss plainlygave the project a long leash, and the results can be viewed as either sophomoreslump or creative growth spurt--or perhaps both. --Don McLeese ... Read more

Reviews (186)

Well, now...
I bought the first Nickel Creek album (self-titled) immediately after I heard "When You Come Back Down" for the first time. I was immediately drawn in by the skilled performances, the complex melodies, and the group's unique sound. "This Side" definitely surpasses "Nickel Creek" in the uniqueness category. It contains more vocal tracks (only one of the thirteen is instrumental), which both disappointed me (I love the instrumentals from the last album, as well as Chris Thile's newest album), but also pleased me, as I love hearing these guys sing.
Now, onto the tracks. "Smoothie Song" is an awesome instrumental. I really liked it. "Spit on a Stranger" is sung by Chris Thile, and it is a fun song. Another one of my instant favorites is "House Carpenter", a variation of a traditional Scottish song. "Young", "Brand New Sidewalk", and "Green and Gray" are a couple more I really like. I'm still sitting on a couple ("Sabra Girl", "Beauty and the Mess", "Seven Wonders"), but they'll probably grow on me. Incidentally, those all feature Sara Watkins as the lead vocalist, but that's nothing against her.
Overall, if you're not willing to be very open to this album, I doubt you'll like it. It's definitely different than their debut, and, at least for me, is taking a bit of time to sink in (if you buy it, you'll know what I mean.)
If you're in for something new, fun, unique, DIFFERENT... Definitely buy this album. I really like it. If not... Don't buy it, and then come on here to whine about it.

I do not mind experiments, but I hate bad singing
One thing I loved about the first Nickel Creek CD was the great vocals. Of course the playing, lyrics, and song writting were great too, but not many groups out there can actually sing. Maybe I am to used to the precise vocals North Indian classical music where a vocalist warbles between quarter tones on purpose or can hold any note without vibrato. Most vocal music, including western classical, suffers from whinning, squeeling, weezing, grunting, etc. I especially hate the "constipated lead vocalist" approach (see U2). Guess what? This album suffers from nasty vocals like most pop music. I do not mind experiments or groups changing directions. I do not care that this is a non-bluegrass album. I do care that the quality has diminished (not the playing). I have not purchased this CD because every sample I have heard has terrible vocals. Everyone says "Green and Gray" so beautiful. Well, I heard such miserable singing there is no way I could enjoy it. I will still anxiously await thier third album, but in the meantime I am still searching for good vocalists to add to my mostly instrumental collection.

Awesome Follow-Up Album
I've listened to this album numerous times and i find something new i like about it everytime. A total 180 from their 1st project (another classic), but still maintains the same quality that their self-titled debut introduced us too. 5 STARS!!!

I'm Very Disappointed With This Album
Nickel Creek are a fantastic neo-bluegrass group. Each member has a unique contributions to each songs that they create. Their individual talents I'm afraid got the better of them on this sophomore album. The songs are lacking the melody and energy of their self-titled release. I know many people will say "Oh well they are just trying something differnt," which hey is fine, but just because you go in a new direction doesn't mean you have to abandon the sound, which you've already established. You're merely adding more. I think they were trying something different just for the sake of it. I do, however, like some of the songs off this album, and those would be "Smoothie Song" and "Seven Wonders." Those are the only songs that had the band's prior sound, and even those songs sound different in many ways.

This album was a big disappointment. As far as individual talent goes within this band, check out Nickel Creek guitarist Sean Watkins' 2001 solo release called "Let It Fall." You should also definitely check out Chris Thile's 2001 solo release called "Not All Who Wander Are Lost." Very cool instrumental album.

I'm looking forward to Nickel Creek's next album, but I hope they don't move in totally different direction, because I really enjoyed the first album.

Creativity?
I am reading a lot of reviewers saying they are creative, which is driving me crazy. How many covers are on this album? What is really pissing me off is that their Pavement cover sucks. Pavement is so much better and then Nickel Creek comes is having trouble making their own material for their next album so they steal songs from people that are better than them. Nickel Creek does get some credit, however, for having some good taste in music. They obviously like Radiohead (The Greatest?) and probably Pavement (THE Greatest)too because they did that cover. ... Read more

Reviews (8)

Great CD for a great career
This CD is a must for any Kenny Rogers fans. From his First Edition songs to the new releases, Kenny's voice sounds spectacular. Who else could have number one hits in five decades?
There are a lot of Kenny Rogers' greatest hits collections and, while this isn't the most comprehensive, it's at the top of the list. Most importantly, it's the only place you can hear his great new song, "My World is Over" with Whitney Duncan. It's a terrific song.

