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| 41. Same Mother | |
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Reviews (8)
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| 42. The Sky Is Crying: The History of Elmore James | |
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Amazon.com Reviews (15)
Such a collection of "Dust My Broom" variations would rate a 4-star rating. However, this collection shows that James was certainly no one-hit wonder, with a broad range of guitar playing and singing talent. For those keeping score, there are about 4-5 "Dust My Broom" variations in this collection. Elmore James is becoming discovered as one of the great bluemen, and this collection makes it pretty clear why. ... Read more | |
| 43. Wander This World | |
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Amazon.com Reviews (157)
Walkin' Away, Breakin' Me, Cherry Red Wine, I Am....my very favorites...but ALL are great tunes. Enjoy your purchase, it's worth every penny! ... Read more | |
| 44. Buddy's Baddest: The Best Of Buddy Guy | |
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Amazon.com Reviews (13)
Anyway, about this CD. It is a compilation of some of best tracks off his Silvertone recordings of the 90's, plus 5 previously unreleased tracks. Definitely for the more casual fan, who doesn't own "Damn Right I've Got the Blues", "Feels Like Rain", "Slippin' In"(the best of the individual studio Silvertone recordings), and "Heavy Love". Also with the Silvertone label, Buddy released a live album w/the Saturday Live Band called "The Real Deal". The only track on "Buddy's Baddest" from "The Real Deal" is "Let Me Love You". "The Real Deal" is definitely worth buying separate because live is how Mr. Guy is meant to be heard. Overall, I would say "Buddy's Baddest" is a good introduction to Buddy Guy. If you love it, then follow up with "The Real Deal", the individual Silvertone recordings, "Stone Crazy", and "DJ Play My Blues". Also, you can't go wrong with "Live at Montreaux" or "Drinking TNT and Smoking Dynamite"(better), both live recordings with harmonica legend Jr. Wells.....Enjoy!
The first ten songs are almost all good, but the four previously unreleased songs aren't among Guy's best work, and since almost all of the previously released material here is taken from just three albums, there is really no good reason to pick up this mediocre sampler. Go with "Damn Right I've Got The Blues" and "Slippin' In" instead, and perhaps the "Feels Like Rain" album, from which "She's Nineteen Years Old" and of course "Feels Like Rain" are taken. If you want an overview of Buddy Guy's career prior to his 90s comeback, go for Rhino Records' excellent "The Very Best Of Buddy Guy", or check out the best of his classic Chess singles on MCA/Chess' "Buddy's Blues". This is a decent sampler, but considering that it only spans four studio albums, one of which is bland at best, it is not really that much of a necessity.
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| 45. Sometime Tuesday Morning | |
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Amazon.com Reviews (40)
Johnny's playing is incredibly efficient -- he never fills or distorts to be showy -- each riff, modulation, or effect is used for a welcome musical communication. Don't think that is a product of an inability to smoke the strings, he can and will do that when the music calls for it. And, when he does, you are left shaking your head thinking 'Did I just hear him play that?' The musical styles on this CD defy classification, but you will definitely find hints of blues, rock, funk, rockabilly, country and jazz. Rather than make one track follow one style, Johnny masterfully blends styles on a single track to form his own, unique form of guitar expression. The comparisons to Danny Gatton are inevitable, but, I think, off-base. Johnny chooses to play with far less gain, allowing you to experience the subtle tricks he plays with the strings. He has a way of making a truly impossible-to-play riff sound effortless (more like Freddie King in that regard). Bottom line is that any comparison will be fun to make for the sake of discussion, but will be off the mark. This guy is a unique talent. As far as tone goes, guitar fans will love this disc. If you think that Les Paul himself doesn't have a copy of this CD, you'd probably be wrong. The sound of the humbuckers through that Marshall is pure, throaty and fluid. I enjoy listening to every track on this CD, and have listened to it over and over again.
I'm not a guitar player but I do love guitar music! I've feasted on this album for a few years and never tire of it. Keep em' coming Johnny and I'll see you in Natick, MA in May '03' !
I rate the Guitar Artistry of Johnny A along side the Guitar Mastery of Chet Atkins and Pat Matheny. Robert Lee Johnson
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| 46. What's Wrong With This Picture | |
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Reviews (43)
The production is top-notch, the horn charts are sweet, gritty, and rousing, the bass lines echo doo-wop and funky R&B. The songs are Van to the hilt; how many other writers could work "existential dread" into a soul/blues piece and get away with it? And the two covers - "St. James Infirmary Blues", done as a drag/blues/moan, and the impossible-to-sit-still "Stop Drinking" - are great. If you're a fan, you'll love this one. If you're not, pick up this and "Down The Road" to hear Van at his contemporary best, then go back to "Astral Weeks" and "Moondance", and work your way forward. I can only hope that this first Blue Note disc is a sign of music to come.
