Amazon.com

Veruca Salt werea band torn between catchy pop hooks and arena rock dreams. Producer Bob Rock(Metallica, Motley Crüe) tried tohelp them realize the "big" sound with mixed success. Now, he's helping formerVeruca Salt singer-guitarist Nina Gordon turn away from "big rock" and towardthe lush power pop championed by musicians like Aimee Mann. The title track, "Now I Can Die," and "2003"feature stacked harmonies and a carefree gait that recall the melodicrenaissance of early-'80s new wave, with the additional bite of modern-dayproduction values. Hammond B-3s, pedal steels, Mellotrons, and Chamberlins addsomber texture to "Horses in the City" and "Hold On to Me" without sacrificingthe straight-ahead rock feel. Producer Rock adds a bit too much gloss here andthere, but in any case Gordon's a power-pop diva in waiting. --RobO'Connor ... Read more

Reviews (135)

Oh, glorious power pop
Nina Gordon could make Avril Lavigne cry black eyeshadow down her cheeks without even hitting the distortion. The first four songs on this album are about as flawless a four-song volley as we've gotten in a while. It's clear that Nina held most of the Veruca Salt talent pool, and it was a pretty deep pool. I'm sorry, that was awful.

Nina has an interesting outlook on the world, and she has a gift for putting it into song. She lives in a world where every relationship is on the boundary between fun and serious, and the dramatic resolution of that situation provides a lot of her material on this disc. Her singing is the showstopper on most tracks, and Bob Rock's production brings it to the front in all of its crystal-clear glory. Guitars take over on "Bad Way," "Number One Camera," and the spectacular "Hate Your Way." She has a great voice for her brand of glossy rock, she has surrounded herself with A-grade talent, and she doesn't make any glaring missteps on this disc.

And now what seems to be my perfect phrase: this is not a perfect album. "Horses in the City" is more lyrically surreal even than Natalie Imbruglia, and some of the songs try to stretch a three-minute concept two minutes too long. None of the songs are particularly bad, and the singing and instrumental work saves even the weaker ones, but be warned that there will be a phase a few months after you first hear this that you'll want to skip a few songs, before rediscovering them later.

There's an import version of this floating around for $30 more, which includes "Black and Blonde." "Hate Your Way" recalls Veruca Salt's epic (and great) "Earthcrosser" musically, but this extra track does so with a direct lyrical quote. It's a good song, but the wise will go to Nina's website and download it for free instead of sending an extra thirty bills to Japan or wherever.

Yes, you should buy this.

Veruca Salt alum scores big
Veruca Salt veteran Nina Gordon's solo debut is a slight departure from her earlier work, focusing more on melody and songwriting than the edgier pop/rock like "Seether" that had made VS famous. In making this transition Nina scores big and writes a very compelling album.

There are several strong songs on this disc, starting with the surprisingly upbeat "Now I Can Die", "2003", and the beautiful and longing "Tonight and the Rest of My Life". The somber "Horses in the City" is a reflective song about feeling out of place and dealing with it, while "New Years Eve" is a thoughtful look back upon the romantic misadventures of the past year. The real strength of this album lies in Nina's increasingly mature and diverse songwriting skills and in the strength of her vocal delivery.

She seems to finally be at peace with the tumultuous and bitter breakup of Veruca Salt, and pleasantly absent (unlike on "Resolver" by Louise Post) are bitter digs at her former VS partner. On her solo debut Nina has grown up into a formidable singer/songwriter, and I'm looking forward to what she has in store for us next.

The ROCK is gone
First of all, I wouldn't classify most of these songs as "rock", like a previous reviewer did. Not even close. She's made a full transition into the pop realm, and left the rockin guitar behind.

There are some good songs (Tonight and the Rest of My Life), and a few that somewhat rock (Number One Camera), but if you're looking for an extension to your Veruca Salt collection, don't bother.

Overall, the album is a bit too long, giving you that "is this album over yet?" feel. Some tracks are too sappy for my tastes, and could easily double for any "pop diva" out there. Skipping a few tracks (Horses in the City, Too Slow to Ride) makes the whole experience much better.

It's hard not to make comparisons.
I swore to myself upon listening to the offerings on Gordon's solo debut that I would not compare the record to her previous work with Veruca Salt. Well. That turned out to be impossible, and ultimately, an unreasonable expectation on my part.

I couldn't give this record just one star because it certainly isn't a bad record. But it's average, and more than that, it's somewhat uninspiring to my ears. Although the radio gave love to the title track, it didn't give much to any of the others, and I think the reason is because, upon hearing the whole set, a listener does feel somewhat dulled to the sound of that title track. That is to say, it's all very similar.

The two songs that sit apart from the others are a good indication of where Veruca Salt might have gone had it not fractured. Gordon's songs on Eight Arms to Hold You, there is a clear extrapolation from that work to songs like "Badway" and "Number One Camera" on her solo debut.

And lest you think I'm a Salt fan bent on knocking down Nina in favor of the edgier, darker Louise - I'm not. I'll say it now that togther these women made better music than either one of them has made separately. I'm sure they don't see it that way, but there was something very special between the two of them, musically speaking, and that is totally absent from their indpendent work.

