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| 121. Livin', Lovin', Losin': Songs of the Louvin Brothers | |
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Amazon.com Reviews (18)
The choice of artists is superb. Johnny Cash is pleased, I know, that not only was his last earthly performance a gospel number, but one written by two gems in country writing. Merle Haggard, I understand, recorded "Must You Throw Dirt In My Face" in a hotel room with Jackson's recording equipment...the only way the two could meet up given Haggard's crazy schedule. You would not know that from the professionallism of the recording, but on the other hand it brings in the old Haggard train-hopper/trucker/ex-con persona. (Welcome home Merle!) The only ones who are not here are possibly those who are seen as glamorous now by the well-heeled crowd, but whose talents are propped up by a pop management team. One song I hoped would be on this album wasn't: when I was a girl, my grandmother used to sing me to sleep with a song called "Cowboy Jack", written by the Louvins. It's quite rare, but I heard it played a few years ago on a folk show out of Arkansas on public radio, God bless it. (Pledge drives are now, by the way!). Carl Jackson, if you have a Volume II of the Louvins in mind, maybe Sheryl Crow & Kid Rock, or Dolly Parton & Emmylou Harris, could do some nice harmonies with this Marty Robbins-esque ballad about a star-crossed couple. Kelly Norman
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| 122. Worship & Faith | |
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Reviews (16)
If you are one of those fans searching your radio dial for some good southern gospel or traditional country gospel music, search no more. All you need to do it take a listen to Randy Travis' recent release "Worship & Faith." The third gospel release by this great artist in the same number of years differs this time from those previously released by offering some of the best-loved well-known songs in the Christian arena. Whereas "Inspirational Journey" in 2000 and "Rise and Shine" in 2002 offered primarily new Christian material, this latest release offers songs many can relate to from their childhood memories. Sung like only Randy could sing them, this CD offers such gospel ballads as "Peace in the Valley," "How Great Thou Art," "Blessed Assurance," "In the Garden," to the more upbeat songs such as "Sweet By and By," "I'll Fly Away," "Love Lifted Me," "Will the Circle Be unbroken," and many more. For those more familiar with the "praise and worship" songs often sang in many of the churches of today, Randy's rendition of songs such as "Open the eyes of My Heart," "You Are Worthy of My Praise," "Above All," and "We Fall Down" are truly breath-taking. Backed by only acoustical blue-grass musical arrangements, no one could be more convincing in his dedication to a music ministry than that baritone sounding voice of Randy Travis. You may also want to check out the DVD of this same title offering a live performance of many of these songs. The DVD was recorded At Calvary Baptist Church in Florida.
I have loved Randy Travis since 1988 and have loved the Lord a whole lot longer than that! And to hear that wonderful voice singing such special music is one of the greatest blessings of my entire life! And to know that he means every word he is singing makes it priceless! It's country and gospel at the same time...and it doesn't get much better than this!
This 20-song collection contains the familiar ("Farther Along", "How Great Thou Art," "Sweet By and By, "Peace in the Valley") along with more contemporary songs ("You Are Worthy of My Praise," "Open the Eyes of My Heart," "Above All"). This album is sheer joy from start to finish. It's hard to stop yourself from joining in and singing along. [And all the lyrics are included!] It's also worth noting that no electric instruments were used on this recording. In his liner notes, Travis says, "I pray God will take this music to places it's never been, that it will touch hearts and souls to glorify Him, our Lord and Savior." I'd say he's succeeded on that account. HIGHLY RECOMMENDED
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| 123. On My Way to Absence | |
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| 124. Down from the Mountain: Live Concert Performances by the Artists & Musicians of O Brother, Where Art Thou? | |
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Amazon.com Reviews (52)
DOWN FROM THE MOUNTAIN is the companion to the hugely popular soundtrack. Recorded live in Nashville in May, 2000, the album features several of the songs made popular by O BROTHER, as well as many songs recorded by the artists from the soundtrack. While it lacks the variety of the first CD, DOWN FROM THE MOUNTAIN sports several songs that make it a fine album to own, regardless of whether they were on the O BROTHER album or not. Standouts include the Cox Family's "Will There Be Any Stars In My Crown," Emmylou Harris's "Green Pastures," Gillian Welch's "I Want To Sing That Rock and Roll," and the Whites' "Sandy Land." DOWN FROM THE MOUNTAIN closes with Gillian Welch and Alison Krauss's duet of "I'll Fly Away." One of the album's best and most bittersweet moments is the late John Hartford's performance of "Big Rock Candy Mountain." Hartford died at age sixty three just a year after the recording was made. While it isn't as long or enjoyable as the O BROTHER WHERE ART THOU soundtrack, DOWN FROM THE MOUNTAIN is an excellent companion to its prequel. If you enjoyed the soundtrack, you will love this album. Hopefully, DOWN FROM THE MOUNTAIN, which has already appeared on the country album charts, will do its share in the quest to repopularize bluegrass and traditional country music.
