| UK | Germany |
| Home - Music - Classic Rock | Help | |
| 121-140 of 200 Back 1 2 3 4 5 6 7 8 9 10 Next 20 |
click price to see details click image to enlarge click link to go to the store
| 121. Echoes: The Best of Pink Floyd | |
![]() | list price: $29.98
our price: $26.99 (price subject to change: see help) Asin: B00005QDW5 Catlog: Music Sales Rank: 884 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Interestingly, the album's nonchronological track listing works--thesummery, childhood enchantment of "See Emily Play" is right next to the schooldiscipline of "Happiest Days of Our Lives"--and at least this way no one willswitch off when material from A Momentary Lapse of Reason comes around.Despite the curious omission of "Atom Heart Mother," this really is the verybest of the Floyd--from the throbbing "One of These Days" to the pop operatic"Great Gig in the Sky" to the genius silvery fluidity of Dave Gilmour's guitarwork. This is timeless, as many members of Sigur Rós, Radiohead, and the Beta Band will attest. --Kevin Maidment ... Read more Reviews (336)
Though to be admired for liberally including songs from the early days, the album makes a tactical error in not being programmed chronilogically. For example, the previously unreleased track "When The Tigers Broke Free" appeared in the movie version of "Pink Floyd The Wall." It's a fine song, but standing alone outside of "The Wall's" story line it doesn't have the same impact. Overall, there is nothing wrong with the music on this collection. Of course, it could also have included about a dozen more songs, but then it would be of unweildy size. Hardcore fans probably already own most, if not all, of the material. Those just getting to know Floyd would be better off purchasing the original albums, starting with "Dark Side of the Moon" and "The Wall."
| |
| 122. The Piper at the Gates of Dawn | |
![]() | list price: $17.98
our price: $13.99 (price subject to change: see help) Asin: B000002UA0 Catlog: Music Sales Rank: 2251 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com essential recording Reviews (278)
That said, PIPER isn't necessarily going to appeal to your average Pink Floyd fan because the group that recorded it was a different animal from the one that recorded DARK SIDE OF THE MOON, WISH YOU WERE HERE and ANIMALS, with a completely different esthetic agenda that is simply going to sound too radical (and too English) for certain ears to assimilate. However, I would still encourage all Floyd-heads to give it a few careful listens. Who knows, some of them might eventually come to love what they hear.
Syd Barrett, the main guitarist and vocalist, wrote the songs on PATGOD. A lot of people think today that if Syd Barrett hadn't had to leave Pink Floyd after PATGOD due to emotional breakdowns, that Pink Floyd would have been better off. I have to disagree. David Glmour was a great replacement to Barrett, who probably would have kept Pink Floyd from reaching it's popularity and Hard-Psychadelic Rock genre, instead keeping the band's Pop-Psychadelic Rock genre. But, there is no doubt that PATGOD is a very special and fantastic album. "Astronomy Domine" begins with a crackling radio and builds up to a well played, crazy, sound effect-galore, outer space song. "Lucifer Sam" is a fun track with cool guitar riffs. "Flaming" is a childish song with obvious British whim. "Pow R. Toc H." is filled with odd vocal noises and percussion. "Take Up Thy Stethoscope and Walk", with funky guitar, is an undescribable highlight of PATGOD. "Interstellar Overdrive", my favorite track on Piper, is a crazy freak-out of a song. "The Gnome" is a short child song. "Chapter 24" is a nice relaxing song containing a lot of synthesizer. "The Scarecrow" is yet another child song. "Bike" rounds off Piper with magical sounds at the end of it. This is not a must-have CD, but it makes a good element of your Pink Floyd collection if you have it. I have it and give it 4 stars.