So to sum it up - it's hard not to make comparisons, but I'm not comparing Solo Gordon to Salt Gordon. I'm comparing plain music to good music, and the former is unfortunately where this record falls.

The best CD
Nina Gordon has made one of the best albumns ever! It is a very rare thing to buy a CD for one song and end up loving all of the songs. That is what happeded when I bought this CD. She is so honest in all of her songs and you can feel her joy or pain right along with her. She also has one of the best voices in pop music- it almost has a Broadway quality to it the way her vibrato works. This albumn also has a nice mix of fast and slow paced songs. I don't typically like slow songs, but it is impossible not to love hers. I tell everyone that they will not regret buying this CD and niether will you. Buy It!!!!!! ... Read more

Amazon.com

It's time for an update of our image of Jewel, the ingenue who set the music world on fire with her 1995 debut album, Pieces of You. After all, that effort consisted primarily of songs Jewel had written several years before, some of them dating back to her days as a free- spirited waif living in a van on the beach in San Diego. Now, at 25, she's become a sort of guru for self-expression and full disclosure, revealing perhaps too much of herself in see-through dresses worn to awards shows and a critically drubbed (yet bestselling) book of poetry. Spirit makes plain why Jewel's well-intentioned yet sometimes facile lyrics strike a chord with her audience while her poetry lies flat on the page. On songs like "Deep Water," "Hands," and "Down So Long," her words are borne aloft by sparkling melodies and her soaring voice, making even the most cynical observer take a schoolgirl-notebook image such as "your heart like grape gum on the ground" or an unreassuring platitude like "If I could tell the world just one thing / It would be that we're all OK" somewhat in stride. On Pieces of You, Jewel posed the musical question "Who will save your soul?" On Spirit, it sounds like she wants to do it herself. And the truth is, if you don't overanalyze it, the album does act as a sort of balm for wounded psyches or maybe a primer for raising your own inner child. Maybe she's right and we are all OK. Who knew? --Daniel Durchholz ... Read more

Reviews (578)

Very good sequel, but does it measure up to the original?
I just bought "Spirit" at K-Mart on August 1, 1999. I have Jewel's first CD, "Pieces of You," and I absolutely adore it. I bought this CD hoping to expect better than "Pieces of You." This album contains wonderful lyrics, melodies, and Jewel's voice is just as crystalline and heavenly as on her first effort. My favorite tracks are: "What's Simple Is True," "Hands," "Down So Long," "Innocence Maintained," "Jupiter," "Fat Boy," and "Do You." All of the tracks are good, but for me, these are the major "stick outs," so to speak. I think the main problem is that "Spirit" is too polished. The production shines, and the rough edges of the mostly-live cut "Pieces of You," are smoothed over, but there's less substance here. Jewel tries very hard, and emotion shines in her voice, but some songs just don't click. If you listen to the CD all the way through, relaxed, so you can hear it, tracks 1-8 will really grab you. Those are the most truly felt, in my opinion. After this point, the album begins to sag, with two more good songs, "Life Uncommon," and "Do You." However, this is still a great CD, and well worth your money. It's just not quite as good. Even Jewel can't top the amazing charm, sensibilty, yet seriousness of her debut, so it's hard to live up to. But, I think she's doing a damn good job trying. I love you, Jewel! Matt

After so many listens, the same beautiful feelings
I write this review because after so many listens, this album still brings in me so many beautiful things. It doesn't grow old, it always make me cry, it brings chills into my skin and it's still as deep as it was the first time I listened to it. Almost every song brings tears into my eyes, as I listen to the lyrics, I can't help but feel positive that this world will change. Thanks Jewel for bringing so much beauty into the world.

Beautifully sung, beautifully written
Rock singer Jewel is definitely showing better writing skills and vocal performances on her second record Spirit. "Hands" rocks!

Truly stands the test of time....
I got this album back in 1998 and I still listen to it!! The songs have such a "certain" feeling that i can't completely describe and its such a beautiful work from a very beautiful and talented artist. The only "gripe" i have with this album is the version of Life Uncommon. I think she should have recorded a more raw and emotional version but hey there are plenty of live recordings of this song that will do. Anyways, I highly recommend Spirit for its poetic and soothing vibe. If you are new to Jewel, I'd recommend starting with THIS WAY. However, this album introduced me to Jewel so I guess this would be an excellent introduction as well!!

A must-have CD
There are too many wonderful, insightful lyrics on this album to recount. "Deep Water" is an awesome song. "What's Simple is True" is gorgeous and evokes images of winter. "Hands" is utterly brilliant. "Kiss the Flame" is just amazing; as Jewel says, "let's run with the hunted, the untamed...embrace the faceless, the unnamed." "Down So Long" is a high-energy song and one of the best tracks. "Innocence Maintained" presents an interesting philosophy-something you don't get from most music artists today. "Jupiter" is an incredible song, especially lyric-wise; "Venus Demilo, in her half baked shell, understood the nature of love very well...she said a good love is delicious, you can't get enough too soon, it makes you so crazy you want to swallow the moon..." And the refrain gets better. "Fat Boy" is a gentle, compassionate song that must be appreciated for what it is; an expression of empathy for a fat boy. "Sometimes I feel the same..."

