Amazon.com essential recording

One of the Stones' most beloved albums, 1969's Let It Bleed was a benchmark for several reasons. First, founding guitarist Brian Jones died during the recording process. Second, the Stones take their last significant look at pure blues (Robert Johnson's spooky "Love in Vain") and country ("Country Honk," the two-stepping alter ego of "Honky-Tonk Women") before folding both styles into a cohesive rock & roll vision. Third, it contains some of the band's most eerie hits, such as the flame-enveloped "Gimme Shelter," the drug-reality anthem "Monkey Man," the epic "You Can't Always Get What You Want," and Mick Jagger's menacing "Midnight Rambler." --Steve Knopper ... Read more

Reviews (110)

Essential Stones Recording
"Let It Bleed" is one of the best Stones albums ever. It features 9 great tracks, including a few classics. The album includes some of the darkest Stones songs ever, such as the fiery "Gimme Shelter", the long opus "You Can't Always Get What You Want", and the drug anthem "Monkey Man". These tracks have indeed stood the test of time for the greatest rock 'n' roll band
in the world, and all became live staples. Even "Country Honk", the country version of "Honky Tonk Women", is good. The title track is another Stones favorite, with soft and pensive acoustic strumming and beautiful piano playing. And Robert Johnson's chilling blues "Love In Vain" is another song the Stones make their own. The album is also significant for two reasons. One, it
was the last Stones album to feature Brian Jones on it, playing autoharp on the blues "You Got The Silver", and percussion on the menacing blues "Midnight Rambler". And it was the first one to feature his replacement, Mick Taylor, who plays guitar on "Country Honk" and the rocker "Live With Me". Let this album bleed all over your record player, and play it until it's all scratched up.

Let It Bleed Profusely
I admit I have not heard "Beggar's Banquet," "Sticky Fingers," or "Exile On Main Street," but "Let It Bleed" is the best Stones album I have yet set my ears on.
1969 saw the release of two of the decade's greatest albums, "Abbey Road" and "Let It Bleed." I won't compare the albums, but I can certainly say that each one is brilliant in its own right. Below are brief critiques of each song on "Let It Bleed."

1. Gimme Shelter: Unarguably a classic song by the Stones and anyone, "Gimme Shelter" has great lyrics and guitar work.
2. Love In Vain: A good blues song, especially because of the mandolin solo.
3. Country Honk: The rock version ("Honky Tonk Women") that appeared as the B-side of "You Can't Always Get What You Want" may be better, but this is still a great song. The fiddle and guitars show that a band only slightly inferior to the Beatles can at least play better country (the Beatles' "Rocky Raccoon" is sheer mock-country).
4. Live With Me: Keith always has the best bass lines, while Bill Wyman is hardly more than Mick and Keith's "sweetest pet in the world" to put it Stone-esquely. The guitars are great as well.
5. Let It Bleed: A good title track, but not the best song on the album, "Let It Bleed" is good country-honky-tonk-rock without a mocking tone to it.
6. Midnight Rambler: I love this song for everything - its unconventional length, virtuoso harmonica and guitars, and threatening lyrics.
7. You Got the Silver: One of the album's lighter songs, "You Got the Silver" is an example of what Keith Richards sounded like before the dreadful "Losing My Touch" from "Forty Licks."
8. Monkey Man: Lyrics aside, "Monkey Man" has the best guitar lick on the entire album. My personal favorite.
9. You Can't Always Get What You Want: You can't appreciate the Stones without having an ear for this classic, a great closing track.

Buy "Let It Bleed", please, and don't you dare buy any album released after "Tattoo You" along with it.

The Best
The Rolling Stones Led It Bleed is indeed a wonderful album. I have the 1986 abkco version on CD were all of the songs are out of order. The new version is just as better including hits like Midnight Rambler, and Gimmie Shelter. I think Let It Bleed is the best Rolling Stone's studio album for so many reason's. So I gave this 5 flaming stars for the worlds greatest rock n roll band. This is a must have for any stone fan Led It Bleed is the real deal. Highly Recomended!

ugly and bad
THIS IS DEPLORABLE
A MISCONCEPTION
A FLUKE
A FALSEHOOD
AN IDENTICAL SIN
A HORRENDOUS DISASTER
A FAKE
A BLUNDER
A SICK JOKE
A MISCHIEVOUS DORK
A PLAIN AND SIMPLE LIE
A HOAX
A MISINTERPETATION OF LIFE
A SET OF BLINKERS
A CAREFULLY STAGED ASSAULT ON THE CONSCIOUS MIND
A TOY FOR DUMB CHILDREN
A FAILED APHRODISIAC
A DRUNKEN DOODLE
A THOUGHTLESS RACKET
AN UNWANTED ANNOYANCE
A PARODY OF RUBBISH
AN ASS OF A RECORD
A TERRIFYING ACT OF TERRORISM
AN ACT OF SENSELESS VIOLENCE
A DEPREVATION OF SORTS
A BLOODCURDLING EXPERIENCE
AN UGLY MONSTER
A JINX

AND IT HAS BEEN AROUND TOO(...)
LONG.

Pretty good, but slightly over-rated
Im a huge Stones fan, and I only moderately like LET IT BLEED. I think Beggar's, Exile and Sticky Fingers are all MUCH better albums. There are some TRUE gems on the album, but also some duds.
The first true gem is GIMME SHELTER. A classic, amazing song- i love it. But then you meet LIVE IN VAIN and COUNTRY HONK that are complete throwaways. With such tracks like this, Im surprised the album is praised as much as it is. The former is a mediocre song that stops dead in its tracks. It takes the momentum of GIMME SHELTER to a screeching hault. The latter is a country version of the classic HONKY TONK WOMAN. The album would have done MUCH better if it was just replaced by the classic song. Then comes LIVE WITH ME, which is a good track, slightly short of great. However, the title track is very good. Wonderful blues and slide guitar licks. MIDNIGHT RAMBLER is a decent track, but it drags on for MUCH too long. However, YOU GOT THE SILVER is an album highlight- a great song with great lyrics. Keith takes the lead vocal and guitar duties on that track (Mick Jagger is not present at all except as a writing credit with Keith on the track), Brian Jones (in one of his last sessions) plays harp, and fan-favorite Nicky Hopkins joins in on Piano and Organ. Then comes MONKEY MAN, which is another really good rocking track. YOU CAN'T ALWAYS GET WHAT YOU WANT says a lot about the album as a whole. Ironic title I must say. However, that track is very good, minuse the 90-or-so second intro with the London Bach Choir. It served as sort of a prophecy of how decadent the band would become in the near-future.
So although the album has some true gems, I don't find it to be up in the same ranks as MANY of the Stone's other albums. ... Read more

Amazon.com essential recording

Riff rock had been what Jimmy Page's former band, the Yardbirds, were all about, and on Led Zeppelin's second album, released, like its predecessor, in 1969, the inventive guitarist demonstrated that he'd indeed learned his lessons well. Witness "Whole Lotta Love," a woozy epic based on one simple, head-banging-friendly guitar riff. Or the mock-dramatic "Heartbreaker," propelled by far more intricate but similarly effective note squashing. Between Page's sonic wizardry, John Bonham beating his drums into submission ("Moby Dick"), and the juice running down Robert Plant's leg ("The Lemon Song"), Led Zeppelin here just about succeeded in raising rock & roll excess to an art form. --Billy Altman ... Read more

Reviews (248)

Led Zeppelin II
Zeppelin's "II" is simply put, the most influential hard rock album to ever be stocked on shelves. It fuses blues and straight-up rock to a perfect degree, and includes elements of folk, and even traces of metal in it as well. This album gets off to an exceptional start with "Whole Lotta Love," and its infectious riff (the electrifying guitar solo is also one of Page's best, and is worth waiting around for through the dark and imaginative midsection). "What Is and What Should Never Be" is another classic that goes from light to heavy in an instant. The slide guitar and gong are nice touches. "The Lemon Song" is pure blues mayhem with wild solos, Plant sounding annoying (as usual), and a hot bass line. "Thank You" is a surprisingly good love song that has some great drum outbreaks, all credit to Bonham. Next up are "Heartbreaker" and "Living Loving Maid"(She's just a woman). These two tracks go together perfectly, with both of them being medium-paced, blues-based rock tunes. Heartbreaker contains a superb solo, first unaccompanied, and then played together with two other guitars. "Ramble On" showcases John Paul Jones' bass playing expertise, and has some of the greatest lyrics of all of Led Zep's songs (inspired by Tolkien's "Lord of the Rings"). "Moby Dick" is built upon a fantastic guitar rhythm section, and the monster drum solo by Bonzo is a brutal dose of percussion at its finest. Finally, the album ends with "Bring It On Home" to bring the album to a close, and this song features Plant playing an electric harmonica, and Page's explosive riffs shredding through the otherwise peaceful tune, half way in. All of the songs on "II" differ from one another, which makes one view this album as more of a compilation than a one-themed release, and this variety accounts for it being considered one of the greatest albums of all time. It still sounds fresh today, due mostly to unpredictable rhythm changes and top notch recording quality. If you like rock music, or any of the other genres that branch out of it, you will not be disappointed. I strongly recommend this album.
Peace

Ramble on baby...
This is one of my favorite LZ records, mostly because of the outstanding bass guitar work by John Paul Jones, but also because of the memorable sungs, increasing presence of Robert Plant and classic riffs by Jimmy Page. John Bonham plays some mean drums, too.