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| 47. I'm a Bluesman | |
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Amazon.com Reviews (16)
While I realize Johnny has been thru a lot over the past few years, my original take on this album is "why did he bother?" The guitar licks lack the trademark intensity, and his tone even sounds compromised. Add to that the mediocre vocals, a far cry from the yellin' style he branded throughout his Muddy and solo days, and this recording does little to satisfy a real Johnny fan. While I can appreciate the fact that Johnny is still putting out an effort to make more music, I'm disappointed that he hasn't put something more cohesive together for this CD. While his band isn't lacking, he certainly leaves more to be desired. I certainly wish the best to Johnny and hope that his trademark slide playing comes back someday. Who knows, maybe this CD will grow on me. HOwever, my suggestion is to stick with his earlier work. You won't be disappointed.
While Mr Winter shows himself every now and then, the performances are feeble and weak. If you get this, do so only out of respect for the master.
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| 48. Hawaiian Slack Key Guitar Masters Collection, Vol. 2 | |
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Amazon.com A balance of instrumental and vocal tracks, the compilation is a terrific starting point for exploring the artistic and stylistic diversity in modern slack key. Instruments on this album include everything from traditional mouth bow, 'ukulele, and percussion stones to 12-string slack key and modern acoustic guitars. Elder statesman Ray Kane lullabies us with his simple instrumental "Popoki Slack Key" (popoki means "little cat"); renowned improviser Cyril Pahinui and Sol Hoopii-influenced Bob Brozman combine 12-string slack key and acoustic steel guitar interpreting "Hilo E" and "Lili'u E" in a style evocative of the 1920s. Showing off how slack key works solo, in duets, or with mixed accompaniment, this is one of the most beautiful slack key compilations out there. --Erik Macki Reviews (5)
That's not enough to take away a star though. This again is a most rewarding collection. However, I always associated the ukulele with hawaiian music and there's only one cut, "Pu'u Anahula" which includes one. There is more traditional music here than with the first collection, including the familiar and beautiful "Aloha Oe", a classic love song written by Queen Lili'uokalani in 1877. Also notable and familiar is the "Radio Hula" as played by Led Kaapana. This record and its predecesser are great CDs to help create a romantic, tropical atmosphere. Hey, they'd be great background for a luau!
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| 49. Sanctuary | |
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Amazon.com Reviews (6)
And it seems as if this master of the blues harp has been around as long as harmonicas. He adds to his legend with each album and guest appearance and here's his latest - Sanctuary (Real World) I locked into it on the 2nd listen and it's a special recording. The songs are from great writers. Randy Newman's "Burn Down the Cornfield", Townes Van Zandt's "Snake Song" and Sonny Landreth's "Shootin' For the Moon are here. There are also songs written by Musselwhite, Ben Harper (the album's best cut, "Homeless Child"), a song by the album's guitarist Charlie Sexton and an interesting version of the old Savoy Brown song "Train to Nowhere" was what initially got my attention. It's tempting to automatically accept any effort from Charlie Musselwhite as exceptional. But his Sanctuary is quite an album, and his vocals and harp playing are strong and clear.
The CD has 12 tunes that work together like 12 scenes in a drama. While each tune tells its own story, after listening to the CD in its entirety, you don't feel much different than you do at the end of a movie that tells a story about a person or a family and the ups and downs of their lives. So, yes, "Sanctuary" is a CD that you can play from start to finish without skipping a tune. To blues fans and musicians, Charlie is an icon. On this CD he beautifully demonstrates the power and flexibility of the harmonica. On some tunes, the harp sounds like a traditional harmonica and on others, Charlie makes it sound like a violin or cello. When you add in Charlie's singing, you really connect with the feelings of "Sanctuary." The most interesting thing to me about this CD is that experiencing it is a perfect example of the meaning of the second definition of the word sanctuary as found in Merriam Webster's online dictionary: a place of refuge and protection.