It is a difficult, almost feral, album filled with songs that project a view of the world that is almost childish in its naiivety, and yet, at the same time, maintains a very dark, menacing edginess. It is an album which manages, somehow a very delicate tension between the whimsical and the sinister, a tension which, perhaps, reflects the personal turmoil of Syd Barret himself. Tough to say what might have transpired had Barret not lost the edge. Perhaps his psychological collapse (brought about by the over-use of psychotropic drugs), was necessitated by the nature of the art he created: a brilliance not made to last, like a star going nova. Conjecture aside, Piper At The Gates of Dawn remains a unique artistic statement, wholly unlike anything that would be produced by the subsequent incarnation of the group following Barret's departure. It is an album which captures, in a very real way, the nature and essence of psychedelic music, and may in fact be the best Pink Floyd album. [NOTE: for the casual Floyd fan, the incarnation of the band present on Piper At The Gates Of Dawn is the Pink Floyd you know and love in title alone. Consequently, Piper At The Gates Of Dawn make take some getting used to, particularly for those either unfamiliar with late 60's psychedelic rock or those expecting a Darkside-esque album.]
I watched the DVD pink floyd: the syd barrett story and they were portraying syd as a genius or a pioneer. I only thought why? Anybody could play the guitar rubbing objects along the stings and fret to produce wierd irritating noises and play out of beat and out of tune. Don't get me wrong, it is sad that syd suffered the problems he had or still has but I don't really sympahize with people who willingly take experimental drugs. If you really want to listen to good pink floyd then have a listen to albums like dark side of the moon, the wall, wish you were here, animals just to name a few. ... Read more | |
| 123. Meddle | |
![]() | list price: $17.98
our price: $13.99 (price subject to change: see help) Asin: B000002U8G Catlog: Music Sales Rank: 1301 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com essential recording Reviews (271)
This one contains an only track, 'Echoes' which is for me the biggest achievement from Pink Floyd as a track, maybe along with 'Shine on You Crazy Diamond'. Not only that, but maybe it's one of the long tracks that will have to be exhibited in the future to explain people what "was" symphonic rock. The theme starts with a submarine-radar sound lost in the immensity of the ocean's silence. Some sonsensy keyboards start to groove and a beautiful guitar from mister Gilmour draws a slow and sinuous melody, and the band starts playing over Nick Mason's lazy drum beating. So the vocal part appears with a nice and sensitive harmony between Gilmour and Wright. Everything develops to an almost pre-funky jam and after that the music starts disappearing under a scary and breathtaking sinfony of what is like underwater screaming creatures. That lasts for some minutes, and so a muted electric guitar leads the way gradually from silence to what is one of the most beautiful, energetic and full of emotion musical crescendos a band has ever achieved. Find out the rest of it for yourselves!!!
| |
| 124. Appetite for Destruction | |
![]() | list price: $13.98
our price: $12.99 (price subject to change: see help) Asin: B000000OQF Catlog: Music Sales Rank: 1002 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (478)
Rose is not the greatest vocalist in the world, but it is clear that as a song-writer he pulls no punches. The almost-metal assualt of 'Welcome to the Jungle' and 'It's So Easy' are perfect showcases for what GnR are all about. Slash demonstrates why he was to become one of the most respected gutarists of his age while the Adler/McKagan/Stradlin combination give the lead guitarist a powerful rhythm to hang his memorable hooks on. Even though they are raucous, there is a definite Stones/Aerosmith groove about GnR's music. 'Nightrain' is bluesy, 'Mr Brownstone' could almost makes you dance and 'Think About You' is a crooning rock classic. When they do slow it down a little, the results are equally as memorable. 'Sweet Child O' Mine' with it's acoustic melody and seering lead licks is an all time classic, while 'Rocket Queen' successfully mixes a hybrid of styles before roaring off to a rocking conclusion. 'Out Ta Get Me' and 'You're Crazy' are fast and furious, 'My Michelle' and 'Anything Goes' fall into the more whimsical category of hard rock but are just as enjoyable as the rest of the album. No turkeys, just twelve magical slices of rock music.
| |
| 125. Billy Joel - Greatest Hits Vol. 1-2 | |
![]() | list price: $31.98
our price: $28.99 (price subject to change: see help) Asin: B00000DCHI Catlog: Music Sales Rank: 591 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (117)
All in all, this is the perfect collection of Joel's music for the casual fan who doesn't want to splurge for all of the original albums.
| |
| 126. The Best of the Moody Blues | |
![]() | list price: $13.98
our price: $12.99 (price subject to change: see help) Asin: B000002GNC Catlog: Music Sales Rank: 1579 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com essential recording Reviews (40)
My one and only complaint is that Nights In White Satin is included without Graeme Edge's spellbinding poem Late Lament. I have always found that poem to be a fantastic epilogue to the song. But that's such a minor complaint. This is a great CD, and well worth the money. By the way, the sleeve includes a one or two-sentence story of each song, and a conversation between John Reed and Justin Hayward, which tells the story of the band. Nice bonus!