This Is An Awesome Overview
It's easy to see that with all the hits Kenny Rogers produced over the years, this collection could have been released as a three part series, one volume of hits a year. However that was not an option and we are graced with a two disc set that boasts all the hits, as hit collections do. Any fan of Kenny will recognize the missing songs, and his album of standards recorded with David Foster and Johnny Mandel has been totally overlooked. Still, this collection is damned impressive. Other reviews mentioned by name the missing songs, mentioning them now would be redundant. I must mention a favorite of mine that wasn't mentioned before, "If I Knew Then What I Know Now," recorded as a duet with Gladys Knight and was a huge hit. The label tried to be as comprehensive as possible, including a track from "Back To The Well," Kenny's last studio album to date and knowing him, he'll make this current hits collection obsolete by next year. If more Kenny is wanted, try the four disc set "Through The Years."

Excellent collection, but NOT all the hits...
While this is easily the best collection of Kenny's hits for casual fans who don't need the box set, it is missing "What About Me", his duet with Kim Carnes and James Ingram, as well as "This Woman". Both of those songs made the Billboard pop top 40 chart and should definitely have been included in this compilation. It's still worth purchasing, but it is a shame that Capitol didn't include ALL the hits.

Best Rogers set available next to box set Through The Years
Whether or not you like his music, you can't deny Kenny Rogers is one of the most prolific and commercially successful artists ever. This two-disc restrospective 42 Ultimate Hits is the first collection other than his box set Through The Years to contain recordings from each of his labels since he first hit the charts in the '60s.

Five recordings by Rogers with the First Edition (1967-1970, on Reprise) lead off the first disc and they are an impressively versatile lot. There's the psychedelic "Just Dropped In (To See What Condition My Condition Was In)," the sexy, r & b lavored "Something's Burning" and best of all, the folk tales "Ruby, Don't Take Your Love To Town" and "Reuben James." Sorely missed here, however, is their sweet country-pop hit "But You Know I Love You."

The First Edition broke up in 1975 and Rogers signed a solo deal with United Artists (later folded into Liberty, then Capitol) records. These are the recordings that made Rogers a superstar and they comprise 25 of the 42 tracks found here). Rogers' initial producer at United Artists, Larry Butler, encouraged Rogers to make his sandpapery vocals a trademark (created by rehearsing until hoarse and straining to hold those almost out of reach notes). Rogers' early solo hits like Lucille," "The Gambler," "Coward Of The County," "Lady," and "Love Will Turn You Around" were strong representatives of cross-over country during the Urban Cowboy era. With one major exception: "You Decorated My Life." Who was that intended for, Martha Stewart?

The real highlight of Rogers' United Artists/Liberty years were the duets. Pairing Rogers with diverse artists like Kim Carnes("Don't Fall In Love With A Dreamer") and Sheena Easton ("We've Got Tonight") provided a great showcase for his harmonic talents. Even better are the half-dozen singles that Rogers recorded with the late Dottie West during the late '70s. Their mixture of honey (West) and gravel (Rogers) made for a surprisingly tasty mix, especially on the jazzy "What Are We Doin' In Love" and the delightfully lustful "Anyone Who Isn't Me Tonight."

Dolly Parton succeeded West as Rogers' duet partner in the '80s when he jumped to the RCA label, but their potent natural blend on the megahit "Islands In The Streams" was weakened by their overly loud backup singers/producers, the Bee Gees. "Islands" is followed here by five more hits from Rogers' RCA years (1983-1988), including the beautifully reflective "Twenty Years Ago," the horny "Morning Desire" and the Ronnie Milsap duet, "Make No Mistake, She's Mine." Unfortunate omissions from the RCA era include the galloping "Evening Star," and the chart-topping Parton collaboration "Real Love."

Slighted even more on this set is Rogers' late '80s - early '90s tenure on Reprise. By this point, country radio was concentrating on the new traditionalists and Rogers was no longer topping the charts. He made some wonderfully eclectic music, however, like the intergalactic cowboy ode "Planet Texas," the inspirational "When You Put Your Hear In It" and the wedding anthem "The Vows Go Unbroken," but only the latter recording is included here. Check out Through The Years for a more healthy sampling of the RCA and Reprise solo eras.