I wavered between 4 and 5 stars, but had to knock a star off for lyrical rip-offs during the Lemon Song and the vocal black-face portrayal in Bring it on Home. Still, I highly recommend this album, especially for novice rock musicians and fans just becoming acquainted with the Led Zeppelin catalog. There's a lot of good stuff here.

"Whole Lotta Love" kicks things off with one of rock's all-time classic guitar riffs. Plant's vocals are much more self-assured here, and we can sense the beginnings of his 'golden god' image, plus there's that orgasm sequence in the middle, with all those crazy guitar effects. One of Page's better electric solos here, crystal clear like you're sitting right next to the amp. Great dynamics, especially by Bonham, who had superb timing and could really coax feeling from his drums.

"What is and What Should Never Be" has a nice mellow groove, snaky bassline, and soft/loud dynamics that rise above the lyrical content. Nice guitar/bass interplay during the solo, and great energy at the end.

"The Lemon Song" features some not so subtle innuendo and imagery copped from Robert Johnson. "Squeeze my lemon..." While this is mostly standard white blues with edgy guitar, Jones balances with tissue paper touch on the bass and a fine extended solo. The tempo changes give this one a lot of energy.

"Thank You" is probably one of the least misogynistic tunes in the LZ catalog, a pledge of undying love even "if the sun refused to shine." Plant sings with emotion. There has always been something about the transitions and harmonies of this song that were awkward and didn't quite work for me.

"Heartbreaker" is another classic riff and rock/blues progression, with cool bass licks backing the vocal lines. This song has a quirky solo that starts with some cool licks, then dissolves into a stuttering, sloppy pick frenzy, before gathering speed again with a second solo part, then back into the verse. If I had to rate Page as a guitar player, I would say his acoustic and electric rhythm playing were exceptional, but his electric solos were hit and miss.
There's hardly a missed beat before going right into "Living Loving Maid" with a driving rhythm, with more outstanding bass and drum interplay, another memorable Page lick and interesting rhythm/tempo changes.
"Ramble On" is on of my favorites, with a beautiful bassline, excellently strummed acoustic guitar and gently tapped percussion. One of Plant's better vocal performances, wonderfully modulated. Check out that bass work during the choruses. The lyrics begin to introduce us to Page and Plant's interest in fantastic mythology, mentioning Gollum from Lord of the Rings, and a love story involving a ranger-type character.

"Moby Dick" is an instrumental with a basic rock/blues progression, built to showcase a drum solo by John Bonham.

"Bring it on Home" begins with a Delta-style blues feel, some cool harmonica, and Plant singing in an affected American South dialect that sounds ridiculous. Still, I like the way this song builds from blues into a hard rock piece. Nice guitar overdub interplay, and Plant redeems himself with his vocals on the rock part.

Add this one to your rock library. It's a classic.

Awesome
Man what can I say, amazing CD, been hooked on Led now for 2 or 3 months and every new Zep CD I buy i get addicted too. This is a amazing CD, Starting off with Whole Lotta Love a awesome song for both Plant and Page, the guitar riffs rock, and Pages singing is at its best. Then What is and What Should Never Be, I loved this song its just amazing. Next The Lemon Song, the first part is great, with awesome guitar, the last part isnt too clean though, not a huge deal and i still love this song but not my fav number. Thank You is a great tune, Then Heartbreaker and Living Loving Maid, super songs, again not the cleanest but amazing guitar as always and super singing. Ramble on, again not my fav Zep tune but still great, Then Moby Dick, words cannot explain this song, amazing John Bonham proves he is and was the greatest drummer to live. And lastly Bring It On Home, good song great Plant vocals. To sum it up I would say this is Jimmys CD the guitar riffs are like non other absolutly fabulous.

Another High Five.
I've been looking for albums I consider all fives. One of them is rock legend's 'II.' Led Zeppelin, a contender against the more prolific and modest 'The Who', were loud, raw, and action packed. This is the album that delves into this description.

The sequel to 'I', 'II' picks up right where their previous debut left off. Songs like 'Ramble On', where the fine, catchy rhythm blasts into the hard paced, loud mouthed Robert Plant are so rocking, you can't stop and think, 'Man, these guys still freakin' rock.' 'Heartbreaker' is another fine example of fine tuning. With the infamous scale that is one of rock's greatest hooks, the song really has you headbanging as if it's raw power is something new.

The album has it's moments and it has it's shines. 'Moby Dick' is one of them, but in essence, this is definitely not a studio song. If you want the real deal, buy 'How the West Was Won' and you'll understand. Nevertheless, it's still killer. 'What It Is and What Should Never Be' is such a fine example of different sounds, it's worth the price of the album alone. Along with the overdone, but still medium rare 'Whole Lotta Love', Led Zeppelin 'II' is one of those albums where every song is great and every song can be played over and over...on the same listen.

This sits proudly next to 'Tommy', 'Out of Our Heads', 'The Doors', etc in my vinyl collection. On CD, this rests kindly on my dashboard and I'll always put it in. 'II' is better than 'I' in my opinion, and I think you might see it that way as well.

Overrated Rock, Overrated Rock, Overrated Rock
I used to love LZ, but they've soured on me as well because of all the law suites over old blues songs. And that they were pretty much a studio band posing as something they were not. Man, was I disappointed. LZ really weren't that original after all.
SCORESHEET:
WHOLE LOTTA LOVE- good impact, but a Willie Dixon and Muddy Waters rip-off
and that ugly jam section in the middle. Dixon took them to court in 1977.
WHAT IS AND WHAT SHOULD NEVER BE- one of their better songs.
THE LEMON SONG- another rip-off (a remake of killing floor) and it is boring.
THANK YOU- a nice ballad, but nothing that you really need to own.
HEARTBREAKER- an FM staple, a classic! It is the 'wallpaper of our lives'.
LIVIN LOVIN MAID- LZ putting down woman again. Good riff, but a bad message!
RAMBLE ON- a good song that is simply overplayed. Vocalist Plant is no Ian Gillan!
MOBY DICK- a great riff, but that drum soloooooooooooooboring.
BRING IT ON HOME- starts off good, but gets repetitive by the end. Another rip-off too!
Look for their greatest hits collections before buying their regular albums.
If your looking for even more hard rock that swings, try Deep Purple 1970/1973 (In Rock, Fireball, Machine Head, Who Do We Think We Are or Made In Japan). ... Read more

Amazon.com essential recording

The Arista debut of Carlos Santana and band gives fans of the soulful guitar vet two albums in one, but it's a decidedly good-news, bad-news proposition. First, there's a fine collection of late-'90s-model Santana--tastefully tooled songs driven by Latin jazz and Afro-Cuban rhythms ("[Da Le] Taleo," "Africa Bamba," "Migra," "Primavera," and the emotionally charged instrumental "El Farol") that allow Carlos plenty of elbowroom for his passionate soloing. Then there's the collection of tracks featuring a lineup of de rigueur alternative and hip-hop stars, including Dave Matthews, Everlast, Rob Thomas, Lauryn Hill, Wyclef Jean, and Eagle Eye Cherry. To their credit, Matthews ("Love of My Life") and Eagle Eye Cherry ("Wishing It Was") muster enough chemistry to make the fusion work. But the rest of the collaborations feel like an unnecessary stretch to reach out to a younger demographic that El Jefe has little trouble attracting on his own terms. --Jerry McCulley ... Read more