It's not a perfect collection. For one thing, this collection came out more than ten years ago, so the two studio albums and two live albums they've released since then are not covered. For another, there are four excellent songwriters in the band (five during their classics period) and only two, Justin Hayward and John Lodge, have their works featured here. But, every single that the Moodies have ever put out has been penned by either Hayward or Lodge, so the compilation can hardly be faulted for that. Granted, the Hayward side projects (as much as I love them) don't really belong here, and "Go Now," which came out before Justin Hayward and John Lodge even joined the band, when they were a hack R&B group, is out of place. The elimination of these could have made room for some songs written and sung by other members of the band, such as "Legend of a Mind", a 1968 classic written and sung by flutist Ray Thomas which to this day is a quintessential part of their live show. I am a die-hard Moodies fan who has in his collection all of their studio material and officially-released live material (which is a lot) as well as a multitude of solo albums from the band members (totalling nine albums.) My love affair with the Moodies started with a little now-out-of-print greatest hits package that was a lot like this one, only with less songs. And that one sure got me going! So this is a perfectly great collection to introduce oneself to their music, unless of course you want to spring for the comprehensive double-cd "Anthology."
| |
| 127. The Ghost of Tom Joad | |
![]() | list price: $11.98
our price: $10.99 (price subject to change: see help) Asin: B000002BFL Catlog: Music Sales Rank: 9365 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (83)
On "The Ghost of Tom Joad," Springsteen finds himself at his peak--even if he had to leave the rock arena to do it. Sure, his electric guitar-fueled rockers are superb (find one rocker who's had a more lasting impression on various generations, past and present, than the Boss; and if you say McCartney, I'm gonna hit you). However, these gentle (mostly) acoustic numbers are sublime--graceful folk/country songs that sound the bells for the downtrodden (and Springsteen's multi-instrumental talent). "Straight Time," for example, deals with a former criminal who can't seem to live a decent life; "Highway 29", about a fateful Bonnie and Clyde couple; "Youngstown," about a factory worker who needs a reprieve; "The Line," about a border guard who falls in love with a refugee; "My Best Was Never Good Enough," a darkly humorous tune about a man who just can't win, no matter what advice he's been given; and several other songs, most about immigrants and their troubles. Yeah, it's a little opressing at first. Springsteen can be that way, when he's writing from his soul. And the album never really picks up, tempo-wise. It's not something you're gonna party to; but if you want good quality music, that'll make you think about yourself and the world, and shine a better light on your relations with others, then "The Ghost of Tom Joad" is your album.
| |
| 128. Please Please Me | |
![]() | list price: $18.98
our price: $13.99 (price subject to change: see help) Asin: B000002UA9 Catlog: Music Sales Rank: 1006 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (165)
"do you want to know a secret" is still one of my all-time favorite oldies, and i do believe that this version of "twist and shout" is not only the definitive version, but also one of the beatles' most successful vocal performances.