After some lean recording years, Rogers made an improbable but highly successful comeback in 1999 with the one-two punch of the humorous baseball saga "The Greatest" and the number one hit "Buy Me A Rose" for his own Dreamcatcher label. The three new tracks that follow and close this collection - including "My World Is Over" with Shania Twain-soundalike Whitney Duncan - reveal Rogers is still making quality music. Even if they fail to reach the upper regions, he's had - as this impressive set reminds us - a hell of a ride.

42 songs! More songs than the 20 GH album from '78!
Haven't gotten the album, but this collection couldn't be timely! Kenny Rogers transcended both country and pop with his songs and his duets. I loved his duets with Dottie West, Dolly Parton, Kim Carnes, Sheena Easton and others. But his solo hits I definitely liked. This is a better collection of 42 songs put together than the set 20 he did in 1978. I would say from '78 to about '83-84, he had this incredible string of hits, most times on the pop charts. His ballads are beautiful as well as silky. He even did two new songs, so he's still hungry for it in 2004. I think that his most recent hits like The Greatest and Buy Me a Rose will rank among his best along with his older hits years from now. A very high-class and dedicated artist and performer and this album proves it! ... Read more

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On Music for Two, banjo wizard Béla Fleck and stand-up bass maestro Edgar Meyer effortlessly sail through a challenging program that includes compositions by Bach, a sonata by Henry Eccles, a Miles Davis tune, and a number of self-composed finger twisters. The amazing thing about this varied selection is not its eclecticism--which is only to be expected with these two--but that it all blends together so seamlessly. Fleck's jazz-tinged compositions (like "The Lake Effect") and Meyer's bluegrass-inspired tunes (like "Wishful Thinking") sit so comfortably next to Bach's baroque jewels and Davis's cool jazz that it makes you question the entire of concept of musical classification. (In fact, the Bach preludes, inventions, and partitas translate so well to the banjo/bass arrangements, you have to wonder if old JSB might not have had a bit of bluegrass in his soul.) Music for Two was recorded live at a series of 2001 concerts, where Fleck and Meyer proved conclusively that the banjo and the bass were capable of remarkable subtlety and not just twang and boom. --Michael John Simmons ... Read more

Reviews (5)

Unequivocal Wizardry
I don't know what CD the last reviewer (June 25, 2004) listened to, but surly he got that confused with "Music for Two"!

Béla and Edgar, as always, has demonstrated their unequivocal wizardry on their instruments in this fine work. They've busted thier butts to get to where they are at now and it shows. Watch the DVD and see what they go through rehearsing the song "Cannon" during break from one of their shows and after, etc...

You gotta be kidding!
Bela Fleck and Edgar Meyer are both truly adept at their respective instruments. But a whole bunch of classical pieces performed by Banjo and Double Bass??? Yawn! What's next, Kazoo and Bells. Thank god I listened to this CD before I dropped my cash. Some may enjoy and god bless as far as I am concerned; let me at my stack!

A virtuosic and virtuous disc.
Bela Fleck and Edgar Meyer are the unequivocal masters of their respective instruments, the banjo and the string bass, and have been such close friends for so long that a colloborative effort seems like a natural evolution of their ouvre. Indeed, the beauty of this disc is that the music does not get bogged down under the weight of their combined musical genius. On Music for Two, a Sony Classical release, Fleck and Meyer weave intricate tapestries of sound, combining straight classical transcriptions of Bach (the original classical virtuoso and arguably the touchstone for all of western music) with improvised tunes from their own repertoire. "Bug-Tussle" and "Pile Up" are upbeat, catchy newgrass charts that are heavy on the improv. "Blue Spruce" is a new-agey Flecktune featuring Bela in a semi-rare performance on the six-string guitar and Edgar on piano. "Wrong Number" pulls a fast one on the live audience, as an interrupting cell phone becomes an elaborate gag that is worked into the song itself. And the Bach transcriptions are not only 100% faithful, but 100% flawless. The added DVD only enhances the listening experience, as you get to see fingers and hands in action, making the virtuosity of Fleck and Meyer even more apparent. In the end, "Music for Two" proves that sometimes when you combine two musical talents of this caliber, one plus one equals MUCH more than just two.

Two Masters at Work...
How do I begin? Fans of Bela and Edgar are probably already familiar with this album. If you are familiar with it then hopefully you'll still find this review useful. I'm going to tailor my comments more to people who don't know as much about Bela and Edgar, or what's on this album. Because if you're already a fan, you most likely own this brilliant album, and you don't need me to convince you how amazing it is.

