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| 41. Much Afraid | |
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Reviews (144)
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| 42. Anybody Out There? | |
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Amazon.com Reviews (90)
It's a shame this band didn't last very long. They were truly talented and in my opinion, a breath of fresh air in Contemporary Christian music.
I was never a big Christian music fan, because I always found the lyrics cheesy and the music sub-par. Thankfully, that trend has changed, and contemporary Christian artists are now some of the most talented in the business! This is certainly the case with Burlap to Cashmere! The second track on this album, "Eileen's Song" recieved airplay in 2000 on college and soft rock radio stations, and is probably the most well-known Burlap song, and is typical of the smooth ballads on "Anybody Out There?". But the rest of the album is an energetic mixture of different world sounds - Latin and Middle Eastern percussion mixed with flamenco-style guitars, with Rusted Root-esque delivery. Most of the lyrics have subtle Christian lyrics, with the exception of "Basic Instructions" (from the B.I.B.L.E. acronym ~ "Basic Instructions Before Leaving Earth"), so while this *is* a Christian rock album, it's isn't so preachy that it puts off non-Christians. This album would be a great addition to your Christian rock or world music collection, and is a wonderful driving CD.
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| 43. Come Together | |
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Amazon.com Reviews (61)
Oh, and for the man who wrote the first review, if this is trailer trash rock, then so are Creed, 3 Doors Down, Staind and many other rock bands who are incredibly popular right now. In my own personal opinion Third Day has outdone any one of those bands, in great part due to Mac Powell's singing voice. This is an excellent CD and along with "Time" is about my favorite by Third Day. "I Don't Know" is currently my favorite song and I also love "Show Me Your Glory" (I've heard that one played in a Major League Ballpark - Third Day is beginning to gain secular notice) and "Nothing Compares".
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| 44. Fight the Tide | |
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| 45. Furthermore: From the Studio From the Stage | |
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Amazon.com Reviews (41)
Furthermore is a 2-CD set, 91 minutes total, with 10 studio cuts and 11 from the stage. Seven of the 10 studio cuts are a reprise of earlier works: Overjoyed (Much Afraid); Liquid, Frail, and Love Song for a Savior (Jars of Clay); Needful Hands; and a couple others I don't recognize. These songs aren't lifted and copied from earlier CDs. They're more pared down versions of the originals with less studio production but the same attention to melody, lyric, and vocals. The lyrics to the three new tunes (The Valley Song, Dig, and Redemption) are inside the jewel case. Redemption is definitely my favorite. This melodic ballad seems to say God's redemption is still available to us in the most unexpected places and in spite of our failures and frailty. Nice slide guitar and harmonica touches. This band understands that "less is more" and keeps the lyric and melody as the centerpiece of each tune. The 11-tune live CD is mostly songs Jars have done before with a blues-type medley thrown in near the middle. This blues interlude cost the CD one star in my review. I'm not a blues fan and would've preferred the band had stayed in more familiar waters. But the fans enjoyed it, and enthusiastic participation from the audience comes through loud and clear. Live cuts include Like A Child, Flood, and Worlds Apart (Jars of Clay); Crazy Times (Much Afraid); a couple from If I Left the Zoo and the title track from 11th Hour. There's a beautiful live rendition of This Road (City on a Hill: Songs of Worship and Praise). What a great worship song. I love the subtle reverb on the guitar in this tune. Worlds Apart finishes up the live disc, with a decidedly unrushed, every-lyric-clearly-enunciated pace. This version is filled with emotion like the original and closes with Jars' trademark "Hallelujah" doxology at the end of the show. Furthermore has the same thought-provoking, inspiring songs that Jars gave us in the 90s when they were new to the music scene. They've kept true to their task of writing intelligent, poetic music that worships and glorifies Christ. I highly recommend FURTHERMORE.
The studio disc features stripped, more acoustic, slowed down versions of 'Overjoyed' and 'Liquid', giving the songs a new flavour. 'Liquid' in particular is almost unrecognisable in its new form. Great! 'Frail' is made with a light jazz feel, and enchanting guitar work. Kicking off the new songs is 'The valley song', which is a beautiful sing-along song about trust and hope in God, even in times of great loss (the song was inspired by a death). Next (of the new songs) is 'Redemption', and the awesome 'Dig', a gentle acoustic ballad that shows off Dan Haseltine's vocals to perfection. It's a cover version of a song about some ongoing quest. Disc two features standouts like 'Flood' (which sounds even better with the audience participating), 'I'm alright' and 'Revolution' which really rock. The standout is the closing song, 'Worlds apart' which is almost eleven minutes of heavenly bliss, poignant in its beauty.