Reviews (1038)

an amazingly superb and rhythmic masterpiece
Having met drummer Horacio "El Negro" Hernandez at the 1999 Berklee College of Music World Percussion Festival, (who by the way is playing drumset on track 4 of this CD), I can now say that I am one of the lucky ones who have personally experienced the true warmth and down-to-earth vibe of the Santana band, and you too can see it all evolve on Supernatural. All of us, (especially all you musicians out there) can learn at least one thing from this CD, and no matter what it may be (lyrics, Afro-Cuban/Latin styles...happiness..pain..triumph and tragedy...etc) it can and will reach your soul once you put the cd in and start listening to Carlos and friends jam out on "Da Le (Yaleo)". Another thing that I loved about this recording is how the group managed to get such incredible artists to join them (such as Dave Matthews, Carter Beauford, Rob Thomas, Eric Clapton, Wyclef Jean, Luaryn Hill...among others) and create one of the best CDs I have ever purchased. I highly recommend this album. :)

Review of Santana's Supernatural
Artist: Santana Album: Supernatural Producer: BMG/Arista Genre: Rock Category: Rock/Pop

With the hypnotic guitar playing and rhythm, the 70's guitar wizard Carlos Santana has come back strong from years of utter silence. For everybody in their mid-thirties, the name Carlos Santana should easily click in your memory. He is now back and as hot as ever. With songs like "Black-magic Women" and "Oye Como Va" to his credentials, the name Carlos Santana was able to attract names such as Eric Clapton, Rob Thomas of Matchbox 20, ex-Fugies Wyclef Jean and Lauren Hill, and Dave Matthews to join in and produce his latest album "Supernatural".

Santana's new album "Supernatural", is a mix of South American beats, honey-sweet guitar licks and solos, and poetic lyrics that blends in harmoniously. It felt as though Carlos expressed all of his emotions into this one album, so the mood is constantly and continually changing.

The song that officially marked Santana's return to the limelight was "Smooth" featuring Rob Thomas. This catchy tune consists of a supporting cast of drums and brass, the distinct guitar licks of Carlos, and the deep, scratchy voice of Thomas. Another song that help launch his album depute is "Maria Maria" with special appearances by Everlast and Wyclef Jean. Even though the lyrics are a bit repetitive, the combination of Everlast's silky voice and hip-hop rhythm is strangely hypnotic and quickly became a FM hit. But the song that defines "Supernatural" most is "Love of My Life" featuring Dave Matthews of the Dave Matthews' Band. From a production standpoint, the song is beautifully composed with every aspect fitting in flawlessly. From an emotional standpoint, this carol just somehow is able to reach into your heart, and the lyrics can be related to real life.

Overall, this album is one of Santana's best albums. This is supported by Santana's sweep of the Grammy's Music Awards including the award for Best Album. Even though some of the tracks in "Supernatural" weren't his "best" work, the excellent ones easily eclipsed them. It is clear that he succeeded in creating sweet rhythmic music for people of every age.

EXCELLENT! GENIUS!
This has to be the best CD ever. I listen to it ALL the time & never tire of it. Brilliant work!

Just the best
One of the best albums I have EVER heard, probably the best that I own. No matter how long its been since I last heard it, I can put it in my CD player and get right back into the groove of the songs. Smooth is just amazing, Maria Maria has a great urban feel, and the collabos with Everlast, Dave Matthews, and Eric Clapton really work well. I remember when I saw him perform at Jones Beach three summers ago -- this music was great then and its just as good now.

Barely listenable
I've been a Santana fan ever since I was turned on to them in 1984 and consider Carlos & Co (and the various permutations of the band) one of my all-time favorite atrists. I was disappointed with SUPERNATURAL from the moment I listened to it. There is little on this album that is not re-manufactured pop, and it in no way highlights the exceptional musicianship or band interplay that Santana is known for. Songs like "Maria, Maria" and "Turn Your Lights On" are about as far from the classic Santana sound as one can get, and the entire collection of songs has the tired "let's-try-to-write-a-hit-single-and-make-some-big-money" kind of feel.

If you are seeking Santana at their pop best, check out "Zebop" or Beyond Appearances" instead. If you want Santana at their very best, buy the first three albums and the "LOTUS" live album as each of these four are masterpieces. Avoid SUPERNATURAL. ... Read more

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Less than a year after the release of CSN's groundbreaking debut, the group returned with Stephen Stills's former Buffalo Springfield cohort/rival Neil Young augmenting the threesome. The result is a less concentrated but more kinetic creation; Young swims through the celestial harmonies of rock's best barbershop trio like a fly in consommé. While somewhat dated ("Almost Cut My Hair"? Wait a while, David, it'll fall out), Deju Vu is teeming with early '70s FM staples, including "Helpless," "Teach Your Children," and "Our House." --Steven Stolder ... Read more

Reviews (79)

Rock Classic
For the release of Deja Vu, the already powerful trio of Crosby, Still & Nash became even better by adding a fourth, Neil Young. The album is a great collection of songs, played by artits at the peak of their powers. Although some of the themes (i.e. "Almost Cut My Hair") are heavily dated, CSN&Y's harmonies are timeless. Their vocalizing on "Our House", "Teach Your Children" and Neil Young's brilliant "Helpless" is absolutely gorgeous. The album brings forward each of the members' individual stylings from Stills' folk-rock to Nash's ballads to Young's country-rock to Crosby's hippie-rock and blends them seemlessly on the album. "Carry On" opens the album with a kick, "Deja Vu" adeptly captures Crosby's state of mind at the time, "4+20" is a short but powerful song and the scorching "Woodstock" is the hippie generation's anthem. It would be 7 years before CSN would release a studio album and almost another 20 before the quartet would release one(the awful American Dream). They never again would match the creative and commercial power of this album.

perfecto mundo
Deja vu is the quintessential album of the 1960's counterculture. No less than 7 cuts from the disc, 'Carry On', 'Teach Your Children', 'Almost Cut My Hair', 'Woodstock', 'Our House', 'Deja vu', and 'Everybody I Love You' can be considered poster children for all the New Left stood for and aspired to in the late 1960's and early 1970's. It is a remarkable disc, equaled only by the debut Crosby, Stills and Nash LP in its social relevance, and in pioneering and defining the folk-rock genre.

Each of the four artists in this, the quintessential rock 'supergroup', contributes two of the most essential compositions in their careers. The album was particularly noteworthy for the writings of David Crosby ('Almost Cut My Hair' and 'Deja vu') and Graham Nash ('Teach Your Children' and 'Our House'), and the stunning background vocal contributions they provide on the Stills and Young compositions, excepting the solo acoustic '4 + 20'.

Stills, who played most of the instruments on the debut CSN LP, backs off a bit to leave room for Dallas Taylor on drums and Greg Reeves on bass. Jerry Garcia and John Sebastian are also credited with instrumental contributions. In addition to the stark '4 + 20', Stills reaches back into his past, culling lyrics from his Buffalo Springfield classic, 'Questions', to serve as a coda on the opener, 'Carry On', and springs forward into his future to graft lyrics that would open 'Know You Got To Run' from his second solo LP into 'Everybody I Love You'. Neil is given a rare co-songwriting credit on 'Everybody...' with Stills (can you name another?). In spite of their long association, they weren't exactly Lennon and McCartney!

Despite all the aforementioned blockbuster songs, CS&N were apparently insecure in releasing the disc without adding Y. Neil offers the classic composition 'Helpless' and the underplayed medley 'Country Girl', which stands high among Young's finest works. Top off the collection with the hyper, grinding, high-flying rendition of the Joni Mitchell anthem, 'Woodstock', and you have one of the finest rock albums ever produced.

The album is a near perfect mix in terms of musical styles and subject matter. Though thought of today as somewhat stereotypical in personifying the 'hippie mystique', the album 'Deja vu' is representative of the ideals youth held, or at least liked to think they held, in the midst of the various social revolutions going on around them. It is nothing short of essential to any comprehensive collection of modern rock music, and to an understanding of the era and a generation.

