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| 161. Out of Nowhere | |
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| 162. Firme | |
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Reviews (10)
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| 163. Rancid | |
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Amazon.com's Best of 2000 Reviews (151)
It seems each Rancid album prior to this had a little more reggae and ska influence than the last; then this release seemed a throw back to the first one. This does lead me to wonder what form of Rancid will appear on their next release (2003 I believe....). Personally, I thought Rancid (2000) was a perfect blend of fast guitar's, the crazy bass riffs you'd expect from Matt Freeman, and the ever wonderful vocals of Tim, Lars AND Matt. However, if you thought Life Won't Wait the best Rancid album ever, maybe this one isn't the best buy for you.
"Don Giovanni" and "Disgruntled" get the record off to a great start, getting the blood flowing with their one-two punch. More melodic, Rancid-esque songs quickly follow with the great "It's Quite Alright" and "Let Me In". Through the next eighteen songs, "Rancid" sounds like the band always have: fast, furious and melodic, with honest, smart lyrics(when they can understood). All Rancid have done here really is trim away the ska-punk sound of "...and out come the wolves" and the everything-and-the-kitchen-sink sounds of "Life Won't Wait" and trimmed down the fat for twenty two quick, perfect Rancid songs.
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| 164. Exodus [Deluxe Edition] | |
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Amazon.com Reviews (10)
Then we get to the live section which i think has better versions of songs than "Babylon By Bus", which has always been my personal favorite album. "War/No More Trouble", "Jamming", and "Exodus" are just simply phenominal. Next is the "Punky Reggae Party" with the dub version, finally a way to get the original studio version of this song, which until now was very hard to do. Also there's the "Keep On Moving" which has always been a great song. I consider this to be the best reissue of all the BMW material thus far this year, though "Burnin'" and "Catch a Fire (2CD) were also really good. I just wish now all the original Jamacian versions of BMW Island albums would be released. It's just amazing how many of these albums are sold, despite the fact that Bob Marley passed away nearly 20 years ago. Buy this double disc set and be happy!!!! :)
I also recommend "Mississippi Muddy Waters Liver" Deluxe Edition.
remastered reissues are often considered poor excuses for record companies to make money. i don't have problems with this one this time. ... Read more | |
| 165. Trojan Mod Reggae Box Set / Var | |
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| 166. Pez Collection | |
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Album Description Reviews (10)
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| 167. Skalleluia Too | |
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Reviews (3)
A very good album overall I listen to it all the time. If you like this, make sure you get some Five Iron Frenzy and Supertones, which are even better in my opinion. ... Read more | |
| 168. The Suicide Machines | |
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Amazon.com Reviews (77)
Also, like someone else said, I could not believe it was the same band-- I had to make sure it wasn't some other band with the same name to believe it. Terrible, just terrible. Forget the whole debate of whether they sold out or not (Who really cares anyway??) this album is simply unenjoyable to listen to and that's all there is to it.
Most of the songs have a very energized, up-beat feel to them. In addition, each one has a distinct message to deliver or story to tell, and the lyrics are easy to pick up on without having to read along. I find this appealing in comparison with so many bands that turn out songs with nonsense lyrics, or lyrics that can't be discerned at all without seeing them on paper. Some of the tracks on this album are light-hearted, such as "Sometimes I Don't Mind" and "Extraordinary," and others are more serious in content, like "Fade Away" and "Reasons." I only have a few very minor criticisms of this album. First of all, it's too short. The songs are all very quick, some only a little over a minute in length, and therefore I wish they'd included a few more tracks to provide a little more listening time. Secondly, there are two songs that don't really seem to fit with the overall feel of the CD. While I like "I Hate Everything" and especially "Reasons" as songs in themselves, they are much harsher and more abrasive than the rest of the tracks, seemingly throwbacks to the band's earlier work. Placed on this album, they hit like small earthquakes in the midst of relative tranquility. I think they may have been better grouped on a different album with songs more in the same vein. On the whole, however, I really can't help but like this CD. I find myself listening to it over and over again.