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| 46. The Eleventh Hour | |
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Amazon.com Reviews (125)
People, this music carried me through some spiritual and emotional misery. "The Eleventh Hour" became my theme for the summer. As plan after plan fell through, I had to assert continually with the band, "Let the eleventh hour quickly pass me by / I'll find you when I think I'm out of time." The eleventh hour was raw, but it passed, and I found Him. That song, to me, defines faith in the middle of a dark night, and proved to be a dim light helping me stay on course. "Silence" packs a punch. "Something Beautiful" is worth it just for the chorus. If I understand "The Edge of Water" correctly, it is one of the most brilliant lyrics I have ever heard, longing for a second Creation. Of course there are some "throw-away" tracks on here if you're listening with religious value in mind. The deep, subtle undercurrent of Christianity, though, surprised, delighted, and nourished me. Evangelical campaigns against hypocrisy should leave this record alone.
The song writing on this album is excellent. They move from hard hitting songs like "Revolution" and "Whatever she wants" to the more melodic "The Eleventh Hour" to much slower ones like "Silence" and "I need you" with great success. I really like the fact that the band is not using a set formula, or sound for conveying their love for God. Of course, their lyrics can be somewhat subtle in terms of their belief in Jesus, but you can identify their faith if you listen closely to the words. I recommend this album to any Jars of clay fan. If you have not liked the last few albums, give this one a try, I think you will enjoy it. If you are unfamiliar with the band, I would recommend that you buy their first one, and then this add this one later. ... Read more | |
| 47. Lead Me On | |
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Reviews (39)
A more different sound, it may take listeners some time to get used to this CD but after several listening sessions, this album shines as one of Amy's best albums for its mature lyrics and complicated arrangements. Some of my favorites: "1974", "Lead Me On", "Saved By Love", "Faithless Heart" (one of the most beautiful songs ever written), "All Right" and "Say Once More". Let's talk about "Say Once More." This is not the same song that is on "Never Alone", an earlier album. This is a completely different song. This has become one of my most favorite songs. What a beautiful song! I think this song is the one that is the clincher for all buyers! The overlaying vocals at the end of the song really bring me to a deeper spiritual place. I have to be careful when I drive when I listen to this song in the car.
What was not expected was the follow up album, released a couple of years later. With great anticipation I purchased the CD, drove home and slammed into the Panasonic. What greeted me was a dry, unhappy-sounding album... I was profoundly dissapointed and considered returning it to the store for credit (maybe for A-Ha's latest?). But before I did that, I gave it one more spin. Then another, and another. Soon it was clear that I had come to "Lead Me On" with all of the wrong expectations. Amy had actually grown, and was showing us her darker, human side, as it were (her lyrics almost insinuated she was a sinner!). Soon the honesty of the album soaked in, and I was transfixed. The track that really hit me was "Lead Me On," and to this day I cannot play that song without a tear forming. But that is just one sublime moment from this amazing set... it just gets better and better, from the soaring, airy intro track to the sizzling electric fiddle solo to the ethereal ending vocal. Amy has never reached the depth of personal revelation quite as effectively as she did with "Lead Me On." However, moments of the new "Simple Things" are every bit as phenomenal, like the track "Out in the Open." She definitely still has the skills, but "Lead Me On" was the first and best showcase of her deep and abiding talents in the context of a tested faith. I give it an A+.