A sign of the times, and their best offering.
Though they have released other fine albums, this is the best from these four legends. What else would you expect from former members of "The Byrds", "The Hollies", and "Buffalo Springfield"? Included are the classic tracks "Carry On", "Teach Your Children", "Our House", and "Woodstock". The others are all good too however. If you looking for this same quality of record without "Neil Young" (why would you do that), check out the debut from "Crosby Stills & Nash", it's just as good. Also the short but great "So Far" collection is roughly the best of these two albums. All of these releases will make you feel like you're in the 70's again. I think that's called "Deja Vu".

A quintessential album
This set may be well considered the best work of this unforgettable ensemble.
This album contains the real essence of the seventies. Filled with inspiration, and overall, commitment. This quartet was one of the top ten notable bands in USA , original sound , lyrics and wildness, charming and rebelness , country folk and wonderful songs . Think in Our house , a superb ballad , in contrast you have Woodstock .
This work is a must in your collection and in my personal opinion , one of the twenty most influyent albums in the rock music in any age.
Don't forget this team worked out in Woodstock and became one the most shinning stars in that unique musical meeting in 1969.

This Album Is CSNY's Defining Statement
DEJA VU is Crosby, Stills, Nash & Young's defining statement. With Neil Young having overcome three handicaps (epilepsy, diabetes, polio) to add a little muscle to the original trio, this album combines hard rock and ballads with enormous success. This album defined not only CSNY, but a whole post-Woodstock generation, and is essential to any folk-rock collection. ... Read more

Reviews (91)

Something different, finally...
I totally disagree with the idea that these guys are anything like the Strokes or any other indi-pop band I've heard. These guys are actually good. The sound, as someone else mentioned, is refreshing. Every time I put the CD in, people ask who it is. For a debut, it's an unbelivable album.
In terms of influences, I hear undertones of The Black Crowes, AC/DC, Tom Petty, and Rolling Stones. Odd thing is, of those guys, the only one I like is Tom Petty. But I like Kings of Leon. They have some serious energy, great hooks, fun lyrics, and they play the hell out of their instruments.
There are two or three songs I don't like, but for the most part these guys put together a great string of tunes. "Happy Alone" will stick in your head for days. "Dusty" is probably my sleeper favorite. Sort of this spoken-word ramble with thumping bass and cool twangy guitar licks. Kinda like what you might get if you put Chuck Berry in a garage band...
I'd love to see them live, and will definitely check out their next album.

great band
I bought this album not knowing much about it. I had read some reviews and stuff and decided to give it a try. The first time I heard it I thought that it was really good. The vocals are different. After hearing the vocals a few times you get used to it. Once you get past that the album is awesome. The instrument play is above the rest. The only better instrument play these days is the White Stripes. The strokes suck and to compare Kings of Leon to them is absurd. If you cant see the southern rock influence then you dont live in the south and dont listen to our music. Buy this cd. You wont regret it. Oh yeah and if you are skeptical about the vocals dont be. They are good to. They arent your cookie cutter vocals. The lyrics are good to. Happy alone and Holy Roller Novicaine are the best tracks.

The Bottom Line
"New Southern Rock Band" is a term that seems to be all but extinct sans any project that has to do with a side-project or a re-tooled version of the Allman Brothers. Alas, here comes Kings of Leon. Youth & Young Manhood to me is almost the perfect quintessential debut album title for a younger rock band, and the attitude and presentation of their first release depicts this theme quite well. First of all, this IS a fresh, original sound. For the most part, Kings of Leon present themselves as a southern rock influenced group who speed things up a little but are careful to keep the soul intact. If the songs sound familiar, you might have heard them approximately every 10 minutes during the movie "Stuck on You," on which they are prominently featured. Rightfully so. Take this one with you on the road for a weekend trip, pop it into the player, and you'll have a new favorite.

One word - FANTABULOUS!
To be honest, i only bought this album because the 'kings' looked hairy, and i like hairy men! and thank the LORD i DID indeed buy this AMAZING album because it is the best debut album i have ever heard.The kings have introduced me to THE most beautiful and graceful song i have ever heard, 'talihina sky'. it is TRULY a work of art (and none of that rubbish you find in the tate modern).Some might say that Caleb's lead vocals are annoying, or even unbearable but to me, it is a refreshing change to hear raw and unspoiled vocals and it is a crying shame that so many artists have yet to take the jump and to stop using computers or whatever to 'perfect' their voices. I couldn't say what the best song on the album is because they are all so incredible it would break my heart to say. However, i can say that the highlight of listening to the album was pressing the 'repeat' button when the beautifully crafted 'talihina sky' ended and the album was over. What i also love about this album is during most of the songs ('Joes Head' and 'Trani' in particular) the lyrics seem so mixed up and Caleb's singing is so fast and his accent is so heavy that it is impossible to decifer what he is saying. However, i didn't care and carried on listening because the music truly speaks for itself. Also, when you look up the lyrics it is a nice surprise to find what the songs are about and then when you listen to them again it is almost as if the songs are reborn and they are now new to you. 'holy roller novocaine' has THE most amazing bass line which really made me listen to the music, rather than the lyrics. Caleb has a voice that could cut through glass and his raw lyrics are amazing. The drums also excell on this album and the drummer's backing vocals are also FABU! So, to sum up this BEAST of an album, it really made me fall in love with music all over again and if you want to own the most amazing debut album on the history of the earth, you would buy this record. Or if you choose not to, then you wouldnt know talent if it came up to with a lampshade on its head, shook your hand and said, 'hello, my name is talent, how u doin'?' PEACE OUT! (buy the record, if you regret it you may sue me!)

Best and Most Promising Debut of 2003
The Kings of Leon are the return of rock and roll. No band has rocked so hard and well on a debut like this in a long, long time.

The Kings of Leon loudly proclaim the return of southern rock and do it insanely well. This album really is better than most give it credit for. It's not just a really good album, it's an incredible album. The only credible knock on this album I've heard thus far is the lead singer's voice. I love it, some hate it. It's just one of thsoe things. He all but completely yells his voice out on track 5, "Trani." As I said, I love it, others will hate it.

Regaurdless of whether or not you like his voice, by the time you've gotten to "Holy Roller Novocaine," you become so engrossed in the music that you don't notice there's no more songs after that. This is the kind of great rock music that seems to be missing from the world today. Easily one of the best of 2003 and the best debut of 2003. Expect more from these guys for quite some time. ... Read more

Amazon.com

An Oscar win might suggest a score that would need a miracle to be bettered--but this colorful stage adaptation of Disney's The Lion King does so with flair. Composers Mark Mancina and Lebo M worked closely together to fuse the movie's many disparate elements. Where there was a veritable army exercising creative influences for the animated tale, this brings it all under the wings of a like-minded few. This is genuinely apparent as one track flows into the next. The African rhythms--both vocal and in instrumentation--come across as authentic and original all at once. No doubt this is largely through Mancina's passion for peculiar instruments and the possibilities suggested from nightly live performances. "Grasslands Chant" is a good place to hear this. The hit favorites are here of course, but both "Circle of Life" and "Can You Feel the Love Tonight" are pleasingly unrecognizable with chorus and shifting beats. Better still is the likelihood they will now be eclipsed by some of the new numbers. Mancina's own "He Lives in You" being a strong contender. With a sound mix as crisp as you'd hope to find, this is rousing stuff. --Paul Tonks ... Read more

Reviews (102)

Innovative Theatre Meets Family Entertainment
First of all, to address some of the other reviewers who didn't believe "The Lion King" deserved the Tony: What the American Theatre Wing recognized is an historic and important step in theatre history. "The Lion King" on Broadway didn't attempt to merely transfer the cartoon images of the movie onto the stage (a la Beauty and the Beast). Instead, through the guidance of genius director and designer Julie Taymor, the glorious story was lifted and transformed through mask, puppetry, and dance into a multi-disciplinary wonder. I'm a professional puppeteer, and the response of the puppetry community to this show is staggering. Curriculums are being reworked, new parterships are forming, and a puppetry renaissance has begun.

Now, onto this CD: I can understand that if you haven't seen the staged version, you wouldn't expect to hear the changes that have been made to the soundtrack. Fortunately, I was given the CD "Rhythm of the Pridelands" before seeing the show. Many of the new songs are from that album, which was new music inspired by the movie "Lion King" and written by Lebo M, the talented African artist whose voice you hear in the movie version of "Circle of Life." This soundtrack is a unique and exciting blending of the original soundtrack and "Pridelands," and has an organic and harmonious feel to it. The new African chants serve to balance the more cutesy tunes from the movie. In the end, there is something for everyone. Listen without prejudice, and discover the beauty of the music.

