Reviews (7)

A powerful voice.
This is the first Nina Simone album I ever bought and itÕs one of the most precious records I own. I got my first vinyl copy thirty years ago, after seeing and hearing her on a PBS special. I ended up with this record because it was the only thing they had by her at the record store and, like practically everyone who has ever heard her sing (unfortunately, not nearly enough people), I had to have SOMETHING. The first time you hear her voice she becomes an addiction. Years later I bought a cassette of this album for the car, and after I got a CD player, this was one of the very first CDs I bought. For thirty years, itÕs been one of the few albums I never wanted to be without.

The odd thing is, itÕs not a flawless record. There are a couple of tracks that I skip almost every time I listen to it. (Her pitch on "Wild Is The Wind" is so off itÕs like fingernails on a blackboard.) But forget the duds. The rest of the album is not just brilliant, itÕs beyond compare. Nobody sounds like Nina Simone. Not even close. I couldnÕt even describe to someone who has never heard her exactly what style of music she sings. SheÕs sometimes classified as an r&b singer, which makes no sense at all. Most critics all her a jazz singer, but she has objected strenuously to that label, and certainly if youÕre thinking of Billie Holiday or Sara Vaughan, youÕre way off base. In her autobiography, she calls herself a folk singer, but that evokes images of Joan Baez and Judy Collins, and doesnÕt really fit her either.

Nina Simone is simply a brilliant musician, a genius who has taken in a wide range of influences Ð gospel, jazz, folk, classical, blues, European art song, musical theater, r&b, everything Ð and blended them together into unique works of art. The only performer of her breadth I can think of is Ray Charles Ð and as much as I admire Ray Charles, I think Nina Simone is even better.

On some songs Ð "I Put A Spell On You," for example, and "DonÕt Let Me Be Misunderstood" Ð her singing is so deep and moving, so honest, she brings chills even after youÕve heard the songs a thousand times. Others go even beyond that. Listening to her rendition of BrechtÕs "Pirate Jenny" is like listening to a soliloquy by a brilliant actress on a bare stage: she evokes an entire world, an entire soul, with the sound of her voice. The anger of "Mississippi Goddamn" still burns decades after she wrote the song. You canÕt listen to her without feeling angry yourself. And the 10-minute "Sinnerman" is awe-inspiring, a religious experience, every second of it.

DonÕt expect to put this on in the background, because this is music that will force you to sit down and pay attention to it. Nina Simone will not be ignored.

I wouldnÕt be without this album.

Brown Eyed Handsome Woman !
If you describe her style as jazz, then Nina Simone is my favorite Jazz singer. I prefer to call Nina a vocalist (and yes, she's also my favorite vocalist). Nina Simone's voice just makes me giddy. It makes my skin goose pimple. I can't say exactly why. Its not sweet and chipper like Ella, nor is it world weary like Billie, it has its own life. It's raspy and earthy. Its almost gravely growl gives the songs Nina sings a more truthful sound. You can't help but believe her when she sings 'Pirate Jenny' that if someone made her the king (and I do mean king. Nina sounds like she could beat up most anyone in a street fight...) of the pirates, you are going to be in trouble mister. BIG TROUBLE.

Other standouts on this album include the classic civil rights anthem MISSIPPI GODDAM, the re-done classic by the Animals DONT LET ME BE MISUDERSTOOD, and the two songs that could easily be predecessors to dance music SINNERMAN and SEE LINE WOMAN. My personal favorites on this album are PIRATE JENNY and the self explanitory BREAK DOWN AND LET IT ALL OUT. You can just feel the anger and hurt in her voice as you listen. To me, that's a very rare and beautiful thing...

Miss Nina Simone Goddam!
What an incredible compilation of the very best that Nina has to offer. The emotional range and sense of humor presented on this CD make the listener feel as if she/he were at one of Nina's concerts-one can almost smell the cigarettes and whiskey being enjoyed by the audience. She is a true Diva in the very best sense of the word. All songs are amazing and provide the listener with a great building block or addition to one's Nina Simone education.

So she might sound like a man
When first I heard Nina Simone, I was sure that it was a man, but my friend hastily corrected me on my grave error, as she was, as I was soon to learn, the greatest Diva. Although not the only one to have made this gender mistake, neither am I alone in having huge respect for her undeniable talent. Like so many musicians, her songs are well known, frequently sung and often copied, but she is scarcely remembered. However, when you hear this album, her voice, filled with utter sensuality, hits you with intense emotion. Its huskiness reminds of all the sorrows which well in the back of your throat, yet it is reminiscent of hope. A quality becoming so rare in music is amplified in her songs, and this is the character which she gives to each one. Every piece is individual and charming, even the French track Ne Me Qitte Plus, with its awful accent is still completely endearing. To use a cliche, these timeless classics are enchanting and seductively romantic. You will undoubtly find yourself singing along, as if she 'put a spell on you'.

the power of vulnerability
I have a tape with all but two of the songs for this Nina Simone collection. Simone's passion and ability to evoke mood makes her a great artist. She unashamedly gives a woman's take on lost love in "Break Down," and comes out seeming powerful despite heartbreak. "Sinnerman" is like a downhome revival service. "I Loves You Porgy" is just honest and sincere. "See Line Woman" has a rural, black southern U.S. or Caribbean religious spirit-evoking feel to it. "Four Women" is brilliant and haunting. "I Put a Spell on You" shows the confidence of a woman's wiles without seeming psychotic or fatal attractionish. Overall, I really enjoy Simone's work. I look forward to buying some of her other collections. ... Read more

Amazon.com

Just as irony is being pronounced dead, along comes this boozy holiday compilation to suggest that rumors of its demise may be premature. Given the culture's simmering lounge mania, this collection (with its cheesy homage/rip-off Oceans 11 art direction) may be belated--but hey, punctuality was never these swingin' cats' bag, Jack. The novelty of having three of the 20th century's most notorious sinners belt, whoop, and sing the praises of sleigh bells, roasting chestnuts, and the virgin birth would be enough to recommend this dizzy, 21-track delight, but there's actually some rewarding pop archaeology here as well. Two of the best tracks--Sammy Davis's ring-a-ding-ding romp through "Jingle Bells" and Dino's dreamy "Peace on Earth/Silent Night"--hail from a vintage, ultra-rare Reprise sampler. Sammy's typically over-the-top "Christmastime All Over the World" and Nat Cole tribute, "The Christmas Song," also make their CD debut. Dino's holiday TV specials yield more unreleased rarities: Sinatra-Martin duets of the loopy "Marshmallow World" and a touchingly tipsy take on "Auld Lang Syne" that suggests the boys have shared more than one cup of kindness. --Jerry McCulley ... Read more

Reviews (28)

One Of My Christmas Favourites
When this came out last year I grabbed a copy from a fast-diminishing pile at my local record store. And I now regard it as one of my all-time seasonal favourites.