About the sound quality: Live albums can have exceptional sound but this one does not. For examples of excellent live sound, check out the Weavers at Carnegie Hall and you'll see that it was possible 40 years ago. I'm not trying to say that this disc has horrible sonics, just that they are lower quality than I expected. Modern engineers can pull off excellent live sound on classical (many examples), rock (Zappa and many others) or acoustic music (Hedges), so it's not a limitation of the medium. Maybe the hall this disc was recorded in is difficult to mic?
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| 125. Phenomenon | |
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Reviews (41)
Favorite songs: Rawkfist (their Single), Faith, Love, and Happiness, Phenomenon, This Is A Call....ah, they're all growing on me, I honestly love them all. There's not many CDs from start to finish, but this is one of them! I'm listening to them even as I type this review. I'm really looking forward to future music from TFK. "It's TFK, we rock the party, and keep the party jumpin' in an old school way!"
I love GOOD rap and the first cd had some of that. There's rap on here, but no where near enough good stuff. Of course, musically, this cd is much improved though I'm not saying Set It Off was really lacking. Of course, the presence of good turntables would've helped their latest.
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| 126. My Mother's Hymn Book | |
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Reviews (7)
Never were Mr. Cash's life struggles and salvations more highlighted than when he chose to delve into gospel music. He fought early in his career to record a Christian album, and these songs that he loved were a prime element of his recording and performing from that point forward. In fact, he may very well have made it "hip" to enjoy this music. So, it is fitting that his first posthumous release is the thoroughly beautiful and powerful "My Mother's Hymn Book". This disc exposes the spirituality and vulnerability of Mr. Cash in his twilight years, and continues the trend of his career resurrection with the American Recordings label. As described in the liner notes, Mr. Cash recorded songs taken from his beloved mother's hymn book (hence the title of the disc). These songs are pure old-time gospel; songs and hymns that have been a staple of Christians for decades. What makes this disc so powerful is in the simplicity of its production. All the tracks were recorded just with Mr. Cash's vocals and his acoustic guitar. The result is that the songs are performed as the listener would hear in church. However, there are more intangibles to this recording that make it a wonderful experience to listen to. As with almost every song in his extensive catalog, Mr. Cash conveyed a sense to the listener that he lived the experiences that were put to music; that is no different in this case. Mr. Cash's vocals relate a raw emotional quality that are enhanced even more by the knowledge that he and his wife's time on earth was short. But, there is a power and confidence to his effort that suggest he was comfortable with his place in life and also with his spiritual future. When I first purchased this disc, I listened to it in entirety three times. I just hit "replay" on the CD player and was enthralled with what I was hearing. I could not wait to share this disc with family and friends, and likewise, I am eager to recommend this to a wide audience. Not only will Johnny Cash fans enjoy this, but fans of Christian music - or just good traditional music in general - will also find this captivating. Therefore, I give "My Mother's Hymn Book" a hearty five-star rating.
