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| 161. Dance & Sing: The Best of Nick Jr. | |
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Reviews (11)
The best thing about this album is the inclusion of some of the great songs that only show up maybe once or twice on your favorite Nick Jr. shows. Enjoyed the "Planet Song" from "Blue's Clues?" It's here. Adore Hamilton's "paper flowers" song from "Maggie and the Fercious Beast?" It's on here, along with his singing about his box to boot. The only oversight that I can think of is not including more of the instrumental only closing themes from some of those shows. Otherwise, everything is top-notch.
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| 162. Las 100 Clasicas de Cri Cri, Vol. 1 | |
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Reviews (3)
Para llorar de nostalgia y alegria ! ... Read more | |
| 163. Dance Party | |
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| 164. Papa's Dream | |
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Amazon.com Reviews (14)
This book and accompanying cassette or CD will enhance your students learning as they are entertained and educated in the Spanish language. Great job - especially on the music!!
The music alone is great. I just wish the story was toned down (like the perfect balance in Choo Choo Boogaloo).
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| 165. Disney Silly Songs: 20 Simply Super Singable Silly Songs | |
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Reviews (11)
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| 166. Stay Awake: Various Interpretations of Music from Vintage Disney Films | |
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Reviews (21)
My tastes mellowed out in the following 15 years (just a bit) but still this cassette keeps coming out of the drawer year. The subtle, talented and completely original takes on the Disney movie songs manage to imprint the artists' vision while still retaining the original magic of the movies (you can picture in your mind a group of seven dwarves who all look like Tom Waits chanting Heigh-Ho). Then last year, I found myself singing "Blue Shadows" in the manner of Syd Straw and "Stay Awake" in the manner of Suzanne Vega as lullabies to my daughter at bedtime. This album stands the test of time, so of course I finally have to have it on CD.
Embarrassing, because even at thirty years old, you still whistle Zip-A-Dee-Doo-Dah from "Song of the South" when you're happy. Don't you? Fear not, closet Disney-phile. This album takes all those songs from your favorite movies, and gives them an adult twist. This album will serve a two-fold purpose. First, you can get your fix of Disney anytime your middleaged-child heart desires. But most importantly, if you get "caught" by your friends, you can pass it off as serious music. Whether a mere fresh coat of paint (as with "I Wanna Be Like You" from Jungle Book) to a slight sarcastic tone on old favorites (Sinead O'Conner singing "Someday My Prince Will Come" -- 'nuff said there!), to downright spooky versions of bettime songs (Suzanne Vega's acapella version of "Stay Awake"), to absolutely twisted rehashes of formerly tired standby's (Tom Waite rebuilds "Heigh Ho" in his own graven image), this album is a fantastic work. It not only transforms these scores into wonderful new pieces of art, but it also remains true to the basic spirit of Disney. Perhaps it is irreverent in places. Yes, it may even poke a little fun at our favorite childhood icon. But it is still a respectful tribute to the original artists who put these tunes in our heads in the first place.
That's why this record was such a joy to me when I first discovered it (in a cut out bin in a supermarket checkout lane, believe it or not) a dozen years ago. It instantly became one of my favorite records, not for any individual performance, but for the overall mood which recalls the dark, dreamlike feel that permeated the films. Not that the performances aren't great. Its hard to pick a favorite, although I've always had a soft spot for the Ken Nordine stuff, Syd Straw's take on Blue Shadows and, especially, Sun Ra's Arkestra cutting loose on "Pink Elephants on Parade." There's really not a weak one in the batch though. Ask me again tomorrow and I'd probably pick something else. Its someone surprising to me that this is still in print. I can't imagine it selling much and its certainly not the good time nostalgia one might expect from such a compilation. At any rate, its well worth purchasing and will make an interesting addition for fans of the acts contained as well as the original wave of Disney films.
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| 167. Sing the Alphabet (Blister) | |
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Amazon.com essential recording Reviews (19)
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| 168. Disney's Greatest Vol. 2 | |
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| 169. A Child's Celebration of Dance Music | |
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| 170. Barney's Favorites, Vol. 2 | |
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Reviews (5)
Instead, I highly recommend anything and everything by Led Zeppelin! Led Zepppelin rules! Get the Led out!
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| 171. Yellow Bus | |
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Amazon.com Reviews (25)
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| 172. Cellabration: Tribute to Ella Jenkins | |
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| 173. Vol. 1-We All Live Together | |
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| 174. The Best of Broadway | |
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Amazon.com Reviews (8)
There are a lot of kids around the age of these children (12-15, I think) who have much more mature voices, and would have done a much better job with this CD. Some of the songs, such as Castle on a Cloud and the songs from Oliver and Annie, fare all right because they were written for young kids with these kind of belty voices. However, songs like "I Feel Pretty" and "Seasons of Love" call for more mature, grown-up voices. However, if these kids were all in the 9-12 age range, I would excuse the juvenile voices. The part that frightens me is that these children all sound like 10-year-olds when some of them are actually as old as 15. I fear that the young voices on this CD have been ruined by too much vocal training, too early. There's a reason why good voice teachers won't train students until they are 11-12--it can destroy a voice to start before that. I shudder to think of what these kids will sound like in a few years. You want an example? Look at the early casts of "Annie."