The opening lines from the insert tells it all: "Forget about ho-ho-ho and bells that jingle. This Christmas will be strictly ... Ring-A-Ding Ding. Yep, Frank, Dean & Sammy are serving a heaping helping of yuletide cheer featuring classic versions of holiday standards, rare first-time CD performances and hitherto unreleased bonus tracks."

This is followed by two pages of brief anecdotes from each of the stars, some of it related to the origins of the nickname The Rat Pack, as well as a note from Frank's long-time pianist Bill Miller relating their appearance in Las vegas while filming Ocean's Eleven.

A picture spread in the middle shows the three in action on stage, followed by three pages showing the contents and when the song first appeared on record. The earliest [track 11] dates to 1954 and the Capitol LP Merry Christmas To You while most of the remainder are culled from albums originally reeased in the late 1950s to early 1960s. Track 20 is from Dean's TV special on December 21, 1967 and track 21 is from his December 31, 1970 show. The only one previously unreleased is track 3, Christmas Time All Over The World by Sammy, and when you hear it you'll wonder why it was held back at the time.

Thank you Capitol for what is now surely an essential addition to any Christmas collection.

Christmas cocktails with Frank, Dino and Sammy!
Capitol has followed up their "Eee-O Eleven: The Best Of The Rat Pack" disc (one of the few excellent 'Rat Pack' compilations around; most others recycle the trio's bargain-basement material) with this brilliant Christmas-themed CD. While all of the songs Frank Sinatra and Dean Martin sing on their own have been released before on CD, this is a pretty good selection from that material.

From Frank, we get a few timeless carols, "The First Noel", "Hark! The Herald Angels", etc (backed with a choir), plus the beautiful "Christmas Waltz", and "I'll Be Home For Christmas". We even get treated to "I Believe", which is a somewhat rare single, and wouldn't really even be on this CD if not for a throw-away reference to Santa Claus!

From Dean, we get a few tracks from his "A Winter Romance" album (a priceless collection of frosty not-so-politically-correct charmers), as well as a few traditional by-the-numbers Christmas anthems: "Silver Bells", "White Christmas", "Rudolph The Red-Nose Reindeer" and "Winter Wonderland", all of which see Dean impeccably slurring his way along as only he can! A highlight is the stunning "Peace on Earth / Silent Night", which is taken from a ultra-rare Reprise Christmas promo album.

Another track from this album is the incomparable Sammy Davis, Jr.'s take on "Jingle Bells", which is given a Vegas arrangement that swings something fierce! Sammy's tracks really make you wish he'd recorded his own Christmas album. I suppose he was too busy wowing the world onstage as The Greatest Entertainer Who Ever Lived, to consistently blow the socks off everyone from the studio.

The only (minor) gripes are in the small print... For those who care, Capitol's telling a few badly-researched fibs in the liner notes. Dean's "White Christmas" is his '59 version, not the '66 as claimed; Sammy's "It's Christmas Time All Over The World" has in fact been released, and on so many budget Christmas LPs it's not funny, while Davis, Jr.'s sensational version of "The Christmas Song" was not originally from his "The Nat King Cole Songbook" LP, but from a 1963 album, "California Suite", devoted to songs written by Mel Tormé.

The two finishing tracks, Frank/Dean duets from Dean Martin's TV shows cap off a sensational album - the talent of these three guys will short circuit your CD-player if you're not careful, so pour yourself something stiff, and sit down to a nostalgically cool Yule! This CD is even enough to make this Australian reviewer forget that it's the middle of summer and as hot as blazes outside, and cry insanely into the bushfire smoke "Let It Snow! Let It Snow! Let It Snow!"

Coolest X-Mas CD ever
I was under the impression that I was cool BEFORE I got this CD. Now I just can't stand myself. Frank and Sammy tear it up, but Dean is my boy. What a pimp. This CD rocks.

Solid!
Overall I found the CD to be great - I was expecting a few more Christmas tunes but am very pleased with the selection the chose for this CD anyway. The recording quality is great and overall this inspires me to get more of the Rat Pack CD and DVD collections. What a blast it must have been to watch these guys live!

These hip cats set a swinging, partying mood!
I brought this CD home as a Christmas present for a coworker, but my husband claimed it before I could gift-wrap it. After he played it once, I realized it was the perfect gift for just about everyone on my list. I bought six more to give as gifts -- all to thrilled recipients. We took our own CD along to 2 holiday parties where the hosts played it nonstop and all the guests loved it. This is the perfect Christmas CD. The choir and orchestra are quintessential 1960s. The sacred songs get the respect they deserve, and the silly songs have never been more fun. Do what I did: get one for yourself and one for every music lover on your gift list. ... Read more

Amazon.com essential recording

Ray Charles's decision to cut an album of duets with then-rising jazz singer Betty Carter defines the phrase "unerring instinct." Charles responds to Carter's gorgeous voice and compelling melodic changes with some of his softest singing; you might say that this already masterful conduit of emotion got in touch with his feminine side on this 1961 date. The opening and closing cuts of the girls'-names theme album Dedicated to You, another '61 LP that fills out this 78-minute disc, demonstrate Brother Ray's touch for transforming unlikely material into expressions of his own funky essence. His amused big-band celebrations of "Hardhearted Hannah" and "Sweet Georgia Brown" sit alongside sublime portraits of "Stella by Starlight" and "Ruby" on an underappreciated set that's a perfect match for the Charles-Carter sides. --Rickey Wright ... Read more

Reviews (5)

A Natural Musical Performance
It is probably a mistake to romanticize the past, however, I wonder if a recording such as this could be made today, in this age of polished marketing and highly 'professional' musical performance. Their is a natural, unforced, aspect to the music here that can not be denied.