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| 169. Fourth from the Last | |
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Amazon.com Reviews (99)
The lyrics are really simple (which can be good if you're just listening to it in the background) and they don't seem to say a whole lot. This isn't too much of a problem unless they think that they're bringing to light theological truths. I say, write about what you know. So to all of those people out there who wine about how "there's only four songs you can call Christian" or whatever, SHUT UP. God put women on the earth, and sin brought problems here as well. It's totally okay for bands to write about this stuff . . . it's called life! Anyway, why the whole CCM community jumped on this CD I'll never know. I guess that the W's were the first really marketable Christian band who purported to be swing. Well folks, thet're not. Not in in the classical sense, and not really even in the modern sense. There are some really descent swing bands out there, and even a couple of Christian ones (ie Jason and the G-Men) if you're really concerned about having to listen to Christian music all of the time. The W's play catchy rock/punk tunes and throw in a couple of horns. This brings me to my biggest beef. There's really not much to say about the musicality of this album. I myself am a brass player of sorts, and there is not much originality or difficulty in the music. If you're going to use horns, you really need to do it well. That's why I got annoyed with the band and album. Take some chances, and feel the music baby!
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| 170. Boogu Yagga Gal: Jamaican Mento 1950s | |
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| 171. Alma En Fuego | |
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Reviews (3)
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| 172. Times | |
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Reviews (6)
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| 173. The Best of Studio One, Vol. 1 | |
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Amazon.com Reviews (3)
This is my fourth copy of this album (and NO you can't borrow it).
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| 174. The Specials | |
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Amazon.com Reviews (32)
I'll never forget when The Specials appeared on Saturday Night Live in 1981. They performed a searing, blistering "Gangsters" as they slam danced with the air around them. When they were through, the usually savvy New York audience was stunned. Dead silence. And I don't think it was because they were impressed: they just didn't know what they had just heard. But this Brooklyn boy was on his feet at home, jumping, and scrambling for pen and paper to remember this band's name so I could buy the album, which I did the next day. I was in for more than I'd expected. Half this album's tunes are pure energy, the other half were more subtle reggae tunes. I thought The Specials were a tight, no-holds-barred, musically frenzied band. But there's something else: their songs carry incredibly intelligent, socially aware lyrics. Some songs are of the utmost seriousness. "It Doesn't Make It Alright" is a powerful indictment of racism. On the other hand, "Too Much Too Young" is a more witty, sarcastic look at teen pregnancy. There are strong messages in several songs, and this is an added plus. It is ska that is unafraid to approach any topic. It's fun, it's serious, it's damned good music. Have you bought this cd yet?
If you listen to earlier versions of these songs available elsewhere, you can see how much they honed everything. The Specials had toured the U.K. supporting The Clash, and as a result you can hear more Clash-like-Grit on this album, and you can also see The Specials influence on Clash songs like Pressure Drop, very Ska. I like everything about this album, every song. I still remember my high school English tutor in the 9th grade (I was really bad in school) who was more interested in shaping my musical tastes, and my sister, English was third on his list. He made me a tape of this album with the This Are Two Tone compilation on the second side. I listened to that tape for years, before they had tape-players that would flip the tape for you. I remember one time I accidentally hit "Record", so to this day I am surprised there is no gap at the beginning of "Concrete Jungle". Not too long ago, I was invited to several Specials shows. My friend had gone to school with Mark Addams (keyboards) in Coventry and whenever they'd come to San Francisco my friend rob would arrange to have us on the list. They have altered the band since 1980 (when this album came out), a few new members, but they still have Neville Staples(who looks even cooler today), Horace Panter, Roddy Radiation, and Lynval Golding. They preformed these songs in a dizzying frenzy. After each show we'd go backstage with them (once to the Green-Room of the legendary Fillmore Auditorium!) and one time on their tour bus somewhere in Santa Cruz. My friends wife was blind, so she had a seeing-eye-Doberman with her. We were on this crowded bus, with the band, this huge dog and scattered other people. They were playing some old sixties Ska on the bus stereo, and Lynval Golding (guitarist) danced with the seeing-eye-dog, and I cracked a corny joke, which I began to regret as I was saying it. I said to Mr. Golding, "Do The Dog!" (referring to their song by the same name) then my ears began to turn red. He thought it was the funniest thing he'd ever heard and slapped his leg as he laughed. He put his rude-boy hat on my head, which was pathetically loose, and laughed his way to the ice-chest and he fetched two beers and brought one to me as his laughter died down. The joke seemed rather obvious to me. He took his hat back as he gave me the beer. It was all very weird. Anyway, this is the album to have. I have many Specials albums, and would choose this one over all the rest, or any other Ska band, there is No Doubt about that. If you have never heard this album but are considering it, then trust the instincts that brought you this far and get it, if you remember this album from your youth but haven't gotten around to getting it on CD I suggest you drop everything and get it, and get Led Zeppelin IV another time. This album has aged very well.