"Enter from the East" is soft and slow and beautiful. "Barcelona" is one of the greatest songs on this CD, with an awesome beat, words, and performance. I also love "Life Uncommon;" Jewel sounds so great singing this. "Do You" is yet another of the memorable, outstanding songs on "Spirit," and last but not least is "Absence of Fear," which is beautifully written and sung, like the lot of Jewel's music.

The bottom line? This moving, entertaining, influential album is a necessity for Jewel fans a strong recommendation for lovers of good music with a 'spirit'ual purpose behind it! ... Read more

Album Description

The follow up to the critically-acclaimed 'Faces Down', Sondre Lerche's second album is a tour-de-force of soaring pop melodies and rich technicolor arrangements. The 21-year old Bergen, Norway native recalls artists like Jeff Buckley, Elvis Costello, Beck, Brian Wilson, Rufus Wainwright, Burt Bacharach and Cole Porter. From the fragile acoustics of ‘It’s Too Late’ to the symphonic variations of the title track, from the no depression lilt of ‘Stupid Memory’ to the uplifting pop of ‘On The Tower’, this is an album of breath-taking diversity and imagination. ... Read more

Reviews (15)

A Great Follow - Up
Sondre Lerche's latest album is definately a great follow up to Faces Down- his debut release. Two Way Monologue has a soft melodic pop sound. Lerche's music is reminescent of the true pop sound of the 60's that isn't heard all that often today. A variety of people will appreciate his music. Check out "faces down" and his EP "don't be shallow." Lerche is fabulous live as well, i was lucky enough to catch him at the Fine Line in minneapolis.

Track ME Down
I'm quite thrilled that I stumbled upon the music of Sondre Lerche. This artist has such a compelling flare to his music, that it makes most other artists out there seem childish. Being that he is only 21 years of age, one would think his music would be quite naive and inexperienced, but it is delightfully the opposite. His tunes touch your heart and leave you wanting more...and more. "Two Way Monologue" builds upon the classics of "Faces Down" and takes them to a new level of wonderful song crafting, superior guitar work, and fascinating vocal melodies. This album will grow on you upon repeated listens and will quickly rise to the top of your list of favorites. Now, imagine what he will do next! If I were to sum this album up in one word...Jackpot!

Really, really good
ever since i heard about sondre lerche a few months ago, i've loved listening to his songs over and over again. Both of his two full-length albums were amazing and i was really suprised. "Track you Down", "On the tower", "Two Way Monologue", and "Days that are over" are all incredible songs, and i recommend going to see him live, because he's great performing too, not to mention funny...but that's beside the point. So, he has catchy but mellow rock songs that you will never get sick of.

A fantastic sophomore album
"Two Way Monologue" is a fantastic follow up to Sondre Lerche's debut album. The songs range from the instrumental opening track, "Love You," to traditional folk/pop songs infused with a touch of Brian Wilson, such as the upbeat love song "Counter Spark," the quirky "Wet Ground," and the plaintive break-up song "It's Over" to even the country-feel of the song "Stupid Memory." One of my favorites, that showcases Sondre's talent as a songwriter, is the title song, "Two Way Monologue," about trying to find common ground when communicating. It starts out with just the singer and a guitar then builds into a full-fledged pop-rock song, that keeps you tapping along with the music without missing the story of the song.

Filled with intelligent and sometimes whimsical lyrics, energetic, traditional pop infused with a folk rock sensibility, and a deceptively sweet voice, this album displays what pure music can be.

a nice surprise!
I didn't know much about Sondre when I picked up the album, but I was pleased with what I heard - simply, if you enjoy melodic pop music - stuff like the Shins, Belle and Sebastian, etc. than buy this - I'm gonna check out his debut album because I found this to be rewarding. ... Read more

Amazon.com's Best of 1999

Harper's soulful musical mix continues to defy genre categorization and his growth as an artist continues to amaze. Burn to Shine is his most ambitious work to date, tapping a multitude of styles and moods and revolving as usual around his incredibly expressive vocals and searing guitar work. --Marc Greilsamer ... Read more

Reviews (121)

ben will be legendary as dylan, lennon, marley and hendrix
ben is one of the most talented artists on the planet. he sings out against injustices and well as his beliefs and own life. lyrics so incredible and well thought out anyone with an intellegence should relate. not only does he speak his peace which is hard enough to find these days with music in such a bad place but he is a godly musician with influences from mississppi john hurt to taj mahal to hendrix to marley. only the best of role models.

with his own unique musical style, he's going down in history for his use of lap slide guitar, for those fellow guitar players out there harper will intrigue you. from playing his weissenborns with all the soul and feeling in the world to an incredible ability to rock on crunch slide guitars he designed, a les paul crossed with a weissenborn.