By now, the greatness of Ray Charles and his stature in the Jazz World, is indeed self evident. His work with Betty Carter on this disk shows his sensitivity in selecting a companion for collaboration as well.

I have listened to this disk countless times, musing over the sensitive lyrics and the performances rendered. The songs never forget to remind me that a delicate sensibility, while not easily found, can be a worthy companion.

You might enjoy the sensitive vocals and fine orchestration here, no matter what your current love status may happen to be. It is hard to recommend this disk highly enough.

If you like Ella Fitzgerald and Louis Armstrong...
Ray and Betty rule. This is an outstanding pairing of contrasting vocal talents with fine phrasing and orchestration. Wonderful.

Funny, refreshing,entertaining
A great pairing of two musical giants

one of the most played in my collection
When this was recorded there were so many people who showed up to witness this fabulous duo, that the session had to be closed. You can feel the emotion...not a finer recording exists. Guess you can tell I like it.

Ray Charles at his best
I originally bought "Dedicated to You" in 1961 in college. It was the only albumn that I ever wore out completely with help from my dormmates. It was played constantly. The titles are all girl's names and his treatment of "Nancy" "Dianne" and "Hard-hearted Hannah"are classic with big band background. All these years later the CD has not lost a thing in fact the stereo sound is more realistic than it ever was. Then to find an additional albumn with Ray and Betty Carter on the CD was a real bonus. The price is worth one of these two alone. If you like Ray Charles you won't be disappointed. ... Read more

Album Description

Pop/jazz/rock cross-over star Michael Franks' first-ever holiday album sets the scene for mirth, merriment, and a cool yule all around. On tracks like "Said the Snowflake" and "I Bought You A Plastic Star (For Your Aluminum Tree)," the artist's trademark wit and lyrical worldplay are clearly in evidence. And throughout the disc's ten tracks, this master musician taps into his signature sense of timeless romance, wrapping his poetic songcraft in melodies as inviting as a blanket of freshly fallen powder. Delight your senses with the magic of the season, as observed by Michael Franks. ... Read more

Reviews (4)

The price is right
Why can't more CD's be priced like this fine offering from the Verve vaults?
For the cost of a couple of gallons of gasoline this music will take you further and you'll get plenty of mileage out of these classics. Beginning with the Carnegie Hall live recording by Dizzy Gillespie of "Manteca" in 1961, this disc will either take you down memory lane or set you on a new path of jazz discovery. Jazz means many different things to many different people, often discredited as being too cerebral or just plain high music, jazz often gets a bad rap. There is no clear definition because like many other genres there are many sub categories. Within the broad context of jazz this disc is diversified . Several great songbirds are featured including the marvelous, so nice the used here twice, Nina Simone, Sarah Vaughn, Ella Fitzgerald(two songs too), Betty Carter and Astrud Gilerto. Unlike the remixed versions featured on "Verve/Remixed 2," the complete songs display the full spectrum and range of depth of some these artists. For example, Nina Simone's vocals on "Sinnerman"show the gospell influenced style more clearly than on the remixed version and her piano skills are demonstrated along with her jazz interaction with other instrumentalists. It is a thing of beauty. The live version of "Brother , Where Are You"? by Oscar Brown Jr. has the passion of the Civil Rights movement, a slow swagerring, gritty song that builds momentum as the audience claps along joining the artist in unison in approval of his message. "Blues For Brother George Jackson"(check your history) fits the mold of what most non jazz people think of as jazz with it's multiple horns led by Archie Shepp with yet another Civil Rights era song. I would be remiss without mentioning the exceptional Latin influenced songs by Cal Tjader and Willie Bobo entitled "Soul Sauce" and "Fried Neck Bones and Some Home Fries" respectively. These two songs alone are worth the price of admission. It is worth comaparing the versions to the remixed versions to fully appreciate both the originals and the great job with the new interpretations. Recommended as is but even more so as a companion to the remixed versions. A super compilation for traditional jazz fans or those interested in the roots of "Verve Remixed /2."

Real Value for Money!
Even if you only liked two or three of the tracks here, you'd still be getting a great deal for your money. That said, every track here is a winner and it's easy to see why these were picked for remixing on Volume 2. Virtually all of them feature wonderful percussion, which usually translates into arresting remix sounds (like the mighty Six Degrees Records roster!). If you don't own any Nina Simone, start right here with the mighty 10 minute "Sinnerman," used to dazzling effect in the "Thomas Crown Affair." Her "Black is..." shows us what a unique talent she was. As far as Volume 3 goes, it will interesting to see if Verve ever gives the OK for some remixes of Getz, Bird or the mighty Trane. Perhaps people are scared to touch those, but regardless of your position of remixing, Verve Unmixed 2 is the perfect present to get for someone, especially if you're CHEAP!!!

Verve Unmixed - the Sequel.
"Verve Unmixed 2" is the companion CD to "Verve Remixed 2," in which a handful of dance DJs successfully revamp several jazz classics. Here, each track appears in its pure original version, giving the listener a tour through some of the genre's most respected artists. The album kicks off with the infectious bite of Dizzy Gillespie's "Manteca," which sets the tone for the rest of the album. Ella Fitzgerald's "Slap That Bass" and Ramsey Lewis' "Do You Wanna" stand out pretty well, while Cal Tjader's stunning "Soul Sauce (Guachi Guaro)" is a timeless fusion of traditional jazz and Latin flavor. Another winner is the beautifully piano-laced "Black Is the Color of My True Love's Hair," which features Nina Simone's voice in all its aching glory. There isn't much more for me to say, as the music really speaks for itself. If you already have "Verve Remixed 2," it would be foolish to pass on this release which not only has the original versions but also one of the most impressive tracklistings I've seen on any compilation.