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| 48. Hit Parade | |
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Amazon.com Reviews (25)
The two new takes - "Will Not Fade" and "One Like You" - will become instant favorites. Mark's trademark vocals are still right on. Actually, one of the most fun parts about this record is how everything is placed. The CD flows seamlessly from one song to another, and they're all put in an order that doesn't leave you sighing at a soft song and suddenly being blasted by a loud one in the next moment. Still, some highlights I must point out: "I'm Not the King", "Blitz", "Some Kind of Zombie", "Chevette", "We're A Band", "Big House" (which was voted Song of the Decade for the 90's in CCM), "Mighty Good Leader", "Rest Easy", and "Underdog." Heck, everything on the CD's great. Don't miss out on this one! It's the perfect trip down memory lane for the fan, and the perfect sampler of the band for the new listener. Rock on Audio Adrenaline and the message they've carried for 10 years 'n countin'! Look for a new Audio A record to release near the end of this year. :-)
This Best of takes 1 song from their self titled album. AAs Audio Adrenalin was of a different style and only the mediocre DC10 made the cut to be on Hit Parade. I won't have put anything from this album on the Best of so I guess they had to do one. I would rather have seen any of 12 songs chosen from Bloom or Zombie instead. I guess you could buy the other two and check me out on that. From Don't Censor Me they include the fast paced Were a Band, the easy listening Rest Easy and the fun for kids to sing Big House. These are the only songs from that album I might have selected myself. Their third album Bloom from 1996 is an awesome album and any of 10 out the 13 songs could have been put on a Best of. They only selected 4. Bloom has so many good songs that even though you might buy Hit Parade I think you'll love Bloom. That way you'd get 7 more songs that I rate from a 3 to a 5. From the album Some Kind of Zombie 10 of 10 songs made my best of, but they only had room for three, all rockers, all good, Chevette, Some Kind of Zombie and Blitz. Buy Zombie anyway because there are 7 more songs that are all good! Then we get to the album Underdog, their fifth. 5 of the 12 songs made the cut to Hit Parade. Only 6 songs from this album made my cut, but it included the 5 they selected. The sixth one that did not make it was Its Over, which is a 4 star song written for the end of a concert. When I saw they they finished up Light a Fire from Worldwide and simulated the smashing of their guitar Who style. Anyone the The Who? Who? AA also gives us 2 new songs on Hit Parade and I like them both a lot. The rocker Will Not Fade and then they slow it down for One Like You. Both are 4 stars. If any one that tells you that Christians can not rock, let them listen to Hit Parade. Then play them Zombie and Worldwide and they might react as I did. AA is now my favorite band. To bad VH1 excluded them from their 100 best rock bands. I am 50 something and as far as I'm concerned they have more great music than anyone except the Beatles. Hyperbole? I think they have made more and better than even the Stones, Led Zeppelin or Styx. This band could have been huge in the secular world, but chose not to. It will be interesting to see how they top what they have already accomplished. If they never do, who cares? Look what they have given us so far. But to quote their own song, "I'm not the king, I just sing". Yes they do. Jedimack.
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| 49. Age to Age | |
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This album has "skins on the wall." It was the first CCM album in history to go platinum. CCM Magazine, using two different sets of criteria and reviewers, ranked it once as the #3 CCM album of all time and then again as the fifth best LP/CD in history. The supporting artists involved with the album became practically a Who's Who of CCM. But ultimately it's not about the accolades, it's about the music. "Age To Age" is sometimes reverent ("El Shaddai"), somtimes rejoicing ("Sing Your Praise To The Lord"), and sometimes just plain fun ("Fat Baby"). But every track, whatever it's personality, contains perfectly crafted pop music. If you're a Christian, this album will speak to you in a special way. If you're not, just think of this as an album of love songs (which it is). If you like 80's Adult Contemporary music, you will love "Age To Age."
I was six when this record came out and am 26 now, and I think its time to buy this CD for myself. I would love for my kids to feel the same why I do about this CD when they get older! ... Read more | |
| 50. Saved | |
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Reviews (40)
The only reason it doesn't get 5 stars is that it's not for everybody. Dylan is in a musical groove here that is as compelling as in his great trilogy from the mid-70's (Planet Waves, Blood on the Tracks, Desire). "Shot of Love" had greater individual songs (Property of Jesus, Lenny Bruce, The Groom's Still Waiting at the Altar, Every Grain of Sand), and "Infidels" was more varied and complex, and "Slow Train Coming" was more of a revelation, but "Saved" is the most consistent of the four and the one which works best as a coherent whole. For this reason, I don't like to single out songs, because they're all excellent and have a cumulative impact. The lyrics are clear, powerful, and theologically both sound and deep ("What Can I Do For You?" and "Saving Grace" showing particular originality). Dylan's vocals are full of such unmistakable joy, thanksgiving, love of God, and concern for humanity that it's impossible for any Christian not to be deeply moved. The backing band is terrific, with creative arrangements and notable piano playing from Spooner Oldham. Dylan's female background singers, led by Clydie King, have been criticized by some for their over-the-top enthusiasm on his other records from the period, but here their gospelly flair is perfect. After 1983 Dylan moved away from overtly Christian music. His change in musical style has led some to conclude he's lost his faith, but it's clear from many songs on 1989's "Oh Mercy", 1993's "World Gone Wrong", and 1997's "Time Out of Mind", as well as the old gospel songs he sings in concerts sometimes, that God is still with him and he's still "Pressing On".