this review is more of a review of ben in general rather than spacifically this album but all of his album are incredible. it's so good to see ben start to get the attension he deserves after being a loyal fan for a while. burn to shine is the latest of his 5 main releases, 4 of which are on cd. burn to shine has all of ben's old slide and heart felt tunes like two hand of a prayer and in the lords arms beloved one to some new songs that just plain rock like forgiven, burn to shine and less. also some more experimental songs away from his usual style like suzie blue, steal my kisses(i'm sure you've heard). anyway, i garantee you will love this album and if you don't... well... i won't do anything but i will be surprised. i strongly advise you get his other's too if you haven't already

Crows/Kravitz Fans - Don't Pass This Up
The fact that Ben Harper remains largely unknown while lesser talents like Lenny Kravitz, Counting Crows and Live are so successful is one of those minor crimes against creativity and true musical expression. Don't get me wrong, I like those other guys, but Harper easily outshines them all. His songwriting chops are strong: "Two Hands of a Prayer," "Burn to Shine," "Suzie Blue" and "Less" all prove this. Production is impeccable, with each song delivering a unique sound to mirror it's emotional intensity - the delicate strings in "Beloved One," the chants and gongs subtly layering "Two Hands," the old-time fun of "Suzie," the raucous "Alone" and the triumphant "Forgiven."

Hopefully, in an alternative universe, Ben Harper is a major rock god while Kravitz, Duritz, Dave Matthews et al are relegated to being considered barely fair imitations. Just because you're not hearing this guy's music on car and shoe commercials means that in this world, it's hard to hear him on the radio. Do yourself a favor and take a listen.

Gentleman looking for gentlewoman.
Why Ben Harper isn't more famous I'll never know. Maybe it's because the music industry doesn't know how to classify him. Forget the classifications. Ben Harper is one of the best musicians alive. The military drum, combined with his voice is amazing on "alone". The "woman is me" explodes at just the right time. I don't really like "less", but that's just my opinion, it doesn't mean it doesn't have any musical worth.
Some of the lyrics on "Two Hands" are just without peer. "Suzie Blue" is perfect if only for the lead in to "Steal my kisses". Some Ben Harper Loyalist don't like steal my kisses because it sounds "studioized". I admit there's a lot going on in the song musically, but that's why I like it. You can't hold his genius back. It can shine in a roots or a heavily studio produced song. The background singers, just being slightly behind the lead vocals on steal my kisses is awesome. My favorite song is "Show me a little Shame". Get this album, you won't regret it.

Doesn`t Shine All That Much
A decent, yet unconvincing, rock/soul/folk/blues album, "Burn to Shine" manages to deliver some good songs here and there (the crestfallen "Alone", the energic "Less" or the intense "Please Bleed"), but fails to rise above middle-of-the road territory. Basically an hit-and-miss effort, the record really runs out of steam on its last part, presenting some boring, tedious and unappealing ballads.
Ben Harper is an alright singer and performer, still this release isn`t one of his best moments (neither is it the worst, since his debut album was one of the more dull things I`ve heard).

Competent yet not very challenging.

Even Better Than "Fight For Your Mind"
I loved this album the first time I heard it.... not too many artists can match the versatility on this album. Definitely better than "Fight For Your Mind" (I'd rate that at 4.5/5.0), which doesn't have the likes of the rocking, riff-filled "Less". "Alone", "Woman in You", "Two Hands of a Prayer" (really expressive vocals on this number), "Show Me a Little Shame", "Please Bleed" are the outstanding numbers (not in that order), but all the rest are also great.
Such a refreshing change from the mainstream crap. Ben Harper defines the meaning of the "Alternative" genre. ... Read more

Reviews (151)

A tamer version of Liz
Liz Phair's third album 'whitechocolatespaceegg' doesn't measure up to either her debut or sophomore album, but it's still a grab bag of good tunes. About half this album I really like: Perfect World, Johnny Feelgood, the title track, Baby Got Going, Headache, Ride, and What Makes You Happy. The rest of the songs however, seem to be either too short or too long, with nothing really special to say. Liz used to be able to write wonderfully quirky, and unique songs but it seems like most of her edge and quirky abilities have been lost. Instead of trying to sound witty, songs like Sh*tloads of Money and Uncle Alvarez come off as sounding stupid instead. Don't get me wrong, I don't think this album is bad at all but it really pales to her two previous records. Not the first Liz Phair album to get, I would recommend 'Exile In Guyville' or 'Whip-Smart' before this. But definately an album to consider, after those two have taken up permanent space in your CD player and mind.

Life after the thrill is gone...
Unfortunately for Liz, she hit a grand slam home run on her first swing ("Exile in Guyville"), leaving little possibility of anything but artistic retreat and the inevitable evolution into slick professionalism in her future.

To her credit, she's made two far from bad albums after that classic debut, and may well continue to put out strong work that stays on the right side of obvious commercialism. But she'll never be able to surprise us again, which is a shame.

That said, this album contains many strong songs, especially "Johnny Feelgood," "Polyester Bride," and "What Makes You Happy." And she can still be charmingly off-beat, as on "Uncle Alvarez" and "Shitloads of Money." She could easily be doing Sheryl Crow-slick mainstream rock, but her quirky indie instincts are intact. While not as interesting as Pavement, she's maturing with dignity in a similar way, and she deserves credit for that.