More classics
This follow-up disc is every bit a great as the first. Do not let the low price scare you into thinking it's something less than high quality. A must have disc...fans and those unfamiliar with the Verve label will both enjoy that this music is BACK!!!! ... Read more

Album Description

20 classic tracks from the films of Woody Allen, including Artie Shaw & His Orchestra-'Frenesi' from 'Radio Days', Louis Armstrong & His Orchestra-'Stardust' from 'Stardust Memories', Bob Crosby & His Orchestra-'Big Noise From Winettka' from 'Manhattan Murder Mystery', The Benny Goodman Quartet-'Whispering' from 'Might Aphrodite', Duke Ellington & His Orchestra-'Take The A-Train' from 'Radio Days' and more big bandclassics from Tommy Dorsey & His Orchestra, Count Basie & His Orchestra, Billie Holiday & Her Orchestra to name a few. Standard jewel case. 2000 release. ... Read more

Reviews (2)

Perfect except for ONE PIECE!
This CD is absolute perfection, but WHERE, oh, WHERE is the Dick Hyman recording of "Easy to Love" played at the end of "Stardust Memories"???? It's achingly beautiful and the one Dick Hyman recording I have of it isn't the slow, sensual version of it. PLEASE someone, let me know! (Woody, are you listening?)

Have a listen at Woody's impressive record collection!
Whether out of interest in Woody Allen movies, or perhaps a desire to listen to some supposed cinematic jazz, you'd be hard-pressed to ignore the fact that Woody Allen has great taste in music. This is quite a diversified sampler of the big-band (and not so big-band) jazz and swing music from the 1930's and early 1940's that Woody has intimately incorporated into his films over the past 30 years. What sets this apart from other big-band jazz/swing compilations is knowing this is not just a greatest hits compilation but rather a journey through someone's personal record collection. Nearly half of the music is (obviously) cued from "Radio Days", but there are also songs from the films "Stardust Memories", "The Purple Rose Of Cairo", "Manhattan Murder Mystery", "Celebrity", and "Sweet & Lowdown".

There are many other Woody Allen jazz compilations of similar quality, but with 20 songs clocking in at 70 minutes, this album is clearly the most generous. It showcases the clean and busy work of the famous orchestras of Glenn Miller, Artie Shaw, and Benny Goodman. There are gentle vocal efforts as well; Fred Astaire sounding lighter-than-air on "Cheek To Cheek", a young Frank Sinatra swoons and croons "If You Are But A Dream", and Billie Holiday coos through "Did I Remember?" The wacky but clever instrumentals "Big Noise From Winnetka" and "Sing, Sing, Sing" also appear, as do some absolutely sweet & sublime guitar playing from Django Reinhardt on "Body And Soul", which pairs him alongside an angelic string quintet. The notable omission is, of course, Glenn Miller's classic "Moonlight Serenade", a song worthy of including in a 20th century time capsule. None of the tunes here come off as the loud, brash variety - shrill but blazing horn sections, basically - that you may be accustomed to hearing elsewhere.

The music on this compilation seems paradoxical. These songs are timeless in their craft & charm, and yet they can transport you to an era you may have never experienced but suddenly feel very comfortable with. Every song sounds so sophisticated, lively & tasteful, and yet it's all so mellow and easy-to-swallow. This music will work both for dancing on Saturday night and for coffee & toast on Sunday morning. If you'd like to examine Woody's equally appetizing sense of classical music, I suggest "Woody Allen Classics", which offers healthy samples of Bach, Schubert, Mendelssohn, Puccini, Gershwin, and Prokofiev. ... Read more

Amazon.com

David Duchovny and Minnie Driver star in Bonnie Hunt's romantic comedy Return to Me, named after the Dean Martin standard that leads off this soundtrack. According to the liner notes, Hunt assembled these songs to reflect nostalgia for her own childhood, and, aside from the incongruous addition of Smokey Robinson and the Miracles' "I Second That Emotion," it's all orchestrated pop that recalls a far-removed age before rock 'n' roll. Several tunes were composed and orchestrated by the movie's music director, Nicholas Pike, who, with the help of singer Joey Gian, nearly re-creates the past. However, it's the campy good time of the Jackie Gleason Orchestra and Dean Martin himself ("Good Mornin', Life" serves as a parody of Up with People, while "Buona Sera" is prime Martin) that best reflects this ersatz-glitzy era. --Rob O'Connor ... Read more

Reviews (36)

Love the movie, love the soundtrack
The only bad thing that I can say about this CD is that Jewel and Frankie aren't on it. Other then that, "What if I loved you" is the song my fiance and I are dancing our first dance to at our wedding in a few months. This movie has become one of my favorites, and the soundtrack is awesome!

Ah, the movie is perfect, the soundtrack isn't
I was disappointed by the soundtrack. where is the Frank Sinatra song that was one of the most wonderful moments in this wonderful movie? and the heart breaking song (no pan intended) that was the background of the heart transplant operation? the songs in the CD are nice and sweet, but the two most important pieces are not there and that's a huge disappointment. a movie that good deserved an equal soundtrack. WHERE IS FRANKIE?

it's missing a few songs, but it's still a good album...
I was excited to receive this CD, and when I did, my excitement dwindled somewhat...

First--only 37 minutes of music??? I feel ripped off.

Second--where's "the real mccoy" song we hear in the film???

I'm most happy about the Dean Martin "Return to Me" remake. Apparently the producers utilized the vocal track from Dino's original recording and then remixed it with new music to give it a modern flare.

I recommend the CD, but with some reservation.

songs left out of soundtrack
Is it my imagination, or was there a song on this soundtrack by jewel? If so, does anyone know what it is called? I absolutely loved it & it made the movie! This movie was great!

Return To Me
As a widower of almost 4 years I found Davids potrayal of a widower to be profound.
The find the writing of the script by Bonnie Hunt and Don lake to be right on target. They have captured at least for me the essence of romance after a tragedy and a glorious event of a heart transplant.
To bring these two emotions together as they have and then to add the music that so aptly captures those emotions so well.
The cast was like a gift from heaven. My god, what a fine bunch of actors. What forsight to be able to think of them and then to bring them together in this wonderfull movie.
I watch it at least once a month.