SAVED is stuck in the blind spot for many reviewers. This time it is not the voice, but the testimony (to use the Christian word.) And the negative reviews are hiding behind pecksniffian dismissal of the songs' "lack of musicality" or "lyrical depth" or other phrases that seem to have been stolen from a smarmy NPR review. I can prove it: take a listen to the album GOTTA SERVE SOMEBODY: THE GOSPEL SONGS OF BOB DYLAN (ASIN/B00008NGAJ) by the likes of Aaron Neville, Dottie Peoples, Sounds Of Blackness, or Rance Allen. Listen to Saved, Pressing On, Are You Ready - and tell me that there is ANY lack of musical variety and beauty (as well as joy and inspriration) or lyrical insight! Then, of course, return and listen to Dylan do the same songs. Who else can touch the ache of the heart, speaking to its maker, "What can I do for you?" or praise Him for a "covenant woman?" or the committment to keep "pressing on." This is a fantastic album. By the way, on the GOSPEL SONGS CZD, Dylan covers his own Change My Way Of Thinking, that will blow you socks off.
Seriously: SKIP THIS ALBUM. I own almost every album by Dylan, but I threw this one away. Literally. Dylan was in this period apparently possessed by his born-again christian mania, and his lyrics are intolerant, didactic, humorless, and smug. Absolutely without a doubt his very worst album EVER. He's recorded over 40 other albums so far... start with ANYTHING ELSE.
Much of the criticism of Dylan's gospel work reeks of hypocrisy. Rock music "experts" like Dave Marsh did chastise Mr. Dylan for buying into a prepackaged ideology and trying to force it onto an unwilling public, while simultaneously lavishing their worthless praise on dead, quasi-literate black men like Blind Willie Johnson and Blind Gary Davis, both of whom sang almost nothing but gospel on street corners. (See the ROLLING STONE RECORD GUIDES of the 1980s.) So what if Dylan resembles more Blind Willie Johnson than he does Blind Willie McTell? Judge the music, not the man. Furthermore, the ideology of the "protest song" movement was (and is to some extent) fixed for all time, for anyone to adopt and make his own, if only to sell records to a target audience and make a name for himself - as Dylan did when he was young. SAVED isn't a failure because it's a Christian album from end to end, or because its maker was an icon of the "counterculture." The problem with SAVED, I think, is that it was somewhat hastily thrown together between two evangelical tours, and poorly recorded at that. Dylan's lyrics on SAVED are atypically focused and straightforward, sometimes to the point of ridiculousness. "Are You Ready?" sounds like a Chick tract [crass evangelical comic books, strategically placed in rest rooms and telephone booths] set to music, though somehow it's one of Dylan's best gospel numbers, a nasty mid-tempo groove similar to "Gotta Serve Somebody" but far more threatening in tone. "Solid Rock" is also very much "by the Book," lyrically, and likewise more compelling on the basis of its music. "Solid Rock" and "Pressing On" hammer home one of Dylan's favorite themes, that of the struggle to maintain spiritual correctness against the contrary forces of persecution, ridicule, and one's own weakness. That's another potentially off-putting aspect of SAVED and Dylan's gospel work in general - the singer frankly anticipates these "enemies" and flaunts his struggle against them, as though he's doomed to suffer the tortures of the damned for his correct beliefs. The album opens with a traditional tune, "Satisfied Mind," but Dylan sounds anything but satisfied most of the time. The one "upbeat" tune is the title track; when the singer chants "I'm so glad," you can almost hear the smile on his face. In the period from STREET LEGAL (1978) to INFIDELS (1983), SAVED is the least eccentric Dylan album, and it's more raw and undisciplined (in a good way) than the rest. Unfortunately, the original mix doesn't do justice to the music on this album. If SAVED ever gets a remix & the SACD treatment accorded to STREET LEGAL and some other Dylan manifestos, it will get more of the respect it deserves.