CD Review by Celeste - April 11, 2004 Sanctuary - holy place; shrine; the chancel, church or other place of protection for fugitives Holy Week was an appropriate time for Charlie Musselwhite's new CD "Sanctuary" to be released. These are dark times that we live in and everyone needs sanctuary, in multiple forms, on various levels. Thank God for music! I'll tell you what I think about this CD, but don't wait, buy it today and listen to it for yourself (...) There are a number of interesting subtleties surrounding this CD. I don't know if it was a coincidence or not, but the day of the release, April 6th, happens to be the anniversary of Big Walter Horton's birthday. Something else I'll ask Charlie about in our upcoming interview, are the five symbols above the letters, the notation seems familiar to me somehow. Also, I wonder why his eyes appear on the publicity photos but not the CD jacket covers... what does this mean, does this mean anything? I can't be the only curious one. ;^} The Sanctuary Band formed by Charlie Musselwhite ~ vocals and harmonica, Charlie Sexton ~ guitar and vocals, Jared Michael Nickerson ~ bass, and Michael Jerome ~ drums, definitely have a good groove going. They each played with great emotion on this recording. I particularly like the instrumental that the four wrote together, "Shadow People", I find it surreal, elastic, spooky and soothing simultaneously. The images invoked are vivid, looking over your shoulder, envisioning people in the shadows... the bass and drums intertwine as the harp and guitar float around, through and back again. Several others also have this "surreal feel" to them, "Snake Song" (by Thomas Van Zandt) and "The Neighborhood"(by Charlie Sexton). The rhythms are wonderful throughout this CD. I took an exceptional liking to the drums on Snake Song just as I did the harp on the second instrumental (song 9). "Alicia", (written by jazz saxophonist Eddie Harris), was certainly done justice by the band. And Charlie's harp interpretation of this song was simply beautiful... it is inspiring indeed to listen to the inspired. :^} Back to the beginning, it's starts off with CM singing 'Nowhere here to call my home, nobody near to call my own' in Ben Harper's "Homeless Child". Very nice slide guitar and vocals, backup singing and clapping, and yes, harp! (That's the first question that others seem to ask about the CD, is there much harp on it?) Why yes, yes, there is and Charlie is in fine form. ;^} In addition to his guest appearance on the first song, Ben Harper is also sitting in with the band on "Sanctuary", (written by Lee Breuer and Bob Telson). Although the title track is peaceful overall, it made me sad to hear Charlie singing of his final resting-place. (I lost four uncles and a good friend the Year of the Blues; though I am comforted that they are in a better place, it saddens me nonetheless.) They picked the beat right back up in the next song, "I Had Trouble" (by CM) It's difficult to articulate how blues can cheer you up but this song can explain what I cannot; it's one of my favorites as is Charlie's moving harp solo that follows it, "Route 19". Several special guests, The Blind Boys of Alabama, added their special touch to I Had Trouble and they also appeared on "Train To Nowhere" (by Chris Youlden and Kim Simmonds) 'Yeaheaaaa, You better not ride'. (Watch your volume if you listen with headphones, you'll be humming and tapping louder than you think.) One song that I've had fun jamming to at the end of a long, stressful day is Charlie's "My Road Lies In Darkness" ~ There's a long, long road, don't seem like it has an end... we can all relate to that. :^} I wasn't sure though what to make of the words in "Burn Down The Cornfield" (by Randy Newman), it's sultry, but slightly strange. "Shootin' For The Moon" (by Sonny Landreth) is faster with interesting lines too ~ 'Crash landing in the Crescent City!' There's a little bit of everything in these songs, many are blended, from blues to funk to alternative to jazz to rock. (It's a shame that music has to be 'classified' as anything, as a friend says though, there is a purpose of labeling a genre, it's so the kid stocking the shelves will know where to put them.) I think that many people with various backgrounds and different tastes will enjoy this CD. I bought extra copies for family and friends, they arrived quickly, and seven received theirs at Easter dinner! :^} I highly recommend Sanctuary to everyone! I love this CD! ... Read more | |
| 50. West Side Soul | |
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Amazon.com Reviews (15)
He plays blues with a strong soul influence, particularly on the magnificent "That's All I Need" and "I Don't Want No Woman". Classic slow blues ("All Of Your Love", "I Found A New Love"). And superb versions of Jimmy McCracklin's "Every Night And Every Day", Robert Johnson's "Sweet Home Chicago" and J.B. Lenoir's "Mama Talk To Your Daughter". Not everything is equally memorable, of course, and the arrangements may feel a little bit unvaried towards the end, but the overall impression of "West Side Soul" is that of a truly great, electrifying blues record, one which belongs in any serious blues collection.