G.B.H. ... Read more

Amazon.com

Some of the Transfer's best records have been themed, such as Brasil and Vocalese. However, their biggest commercial successes have come from albums like Extensions and Mecca for Moderns, recordings that highlighted the genre-hopping versatility of the vocal quartet and yielded big pop hits along with it. This album falls into the latter category. The previous five decades are harmonically represented throughout these 11 tracks, including traditional '40s vocal styling on "Embraceable You," a classic '50s doo-wop medley, and some Beach Boys-styled psychedelic '60s pop on "Feel Flows." They've always excelled at jazz, and do so here with lyrics by Jon Hendricks to melodies from Horace Silver and Marcus Miller. But it's the group's forays into the 21st century via songs by Brenda Russell and Rufus Wainwright that really stand out. --Mark Ruffin ... Read more

Reviews (13)

A Moving Experience, Norah in Your Living Room
I have a pretty decent system, I just got a new Pioneer Universal DVD Player that plays everything, SACD & DVD Audio and I have to say I was blown away! I have Norah's DVD and CD and both exhibit great sound quality. This was my first SACD and it sounds like she's in the room with you, it's that good. Every instrument, every plunk of the piano, and every breath from Norah sounds immaculate and clean. This is a subtle recording, very warm and very inviting, listening to this SACD really brings you into the music. Some multi channel recordings sound unnatural, this one doesn't.
Finally universal players are coming down in price and you can afford one(The pioneer I just got was the cost of a good branded player) if you enjoy music, you'll love SACD & DVDA, it just {bites} that you have to pay for music twice to attain this kind of sound quality, but in this case Norah won't let you down.

Catastophic 5.1 Mixing Error
I love this Norah Jones album. The CD stereo and the SACD stereo mixes are excellent but they made a monumental error on the 5.1 mix. They have used the LFE channel in the 5.1 mix for the bass content but it has been mixed -10dB relative to the bass in the stereo mix. Heh guys this is an SACD, not a Dolby Digital decode where the LFE is boosted by 10dB on playback! We use the 5.1 analogue outs from my SACD player with no decoding or modification to the audio.

I wrote to Blue Note but they did not reply. Fortunately I run a separate pre-amp for my bass and I can put the +10dB back however don't buy this SACD unless you can equilize the bass back to 'normal'.

Just for the record, my system is calibrated. Bass management is still a very misunderstood beast. Hopefully Blue Note and Sony might get it right soon.

I love this young lady...
I have to agree with the others - the SACD analog mix in 5.1 was a blunder(4 stars). I borrowed this from a friend for a test run. I have the same content on DVD/video - Very nice... - When I choose to listen only - I just turn off the TV and listen to a very good 5.1 DD/EX version. I admit it is not quite the quality of SACD but very good nonetheless. Spyro Gyra has 2 SACD's available and they are the standard for SACD comparison - absolutely flawless... Waiting for 2 of my all-time favorites on SACD - Eat a Peach and Live at the Fillmore from the ABB... SACD is just a small notch above DVD-Audio - although with DVD-Audio you can also listen on most any DVD player that supports DTS, DD-5.1 and DD-Stereo. SACD's are more dicriminating - I bought the Onkyo DVSP-800 specifically because of the SACD and DVD-Audio discrete analog and outstanding DVD-progressive scan video capabilities...

SACD multi-channel mix is flawed
I agree with the previous review stating that the SACD mix is flawed. Even adding a +6dB boost to the subwoofer channel isn't good enough, so I have to resort to listening to the regular stereo mix instead. :(

Still, I give it 5 stars because it is Norah... but I will be complaining to Blue Note as well, because this is simply an amateurish error that makes me wonder if their engineers tested the mix properly. None of my other SACDs have this problem.

Beware all those dials and settings
I was incredibly disappointed in this album. But after I fiddled with my settings, I'm feeling quite different now. I have a Denon 1700 A/V receiver and the new entry-level Pioneer universal DVD player DV-563a. So for anyone who is having difficulting getting the bass information in the sacd multi-channel playback, make sure you're receiver is in digital mode even though you must use the multi-channel analog inputs.

Anyway, now that I'm hearing it as it was intended, I finally understand the all the excitement. I still feel the vocals are too prominent, but only a tad. It is quite stunning once user idiocy is overcome. The only thing that may have made it better is if more challenging material had been choosen. I don't think Norah Jones is using all of her vocal ability and a bit of energy in her phrasing would be nice.

In summary, I'm glad I sent the time to work it all out. Norah Jones has an appealing, warm voice, and I look forward to hearing it mature. ... Read more

Reviews (9)

AWESOME VOCAL WONDER! BRAVO RANDY CRAWFORD!!!
Rare vocal beauty is what Randy Crawford possesses along with loads of smoldering passion and deep emotional involvement with the meaning of any song this wonderous singer choses to do! This stunning collection is a great starting point for those beginning a musical journey with one the the greatest singers ever or for those of us already familiar with this classic artist who the more you play the more you fall in love! "Give Me The Night" is a soulfully dreamy opener that flows so beautifully into Randy's athem "Street Life" with The Jazz Crusaders featuring Joe Sample on keyboards which was a huge success for Miss Crawford. "Street Life" was also used in the soundtrack of the Burt Reynold's film "Sharky's Machine" along with great songs by Sarah Vaughan and Peggy Lee and Randy truly shines alongside these legends and makes one realize that this is indeed another legendary singer! "One Hello" is a gorgeous ballad that Randy turns inside out and sings with such passion that I get a rush every time but for those who need more convincing you will go no further than her extraordinary definitive performance of the John Lennon classic "Imagine" that gets a standing ovation everytime when Miss Crawford performs this in concert!! The beauty of this version is spellbinding as is Randy's smoldering vocal on "Who's Crying Now" which features a flowing jazzy arrangement with a soulful sax plus Joe Sample on keyboards! Standouts abound in this awesome collection and a true classic is what becomes of Bob Dylan's "Knockin' On Heavens Door" in Randy's hands. Soul infused vocal passion is stunning in this masterpiece with guest artists Eric Clapton and David Sanborn perfectly complimenting Miss Crawford who gives the performance of a lifetime and this should have received a Grammy Award!! For shame to the music industry for not really getting behind this incredible artist who is a once in a lifetime rare experience!!! Do not miss this collection or artist if you love great vocals and the closing self-penned "In My Life" is a revealing classic while "Everything Must Change" is another vocal masterpiece among the many in this priceless collection!! Bravo Randy!!! You are truly an awesome wonder...