FOLLOWING A BAD TREND, BUT JERKING THE TEARS
If you're thinking of not buying this CD because you already have the movie soundtrack, HOLD IT RIGHT THERE! Not only does the Original Broadway Cast Recording have more songs than there are in the movie, but the original songs have been adapted and, in some cases, lengthened quite a lot. To be honest, there are a few poor attempts of "filler" and trying to add something with a rock edge, but the beautiful, rhythmic african chants and additions such as "Shadowland" and "Endless Night" bring tears to my eyes. They're worth paying for the entire thing. This CD gives you more of an emotional look at all of the characters and their despair. Disney followed the same trend they did with BEAUTY by adding a dozen songs with only a couple worth listening to, but they're tear jerkers and if you just sit back and listen to the chants and ballads, they're sure to touch your heart as they did mine... just skip the stuff in between. But it's a MUST HAVE for anyone even SLIGHTLY interested. Cuz I'm not even a Lion King Movie fan.

THE BEST BROADWAY MUSICAL SINCE EVITA!
AS YOU SEE, THERE ARE A LOT OF BROADWAY SHOWS ON BROADWAY NOW. YOU KNOW, YOU GOT MAMA MIA, LITTLE SHOP OF HORRORS, AVENUE Q AND SO ON AND SO FORTH. YOU KNOW WHAT'S THE BEST? THE LION KING OF COURSE! AND THIS CD SPOTLIGHTS ALL THE CLASSIC CAST LIKE JOHN VICERY, [THE MAN I USED TO LOOK UP TO.] JASON RAIZE, [HE DIED A FEW MONTHS AGO. I MISS HIM SOOOOOO MUCH.] AND THE REST! IF YOU HAVE TO BUY ONE BROADWAY SOUNDTRACK, BUY THIS ONE! IT ROCKS! AND THEN GO SEE THE MUSICAL! SURE, IT'S ABOUT 200 DOLLORS...BELIVE ME,IT'S SO WORTH IT. THIS CD HAS AN AWSOME BOOKLET INCLUDING SOME PICTURES IN THE BACKROUND, LYRICS, AND SO MUCH MORE. AND IF THATS NOT GOOD ENOUGH, I DON'T KNOE WHAT TO TELL YA.

A Really Good CD
I bought this because because I wanted a soundtrack for the Lion King and I was tempted just to buy the Disney one, but I thought this might be more interesting. I was paticuarly interested in the fact that there was more African music. It was really great. Even stuff like Circle of Life had a slightly different sound to it, and the whole thing had a much better atmosphere than Disney gave the film. What I love about it is that it isn't just another Disney soundtrack, but it really has it's own interesting sound. Go buy it!

LOVED IT!
The Lion King (1997 Original Broadway Cast) soundtrack is amazing. When I went to the play, I knew I wanted to buy the CD. I loved the music live and from the CD. I listen to it everyday. The people singing are wonderful. They sound great. I think any and everybody should buy this CD. You'll love it! ... Read more

Amazon.com essential recording

From the swaggering frustration in the first song ("I only get my rocks off while I'm sleeping," Mick Jagger sings in the hyper "Rocks Off"), the Stones speed through familiar neighborhoods of country, blues, and R&B on Exile. They never even bother to stop when they've crashed into something. They don't leap into new worlds so much as master the old ones, turning Slim Harpo's blues obscurity "Hip Shake" into a harp-and-piano steamroller and setting spines a-cracking in "Ventilator Blues." Both "Tumbling Dice" and Keith Richards's "Happy" have become hits, but the 1972 album is most notable for its overall murky adrenaline. --Steve Knopper ... Read more

Reviews (302)

A masterpiece
This album takes a while to assimilate, or it did for me anyway.
The mix is murky, the songs are less anthemic rockers than weary, bleak blues, and I was actually a bit disappointed when I first heard it.
But give it a chance, and each subsequent listen will reveal something new, eventually establishing "Exile On Main St." not only as the Stones' best album, but as one of the best records of the 70s.

It's got plenty of obvious masterpieces, like the thumping, bluesy rockers "Happy", "Rocks Off" and "Tumbling Dice", and the swinging ballads "Torn And Frayed" and "Sweet Virginia", but lesser-known songs like the gospel-like "Shine A Light", Robert Johnson's "Stop Breaking Down", and the stylish amalgam "Sweet Black Angel" are great as well.

There are too many highlights to mention, really, and this superb collection of blues, rock, soul, country and R&B remains the Rolling Stones' finest hour as well as being their most diverse album.

One of the greatest albums ever
The Rolling Stones' second album to be released on their own label fittingly called Rolling Stones Records, which was distributed by Atlantic at the time, was released in May of 1972. The album was the band's only double studio album but one of the best which ranks up there with The Wall, Quadrophenia, The Lamb Lies Down on Broadway and Tommy among others. Before guitarist Keith Richards' heroin addiction took over for some time in the mid-1970s, he was what the late producer Jimmy Miller called a workhorse. The album was recorded at Keith's home in France and at Olympic Studios in London and Muscle Shoals in Alabama. Keith's music and frontman Mick Jagger's lyric writing was arguably at its peak on Exile. Songs like the opening Rocks Off, Rip This Joint, Tumbling Dice, Sweet Virginia, Keith's classic Happy, Soul Survivor, All Down the Line and Shine a Light are classics which sound like they could have been recorded yeaterday. Ventilator Blues was another highlight as it was the only song that Mick and Keith wrote was co-written by guitarist Mick Taylor whom kicked ass from 1969-74. Exile was the band's second consecutive #1 album and another million seller. The tour in support of the album saw the band getting bigger and bigger. This album is hugely recommended!

The Rolling Stones' Yardstick
If you've gotten this far, it probably safe to say that you know by now that EVERYONE seems to think it is their best ever, of all time, on the desert island, scrounging for gas money because you bought it once more album. And it surely has a pretty good legend surrounding it (south of france, stoned, ripped, twisted..good people). But is it their Best? That all depends.
Me? I like "Sticky Fingers" a little better for one reason: The good songs (Brown Sugar, Can't You Hear me Knockin', Bitch, Sister Morphine) are Transcendant, whereas here the good songs (Tumbling Dice, Shine a Light)Are only "Damned Good". Yes, it's a very fine line, to be sure, but it must be said. And "Fingers" Wins hands down on opening tracks-I mean "Brown Sugar" vs. "Rocks Off"? There's no comparison. Fun Fact: Keith Richards once listed "Brown Sugar" as one of his favorite all-time songs with this justification "Don't YOU think it's a great song?"
That being said, however, "Exile" is the stronger album of the two. The reason? The rest of songs here are neither as bad or as ordinary as the rest of the songs on any other Stones album. Let me put it this way: It's said that any good song will have a sort of "magic" about it. Well, here most every song has that kind of magic in varying amounts. Put on any single song (with the exception of "Turd on the Run", which just doesn't have the magic) and you will end up liking that song on its own merits. It may not be a religious experience, but you will want to hear that song again. It's that kind of album. The same cannot be said for any other Stones Album in their catalogue, and all but the precious few other jewels in the rest of the history of Pop Music.
Of Course, as with all High-water marks, The Stones were destined to fight against the reputation of this masterwork for the rest of their careers, and always be found just a little lacking. A shame, really, for what remains one of the Great Bands Ever and a consistent hit-making force even now, 30+ years on.

A Hot-Blooded Rock and Roll Classic.
Exile on Main Street (1972), the Rolling Stones' seventeenth album, is hot-blooded rock and roll mixed with old-school blues, country, and R&B. This seventeen-track album contains lots of stuff written in the same vein as the proudly rumpled "Satisfaction"--simply put, there are many youthfully reckless songs about being young and having sex. Unfortunately, though, Exile on Main Street starts off with its best track, "Rocks Off"--their finest rendition of the style utilized throughout the album, so after it, songs like "Rip this Joint" and "Hip Shake" are disappointing even though they aren't that bad. "Sweet Virginia" is also a cool song--it's old-style folk/blues, and even though it doesn't really sound like "Wild Horses," it reminds me of it. "Torn and Frayed," the seventh song, is another memorable cut, but after that, the remainder of the album floats past in a heated oblivion--it's not that it isn't good; it's just not very gripping, despite its frenzy and fast pace. This album is fine, I think, but it really isn't my style. Exile on Main Street is written for really cool guys--guys similar to the members of the Rolling Stones--so it's understandable that I don't adore this album, as I'm not the target market. I'm fond of the Between the Button's Rolling Stones, but am disinterested in their harder stuff. If you like the hard stuff, though, you'll love this album. If you don't, you'll be rather indifferent towards it, like I am.

