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| 141. Down Home Harp | |
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| 142. Country Blues Bottleneck Guitar Classics 1926-1937 | |
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Otherwise, this is a super collection covering greats like Black Ace, Bo Weavil Jackson, King Solomon Hill, Sylvester Weaver, Fred McMullen, Ramblin' Thomas. If you love good blues slide and you haven't heard these names, then this CD is for you! Oh yeah, it does also have a few names like Robert Johnson & Memphis Minnie. Even if like me you have a lot of these tracks on other CDs, this is a good addition to the collection and one you can easily play from go to whoa without skipping a single track - usual Yazoo quality. I owned this before and had it stolen, had to get it again. Keep on slidin'! ... Read more | |
| 143. Beach Blast: Shag & Blues Compilation, Vol. 1 | |
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| 144. Blues Across America: Chicago Scene | |
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| 145. The Rough Guide to Delta Blues | |
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| 146. Messed up in Love and Other Tales of Woe | |
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| 147. Classic Railroad Songs, Vol. 3: Night Train | |
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Amazon.com Reviews (3)
Leadbelly adapted Rock Island line in the 1940's, most notably adding the discussion about pig iron and livestock. Others including Johnny Cash and Lonnie Donegan covered his version in the 1950's and beyond. However, the version here, by Linda Tillery and the cultural heritage choir, is more faithful to the song as it existed before Leadbelly made the changes that we now tend to assume were always there. The version of Mystery train here is by Little Esther (actually Esther Phillips) and the robins. Esther had a top ten American hit in the sixties with Release me, a song which was originally a country hit for Ray Price but which is now associated with Engelbert Humperdinck. Esther does a superb job on Mystery Train.
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| 148. The Roots of John Lee Hooker | |
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| 149. Long Gone Daddy | |
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| 150. The Caribbean Voyage: Trinidad, The 1962 Field Recordings | |
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| 151. Blues Piano Greats [Delta] | |
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| 152. Dust My Broom - The Essential Recordings Of Mississippi Delta Blues | |
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Among the highlights are Skip James' haunting "Devil Got My Woman", Big Joe Williams' "Baby Please Don't Go", and Bukka White's intense and powerful "Shake 'Em On Down". The sound quality varies quite a lot; Son House's legendary 1930 recordings "My Black Mama" and "Preachin' The Blues" are entombed in a hailstorm of surface noice, whereas Robert Johnson's contribution might have been recorded in the fifties. (There's another early blues compilation out there as well, which doesn't stick exclusively to the Mississippi-born bluesmen : "As Good As It Gets - Country Blues" has only a couple of overlaps with this collection, and would be the perfect companion volume.)
These recordings range from 1928 to 1941. The remastering is excellent providing a surprisingly clean sound. The major influence on this style of blues was Charley Patton, who is represented by the first three cuts. The brief album notes included with the cd gives a very brief family tree of the relationship of the other artists to Patton - as disciples, as second generation "disciples" or as "influenced by". As several of the artists are well known - Muddy Waters, Bukka White, Robert Johnson, Son House ... this album is especially interesting in allowing one to hear something of the development of the Delta Blues style, and catch nuances of similarity and differences among the artists that escape one's attention when changing cd's. If you enjoy any of the artists included on this album, you will enjoy the entire collection. ... Read more | |
| 153. Chicago Blues of the 1960's | |
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| 154. Lonesome Road Blues : 15 Years In The Mississippi Delta, 1926-1941 | |
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| 155. The Essential Recordings of Blues Harmonica | |
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| 156. Screamin' and Hollerin' the Blues | |
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| 157. Teachin the Blues: Clapton Influences | |
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| 158. Cryin' the Blues | |
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| 159. Vol. 2-Chicago-The Blues-Today | |
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| 160. Chicago/The Blues/Today!, Vol. 3 | |
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Horton is absolutely magnificent. There is no harp-man that gets a tone quite as full as Horton's, and he is at his best on this album. One listen will prove why this lesser-known bluesman is considered one of the Chicago harp masters along-side Little Walter and Sonny Boy. The first three notes he blows on Black Spider Blues will pierce your heart. You will also be hard-pressed to find Johnny Shines sounding any better than he does here. It is not an exaggeration to say that Shines has a more capable voice than the majority of bluesmen and it is displayed in full power on this disc. Shines' Dynaflow Blues (an alteration of Robert Johnson's Terraplane Blues) is absolutely breathtaking. Johnny Young is also in top form. His band on this album gets a very complete sound not found on most of his recordings. One More Time just plain rocks and Young's work with the mandolin on Stealin' Back is incredible. Don't be fooled if you've never heard of these guys. These are bluesmen of the first order and they all perform to the best of their capabilities. This is the best album in the series (which is made up of two other excellent albums) and I'd say one of the best blues albums out there. Among my 100 blues albums this is one of my two or three favorites. ... Read more | |
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