EY! And don't forget....--->>>
'Cigarette In The Rain' from that "Rich and Poor" dynamic production! 'Knock,Knock...'isn't the only gem in there!

Great singer, great songs
Randy Crawford is like certain great professional athletes -- not physically gifted, but can flat-out play. Randy's not blessed with the greatest voice -- she's not in the same vocal league with, say, Patti LaBelle -- but she knows how to deliver a song...and she does. And the musical arrangements behind her are rock-solid.

You haven't lived until you've been cruising around your town on a sultry summer night with the windows -- or if you're lucky, the top -- down, rollin' to the strains of "Give Me the Night."

g.

Serving it up Randy's Way!
Randy Crawford's greatest hits covers her impressive years within the music business. Her voice is so dynamic, raw and very much deserves to be among the legends such as Ella, Bille and Etta, but I don't think she's seen that way. Street Life is one of my all time favorite songs. Cajun Moon would have to be the second. The greatest hits piece also emphasizes Randy's broad personal taste in music. She's not narrow minded which I love. There is a wonderful version of Bob Dylan's Knocking on Heaven's Door, which she simply does justice to. Also a jazzy version of the Steve Perry/Journey song Who's Cryin Now which I love. Steve Perry is the greatest voice in rock. He is so hot and powerful. I fear anyone taking on a song that has his trademark on it, but Randy does a good job with it. I was disappointed that songs like Bye Bye did not make this album. She's certaintly had more good songs over the years than this album collected, but it's still worth buying.

WHERE IS "ONE DAY I'LL FLY AWAY"?
okay so how can you put together a best of randy crawford album WITHOUT "one day ill fly away", her greatest track?

why do these record companies do this when they put together best of albums? they always, ALWAYS miss out a vital track, no matter who the artist is. ... Read more

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Boys Night Out suggests the accompaniment to a PG-13-rated bachelor party, with an implied narrative arc and a stack of appreciative tunes about, er, dames. Frank, Dean and Sammy are heard mostly in solo settings, but the upbeat mood and brassy arrangements make for a cohesive Three Musketeers atmosphere. The 19-track disc offers some real nuggets for Sinatra fans (the little-heard near-title track, two visits to Guys and Dolls from the Reprise Repertory Theater set on which the Rat Pack's leader took the Nathan Detroit role he'd lost to Marlon Brando on film), while bearing reminders of how one-of-a-kind each of his two pals sounded. Listeners who are planning on staying in for the evening will also dig this thoughtfully compiled album. --Rickey Wright ... Read more

Reviews (1)

Song's of the great 50's
I've heard and played all of these song's from back in the 50's on this CD. Some of the greatest music of all time's came from that era. I am looking for the song's "Love Walked Right In" & "Hernandoes Hideaway" from that era. The Singer's I can't remember. If you can be of help, I am Larry F. Rees "E" mail - lfr@ee.net Thank You ... Read more

Reviews (7)

The Best of Miss Peggy Lee
Miss Peggy Lee is an awsome singer with a great voice. The lyrics are well written and she sings with authority and poise. She is a very overlooked artist that more people should listen to. Recommended.

The sweet sounds of Miss Peggy Lee
Truly one of the best singers ever. This CD is fabulous!!

SKIMPY OVERVIEW OF A CLASSIC LEGEND!!!
From the classic "I Don't Know Enough About You", one can tell that this is an extraordinary singer with a glorious sound all her own!! Peggy Lee was a favorite of my stylish Grandmother who Mr. Blackwell designed a gown specially for so my musical upbringing was the best!!! I remember this great voice from when I learned to walk so a single disc seems like nothing to me!! Of course the choices are great and for a single disc this is not bad but I would at least opt for the single disc with the great DVD of Peggy's extraordinary career!! Greats such as "Fever" and "Is That All There Is?" are here and the others are all equal Peggy Lee classics but I would still say stretch and go for the 2 disc with DVD collection and really enjoy one of the all time great legendary singers of our lifetime!! Bravo Peggy Lee!!!!

Entertaining but diverse
Like most "Best of" albums this one has a variety of songs reflecting a veriety of sounds. If you really dig the sound of one song, odds are that the next one might not have it. That said, I've enjoyed this album.

Good Introduction to an overlooked female musical pioneer
A combination of standards and jazz fusion. A nice change of pace if you want to expand your taste and you will be pleasantly surprised that you recognize some of the tunes, (for Gen X,Y), you will recognize the tunes from films. Expand your tastes, give it a shot. ... Read more

Reviews (1)

Splendid singing, wonderfully fun and eclectic arrangements
Mercy Streets is a very solid 2nd CD for Kate McGarry, following her brilliant debut, `Show Me'.On this CD, she's supported by carefully chosen players who will be familiar to followers of the New York jazz scene.

The two guitarists on the CD have quite different styles.Keith Ganz is a nylon string player, whose playing is bright and witty, while Steve Cardenas is a versatile electric player with a very atmospheric and warm tone.They do not compete for sonic space; instead they offer very engaging interplay.

I first heard Kate's music while listening to Jonathan Schwartz's radio program on WNYC in New York.I was deeply affected by the selection I heard, `Show Me', the title song from Kate's debut CD.I patiently waited for the end of the set that day, a set that included songs from many artists.I didn't quite get the name... I had to spend a while googling until I turned up Kate's website.And I've been a follower since that day close to three years ago.

Kate brings something special and new to the female jazz vocal space.Her music is honest, and her voice is pure and uncolored.It's not marred by the sloppy vibrato that so many jazz vocalists rely on to convey emotion.Kate's pitch and articulation are dead on, and she offers really interesting phrasing and melodic variation that make even familiar standards sound new.She gets some of her vocal DNA from `folk', and reviewers have compared her to artists in the folk realm.And she has performed some traditional Celtic music in her live shows.But the groove and the feel are definitely jazz, and the song structure, the strong instrumental interplay and soloing are jazz all the way.As with other jazz vocalists, Brazilian music is a big influence.She delivers some well chosen Brazilian tunes, and does so very naturally, as though her native tongue were Portuguese.