| |
| 129. The Rising | |
![]() | list price: $13.98
our price: $13.98 (price subject to change: see help) Asin: B000069HKH Catlog: Music Sales Rank: 2063 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (539)
What we have here, plain and simple, is a masterpiece. A soulful, soul-filled opus, which may very well be the defining work of Mr. Springsteen's career. On one level, it sounds great. Pop this baby in the car CD player, roll the top down and you're cruisin' - just like a real like rock album is supposed to do. I want to hear Van Morrison sing My City in Ruins, and Smokey Robinson do Let's be Friends - these songs seem to be written for them. On the other hand, Mary's Place could have been found from the missing tapes of the Born to Run sessions. The gospel revival choir of My City in Ruins, the Middle Eastern chants of Worlds Apart, the twangs of Into the Fire, - all rich chocolate candy for the ears. I wonder how much of the credit for this goes to Brendan O'Brien - a wise choice, Bruce. And the lyrics... Bruce has masterfully found the delicate balance between standing face to face with the deep, desperate, ultimate despair that's still hanging in the air, and hoping that things can, and will, get better. "Things are bad," he is saying, "as bad as they have ever been." And he puts it right out there for us... "Hell's brewin' dark sun's on the rise..." "Sky falling, streaked with blood," "It's raining, but there ain't a cloud in the sky" "Can't see nothin' in front of me, ... nothing coming up from behind..." "Can hear the organ, but the congregation's gone" What Bruce also does here, is get to the poignant specificity of personal loss... "Coffee cups on the counter, jackets on the chair "I heard you calling me, "Without you, Bruce is telling us it's OK to grieve, we have to grieve. He is helping wade through the darkness. But there is hope. There is light. We will be alright... "I'm gonna find my way "Meet me at Mary's Place, "Let's take the good times as they go You can here him lifting us up on his back... "Come on up for the rising" "Come on Rise up! In classic Bruce lyrical style, recurrent themes appear throughout the songs, a la Nebraska. Seems fascinating to me, though, that the song that sums it most up succinctly, My City in Ruins, is the one was written before the tragic Hardly - just evidence that the themes that Bruce writes about are universal and iconic: Love, Hate, Despair, Fear, Grief, and Hope. But in the end, with a little Rock and Roll to help along the way, it's gonna be alright.
THE BOSS" IS STILL A BOSS!!!
Knowing that Bruce has close ties (to say the least) with the areas hit hard by the tragedy, combined with the experiences of seeing him perform these songs live on his subsequent tour, the first task is easy - that is to state definitively that "The Rising" was not merely a financial cash in, as some critics inevitably propose. The whole purpose of what Bruce Springsteen is all about can be simply summed up by one raspy snarl of his voice, or one look at his stretched and twisted face as he draws in a breath of passion at the mic. That purpose is one of the best, most honorable purposes there is: to reach out and connect and relate on an emotional level with other flesh and blood. Look at some of these lyrics. "Into the Fire," "Nowhere Man," and "You're Missing" are all very sensitive, poignant, touching bits of poetry that function very well as writing alone. The problem comes in with Bruce The Musician. I suppose many who find this review disagreeable are those who have so much respect for the message, the simple chug-chug-chug-along chords The Boss employs on his guitar to accompany his anthems are only bonus feathers in the cap, and they find it satisfying enough. Don't get me wrong, I find the CONCEPT of what he has done worthy of the highest respect, but it can't hit a homerun in the execution department unless all elements are at a high level - and musically, The Rising is lacking. So I guess I'd better start explaining myself - well, look no further than album opener "Lonesome Day." The message of hope is stirring, but it falls somewhat flat against the bland melodies and chord progressions. The music is directionless, and while all of the songs on this album have moments to shine, the main meat-and-potatoes of the songwriting is definitely lacking in creativity. This opening song plods along at a boring 4/4 tempo that sounds like minutes of monotony. If it weren't for the lyrics, I would think it completely not worth my time. Again, there are some interesting guitar climaxes and whatnot, but far from enough. Later songs like "Waitin' on a Sunny Day" and "Let's Be Friends" continue the theme of Bruce strumming benign and repetitive guitar chords under heartfelt words. It's just off balance. This is further evidenced by the near absence of the E-Street Band. Where's the Big Man? Where's Roy Bittan? They're there, but horrendously underplayed and undermixed. There's nothing wrong with a violin, (which gets much more time than Clarence's Sax) but if the heart and soul of all of those talented players were more