Let's start with a bit of background. Bela Fleck is a banjo player who is originally from New York. He has been playing professionally for over twenty years, and has long been considered one of the most talented banjo players (if not simply one of the greatest musicians) that has ever lived. Edgar Meyer is a similarly talented bassist who has been friends with Bela since the early 80's, when they were both involved in the New Grass Revival. Bela gained huge success with his band, Bela Fleck and the Flecktones. They have recorded many critically and commercially successful albums, all worth a good listen, as they are phenomenal musicians. Victor Wooten is THE most talented bassist I have ever seen. His brother Roy "Future Man" Wooten is a percussion pioneer, and Jeff Coffin is an immensely gifed saxophonist and flutist. Not that it impacts the recording I'm about to review, but I can say after personally meeting Bela and the Flecktones that they are as gracious and kind as they are talented. Again, not that this has any bearing on the quality of their music, but it makes me feel good to know that some musicians genuinely appreciate the support of their fans. Anyway, on to Bela and Edgar.

Bela and Edgar first collaborated on Perpetual Motion, a classical album released in late 2001. The idea of a banjo playing classical music might sound a bit strange at first, but after listening to the album, it becomes clear that it was meant to be. Which moves us on to this album, Music For Two, which was released about a week ago. This is a live album that chronicles Bela and Edgar's first tour together in 2002. The setlist contains a mixture of classical songs with originals written by Bela and Edgar. Bela and Edgar call it "a work in progress." Well, if that's the case I can't even imagine what the finished product could be. The level of musicianship on this album is astounding. Bela and Edgar are two masters of their craft. You can get an idea of how they work together by watching the included bonus DVD which was filmed by Bela's brother Sascha during the tour. As Bela and Edgar are both perfectionists, they sometimes clash of the direction of their music, but it's very clear to me that they are close friends who have a great respect for each other's talent. I applaud them for showing us such an honest portrayal of their relationship. I tend to shy away from naming personal favories on this album because I view it more as a whole than the sum of its parts. Having said that, I particularly enjoy hearing them cut loose on "Pile-up" and "Woolly Mammoth". "Canon" is truly an awe-inspiring auditory experience, and "Wrong Number" shows that Bela and Edgar also have a great sense of Humor.

Bela Fleck is impossible to classify. His music can be found in stores under jazz, bluegrass, classical, country, and several others. His work with Edgar Meyer is further proof of his willingness to transcend musical genres. Who else could have put a banjo to classical compasitions and pulled it of so flawlessly. Egdar Meyer brings an unmatched level of dediaction and precision to his instrument. It is a joy to hear the music that they produce together. Simply put, all fans of music should give this album a listen. It is a testament to the skill and creativity of the musicians involved. I'm very happy to see the partnership between Bela and Sony Classical continue to prosper. Hopefully we can expect to see more amazing music come our way in the years to come.

Give this album a try...you will not be disappointed!

An Extraordinary Album from Two Virtuosos
Anyone who appreciates quality music should own this album.

This is one of those albums that from the first moment you listen to it, you will be immediately hooked. It combines selections from Bach and other classical composers with completely original compositions by both Bela Fleck and Edgar Meyer. And, what makes the album really unique is the humorous interaction between the two musicians - and the audience! (Wait until you hear "Wrong Number".)

However, you won't really appreciate the depth of the album until you watch the bonus DVD. It's a documentary on how the two musicians worked together to perfect one of the album's selections ("Canon"). The filmwork was high-quality as was the recording of the album itself.

For the price, you won't find a better value in excellent musicianship and documentary. And, for the record you will be hardpressed to find two better musicians and composers living in this day and age. ... Read more

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Maybe it was that thigh-splitting encounter with a belligerent bull, but whatever put him there, Lyle Lovett is in a nostalgic mood on My Baby Don’t Tolerate, his first studio album of all new and original songs since the country-minded The Road to Ensenada in 1996.This is a mixed blessing--several songs sound like retreads from Lovett’s earlier efforts, even as a listener welcomes the reprised syncopated, hep cat, Louis Jordan-meets-Sister Rosetta Tharpe signatures that help define his quirky style.While a key tune, "In My Own Mind," turns around a family man who seeks solace from a busy household, drawing restorative power from nature ("no rain, just the sunshine"), the album finds itself when Lovett begins revisiting dark places in his mind.Forget "Cute as a Bug," a by-now formulaic song of hottie lust, and get right to the bleak antagonist who narrates the confused loss of the elegantly jazzy "You Were Always There," the snaky blues of the title song, the pointy-toed send-up of bygone Music City hillbillies ("Nashville"), and the sly portrayal of the bribes of luckless blacks ("Election Day") in the old-time South.As the infectious, if repetitious gospel numbers prove, the man with "Eraserhead" hair isn’t breaking any new ground.But he still fuses country, blues, jazz, folk, big band, and pop like no one else on the planet. --Alanna Nash ... Read more