Kate offers one new composition, `Going In', on this CD . . . it's achingly beautiful and hopefully there will be more songwriting in this promising artist's future.
... Read more

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Cole Porter's songs have long enjoyed a special place in Bobby Short's repertoire, but this set gives additional luster with fine fresh arrangements by Short, guitarist Howard Alden, and tenor saxophonist-conductor Loren Schoenberg, among others. Short is the ideal artist for Porter's songs, and it's more than mere respect for lyrics and his meticulous diction and musicality. He seems to live inside Porter's world, with its archly comic sophistication, its ambiguities, and its suddenly pointed insights. Above all, Short is able to find the subtle emotional tones that these songs require to be fully realized, the celebratory with hints of losses past and to come, the wistful knowledge that experience must be seized to be savored. The accompaniments range from Short's piano through duets with Alden or bassist Frank Tate to a fine small group and a big band, and along the way there are particularly good solo contributions by Alden and trumpeter Virgil Jones. Amid the sentiment there are two of Porter's witty list songs. "You're the Top," with its manic inventory of all things good and beautiful--Mahatma Gandhi, Mickey Mouse, Pepsodent, Jimmy Durante's nose--is spirited, while "Can-Can," another inventive inventory--"If an elm and an oak and an ash can, Baby, you can cancan too"--is delivered with broad humor and sly insinuation. Short is the ultimate cabaret singer; his art is timeless rather than nostalgic. --Stuart Broomer ... Read more

Reviews (2)

For everyone who deserves to hear Cole Porter done right
I have no experience with the nightlife of Gotham let alone hearing Bobby Short perform Cole Porter songs at New York City's Cafe Carlyle during the last half-century, but I certainly remember the impression the man made in Woody Allen's "Hannah and Her Sisters." I remember Allen's character bitterly informing his disastrous date "You don't deserve, Cole Porter," and certainly the exact opposite is the case with Bobby Short. It is hard to find a lyricist who can compete with Porter, whether it is the simple lyricism of "You'd Be So Nice To Come Home To" or when he literally floods a song with sophisticated and witty rhymes like in "Can-Can." Clearly words to Porter are playthings, albeit sophisticated toys of the highest order. Listen to this album and it is no wonder Short is considered by many to be Porter's foremost interpreter. Just compare the intimacy of Short's rendition of "I've Got You Under My Skin" with Frank Sinatra's brassier version and see if you do not exhibit a preference for the former. The arrangements of these songs offer some nice changes of pace, where a trumpet might be featured on "I Love You, Samantha," or a guitar on "You're Sensational," and then "You'd Be So Nice To Come Home To" is basically short on piano with the bass player, not exactly an obvious pairing on instruments on that particular song. Whether you come to this album from an affection for the smooth vocal stylings Bobby Short or a love of Cole Porter, please cross-pollinate accordingly and continue to let your love of sophisticated music grow.

NOTHING BEATS SHORT SINGING PORTER
Bobby Short has to be the leading Cole Porter interpreter today. It's hard not to think of Short and not picture him singing Porter. As for Cole Porter he is simplely the GREATEST composer that ever lived. In my opinion. I never heard Short sing some of the songs on this album and was wondering when he would record them. For instance "What Is This Thing Called Love" which is a or should I say WAS a very popular song. There's something extra here in this album,Short now works with a orchestra. Also he has Howard Alden playing his great guitar. I happened to hear Alden in the movie "Sweet and Lowdown". Short once again makes a great album. If your a fan of Cole Porter's music or Bobby Short...YOU HAVE TO GET THIS! ... Read more

Reviews (12)

A beautiful collection of music
One of the many reasons the film version of Robert Waller's pallid and common novel surpassed expectations and became one of the few films to improve its original source is due in no small part to director Clint Eastwood's impeccable taste and selection of the soundtrack. Choosing vocal work from the elegant Dinah Washington and the cool, smokey eroticism of Johnny Hartman as well as composing the vivid and drifting "Doe Eyes", Eastwood created a film that breathed autumnal, ephemeral romance.

This is a soundtrack album that stands on its own as excellent listening. Besides the simply gorgeous aforementioned "Doe Eyes" (Eastwood has developed into quite a deft and sensitive composer), higlights include Hartman's brilliant rendering of "For All We Know", "Easy Living" and "It Was Almost Like A Song" along with Washington's "I'll Close My Eyes".

I used selections from this as part of a soundtrack for a stage version William Inge's PICNIC and the drifting, haunting, and luscious sounds contained here produced an effective atmosphere of longing and loneliness.

A beautiful collection of music that made a pretty good film work. A certain must own for lovers of jazz.

Love Letters ......
"The Bridges of Madison County" Soundtrack CD.....

It is not neccessary to have seen the film to appreciate what this music is about.It opens with the wonderfully romantic orchestral love theme "Doe Eyes". Composed by Clint Eastwood(yet another great talent of his revealed), and conducted by Lennie Niehaus, the music fills the room with the soothing sounds, and already you are under the spell!

Then ,like love letters put to music,Dinah Washington's feminine and soulful tones and Johnny Hartman's deep but docile voice exchange stories of love and romance through song. Dinah sings "I'll Close My Eyes", she says"through those moments, were apart, I'll close my eyes and see you with my heart".Johnny returns with "Easy Living" and expresses that"people say you rule me with one wave of your hand...Darling it's grand.."These are followed by "Blue Gardenia"(Washington), "I see Your Face Before Me"(Hartman) and "Soft Winds"(Washington), all expressing the fleeting affair and the lasting love.You will also be treated to some wonderful instrumental solos interwoven in the songs.

A light and lively rendition of "Baby, I'm Yours"(Barbara Lewis) gives the sense of the time era, followed by more wonderful love songs,including artists Irene Kral with the Junior Mance Trio. There are twelve tracks in all(see buying info for complete lists), and closes with the mesmerizing "Doe Eyes" once more.

The CD is a great quality and sounds terrific on the stereo.