Like a fine wine
It might take several listens to truly appreciate this cd, but believe me, it is worth the effort. It is absolutely an outstanding masterpiece. I don't typically use masterpiece to describe a body of work, but this just takes you away and melts your ear. Like a fine wine, you will thoroughly savour this music time and time again after every listen. At first I couldn't bear it, preferring to listen to Sticky Fingers for the rawness, but gradually moving towards Exile's dynamic and diverse bluesy fidelity. Enjoy! It is truly something to be appreciated and listened to over and over and over... ... Read more

Album Description

Bryan Adams returns with ROOM SERVICE, his first studio album in almost 7 years.A collection of 11 new tracks, ROOM SERVICE was recorded while on the road in Europe - in hotels and backstage at concert venues.With 18 releases, over 25 years of recording and over 60 million albums sold worldwide, this new collection gives witness to Bryan's rock loyalty and consistency.ROOM SERVICE hits the full range of tempos while touching on every nerve of emotions from love lost, love found and reluctance in love.The album also touches on life lessons, from living life to the fullest to appreciating what you have.

In addition to the album release, Bryan will be co-headlining a minor league baseball park tour in the US with Def Leppard (Rock 'N Roll Double-Header Tour) throughout the summer and supporting a Calvin Klein sponsored book , Calvin Klein - American Women, featuring photos of prominent women taken by Bryan Adams, with a portion of the proceeds benefiting the Memorial Sloan Kettering Cancer Center in New York (releasing this Spring). ... Read more

Reviews (18)

BA - Back in the Saddle
Finally, a new one from BA.Solid rocking tracks like Open Road and Room Service.A must have for Bryan Adams fans, both new and old.

Amazing New Album (cd)
Finally - a new Bryan Adams cd.This cd has the classic B.A> sound that we all love. Favorite tracks are East Side Story, OPen Road and Room Service.Highly recommed this one if your a Bryan Adams fan, still recommend it if your not - you will be .

Room Service- well worth the wait!!!!!!!!!!
It's been a long time coming, but finally, finally, a new CD from our very own bad boy.This CD is one of my favorites, it combines the rock tunes you love to sing along with, and the ballads that make you think.I would recommend any Bryan Adams fan to purchase this CD, money well spent! And to any new fans, this is a great start for you!!! Bryan Adams is the most talented singer/songwriter!ROOM SERVICE ROCKS!!!!!!!!!!

Bryan Rocks!!!!
Well, the wait is finnaly over! We have a new Bryan Adams album - Room Service. And boy, it does sound good. For a relief, the memorable guitar hooks are back coupled with those big drums. And yah, the best part of a Bryan Adams album is that haunting, inimitable voice.

This one is a really diversified album. Rockers like "Open Road", "Room Service" "She's a little too good for me", set your feet tapping. Then for a change, Adams wrote some real meaningful lyrics for "Nowhere fast". And then there is "Right back where I started from". The guitar riff is so catchy that it just plays in your head all the time just after a couple of listens.
"East Side Story" brings back those youthful memories of buses and those one-sight loves. And cmon, if its a Bryan Adams record, ballads are a must. "Why do you have to be so hard to love" is, according to Bryan himself, Bryan's favourite track on this album. Yea Bryan, we share opinion on this. Then there is the signature style balled "Flying" full with mushy lyrics and slush production. "Not Romeo Not Juliet" is probably for most youth who can't decide if they are in love or not, when they know that they are. But the best of all ballads is "I Was Only Dreamin'" where Bryan showcasts his vocal range in a mind-blowing way.
All in all, you must buy this record.And go home and turn up the volume, and wake up your neighbours. Wake them up to a talented man named Bryan Adams.

Narrative Side of Bryan Paradise
Bryan's first studio album in six years has been finally out in the U.S. Six months behind Europe and Japan. My first impression is this album is somewhat like missing link between INTO THE FIRE, representing reclusive side of Bryan and WAKING UP THE NEIGHBORS, well-balanced Bryan Adams masterpiece in 1991. This album also has his signature rocker SHE'S A LITTLE TOO GOOD TO ME and ROOM SERVICE but on this release narrative songs give me strong impression. THIS SIDE OF PARADISE is such a nice narrative song which is already one of my all time Top 10 Bryan songs. NOT ROMEO NOT JULIET is another excellent narrative song which will be sure to become AAA station favorite. Ballads are excellent as well particularly FLYING and I WAS ONLY DREAMING. OPEN ROAD and ROOM SERVICE already released as singles in the Europe are so-so songs.

Verdict: Bryan is back to form. I am happy about that.
Rating: 85 out of 100. Not the finest but a solid one.
Best Fit Mood: Definitely best for morning listening. Or while driving along, say, Midwestern highway.
Recommended for: Bryan fans who want to boost his chart record in the U.S. Some of Richard Marx, Eric Clapton, Train, Hoobastank, Survivor, and George Harrison fans.
... Read more

Amazon.com essential recording

Buoyed by the runaway commercial success of Led Zeppelin IV, Jimmy Page used this 1973 follow-up to hone his already impressive production skills, and the result was a collection sporting an impressively expansive sound. Benefiting--especially on tracks such as "Dancing Days Are Here Again," "The Crunge," and "Over the Hills and Far Away"--was Zeppelin's always underrated rhythm section: thunder-fisted drummer John Bonham and rock-solid bassist John Paul Jones. Jones also emerged here as a secret weapon on keyboards with his subtle work on more pensive fare such as "No Quarter" and "The Ocean." And the goofy "D'yer Ma'ker" showed that Zeppelin had more of a sense of humor than most people ever gave them credit for. --Billy Altman ... Read more

Reviews (191)

Led Zeppelin changes the pace
Following the huge success of ZOSO (Led Zeppelin IV), Led Zeppelin had the confidence and reputation to go for a different sound and style. That change is evident on Houses of the Holy, their next release. Although it doesn't quite match up to it's predecessor, HOTH is still a solid release in it's own right.

Kicking off the album is the heavy rocker The Song Remains the Same, a frenzied tune you can't help but like. Following is one of Zeppelin's most underrated songs in The Rain Song. Much more laid back than SRTS, Rain Song is very beautiful thanks to some great keyboard accompaniments by John Paul Jones. Next up is the folksy Over the Hills and Far Away, the albums most enduring track radio airplay wise. It showcases Jimmy Page at his acoustic best. After Hills comes the funk inspired The Crunge, which is probably the weakest track of the album, although it features some great drumming by John Bonham. Dancing Days follows, which also recieves a lot of play time on the airwaves. D'yer M'aker, which displays a sense of humor rarely seen in the band with it's catchy lyrics. No Quarter is next, and along with SRTS is the song of the album. Dark, moody, and electrifying, the song works in part once again to some wonderful keyboarding by Jones. Closing out the set is The Ocean, another heavy rocker with a neat a capella section in the middle of the song.

Unfairly compared to other Zeppelin releases, HOTH is probably the one album that receives the most divided opinions from fans. Depending on your view, it's a fine, varied release or a huge disappointment considering the album that came before it. Perhaps what's most unfair of all is that it happens to be sandwiched between the band's two best releases, the 22 million selling ZOSO and their epic masterpiece, Physical Graffiti.

The Best From Zeppelin
After the runaway success of "Led Zeppelin IV," Led Zeppelin reconvened and did the absolutely astounding---they recorded a follow-up album that's even *better* than "Zeppelin IV" (though I certainly love "Zeppelin IV," mind you). 1973's "Houses Of The Holy" is, in my opinion, the band's masterpiece, a barnburning album that showcases all different sides to this legendary group, from the thrilling, galloping rock of "The Song Remains The Same," to the stunningly beautiful "The Rain Song," to the excellent acoustic/hard rock hybrid "Over The Hills And Far Away," to the cheerful, masterful, good-time rock of "The Crunge," "Dancing Days," "D'yer Mak'er," and the fun finale, "The Ocean." But the album's secret weapon, if you have to pick one, is "No Quarter," a magnificent, heavy, ominous song, and one of the band's most potent numbers. Robert Plant's vocals soar and swoop throughout the album with great gusto, Jimmy Page blows the doors off you with his magnificent fretwork, John Paul Jones' bass is a booming work of art, and his keyboard playing throughout is supreme, while the late, great John Bonham, is, as always, a towering monster on the drumkit. Cap it all off with Page's brilliant production and a stunning, memorable album cover (in this case, anonymous nude girls climbing on rocks) and you've got yourself a Led Zeppelin masterpiece. "Houses Of The Holy" is a thrilling Zeppelin album, with Led Zeppelin totally on top of the world and on top of their game. An outstanding rock classic.