This is apparent from the opening of the very first track, a cover of A Satisfied Mind. This leads into the title track, with Dylan's most overt set of lyrics ever, up to that point. The lyrics throughout the entire album, in fact, are unabashedly Christian. Some of the songs on Slow Train were somewhat ambiguous, and could be taken in more than one way -- I Believe In You, for instance, which could just as easily be a statement of dedication to a loved one as a testament to Christ -- and Shot of Love contained much material that was undoubtedly secular. Not Saved. Every track is a full-on gospel number. The music matches the lyrics accordingly. All of the songs contain huge, striking gospel arrangements, featuring superb piano-playing from legendary keyboardist Spooner Oldham, as well as some fantastic organ playing on a few tracks. The backing vocalists go a long way toward establishing an authentic gospel feel throughout the album, faring much better than they did on the previous two albums, where they often sounded robotic and lifeless. Jim Keltner, as always, provides stellar drumming, and Dylan's harmonica slices adeptly through the mix. As is well-known among those who have actually listened to the trio of albums -- it's a damn shame that many simply refuse to even give them a chance -- Dylan's vocal performances on them are among the absolute best in his entire career. In this reviewer's opinion, Dylan reached the peak of his vocal prowess on the '75 leg of his Rolling Thunder Revue tour, but his performances here rank just below that high watermark, and are even more impassioned and emphatic. Dylan clearly believes what he is singing on this album. The words and the sentiments expressed in the songs are very important to him, and he delivers them with some of his most emotional, impassioned vocals. Why only 3 and 1/2 stars, then? Simply because this album, in comparison to the greater Dylan canon, does not hold up favorably. I personally find it to be the weakest, both lyrically and musically, of the gospel trilogy, and possibly Dylan's least effective album up to that point, with the possible exception of New Morning. To be sure, the vocals are consistently incredible throughout, and the music is sometimes almost-equally inspired, but the lyrics are very substandard for Dylan, the greatest lyricist of all-time. Most of them are fairly simple, as are the sentiments expressed therein. (I suspect this was intentional. Several of the songs, notably Pressing On, are written in an agrammatical style clearly inspired directly by the King James Bible. Dylan probably kept the lyrics simple and direct, in order to get his message across loud and clear, without any window dressing; this idea is reinforced by the fact that Dylan left several of the more lyrically-ambitious pieces that he composed around this time off of the album. Verses are generally kept fairly simple throughout, while choruses are prominent, frequent, and oft-repeated. Several of the songs feature short, frequently-repeated refrains that achieve a kind of hypnotic effect upon the listener, after they have been heard chanted over and over again -- very prayer-like, very hymn-like... and obviously intentional.) While these songs certainly have achieved Dylan's apparent purpose, they simply do not make for his most compelling set of songs. That is not to say that there is not some very good material here, however: there most definitely is, though I don't think that there is truly a great one. The undisputed highlight of the album is Saving Grace, which features far and away the album's best lyric and an absolutely mesmerizing vocal performance from Dylan, which shows the best of his emotional side. The appropriately-named Solid Rock is another highlight: it is the most rocking song on the album and features a heavy R&B element. What Can I Do For You? and, especially, Pressing On are transcendent pieces that belie Dylan's true convictions and can't help but elicit an emotional stirring in the listener. If these songs do not move you, whatever your personal religious convictions might be, then you are either dead or simply not listening. A Satisfied Mind is effective, if short. The songs that I have not mentioned, however, are much less substantial, and bring the overall quality of the album down somewhat. In the end, I recommend this album highly to those who are big fans of this period of Dylan's career, and to fan's of gospel and Christian music in general -- a crowd who has, quite shamefully, almost totally ignored Dylan's contributions to their canon. Among Dylan's non-Christian fans, a group that probably constitutes the majority of his fan base, including myself, there is still a lot to like here: great vocal work, inspired music, and a sheer dedication and conviction the music. However, no matter how one slices it, this is a relatively minor album in Dylan's vast catalog, and you should have 15-20 of his other, better albums before venturing into getting this one. ... Read more | |
| 51. Men & Angels Say | |
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| 52. This Generation [Bonus CD] | |
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Amazon.com Reviews (3)
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| 53. Relient K | |
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| 54. I Need You Now | |
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"Still Say Thank You" beautifully weds Smokie's soaring tenor voice with a soulful, silken vocal ensemble. "Whether we're up or down, we have to tell the Lord thank you," Smokie says, "and if we do, we find that in that faith, bigger trials will bring bigger blessings." "Same Sad Song" is offered in two mixes, the first carrying Smokie's message of fatigue with an overload of songs of troubles and woe atop a crystalline acoustic guitar and harmonica, and the second "Urban remix" adding some kick with electric guitar and a punchy bottom end."Same Old Sad Song" focuses on current issues like violence and hopelessness but offers the Hope of glory.