It's a Shame It's Her Worst-Selling Record...
After an extensive break, having a son and getting divorced, "Whitechocolatespaceegg," which arrived at #35 on Billboard's Top 200 albums chart, surprised many Liz Phair fans in summer of 1998. Though its tongue-in-cheek lead single "Polyester Bride," didn't see the success that her breakthrough single, 2003's "Why Can't I?" (which entered the Hot 100 September 11, 2003 at #76, eventually peaking at #32, her first and thus far only Top 40 hit) had, one thing was clear: She could create songs that were easy to listen to and difficult to turn off...that's right...POP MUSIC! :::Gasp:::

Even though this is extremely far from the slickly-produced but excellent self-titled album from last year, this is essentially its foreshadower; "Liz Phair" took the formula of this album and amplified it. Indeed, with "Whip-Smart" back in 1994, she proved with songs like "Jealousy" and "Supernova," her first song to make the Hot 100 (#78), that she could stick to guns; pushing the envelope with themes that near-completely dealt with sex while still crafting radio-worthy fare. "Whitechocolatespaceegg" is far more mainstream than anything she released previously, but it walks the balance beam between indieville and Top 40 land carefully; in fact, perhaps too carefully, which could explain why it has been her least-embraced release.

From the opening title track, which many agree is in reference to her then baby son, to the awkward "Girls Room," this album is a mix bag of different infectious styles that without a doubt has at least one song to please every listener. "Big Tall Man" is a hilarious, extremely catchy tune likely inspired by her ex-husband, while "Love Is Nothing" and "Johnny Feelgood," melodically, sound like something you'd hear after popping a coin into a jukebox in a 50's-style restaurant. Other tracks, like "Go On Ahead" are lyrically reminiscent of "Exile In Guyville" in their examination of relationships, while the likes of others such as "What Makes You Happy" or "Baby Got Going" are so downright catchy that it's a true shame they didn't mark Phair's arrival at mainstream radio. The lyrics to the former are sung so perfectly; she gets an A+ for the acting job: "But mom, I'm sending you this photograph/I swear this one is gonna to last/And all those other bastards were only practice". How can you not love this woman?

Although it is her least successful record, "Whitechocolatespaceegg," with its sing-along choruses and insightful lyrics (and at times appropriate lack thereof) deserves a second chance.

I Looooves Liz
This is vintage Liz Phair! I love that song about mom disapproving of her bf , or that polyester bride song, etc. She just never goes wrong for me in any of her albums, I like all she produces.

David Rehak
author of "A Young Girl's Crimes"

Absolute awful and a waste of money
Whipsmart and Exile this CD is not. Could this be Liz developing herself? No, it is a clear example of "she has a record contract and her last 2 CDs did well so lets just put this poorly written and unlistenable trash out so that the idiots on the Liz-Phair-team will buy it." Don't waste your money. Liz is creatively "dead." This is the last you'll ever hear from her (it's been a couple years). Buy her sometimes fun, rocking and clueless first two CDs ... Read more

Reviews (80)

Jeff Buckly - Sketches
I am 12 and have had Sketches for a about six months. My sister introduced me to Jeff Buckley's first album about a year earlier. Me, being a Jimi Hendrix, and Beatles fan, I didn't take much notice of the album. But after a while, after a long time of listening to it in the car, I relized I knew all of the songs on the album, and began listening to it over and over. Grace was an amazing album, polised to perfection, and when buying Sketches, I wasn't sure of what would come of this 2-cd set. The first cd, being my personal favourite, doesn't seem unfinished at all. Even if the sound wasn't as solid as compared to Grace, it made the music stand out more, mainly Jeff's incredible voice. I have had the CD for a while, and almost all the songs are great, 'The Sky Is A Landfill' being a powerful lyrics and heavy yet beautiful music. And of course, 'Everybody Here Wants You' is a lovely song, which definately stands out. 'Nightmares by the Sea' is pretty cool, and 'New Years Prayer' has a great haunting sound. The second CD, does have some good tracks, yet doesn't come to the same standard of the first. The majority of the songs, are home recorded, and you can hear how well he used his resources(banging on the microphone for a thumping beat) There is some weired sounds here too. The last song though, 'Satisfied Mind' is one of the albums best. It's the sort of slow, heavenly, yet bluesy, song that leaves you humming(if you can sing that well!) Sketches is a good as Grace, if not better. I was horrified to hear of Jeff Buckleys death, and I don't think that there is many young, great musical poets left who could bring out emotions like Jeff could. His death was a great loss. Recently, I heard of 'Mystery White Boy' and I have heard Jeff live in Australia on the radio. I am eager to check this out.