No matter what my mood is, the best blues just seems to fit. If I'm feeling good, then I can slip into the groove and relax. If I'm feeling low, then the blues lifts me up. It doesn't make me "forget my troubles" (a phrase I've always hated) but just helps me feel the mood without wallowing in it. If you like this album, I'd also recommend Otis Spann, he doesn't have the swagger of his one-time boss Muddy Waters but is more relaxed and reflective like Magic Sam. ... Read more | |
| 51. Stevie Ray Vaughan & Double Trouble - The Real Deal: Greatest Hits 2 | |
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Reviews (55)
The two single-disc Greatest Hits compilations available today do a pretty good job of rounding up his best material (both live and studio)--that is, if you don't mind buying them both. However, if you want all of this material without having to buy both discs separately, there's a better way to go. Look for a collection titled "The Essential Stevie Ray Vaughan And Double Trouble" locally. This is a 2-disc compilation not offered on Amazon that basically bundles together the two Greatest Hits discs. It has almost all the same songs (chronologically ordered too). Of course, you miss out on the rarity Pipeline featuring Dick Dale, but that isn't a huge loss to the casual fan. Now that I've let you in on that little secret, go forth and add some SRV to your collection. If you're really hooked, seek out the individual studio albums (Texas Flood, Couldn't Stand The Weather, Soul To Soul, In Step) and also check out the several live albums available. Actually, go for the live albums first. Stevie was amazing live, as this compilation's versions of Shake For Me, Willie The Wimp, and Superstition (way better than the Stevie Wonder original!) prove. Also marvel at the phenomenal cover of Hendrix's Voodoo Child (Slight Return). Let's see any living guitarist try topping THAT. So, in summary, your collection isn't complete without at least one Stevie album. Next to B.B. King, Buddy Guy, and (yes) Jimi, he was the greatest blues guitarist ever. They just don't make 'em like they used to.
That still doesn't make it a definitive career retrospective, though, even when coupled with "Greatest Hits" vol. I, and the inclusion of tunes like "Pipeline" and "Superstition" is suspect considering what has been left out. Go get that one. Go, go!
Several live tracks, including the classic "Willie the Wimp" and the rocking update of Stevie Wonder's "Superstition," give you a sense of what a blast it must have been to watch Vaughan roar through a set -- almost as good as watching a rerun of "Austin City Limits." The combination of rocking fury and melancholy blues is just astounding. Instrumentals ("Pipeline," "Scuttle Buttin'") also allow the listener to just kick back and marvel at Vaughan's virtuoso playing ability. Vaughan's voice, apparently criticized by some, is fine, but it pales in comparison to his ability to a guitar. My two favorite tracks are the thumping "Shake For Me" and the bittersweet "Life by the Drop." It's tough to pick favorites on this loaded album, though, and I've never met two people who have the same two top picks on this album. It's tough to pick up a Stevie Ray Vaughan CD these days . . . there are so many that have slightly different combos of the same limited catalog of songs. This album is a good start. ... Read more | |
| 52. Best of Canned Heat | |
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Reviews (7)
While Canned Heat were a blues band, they also knew of the importance of having a memorable hook in their tracks. This shows prominently on this collection, whether it's the harmonica solos on "On The Road Again", the flute (!) on their biggest hit "Going Up The Country", the horn section on "Boogie Music", or the piano on "Same All Over". But there is also some great raw blues here such as "Amphetamine Annie", and their smokin' versions of "Let's Work Together" and Muddy Waters' oft-covered classic "Rollin' And Tumblin". Having two lead vocalists in the band also worked to their advantage as well as Alan Wilson's falsetto vocals on "Going Up The Country" and "Time Was" complimented Bob "The Bear" Hite's rougher vocals on "Let's Work Together" and "Bullfrog Blues" very well. The album closes with the 11-minute "Fried Hockey Boogie" which gives all the band members their chance to shine. There's also a longer and better version of this track on the soundtrack album Woodstock Two. An excellent compilation, highly recommended to fans of the blues, and to fans who loved the music from the Woodstock era.
The music is great, but one teeny little greatest hits CD is not enough. If I can't find their albums any time soon, I will just buy Uncanned. ... Read more | |
| 53. Just Won't Burn | |
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Amazon.com Reviews (215)
Personal side gripe: I was given this album by a friend, who knows I'm a Janis Joplin fan, and he said, "Listen to this--she sounds just like Janis!" Well, Susan has a powerful voice, but she doesn't sound anything like Janis (IMHO). Reading reviews of the album, it seems many are comparing her to Janis or Bonnie Raitt. Why are their talents the standards by which most female blues singers are measured? Certainly the influence is there, but the sound is fresh and unique. Susan Tedeschi should stand on her own, and listeners should not be expecting to hear somebody else's music. But aside from that--her voice is haunting and she can play a mean guitar...can't wait for the next album!
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| 54. Hands Across the Table | |
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Amazon.com Reviews (1)
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| 55. In Step | |
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