One star
This CD just not good. Man who sing songs look a like a man and sound like woman, like woman feeling painful too much, guitar player use guitar that sound cheap, just loud and songs making no sense. Also naked children on CD cover! I just try to warn people careful spending good earned money on strange CD. And music fan from Houston, in your review you misspell many words so it look like your english not so great either.

To music fan from Houston
Ok, ok I not review this CD again. I just try and warn people before they spend their good earned money on strange CD. Maybe they be sorry they buy it! And my english teacher say I doing good in english for being here only six month. Your english not so good either. I FROM Chicago, not "form" like in your post. And THEREOF one word, not "there of" like you say. And it GRAMMAR, not "grammer" like you spell it. Clean up your own chicken before they come home to roost!

And nothing wrong with Maddonna. You listen her CD, you see how much talent she have. Brintey Spears new CD good too. She the next Madonna. Better than strange band who make CD using cheap guitar and singer who look a like a man but sound like woman and like he feeling in pain so much.

Hey...Music fan form Chicago!
Music fan form Chicago shows the intelligence level (or lack there of) of your typical Madonna / Britney Spears fan. Do us all favor ...never write another review ever again. Also...take some gammer classes. Maybe one day you can learn how to spell, and form complete sentence without sounding like an idiot. But maybe that's just wishful thinking. ... Read more

Amazon.com

With their dueling guitar leads and harmonies built on a double drummer foundation, the Allman Brothers Band cast the mold for the southern rock sound that would proliferate in the '70s. Virtuoso musicians, their songs drew upon a number of southern influences, including country, the blues, New Orleans jazz, and even gospel, creating a sound that was distinctly theirs. Decade of Hits is a great catalog of the Allman's at their guitar wielding best. The sweet, infectious harmonies on the instrumental "Jessica" have become a classic reference point in themselves. Next to the tragedies that plagued them--two motorcycle deaths, heroin addiction--the Allman's are probably best known for the heroic "Ramblin' Man." Written and sung by the now legendary Dickey Betts, the song contained everything that made the band great: intricate guitar harmonies, a strong melody, and just enough twang to keep the thing tight. Decade also contains Allman staples "Melissa," "In Memory of Elizabeth Reed," and "Southbound." --Steve Gdula ... Read more

Reviews (37)

Perfect selection from their catalogue
The Allman Brothers Band A Decade of Hits has a very essential selection of songs from the bands best albums. The ABB was composed of some of the best musicians from the south. Duane Allman's sweet slide guitar is heard at its peak on Ramblin Man and Statesboro blues. Dickey Betts finest compositions were not spared on this one. In Memory of Elizabeth Reed, Ramblin Man, and Jessica among others are sweeping instrumental jams where the talents of all the band members are shown. And if you thought this band was just big on the electric guitars, organs, and dual-drummers, then they've thrown in a Little Martha with just Duane on the acoustic with a pacific tune. After Duane died the band had forge on and Greg wrote the uplifting Ain't Wasting Time Nor More. The band proved they could still rock on songs like Crazy Love and Wasted Words. Some of the material on this album is taken from the Fillmore Concerts such as Statesboro and One Way Out. These two tracks just hint at the enormous amount of riffs, licks, and solos that appear on the "Live at the Fillmore East" album. So if your into the more instrumental "jam band" aspect of ABB then buy the Fillmore East live album, even though this album covers that aspect of them sufficiently. The thing that I love most about this band is that they not only are incredible songwriters and singers but they are such masters of the instruments that they play. This album shows all the different talents that the band had and now all that is left other than the remaining members is the music. And this is the best of their songs.

A strong anthology
Concentrating as it does on the most popular songs released by the Allman Brothers, "A Decade of Hits," manages to hit all of the 1970s studio highlights from this troubled band's heyday. While it is true that the Allmans cemented their reputation with incredible live marathon songs (some lasting a half hour or more) there's hardly room on a disc like this for them. Instead, this CD makes the argument that the Allmans were first rate writers of more conventional rock songs as well. Many of these are staples on classic rock radio, like "Ramblin' Man," "Melissa," "Blue Skies," and "Midnight Rider." Other highlights include "Ain't Wasting Time No More," "Jessica," the Duane Allman swan song "Little Martha" and "Statesboro Blues." Also included are a couple of longer early blues rock cuts, "In Memory of Elizabeth Reed" and "Whipping Post."

The only drawback on this CD is that it doesn't contain any bonus material. But anyone just beginning their Allman Brothers collection could hardly ask for better.

Allman's are a little hard to get into, so just buy it !
and listen it for yourself. I paced and picked this up and down many times at the store before I bought it. I just say blue jeens on the cover and thought "hick-city usa!". I live in Florida, but I'm not very "Southern" so, the thought of buying something similar to "cough" Lenard Skynard scared me. Well the Allman Brothers, with a few exceptions, are much beter than expected. This is "hits" from thier prime and its still good. The music is engineered very well and is fun to listen to. There are drop dead instrumentals like "In Memory of Elizebeth Reed" and , of course "Jessica". There are a few songs a little hokey for me like "Blue Sky", but it still isen't so bad. This is feel good music, so don't except anything depressing. Listen to modern rock if you want something to get depressed about.

A good introduction to the Allman Brothers Band
This superbly remastered 75-minute overview is a very fine introduction to the Allman Brothers Band, and it includes most of their early classics, songs like "Statesboro Blues", "Whipping Post", "Melissa", and "Ramblin' Man".
But it is certainly a shame that some of their best early blues songs, like "It's Not My Cross To Bear", "Black Hearted Woman", "Come And Go Blues", and the Allman's take on "Hoochie Coochie Man" and "Trouble No More", have been omitted, and if I were looking for the perfect introduction to the Allman Brothers Band, I would go with the lesser-known anthology "The Road Goes On Forever", which came out in 2001 in a superb expanded edition. The beginner may still prefer to go with this cheaper single-disc overview, but "The Road Goes On Forever" is the very best choice for anyone looking for a comprehensive overview of the Allman Brothers' classic recordings.

Does it get any better than this? I think not
A Decade of Hits could be a greatest hits, with only a few omissions. But even on many so-called greatest hits albums you're not likely to get everything you'd like. Usually, you have to shell out even more money for every song by a particular band or artist. And even these often remain largely incomplete. Therefore, it is hardly fair of me to fault A Decade of Hits when it delivers numerous great songs and doesn't even claim to be a greatest hits or complete song collection.

Of the 16 songs on the CD, 13 are excellent are better-than-average, while 2 are "good", and only one unlistenable (appropriately titled Wasted Words, it should never have made its way onto this fine collection), but this is just my opinion, and others are free to disagree. What this means further is that there is better than a 93% satisfaction rate (hence the 5 stars). Moreover, the price is a steal--you would pay more than $1 per song for some of these gems, and yet you're paying much less than that, around $0.75 per for all 16; if you're interested in what you're paying for the best of the best, about 13 or so, you're still paying only $0.92 or so. Simply stated, it does not get much better than this, and one would be hard-pressed to find a better CD collection, across time and genre, band or solo. That is my 2 cents. Now enjoy! ... Read more

Amazon.com

If they are to believed, David Gates and the other members of Bread never intended to become the enduring icons of a subgenre they virtually invented: soft rock. Indeed, scattered throughout this expanded edition of a perennial bestselling catalog album are tuneful evidence of their original intent, as one band mate said, "to make the '60s last a little longer." But it's the familiar, largely Gates-penned and -sung hit singles that remain the band's legacy, from "Make It with You" through the reunited band's last hurrah, "Lost Without Your Love." Though they've become oft-mocked clichés, these are singles informed with a rare, often complex melodic sense, delivered with a deceptively breezy tone by one of pop's purest tenors. Gates and Bread clearly colored artists as diverse as '80s MOR icon Christopher Cross and nouveau singer-songwriter David Mead. --Jerry McCulley ... Read more

Reviews (40)

Stunning Collection
Rhino's remastered "BEST OF BREAD" is, above and beyond, the ultimate single disc hits collection of the group's endearing hit singles that also includes some of their lesser known "45's" and notable "B" sides. To give BREAD credit for "inventing the soft rock sound" is a zealous huge mistake...that honor belongs to the quintessential soft rock 1960's pop band, The ASSOCIATION, and their chart companions The Turtles, who quite remarkably, effortlessly, unknowingly and undeniably pioneered the genre, set the groundwork and created the market for such stellar hit recording pop bands such as the Carpenters, ABBA, Bread, Tony Orlando & Dawn, Culture Club, Bangles, and solo artists such as Whitney Houston, Madonna, Phil Collins, and Anne Murray, and amongst many others, who all went on to sell millions upon millions of records with their respective soft rock hit singles and albums. BREAD is a genuine pop rock band that deserves its credit for their enduring and originally composed hit singles, but, they were not the pioneering band they have been unfairly acclaimed and credited to be. BEST OF BREAD remains an ESSENTIAL collection for every Top 40 music lover's library.