in the forefront, this album might project much more spirit. That leads me perfectly to the next issue; the RECORDING. Produced by Brendan O'Brien, more from "alternative" fame than straight up rock and roll, the album tries unnecessarily to have the "sound" of a boyband record. Keep in mind - I'm not talking about the music here, but the actual mixing techniques. Don't believe me again? For a real obvious example of the butchering, go directly to the tacit parts in "The Fuse" (where it's only Bruce). Hear that? That's the result of Mr. Springsteen's mighty vocal cords being squashed through compressors and sounding dead and lifeless. Reverb was the trend of the 80's and now it's all about smacking the levels up as high as modern technology will take them without blowing up the console. A BIG no-no for an album that SHOULD be produced to stand the test of time. Alright, you've been patient, so here's the exceptions to the dominant musical mediocrity of the album: "Worlds Apart" and "Further Up the Road." There's nothing to say other than that it's worth buying the album for these two songs alone. The groove, the drive, the heaviness - the latter which gives much more help to lyrics that are heavy themselves - it's all there. They rock as good rock should, and just make you explode with profound energy. I give some points to Bruce just for being as diverse as he is, or else we wouldn't have some of the truly remarkable moments he's given us over the years. If a simple beat and simple melody is all you need to accompany your songs, you'll appreciate this album much more. In fact, I really wish I was like that as well, as I don't like having to criticize good intentions. But in a time where you're guaranteed to get millions sold and all the press attention you could want, why not put some more thought into that other half of songwriting - the music? ... Read more | |
| 130. The Best of Bonnie Raitt | |
![]() | list price: $18.98
our price: $9.99 (price subject to change: see help) Asin: B0000C6FI7 Catlog: Music Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (11)
The CD blends her best hits with some great lesser-known material, like the shocking but great "Spit Of Love" and the gorgeous, tear-jerking ballad "You." (My only complaint with this CD is that it left off "I Ain't Gonna Let you Break My Heart Again," which is my favorite Bonnie Raitt song. But the CD is still an extraordinary listening experience without taht song.) I don't know what hardcore fans think about this collection, but I think it's one of the best "hits" albums I have heard in a long time. So if you've had a passing flirtation with Bonnie Raitt's infectous blend of blues and rock, pick this CD up. You won't be sorry. It's terrific!
I picked this collection up when I saw it in the store, I have always been a 'kinda' Bonnie Raitt fan and this is a good way to get all the songs I like in one place, along with some I didn't know before. My favorites include the almost island vibe of "Have a Heart", the sassy "Something to Talk About" and the melancholy "I can't Make You Love Me". I have been playing this in my car non-stop and love it, love it!! There are so many emotions displayed throughout and Miss Raitt's longevity is nothing to sneeze at either. If you are a 'kinda' fan like I was, pick up this CD!!
| |
| 131. Led Zeppelin III | |
![]() | list price: $18.98
our price: $13.99 (price subject to change: see help) Asin: B000002J1U Catlog: Music Sales Rank: 894 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (170)
Then one of the funniest song I've ever heard 'Bron-y-aur stomp'. It's kind of an old style dancing country folk song. Watch your feet stomping and and shoulders swinging! The album closes with the gem of this album 'Hats off to Roy Harper'. It's actually an old blues song called 'Shake 'em on down', which was played by delta bluesmen like Bukka White. On the left side of the stereo, you hear Jimmy Page pounding the blues like crazy on his acoustic and on the right side, man, what an out-of-this-world vocal performance.Cool vibrato effect! 'Give my baby , a 20 dollar bill, if that don't gets her I'm sure my shot-shot-shotgun will, yeah...' Plant really shows his power and his feel on this one. Amazing. Well, on this record, Jimmy Page, John Bonham, John Paul Jones and Robert Plant deliver diversity, passion, musicianship, pure talent and , of course, fantastic memorable songs. GREAT!
| |
| 132. Unplugged | |
![]() | list price: $18.98
our price: $9.99 (price subject to change: see help) Asin: B000002MFE Catlog: Music Sales Rank: 1311 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (100)
All the tracks on here are worthy of listening to. They are wonderfully constructed pieces, and very easy to listen to. They defined what "unplugged" was supposed to be. And they made Eric Clapton thrust back into the limelight where he belonged. Among the discs best tracks are "Before You Accuse Me", the wonderful sad song about his son's death "Tears in Heaven", the slow version of "Layla" (this is the first version I actually heard so I am partial to this one instead of the | |