"My Mother's Hymn Book" is volume four of the Unearthed box set, so for those who own Unearthed, it is a collector's item. As an album in its own right, it is quite unadorned. Simply Cash, his guitar and the hymn book. Released around Easter and in the wake of the Passion of the Christ, the album might benefit commercially, but it is anything but commercial. As a collection of songs, it reminds one of Cash's earlier gospel output -- yeah, he wants to sell albums, but this is his tithe (offering). This listener is grateful to receive it. ... Read more | |
| 127. So Natural | |
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| 128. Revival In Belfast | |
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Album Description The blend of uilleann pipes, pennywhistle and a multi-national worship band create a powerful backdrop of the intensely honest songs of Robin Mark that have become well known throughout Europe.Featuring "All For Jesus," "Lion Of Judah," and "Days of Elijah," Revival In Belfast delivers unique and singable songs that are destined to revive your heart as you celebrate the Lord of All. Reviews (30)
When I first listened to it, I did not understand what some of the lyrics meant, for example: "put on the garments of praise, for the spirit of heaviness", etc. So out of curiosity, I looked this verse up in my concordance in the back of my Bible and to my suprise, there it was in Isaiah 61:3. The same with many of the other songs on this CD. My point being, that the songs on here are, in fact, Biblical which makes it a more enjoyable listening experience for me. The music has a nice Celtic flavor to it. But you don't have to be a fan of Celtic music to love this CD, you just have to be a fan of Jesus Christ.
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| 129. I Wish We All Could Win | |
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| 130. Genesis | |
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| 131. Collide | |
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| 132. Dream | |
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| 133. Butterfly Kisses (Shades Of Grace) | |
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Reviews (36)
Butterfly Kisses is a song about a father's love for his daughter. As it goes through the stages of his daughter's life, it shows that even when she is a teenager and the line goes, "I still love you daddy but I'm only gonna kiss you on the cheek this time" how she still has an unconditional love for him. The piano is beautiful and I simply love the sounds of hirls and boys laughing on the playground in the beginning. All the words are beautiful in Butterfly Kisses. I can't say I love the CD as a whole, but Butterfly Kisses is such an amazing song. Bob has an incredible voice. Note: He is more of a gospel religious singer, if you don't really go for that genre of music than maybe buy a single CD for just Butterfly Kisses. The other song I like on this CD is Must Have Been An Angel. Buy this CD for if anything, only Butterfly Kisses. It is that much of a wonderful song. I highly recommend Butterfly Kisses (entire cd or single cd) as a gift from a father to daughter, daughter to father, or a wedding gift. Butterfly Kisses has become me and my dad's song. Please check out my other reviews in the games, books, and Cd's section. Thanks! And again, listen to Butterfly Kisses.
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| 134. Amazing Grace - A Country Salute to Gospel, Vol. 1 | |
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Amazon.com Reviews (11)
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| 135. Best of Oak Ridge Boys-Millenn | |
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This collection would not be quite to bad if MCA hadn't released "The Oak Ridge Boys COLLECTION" nearly 10 years earlier. At least that package got original artwork and liner notes. When it became inevitable that the Oaks needed a Millenium Collection, what did MCA do? They simply pulled the 1992 "Collection" off the market (which had been certified Gold not too long before), slapped an old album photo on it (the original cover for "American Made," to be exact), and ever so slightly edited the track list. The result: a POOR excuse for a new release. All but one of the songs on this release appeared on the '92 collection ("Bobbie Sue," conspicuously absent from the prior release, and "Make My Life With You" are the only additions). Amazing, two of the Oaks' biggest hits, "Y'all Come Back Saloon" and "Thank God For Kids" were cut altogether (I guess to save even more money). Even the liner notes are nearly identical to the '92 release. I see no reason for this total lack of concern for a top-notch group such as the Oaks. Since they have so many more hits, perhaps MCA will consider doing a Volume Two Millenium release (with a NEW cover photo and DIFFERENT song line-up!!)
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| 136. Anthology of American Folk Music (Edited by Harry Smith) | |
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Amazon.com Reviews (24)
If you enjoy the Anthology music you can hear a lot more of the same style on Yazoo Records' various "rural music" anthologies. Nearly every disc they issue has an Anthology track or two on it, or other work by artists who appear on this Anthology. I actually find Yazoo's "Before The Blues" series more enjoyable, track for track, than this collection. It's likely, though, that there would be no Yazoo records today if the AAFM hadn't come along in the early 1950s. Also, this Anthology includes secular, spiritual and "social" music in a rather comprehensive way, so understandably there don't seem to be many people who like EVERY song. Even Harry Smith didn't like every song in the collection (read the liner notes).