This album is for anyone who has ever loved or has ever been loved!....Close YOUR eyes and enjoy...Laurie

Doe Eyes
When I saw the movie and listened to the theme song I bought it right away. Doe Eyes is the most beautiful, heart-wrenching song I have ever heard. I rarely cry and hearing this song can make me cry (it touches the soul). I feel so good after listening to the song and it can have a moving effect. I agree with the other woman that Clint Eastwood should have been more noticed as the composer of the song. What a wonderful start for him. It is a masterpiece.

This really is a must have for all ages!!!!
From the opening note this CD takes you to heaven and beyond. Johnny Hartman is amazing along with Irene Kral to Dinah Washington, who could ask for more? I suggest this CD to anyone who wants to escape for 45 minutes and just listen to good pure music, perfect for a romantic evening or just sitting out on the deck and enjoying! This is also my 6month old daughters bedtime CD. It's that wonderful, it puts her right to sleep.

good music.
what a haunting movie. Hard to forget. And the sound track is wonderfull. remembering the movie thru this music ... Read more

Reviews (19)

Incredible disc for both Jarreau fans and strangers
I'm a big fan but even I had no idea how good this collection would be. It demonstrates his full range from jazz to smooth sounds to jammin' songs to get down and get funky. My wife had no idea who Al Jarreau was before we met and she has almost worn this disc out. What a talent. Al takes romantic songs to a new level with 'After All' and 'Heaven and Earth'...is so good at bringing a smile to your face with songs like 'Mornin' and 'Roof Garden'....but he is also as cool as it gets on songs like 'Boogie Down' and 'Compared to What'. 'Moonlighting' is one of his best ever. His songs just make you feel good inside. The best part of this CD is that I thought I knew all the sides of Al but was just blown away by the songs I had not heard before. You'll want to keep this one in a specail place in case the house catches fire!!!

Get a good feel for his music, then...
This is a compilation of some of Al Jarreau's most recognizable work. I agree with the other reviewer who said that it isn't necessarily his BEST but it will give you a taste of how incredible this man's music really is.

There are some great upbeat songs that make you want to open the windows and share it with the world...then there are some beautifully intimate songs that make you want to turn off all the lights and shut out that same world.

You won't regret buying this CD...or any of the other Jarreau discs that you'll HAVE to add once you've heard him.

so many other great songs
the list of songs for the greatest hits has some of al's better music i'll agree. being a huge fan during the mid 1980's, i'd seen him perform with then the fairly newcomer david sanborn in 1985 and in 1987 with the one and only miles davis. both such great shows you can only imagine unless you were there. mr. jarreau's control and commanding presents on stage is realy something! i feel tunes like "breakin away" "l is for lover" "golden girl" "murphys law" "sticky wicket" and the powerful "(we've got) telepathy" could of made this greatest hits cd only that much better. maybe a 2nd greatest hits could be in the mix soon? always a pleasure to listen. tim

Great Value for your Money!
You get 75 minutes of finger snapping, scatting music at a great price. What more can you ask for? I still remember hearing Al scat in "Roof Garden" when I was 11, and being blown away by the soul of it all!! Al uses the cream of the crop of session musicians, which make the tracks just sparkle. Just listen to the late, great Jeff Porcaro's shuffle on "Mornin!" As a drummer, I know that mid-tempo shuffle is insanely difficult to play, but Jeff nails it. No wonder it's the best song to listen to while you're driving to work!!! His vocal take on "Take Five" is pure bliss. Al has at times been lumped in with the bland, smooth jazz vocalists that dominate AC radio today, but this collection should let everyone know he is an ARTIST, not some melismatic, wannabe soul man. Scat to that, naysayers!!!

Al Jarreau- A True Artist
I got this cd ALONG time ago, but I still wanted to write a review for it, because the music is still as powerful as it was when it was first released. I own a few Jarreau cd's and like this cd say's, this collection is some of the best! There are one or two song's I wish were on here, but it doesn't really matter. Song's such as "Roof Garden", "We're in this love together", "So Good" and "Heaven and Earth" stand out as some of the best. Those song's alone make this cd worth getting. I'll sum it up this way, I've had this cd since 1997, and still listen to it today. And unlike some of the new singer's out there, Al Jarreau is the real deal, and an amazing artist, for all generations to enjoy. ... Read more

Album Description

40 great recordings by this sensational vocalist who liked to dabble in everything from the blues to jazz to r&b to pop . Includes 'Mad About The Boy', 'September In The Rain', 'IGet A Kick Out Of You' and 'What A Difference A Day Makes'. Double slimline jewel case. 1999 release. ... Read more

Reviews (3)

The First Lady of R&B
Missing a lot of songs, but still important to buy. Some of these songs made me cry. The emotions in her voice were so unreal. People compare her to Billie and Bessie a lot, but Dinah had her own style. It's too bad that she is not remembered as much as the other ladies. One day, she will get her due respect (maybe a movie will help). Anyway, if these songs don't make you a fan then you don't know good music.

There will never be another Dinah Washington
Anybody who likes Billie Holiday or Ella Fitzgerald will love Dinah, who at times reminds me of them, but her style is very much her own.

This is an excellent introduction to Dinah's music. It includes all the essential solo tracks, but not the famous duets with Brook Benton, which I already had on a Brook Benton compilation.

Apart from the essential songs (like Mad about the boy, What a difference a day makes and September in the rain), the collection is filled with covers of the great classics of the thirties, forties and fifties. That's no bad thing, as Dinah always stamps her own identity on the songs while respecting the original. You wouldn't mistake Dinah's version of Cry me a river for Julie London's. Both are brilliant, but different. So it is throughout this set. Smoke gets in your eyes and Love letters are other good ezamples.

If you haven't got any of Dinah's music, begin here, but don't just stop at this - explore further !!!!

Unlike most albums, this doesn't have a clunker
I have the original vinyl version and now have it on CD. Unlike a lot of albums by our favorite singers/groups, this is one CD that doesn' have a draggy or clunky tune on it -- they are all winners. No one sings like Dinah Washington -- she is(was) a national treasure and this is a knockout album of very very good tunes. ... Read more