Soft Rock Excellence
One of the biggest problems I had with Bread was not with their music, but that my friends who liked Jethro Tull, Black Sabbath. Alice Cooper and others of various "more serious" rock genres, as did I, made fun of me any time I mentioned Bread. Well, the fact remains that I did like Bread and continue to like Bread from time to time, so much so that I own this CD.

David Gates has a great voice for the maudlin music he sings. The song I think of most is "Diary", a poignant song about the fear that all of us as young males had that the girl we love loves someone else. David Gates just rips your heart out with his soft mellow words as he reveals that the writings in the diary of his girlfriend weren't in fact about himself, but another guy. Talk about a gut-wrencher.

But of course the gut-wrenching emotion doesn't stop there. Here is a guy singing about himself and all of us and our dreams for the girls and women we love. "Lost Without Your Love", "Sweet Surrender", "Aubrey", "It Don't Matter to Me", "Make It With You", "Everything I Own", and more...David Gates just refuses to let you be anything other than morose about relationships. But somehow that doesn't matter. It seems like there are times when I just can't get enough of David Gates pouring out his heart, making me feel that he and I are one when it comes to how women can tear our hearts out. But that's okay, because it feels good to hear about it in David's songs.

Okay, I admit that maybe you have to be a little self-destructive in listening to this music. However, it can be a little cathartic too to listen to what you feel out loud. Just don't listen to this music while you are drinking a lot, you might feel too maudlin for your own good. On the other hand, if it makes you go sing a Bread song outside the window of your girlfriend's house, or apartment, maybe it's a good thing.

This CD is great stuff in small doses. Well performed mellow and soft rock, very romantic. Perfect for the right mood. I wish they still made music like this.

MY SOFT SPOT
well, i was a little baby when these guys were playing, but i do remember their songs. It just so happens that i love their music. Guitar Man is a very inspriational song for any musician (which i am one). Lost without Your Love is amazing love song. Pretty much all the songs on this are really nice and sweet. As for the guy who wrote a review for this, "Da Peace Dawg"... yo man, i listen to AC/DC, Metallica, Iron Maiden as well...and i love these guys...everyone has a SOFT SPOT...yours is Dokken, obviously..(i am laughing)...everyone else...all love..peace

Wonderful
So many wonderful songs on this CD..big hits of a long time ago, but still very good! Bread had a knack for these kinds of songs, songs that capture the heart!

These guys were so weak
Thanks, Bread, you ushered in an era of Air Supply, Christopher Cross, Toto and Chicago. And for that, these guys are to be revered? Gimmee a stinkin' break. Rock music was at its worst in the early '80s, and it's these shaggy-haired hippies that are solely responsible. Thank goodness the world was soon saved by Motley Crue, Def Leppard, Styx, AC/DC and Dokken. For without those groundbreaking metal bands, we'd still be saddled with the dusky '70s boredom that is Bread.

Avoid this sluggish "rock" at all costs, and instead pick up anything Motley Crue or Judas Priest.

ROCK AND ROLL SHAN'T NEVER DIE!!!!!!!!! ... Read more

Amazon.com essential recording

The pre-Hotel California years were arguably the best for The Eagles (though there were, thanks to Joe Walsh, some stellar future moments). Their mix of country, folk, and rock had a harder, grittier edge, and helped define what would become known as the Southern California sound. There was just enough of a country feel in the beautiful harmonies of "Best of My Love," to blur the edges between the genres. "Take It Easy" and "Lyin' Eyes" could easily have come out of the new Nashville school, as well. The twang that characterizes the guitar intro to "Already Gone" and the leads in "Witchy Woman" and "One of These Nights," also pays tribute to country's guitar greats. Greatest Hits 1971-1975 houses a scant ten singles, but not only does it illustrate the magic of the collaboration between Glen Frey and Don Henley, it shows the breadth of The Eagles impact on the many who would follow their lead. --Steve Gdula ... Read more

Reviews (120)

A great album that any Eagles fan would enjoy
Before I begin I'd like to point out that what most people don't seem to notice is that this is only the best selling album in the United States NOT of all time (meaning around the world). "The Eagles Greatest Hits 1971-1975" has only sold 29 million copies worldwide. Worldwide, Thriller still stands at 56 Million worldwide. So while Thriller is second in America its still the best selling album of all time.

Though some may argue that "The Eagles" rightly deserves the number one spot. Traveling around the world you'll notice that "The Eagles" isn't nearly as popular worldwide as Americans wish they would be.

These songs are classics however and I'll say that while this album is better than Thriller in many ways why compare THIS music to Michael Jackson? Sales don't mean a thing! It's about whether or not the people like it or not. Just because it sold 27 million in the US doesn't mean all 27 million that bought it loved this album.

I did love this album however, enjoy this CD a lot. Ten songs is great but they really should've put more songs on this album. More hits, and maybe even some of their earlier hits could've been used. The album doesn't do nearly as much as it could to secure the music "The Eagles" have given us.

A greatest hits that could have taken it to the limit
Having read David Fuller's review, I couldn't agree more...buy the gold disc! Worth every penny!

This album has, as of November 1999, become the biggest seller of all time: 26 million copies worth. Thriller is in second place at 25 million. And it's easy to see why. This perfectly captures the Eagles early years of country rock, before the Eagles turned all out rockers with Joe Walsh and Hotel California.

In fact, the ten selections are well sequenced flowing nicely together. Henley's vocals are judiciously split four per side. Each album is evenly represented on both sides of the LP.

The gold disc boasts superior sound, remastered directly from the two track stereo tapes. Curious is the fact that the track times are two seconds longer on each track. Compression on the orginal LP and CD perhaps? The jacket depicts the 3-D effect on the eagles skull, and features all the orginal graphics, including the LP labels.

One reviewer wished this CD could have been expanded. A couple of interesting facts: One, there were two singles from Desperado, Tequila Sunrise is on this, but Desperado was not a single. I'm glad it is on this. It is a track deserving of being on a greatest hits. However, the other single was Outlaw Man! Interesting!

Second, On The Border had three singles. Two of them are on this, but James Dean is not.

Lastly, we have a missing B-Side. The flip side to Take It Easy is a song penned by Henley-Frey called Get You In The Mood. To my knowledge, it is not on any Eagles album. I do not have much information on this 3:52 obscurity.

What we need is a comprehensive Eagles singles anthology. Let's hope we will get that, I mean the 30th anniversary is coming shortly. That's a hint!

EAGLES KICK A$$
It F***IN rocks out.If you are a big eagles fan or you don't even like the eagles, you will still say that this album rocks out.Rock the F*ck ON!

They're are still loved, even after 3 decades for a reason!
I just wanted to respond to a previous entry about the Eagles being better without Joe Walsh! Of course that is a personal opinion, however here is mine! I love the Eagles, and without Joe Walsh, there would be no Eagles!! Those guys together, are like magic.. This CD is by far one of the best CD's I own! Not only do I recommend it, I encourage it. All of the songs just get you rockin, whether you're on the road, at work, or just hangin out! I was lucky enough to see them perform, and let me tell you, they brought the house down, every single one of them!

Better without Joe Walsh
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Yeah I know that may be heresy for me to say that but I really didn't care for "Hotel C