Reviews (40)

Classic Lyle
Lyle Lovett breaks no new ground with "My Baby Don't Tolerate" - which is fine with me. Because no one blends blues, country, jazz, rock and gospel - and makes it sound so right as Mr. Lovett.
For his first album of originals since 1996, Lyle sticks with what he knows best - well played strings, snarkily twisted lyrics, and softly crooned vocals. It's everything you love about Lyle - which is why it is such a pleasure to hear him again.
The title track is all southern style blues, with a great vocal and wonderful piano and guitar accompaniment. "You Were Always There" makes some great use of Lyle's jazz leaning, and is probably the closest thing to Lyle straying outside of his traditional box on this disc. The double gospel hit which ends this disc ("I'm Going To Wait", "I'm Going To The Place") are some of the liveliest vocal stylings since "Church", and once again, Sweet Pea Atkinson and Francine Reed contribute exceptional backgrounds. And you're going to love Lyle's dips into Texas swing ("The Truck Song", "San Antonio Girl"), a style that nobody in music at present plays better than Lyle.
It's been a long 8 years without fresh material from this one-of-a-kind artist (okay, maybe 2 of a kind - Rickie Lee Jones is his musical twin). Glad to have him beck recording new material, and can't wait to see him live again - Lyle's shows are also among the best in music.

At last - new LYLE
Lyle's first release of original new material in years was a hit with me. I was expecting the Large Band but only bass player Viktor Krauss joined Lyle on the CD. However, having said that, Lyle chose a venerable who's who of fantastic long time studio musicians like Russ Kunkel (drums) and Dean Parks (electric guitar). And especially nice is the reappearance of Kentucky mandolin player Sam Bush, who has been absent from Lovett's last couple of Large Band tours. All in all, the musicians are excellent and the tunes are tight. I do miss the distinctive vocal harmonies of the Large Band back up singers, particularly Francine Reed and Sweet Pea Atkinson. Also notable by his absence is cello player John Hagan, who adds such a distinctive quality to the Large Band. But still, this cd is a celebration of new Lyle Lovett music, and the cd does not disappoint. His first effort on the Lone Star Music label, Lovett begins the cd with a poppy "Cute as a Bug" which will have you tapping your feet and singing along a minute into it. Lyle also presents two new versions of his latest recordings, "Truck Song" and "San Antonio Girl" and they sound great - not neccessarily better or worse than the original, but different. The middle tracks of the cd are all solid from the title track "My Baby Don't Tolerate" to "Working Too Hard." Lovett closes the cd with two vocally powerful Christian tunes, "I'm Gonna Wait" and "I'm Going to the Place," both of which features a sweet choir in the background. Lyle wrote all the material with the exception of one song, "Election Day," so if you are a big fan of Lyle's sometimes funny, sometimes sad but always clever lyrical style, you will enjoy this cd. Lyle's styles have varied from country to jazz to the blues, and this cd is certainly of the country persuasion. All in all a solid, solid effort that I would recommend to the first time Lyle listener and definitely a must to any Lyle fan.

Laugh, cry, melt for the Man from Texas
It's a well rounded album that relies on Lyle's dry humor and sensitivity and provides some new suprises that will bring tears to your eyes. Don't miss this one - His baby wouldn't tolerate it.

Pleasant Surprise!
I was hesitant to buy this CD due to all the Gospel references I had heard. But I am living in Australia for a couple of years and was missing some fresh Lyle Lovett and other great Texas Artists. So I broke down and bought the CD. I think it is every bit as good as "His Large Band", "Live in Texas", and "The Road to Ensenada".

Go ahead and get it - you won't regret it!