The collection includes a 100-page booklet that features harry Smith's original handbook of songs, an essay by critic Greil Marcus, along with other essays, song notes, photos, graphics, and recollections by legendary artists about how this anthology inspired their own careers. The overall effect is like taking a college course on American Folk Music. Whether your interest in this type of music comes from listening to the Weavers, Peter Paul, & Mary, or the soundtrack to "Brother, Where Art Thou?" hopefully your enjoyment of folk music will lead you back to this seminal collection. Additional Note: There is also an excellent website put together by the Smithsonian Folkways that will tell you for not only alternate titles (e.g., "The Wagoner's Lad" is also known as "Loving Nancy" and "My Horses Ain't Hungry"), but other recorded versions organized by styles (e.g., traditional American Folk, Folksong revival, Post revival, Country/String Band, Bluegrass, and British). Like everyone else, I have been greatly impressed by the way the Smithsonian Institute has been protecting our nation's heritage when it comes to folk music. They take their job seriously and they are very, very good at it.
Music is ill-suited to being described in words, so I'll use an entirely different experience to try and convey what listening to this Anthology is like. I once knew a fellow who had grown up on Bechtel construction project sites around the world. As a kid playing in the dirt at these sites, he'd collected a box full of those stone tools that humans made and used for something like three million years. I found that once I had turned one of these slips of chipped obsidian or shale over for a moment, it settled naturally into my hand. There was a spot for my thumb, another spot for my forefinger, and my hand was making a scraping or digging motion with the thing. The tool and my hand still remembered their ancient partnership, without any volition from me. This sensation was simultaneously disturbing and satisfying and made the hair stand up on my neck. This sensation is very close to what I feel listening to this anthology. You will not hear the familiar, highly produced music we're now so comfortable with. You will hear the voice and sound of music as it has been for millions of years -- and you will recognize what you are hearing as being utterly, essentially human. These recordings were, of course, made only 75 years ago in the 1920's, surely part of the modern era. Yet this was the last moment in time between the old world and the new world. We still sing and play music for the same reasons we always have, but the way we used our voices and instruments for millions of years has been changed by technology. So if these not very old recordings feel strangely like a link to something ancient and mysterious, that's because they actually are. There is a great beauty in the voices on these recordings, many of which are almost shrill, almost off-key -- unfamiliar to our pampered contemporary ears -- but also perfectly right. There is a mystery in the odd and sometimes fragmentary lyrics, whose once important meaning is now lost. We can still share the depth of feeling through the music itself, sometimes so strongly that your heart leaps as though you'd been kicked from inside. But, as it says in the booklet of notes, while we can share in the emotions that impelled someone to sing about The Coo Coo Bird in the first place, we'll never know why it was important to live on a mountainside in order to see Willie go by. Perhaps the true power of this Anthology is that every recording is genuine in a way that is no longer possible. I recommend it. ... Read more | |
| 137. Prince of Praise | |
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I really appreciated that the "Byron Cage Medley" included a revision of "Shabach". I haven't heard that song in years and the re-invention, even though short, was definitely a dancing track. "Never too Busy" was also a bonus. I was actually disappointed when the song faded to the next track. He had the singers coast into a few bars of "Praise Him", I was just getting into some worship when the song ended. I was unhappy that there wasn't more of Byron Cage's material on the album. I am a big fan of Byron's writing as well as his singing skills. I've heard him on other projects and was looking forward to hearing some of his original material. But I guess that's just how it goes when your working with super producers at a major gospel music label. His songs were probably the first to hit the cutting room floor when they were grinding this project down to 12 tracks. Overall, I was very happy with the entire album, would buy it all over again and it is still in rotation in my car CD deck.
Byron Cage and Kurt Carr are truly annointed on this CD. Go get this CD! Get up and dance! God Bless.
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| 138. A Thought Crushed My Mind [Bonus Tracks] | |
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| 139. 50 Years of Hits | |
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| 140. Hymns of Faith: Songs of Inspiration | |
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