Words Cannot Describe Anything To Do With Jeff Buckley
I became a Jeff Buckley fan on first hearing "Grace" - an album that inspired me, changed my life, and made me complete. I had also bought "Sketches for My Sweetheart the Drunk" at the same time as "Grace", but his debut album just held me so much so that I didn't really give "Sketches..." a *real* listen until I had been truly filed by "Grace".
When making this album Jeff did not want to make a "second Grace": He had to develop, and this album shows just what a talent this man really was. Every single song on this album is on the same level as "Grace", if not higher. The songs are mature, rock-y, passionate, brave - they are songs of *emotion*. Disk One shows the songs which Jeff had made good quality recordings of, hinting that these would have made the final cut had he lived to see it. "Vancouver", "The Sky is a Landfill", "Morning Theft", "Everybody Here Wants You", and "Nightmares by the Sea" are all among my top favourite songs of all time, but to be honest, there is no one *superior* song in this collection - they are all the most beautiful, poetic and astounding pieces, I feel that have been written in at least the last twenty years. Each song helps you with different emotions - you feel and think differently during each song - they are a snippet of genius.
Disk Two is the more "sketchier" area of the CD, but this does, in no way lessen the value of the songs. "Back in NYC" really hit home to me when watching a Jeff documentary when drummer Parker Kindred says "on a bad day, the city can take your soul": this song shows Jeff knew how that felt. "Jewel Box" is perhaps the prettiest song I have ever heard in my life - and shows how poetical and sensitive Jeff could be - in stark contrast to the humourous and hot "Your Flesh is So Nice"
Truth be told, I could go over each and every one of these songs and say why it is amazing, beautiful and the work of the most gifted singer/songwriter/performer of our time, but words can't describe what you get from "Sketches..". It's that feeling of raw emotion - sadness to know he'll never be here again; the emotion of lost love, of dreaming, and any other human feeling that ahs ever existed. "Sketches for My Sweetheart the Drunk" is a mature album, and shows Jeff Buckley in his best light - the songs have changed my world forever, and if you buy this album, they will change you, too.
Jeff Buckley, is, in my opinion the most gifted songwriter/performer/singer of *all time*. If you don't believe me, listen to this album!

unfinished masterpeice
so experimental and beautiful. Disc one is much more polished than two but doesnt mean its better. the gems that stand out on both cd's for me are "everybody here wants you" and "I know we could be so happy" but just like grace a new favorite pops after each listen. he was a true musical genius and it seems like the pot of them just keeps gettin thiner. i recommend this only for those who truly appreciate the music.

This generation's 'SMILE' ...and the evil twin of 'Grace'
It is a tragic shame this album was not completed. This shows Buckley's willingness to evolve into a true artist. He finished 'Grace' with class, it was time to move on. Some of the songs on this album would fit perfectly on Radiohead's recent releases, while others could be attached to an almost endless list of random artists. The first disc is a group of studio cuts destined, most likely to never see the light of day(not these versions at least).The second disc is comprised, mostly of home recordings(after Buckley was dissatisfied with direction).This record may just be "sketches", but one day it will get the attention it deserves.

Here's what this stuff REALLY is...
Ok. I've read a lot of reviews about this cd set, and a lot of them are not really appropriate. The songs that are piled together on this cd are simply what the band memebers and Buckley's mom found after his death. None of these songs were "ready" to be on any official album by Jeff Buckley. These are unfinished works, and there's really no reason for people to think that these songs are a far cry from Grace. Do your research. This is not mainstream music that is going to grow on people like a couple songs from Grace were. This cd set is for the true fans who "get it". ... Read more

Reviews (28)

The early reaction
I had bought Big City Secrets many years ago when it first came out based solely upon that fact that Peter Gabriel felt that Joseph Arthur was intriguing enough to enlist as the first American artist on the Real World label. Now I have just recently bought "Redemption's Son" several years later. Based on the first three times around the CD I feel that perhaps Joseph Arthur is even more "intriguing" now than when he was first signed to the label.
I gave the album 4 stars, knowing that it will grow on me with time and likely become worthy of a higher score. But this album seems more immmediately listenable than his first effort. The production is more elaborate, the vocals more layered, the sound more textured. Whereas his first album was striking for the nakedness of the sounds and lyrics, I feel that Redemption's Son is perhaps a bit more restrained, refined, and introspective (in a good way). There's also a real variety among melodies, from mid-tempo almost pop-ballad, to a little country swagger, to a harsher noisier rock, to a slow plaintive croon. Yet through all of these, his sound and voice remain unmistakable, and there is a genuine "soulful" quality througout the melodies (even beyond the spiritualistic lyrics). I think that this is what sets him apart from many other artists--he seems to have a true vision and mission to his music, and with time he's lending a more distinctive, refined and unique voice to that. I don't think it is either necessary or fair to make comparisons to other artists (because I doubt that he considers that much himself). Instead I would encourage people to give this album a real close listen, because it won't be like any other album in your collection.

Intensely personal and deeply moving
I weary about whether Redemption's Son would be as amazing as Come To Where I'm From, but I was truly blown away by the variety of styles and songs in this new Joseph Arthur work. Not only is is amazingly sung and played, but Arthur seems to project a depth that makes the music feel so personal. The best songs on the disc would have to "September Baby", "Nation of Slaves", "Blue Lips", "You've Been Loved" as well as the title track. For anyone who wants to be emotionally moved, this is the disc to submerse yourself in. A musical wonder.