My least favorite Lyle Lovett CD...
A lot of people have complained that all the tracks on this CD sound the same and/or they sound like a re-tread of Lyle's previous work. I'd agree with the first point but not the second. To me this CD sounds more like Lyle Lovett meets Billy Ray Cyrus. The music here seems more influenced by '90s pop-country than the more traditional country, blues, and Texas swing sounds present in his earlier work. I'll keep listening to my old Lyle Lovett CDs of which yes "The Road to Ensenada" and "Large Band" are probably the best. ... Read more

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Dierks Bentley’s debut album is a textbook case of the good things that can happen to a talented singer/songwriter who comes to Nashville and holds fast to his dream.Arriving from Phoenix at age 19, Bentley played the downtown clubs and allied himself with bluegrass musicians and commercial songwriters who loved country’s tradition, but modernized the form with rhythmic energy and contemporary lyrics.The result is an impressive debut that melds the attitude of honky tonk with the instrumentation of bluegrass (the Del McCoury band and Bryan Sutton guest), and establishes Bentley as a New Artist to Watch.Already the irresistible "What Was I Thinkin’," a breakneck story song with a plot line straight out of The Dukes of Hazzard, has topped the charts as the first debut single to reach number one in two years.But Bentley’s appeal runs far beyond a catchy novelty song, and his choice of originals and covers (Buddy and Julie Miller’s "My Love Will Follow You") add up to one of the year’s most memorable albums--just one more factor in country’s burgeoning swing back to tradition. --Alanna Nash ... Read more

Reviews (34)

The Next Big Thing- Dierks Bentley
This guy totally rocks. Very refreshing. From his unpretentuous style to his classic voice. There are at least two other hit songs on this CD. His voice is right up there with George Strait and Keith Whitley, in my book that's as good as it gets. Dierks has a classic country crooner voice and can really turn it up for the fast songs. I rarely buy CDs (wife and kids usually take care of that) but I went right out on bought this one. Dierks, keep your hair unkept and whatever you do, don't wear a hat, you don't need it. You are country to the core.

Dierks Bentley is going to be a shining star someday soon...
Dierks Bentley's debut CD is beyond compare of most other debuts.
I am a huge fan of such new artists as Joe Nichols, Jimmy Wayne,
Steve Azar, and others. But this CD is by far just as good, and maybe better, than all 3 of the others. He has a really cool and different voice that gives his songs a new style. "Wish It Would Break" is an awesome song from the CD where his voice is perfection. "How Am I Doin'" and "I Bought The Shoes" are both catchy tunes that will excite all country fans. He is a true country artist, and unlike most debuts, or even CDs at all, for that matter, this CD is one of those I can put in and listen to all the way through without skipping a single track. I reccommend
this CD to anyone who is willing to give this new star a chance. Believe me, you will NOT be disappointed.

Reason for being top new artist
There's a reason Dierks Bentley won the ACM Award for Best New Artist. His hit single "What Was I Thinkin'?" just tops off a CD of great "drinkin' and cheatin' songs"-- the way country music is supposed to be. "Bartenders, etc." is a good ol' honky tonkin' song. "Forget About You" can speak to just about any broken heart. What is also impressive is that Bentley wrote 11 of the 13 tracks on the CD himself. Dierks Bentley has earned every bit of fame and deserves even more. This is one of the best country music CDs you could ever buy.

I LOVE DIERKS
Dierks is a newcomer, but he does not end up short on talent. His mysterious, resonant voice is beyond comprehension. This album captures his gift of music, buy it!

HE IS GOOD AND IS PROMISING
ITS NICE TO HEAR SOME GOOD BLUEGRASS WITH A GREAT VOICE. DEIRKS SEEMS TO HAVE A CATCHY WAY WITH BOTH. I REALLY LIKE THIS CD AND HE IS EASY ON THE EYES. TOO BAD HES NOT FROM TEXAS. :( ... Read more

Amazon.com essential recording

No Fences captures Garth Brooks just after his initial success yet before superstardom. Though it includes "The Thunder Rolls," another of the pop-country power ballads he'd introduced with "The Dance," No Fences bounces mainly between impersonations--often catchy and engaging ones, but impersonations nonetheless. "Wild Horses" is straight-up George Strait, while "Two of a Kind" and "Friends in Low Places" are John Anderson and Hank Jr. respectively. The best moment, the Dan Fogleberg-like "Unanswered Prayers," relays a message either highly spiritual or hugely rationalized. Regardless, it succeeds because its delivery is earnest, sweet, and humble--something Garth wouldn't be for long. --David Cantwell ... Read more

Reviews (53)

The highlight of Garth's Career (In My Opinion) . . .
Sure, his live album was the one that won all the Grammies, but No Fences is a masterpiece just waiting to be listened to. Of course the no brainer highlight is The Thunder Rolls, which was so controversial that Country Music Television (CMT, the Country version of MTV and VH-1) didn't air it. But there are some