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| 175. Spirits All Around Us | |
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| 176. The Young & The Hopeless | |
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Album Description DVD SIDE: * Entire album in enhanced LPCM Stereo * Exclusive behind-the-scenes interview footage from the bands 2003 tour * Discography | |
| 177. Open Your Eyes | |
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Amazon.com Reviews (50)
However, the new album retains the Gold energy but lacks the creativity of previous works. For the second straight album, much of Goldfinger's ska content is kept in check. Punk power is present, yet this album suffers from the virus infecting new music recently; it all sounds the same. I mean, you can tell it's Goldfinger, it's not like they sound Blink-ish but it seemed the well was running a little dry this time around. Some highlights include the first two tracks, "Going Home" and "Spokesman", both of which are reminiscent of the older days. "Decison" is kool, and "Happy" is really sweet guitar work. "Radio" is very, very good and is a nice way to wind down your listening session. The rest, however, is just kind of blah. When Goldfinger first emerged onto the national music scene with "Here in your Bedroom" I thought they had no chance of getting over the one hit wonder bump, but their mix of punk and ska survived the harsh world of radio-played music. I just purchased the new Weezer a week prior to this and both albums, although good, have fallen into the state of being unable to compete with previous efforts.
[1] Going Home(4/5) - Short and sweet little intro song (about a minute and ½), I especially like the feedback in the intro, and it gets you in the feel for the rest of the album. If this hasn't sold you, I don't know what will. If you are a music/Goldfinger fan like myself, go out and get this album. Especially if you are somebody who doesn't criticize the music just because they are stuck in the past with their Ramones and Sex Pistols. This is great NOW, and if you just listen to one song, you will agree with me.
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| 178. Trombone Man: Anthology 1961-1971 | |
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| 179. Honey I'm Homely | |
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Reviews (20)
my fave songs: Mr. Blue, All Mine, Salted, Cold Shower.....aww forget it -- i love them all! how bout a sample of the cool lyrics? -"i wish i could tell you what i want from you, i would if i knew"-Cold Shower--great if you want somebody but you dont but you do and they want you but they dont yet they do.... -"i love to hear myself talk, im my own favorite audience, cuz im the funniest person i know...if you were me im sure youd agree"-The Truth About Me--heh heh...just a cool song -"you're the one i've been waitin on, what took you, what took you so long, i'd just about givin up on this, oh yeah, oh yeah don't you wish, that you could go and forget about me, but that'd but that'd be too easy, better be ready to be only mine.."-All Mine--awesome song i dont know why i chose those lyrics--just a tiny sample. dont think anymore just buy this--promise--its GREAT STUFF.
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| 180. Scientific | |
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Reviews (9)
If you take your ska back to its roots, this is the album for you. In the vein of their modern peers, the Toasters, this Hepcat's album takes the ska sound back to the original 1950's and 60's rude boys of Jamaica. The Hepcats are true to their predecessors--the Skatalites, King Tubby, Desmond Decker, and others. This is not your neighbors ska-core, this is real island ska. Buy it, you wont regret it.
Granted, they lost a great sax player in Dave Hillyard before making this album, but the remaining horn players (Efren, Raul and Kincaid) do an exceptional job in picking up the slack. Of course, what I love about Hepcat is their vocal harmonies, with Greg Lee, Alex Desert and Deston Berry doing their usual great job in creating great sounds. I think that overall Greg's songs are the most memorable, but perhaps my favorite song on the album is "Home", sung by Alex (of "Becker" fame(?)... is Alex still in the band? I hope so.). Some other classics on this album are "Country Time", "Bobby & Joe", and "Relation". Despite the talent of the vocalists, Hepcat manages to sneak in a few excellent instrumentals, including "Dollar Dance", "Clarence" (which is also on their self-titled album on Moon Records), and "Yoko Zuna". There have been many permutations, combinations and bastardizations in ska over the recent years. However, if you want to hear a new band put their twist on the old style of ska, pick up Scientific. Hepcat is one of the best "third wave" ska bands to recreate and redefine the old school sound.
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