Wonderful, inspiring music.
So many artists struggle to put 10 songs on an album, of which maybe half could be considered decent. Joseph Arthur manages to create 16 for this album and there's not a loser in the bunch.

His songs are pure poetry surrounded by swirling layers of gorgeous music - sometimes simplistic folk, other times upbeat rock. But his lyrics carry each one with often times devastating results (in a good way). Tales of love lost and struggles to love are the most common, but they never get tiring due to the diversity of the tracks.

For those who do love this album as much as I do, check out Gavin DeGraw as well (his album Chariot is arguably the best of 2003).

ebhp

Sweet Redemption
On his third album, Joseph Arthur takes his songwriting to a whole new level, while also blending in the techniques that made his first two albums so great. His distinctly rugged yet beautiful voice still conveys creative lyrics full of emotion, but this time he layers his voice several times over throughout the album to create ravishing harmonies and provide a more saturated sound. It's almost like a whole choir of Josephs is providing you a personal serenade on every song. As usual, there is very unique instrumentation, fantastic production, and Joseph's very own mesmerizing artwork. Highlights include "Honey & The Moon", "I Would Rather Hide", "Evidence", and "You Are The Dark". Overall a very impressive addition to Joseph's discography.

By Jove, he's done it again...
Joseph Arthur's previous album, "Come to Where I'm From", is an alternately haunting and enchanting record that seemed to sneak its way into your heart. Repeat listens to it reveal its brawny songcraft. The morose words and the mournful melodies convey that the man behind it had probably seen better days than when he wrote and recorded them; he sounded as though it was all he could do to roll out of bed in the morning.

Thankfully, "Redemption's Son" seems to find him in better spirits, although that still isn't saying much (only a few of these tunes truly qualify as upbeat). The real good news is that he appears to have taken some strides forward artistically, building upon what was already a solid foundation. This time around, his lyrics are more articulate and poetic, his arrangements more supple and complex.

The first notes of the title track pull you in almost immediately and the voice is indeed the one we recognize from his last offering, but something is different. That voice is more alive this time--he's singing far above the whispery level he used for much of his previous offering--and emotion that was hinted at and shown in flickers becomes far more evident.

Then, track after track, Arthur reminds you why his previous album was worthy of several spins. Also, he gives you new reasons to listen on such songs as "Dear Lord" that make you want to clap and sing along. The contrast in mood between those and more gently melodic "You Are The Dark" only serves to intensify the effect of both.

Put the two albums together and the end result is that of an artist who has worked his way out of an emotional funk by creating beautiful and powerful music that covers more ground than many artists can hope to cover in a career. ... Read more

Amazon.com

Armed Forces was the last title in a trilogy of albums that rank with the greatest three-LP series in pop-rock history. In retrospect, it also now appears to be the one on which the young Costello's pop tendencies peaked, right before they began to "mature" and grow less accessible. "Accidents Will Happen" features a melody line as beautiful as any ever written; "Oliver's Army" easily competes with the best of Abba and Brian Wilson among pop masterpieces. This is also where Costello's early themes--most notably romantic rejection equated with the horrors of neo-Nazism and modern politics--came together most precisely (the album's working title was "Emotional Fascism"). Rhino does its usual superb job, with wonderful remastering, in-depth liner notes by Costello himself (including a catty paragraph about famous groupie-author Bebe Buell, who often claims this album is about her), and a second disc of concurrent singles and alternate versions. Best of all are nine live tracks from the legendary June 4, 1978, Hollywood High School show, fully documenting that Costello & the Attractions were once among the all-time dynamic live rock acts. --Bill Holdship ... Read more

Reviews (9)

OH, I JUST DON'T KNOW WHERE TO BEGIN....
Elvis was at the top of his game from day one.After this album,
his third, he created a flawless trilogy. Costello's songs
are full of emotion - anger, bitterness, jealousy, but also
deep thought and honesty, even beauty.Every track is a classic. The bonus disc is also full of gems, some great demos,
and a brilliant live set. BUY THIS NOW!!!!!!!!

One Of The Greatest Albums Ever
There is no question that this is EC's best album. Arguably, this is the greatest Pop/New Wave album ever. Just about every song on this album is a masterpiece. Even if you look beyond the radio-friendly "Goon Squad", "Accidents Will Happen" and "What's So Funny About Peace Love and Understanding", you still have classics like "Green Shirt", "Oliver's Army" and "Big Boys". These are not only the catchiest melodies that EC ever recorded, but they contain some of the smartest, wittiest lyrics ever heard in this genre.
I bought this album a long time ago. It has since been rereleased as a 2 disc set. My comments apply only to the first disc - I have not listened to the second. I am sorry that EC's record label felt they needed to squeeze out a few extra bucks by tacking on an extra set of songs to RC's most satisfying piece of work.