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| 175. Baby's First Lullabies | |
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Reviews (18)
Suddenly, my ears were accosted by the most obnoxious, laughable sound of track 3. It is a synthesized, incredibly upbeat version of Hush A Bye Baby sung by a woman with the most grating voice. The same can be said of Twinkle Twinkle Little Star and Frere Jacque (tracks 6 & 11). Besides being irritating, these songs are actually LOUDER than the rest of the instrumental songs and could easily jolt a sleeping baby out of slumber. Those 3 tracks completely undermine the "Lullaby" theme. I will be burning this CD onto another CD and leaving out those 3 tracks. Had I read the reviews and seen that others had complained about these same tracks, I never would have bought it. This CD defies logic and you will be better off without it!
i give it 3 starz oh classic music sux bach
This CD is obviously a slapped-together production, designed to make a quick buck more than anything else. The production values are absolutely bottom of the barrel. I am only thankful that I didn't pay money for this. It came as a gift, and as a formality I gave it one run-through on the CD player. It has been permanently retired. For the record, I tend not to take the "soothing lullaby" approach with my 4-month-old daughter. More often than not, she gets high-volume, thematically complex music when she is in her swing. She likes it just fine and usually falls into a deep slumber in due course. This weekend we went through the Schubert D. 958, 959, and 960 piano sonatas, played by Murray Perahia, which is as far from the "Baby's First Lullabies" hack-job travesty as you can get. Helen liked it just fine, went to sleep, and (I hope) will emerge from childhood with a more refined musical palate than if she listned to this junk. ... Read more | |
| 176. Linus & Lucy: The Music Of Vince Guaraldi | |
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Amazon.com Reviews (38)
Also on the cd are such Guaraldi hits as, "Cast Your Fate to The Wind," "Monterey," "Remembrance," and "Theme to Grace/Lament." Most of which are from the 1960's. Most people are very familiar with the Charlie Brown tunes, but may not be aware of who wrote and played them. Winston does Vince Guaraldi good in his musical tribute to him. It's a great cd if you enjoy Winston, Guaraldi, The Peanuts Gang, or all three. I love this cd for all three of those reasons! Would be a great addition to your cd collection. Also of interest are the liner notes in the cd cover. There's a brief bio on George Winston and Vince Guaraldi, as well as how Winston came to admire and play the music of Guaraldi. He also writes a brief overview of each song. Very interesting.
Two issues can work against the material here if one is not prepared for them. First, most of the originals have worn grooves into my brain, and in some way, these songs are in part like a soundtrack to wonderful, fleeting years of childhood before adolescence. When I was a kid, I used to tape the Peanuts® shows on my small reel to reel tape machine (this was in the '60 so way before VCRs) in order capture the music. And since then, I have no idea how many times I've watched those shows, now with my own children. Hence, it's hard to follow Mr. Winston when he veers in another direction, adds a new twist, or tweaks the material---even though he does so masterfully. But the lightness and sweetness of these songs is mostly preserved, at least around the edges, and by reinterpreting the music, Mr. Winston provides a fresh take, though not exactly the same sentiment of the originals. Second, the contrast in styles between Mr. Winston and Mr. Guaraldi sometimes creates a bit of tension in my deep-rooted expectations of what this music "should" sound like. When Mr. Winston applies some of the stride piano playing or alters the beats a bit (see his liner notes for more better explanations), the songs no longer have the same lilting quality I expect from my prior conditioning and sometimes a note sounds more brittle than fluid. Some of this tension abates after a few listens, but there are a couple of spots where it proves more distracting than enjoyable. Listen to the middle of the title track, for instance, where some of the cords sound harsh. All this commentary aside, Mr. Winston treats the songs and heritage of Mr. Guaraldi respectfully. His revisions actually make me appreciate the original songs more.
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| 177. You're a Good Man, Charlie Brown (1967 Original Off-Broadway Cast) | |
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Reviews (19)
"You're a Good Man, Charlie Brown" "T-E-A-M (The Baseball Game)" "Peanuts Potpourri" "Suppertime" "Happiness" The bonus tracks on the album are interesting and the booklet that comes with the cd is quite informative about the history of the original show. A great album for any Peanuts fan or Broadway buff.
First of all, it seems this cast is made of actors who happen to sing, not singers who can act, and it's sometimes painfully clear. Sure, they're on the notes, but they're not even really pulling off the little kids act. Second, and maybe because I'm a child of the later 20th century, they just sound like old people, even though I know the actors were pretty much in their prime. They just talk like people from the 60s, and I don't feel like they embody the childlike innocence that is Charlie Brown. In any case, some of it is very good and charming, despite these "few superficial failings," but for some definite character appeal and really excellent reworkings of great music, check out the New Broadway Cast Recording.
In my opinion the *original* LP release is still better, because these tapes, although they are nicely cleaned up, are not even as charming as the original LP! I was really happy to get this and still am, but I still believe that the original LP is superior (and no I'm not confusing the 1999 revival with this!). I wish there were some explanation as to why this re-release chose a different set of performances compared to the original LP release. I really liked the LP versions and, except for the fact that they are now a bit scratchy (LPs being what they are), they performances are still more charming than this release. So in Charlie Brown fashion I sigh and shrug and figure that life is bittersweet and that some things, loved as they were in childhood, are lost forever... and let sweet distant memories be what they are. ... Read more | |
| 178. Family Tree | |
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Reviews (20)
IN FACT I COULD HAVE FUN WITH THIS CD BY BACKING USE THE CD AS A FRISBEE, OR USE IT AS A SHOTPUT!!! TOM JUST DOES NOT CUT THE MUSTARD FOR ME!!!!
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| 179. Diez Deditos | |
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| 180. Ultimate Kids Song Collection: 101 Favorite Sing-A-Longs | |
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That said, this recording is very inferior. The recordings are of a quality that makes them unpleasant (almost downright irritating) to listen too. The nice melody, rhythm and careful arranging that goes into other recordings is missing here. The end result is considerably less enjoyable, than say a Raffi or even a Barney CD, and there is a whole lot more of it to endure.
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