A choir member loaned me her copy of "I Need You Now" and, upon listening to the entire project, I see why others are singing his praises. The singer has the ability to appeal to a wide audience, mixing the sounds of traditional gospel with the "beats" of urban and hip-hop. Unlike Franklin, Norful can sing and he most effective on the title cut, an elegant and emotional musical "prayer" that brings goose bumps to the listener. He also scores on "Still Say, Thank You" and the inspiring "The Least I Can Do". Very few artists can so skillfully mesh the secular sound with a genuine commitment to the sacred. Young Norful will, most assuredly, take his place among gospel's greats and will be a talent by which others are measured.
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| 55. Time | |
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Amazon.com Reviews (100)
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| 56. Acoustic Sketches | |
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Amazon.com Reviews (20)
This CD is a series of acoustic pieces which have a classical, jazzy, soundtrack feel to them. Keaggy's music is filled with energy and vitality. There are moments when he is repetitious, but not in a tedious sense. Just as the title of the CD suggests, Keaggy is painting by music and the acoustic guitar is his brush. The CD has many different sounds, textures, and styles. As you listen, you can hear the different influences coming out in Keaggy's music. For instance, sometimes the style of Pat Metheny comes through pretty strong. On other tunes, Michael Hedges is present. Nonetheless, Keaggy sounds quite nice on all the songs. The CD has about an hour or more worth of music, all acoustic, and makes for great listening while reading. If you enjoy guitar work that has a wide range of texture and style then you will love this CD. And if you love this CD, then I suggest getting a copy of Phil Keaggy's CD titled "Beyond Nature." I highly recommend both works.
In addition to his fantastic talent, he uses this strange technique of hitting the guitar strings, making use of enharmonics, which always thrills me to pieces as a listener.
Guitar players and Keaggy fans will find this work fascinating as they are allowed a good look into Keaggy's creative process. The artistry is excellent and the guitar work is technically brilliant. Those who are not big fans of the acoustic guitar will still find this album to be a wonderful representation of the versitility of the instrument. I loved this album and recommend its purchase to anyone looking to explore new musical horizons. ... Read more | |
| 57. The Lime CD | |
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| 58. To Hell with the Devil | |
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The songs on THWTD carry a timeless message to them and the music coupled with Michael Sweet's voice and lyrics are invigorating! I rarely give an album 5 stars in my reviews but there isn't a song on here that lacks power and appeal! There isnt any "filler" on Strypers classic album THWTD. "Calling On You" and "Honestly" are by far some of the best Christain (and non-Christain) tunes Ive ever heard. The title track is of course a shoe-in for its listeners also. Other songs like "Holding On" "The Way" and "Free" really grew on me. Buy this album by Stryper and discover what it is we all seem to be lacking in our lives. Songs that carry TRUE meaning and power to them, and a closer relationship with Jesus Christ!
PS for those who question the meaning of the acronym STRYPER:
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| 59. Listen | |
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our price: $16.98 (price subject to change: see help) Asin: B000007TF0 Catlog: Music Sales Rank: 38190 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (67)
"Listen" Well, it's a good title, but I don't really care for this song. "Healing Waters" This song is very pretty. I like the beginning especially. I'm gonna put it as #3. Michelle makes this one sound heavenly. "Heaven will be near me" This is #1! What a song! She is amazing on this one. Great lyrics! "Feel" Not much in this song "Christ of hope" I love the beginning to this song. Acually the whole song is really beautiful! Neat title. "My constant One" One thing you can always count on with Michelle is great beginnings to songs! Heres another. Very pretty. #2! "Untame Lion" Another good beginning. A great song to show her ability. "Rest my Soul" An ok song "Please come back" This one describes the story of the prodigal son. Nice message. "Life is Beautiful" Extremly beautiful song. Love her accent on here. "He's watching over you" An ok song This is without a doubt a cd you should add to your collection. What a gorgous voice!
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| 60. I 2 (Eye) | |
![]() | list price: $11.98
our price: $11.98 (price subject to change: see help) Asin: B0000004R2 Catlog: Music Sales Rank: 39963 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (23)
Secret Ambition, I Hear Leesha and Ashton are my three favorite songs - all have different styles and all have different reasons in being among my favorites. Another "Must Have" for your Michael W. Smith collection.
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