Elvis completes his trifecta.
"Armed Forces" was Elvis and The Attractions' claustrophobic pop masterpiece, loaded with melody and paranoia, fueled by cramped touring vans, hotel rooms and long stretches of listening to ABBA, Kraftwerk, Bowie and the Beatles while driving between gigs. It was also the last of the Elvis albums that mirrored the tightly wound image/cliched "angry young man" singer-songwriter of the new wave world. It also happens to be one of the most indispensable albums of the 70's.

Songs like "Oliver's Army" and "Two Little Hitlers" brimmed with neo-fascist imagery and highly charged sexual/emotional content, yet flourished with pop-hooks. "Accidents Will Happen" portrays a barely apologetic philanderer as he tries to explain the infidelities of his life, and uses one of early Elvis' frequent descriptions of romantic partners as a "victim." (Think of how many times that word appears on his first three albums.) Many of the songs bear unmistakable ominous threatening qualities, like the roar of "Goon Squad," the hushed fear that underscores "Green Shirt" and the implied threat of "they took me in the office and told me very carefully, the ways that I could benefit from death and disability" (from "Senior Service").

Nick Lowe deserves a good deal of the credit for keeping this album in check (and when is he going to get into the Rock and Roll Hall of Fame?!?!). It is likely his pop sophistication that gave some of "Armed Forces" levity in its darkest points. It is also Lowe's one song - and the first cover to appear on a proper EC album - that brings the relentlessly downward outlook to a more optimistic close. "(What's So Funny About) Peace Love and Understanding" was the kind of song that, once Elvis claimed it as his own, provided a banner to his part during the formation of Rock Against Racism.

This is also the CD that most justifies Rhino's double disc reissues of Elvis' work. "Armed Forces" is the kind of album that more than holds its own as a singular entity, and the Ryko release that tacked the bonus selections on the same disc distracted from that sense of "piece" to me. So to have some excellent material on a bonus disc is just cream on the berry. Especially since it includes the entire "Live at Hollywood High" recording as opposed to the three song bonus vinyl that was included in the original album. If it was possible to add a bonus star to an already 5 star album, Rhino managed that trick here. This is the essential "Armed Forces."

Who Put These Fingerprints on My Imagination?
A definite high point from the EC "Golden Age", 1977-86. EC gives due notice of his ambition, and the Attractions respond in kind with a highly stylized, nuanced tour-de-force that still hits where it hurts. Not unlike the woefully underrated Trust. Although the "Golden Age" contains a few missteps (Almost Blue, King of America, the 2 notorious "L&W" albums), this is prime-time, "Prince Charmless" EC before middle age (and believing his own press clippings)ruined him.

Armed Forces
"Armed Forces" was the album that threatened to his breakthrough to massive commercial success- the ABBA-influenced "Oliver's Army" just screamed 'hit single' and if that wasn't enough, there were other classic tunes such as the incredibly melodic "Accidents Will Happen" and Nick Lowe's song "What's So Funny 'Bout Peace Love and Understanding". Most of the album, in fact, marries the then trendy 'New Wave' style with Costello's pop songcraft in such a way as to transcend that musical style. If "This Year's Model" was Costello's 'rythm record' of the era, then this was his 'melody record'. But while the album did- just-reach the US top 10, Costello's drunken taunts about Ray Charles one night during a slanging match with Stephen Stills resulted in his American record company backing off promotion of the album.

I should note here that I don't yet have the CD reissue, though I hope to get it at one point. However, another review has noted an apparent 'skip' (repeating the word 'action') in the middle of the song "Chemistry Class". Whatever flaw this is, it's not a manufacturing flaw of the CD, because my used vinyl copy also has it. In fact, up to the time I read his review, I had thought it was a manufacturing defect of the record. Perhaps it is a flaw of the source copy of the recording used earlier to master the record and more recently to master the CD. ... Read more

Amazon.com essential recording

After fumbling around with producer-from-hell Steve Albini on Rid of Me (1993) and signing with U2 manager Paul McGuinness, Polly Jean Harvey is ready to live up to her lethal early promise at last. With its growling bass tones, "Meet Ze Monsta" sets the stage early on as Harvey explores her feminine psyche with an intensity and raw power unheard since Patti Smith's heyday. Unlike the terminally inconsistent Smith, however, Harvey plots a brilliant course through slippery laments ("Working for the Man"), corrosive testifying ("Long Snake Moan"), and fuzz-toned menace ("Down by the Water"). Skeptics who think Harvey can't outgrow her art-punk base are advised to cue up the flamenco-inflected, string-caressed "Send His Love to Me."--Jeff Bateman ... Read more

Reviews (83)

"I was born in the desert"
This is a seriously outstanding album. It is easily one of the greatest pieces of music recorded in the last 20 years. Buy it and you will not be disappointed.

To Bring You My Love is a collection of swampy, slow-burning Southern Gothic blues and erotically charged balladry built around smouldering bottleneck guitars, spooky church organ and distorted keyboard bass. Subtle shades of flamenco, electronic sound effects and classical orchestration from a nicely understated string section further enrich the mix. And Polly's versatile, deep, muscular singing voice has a new power and range that reveals the operatic training she underwent while writing this record.

It's just as dark as before, only in a different way. Dry and Rid Of Me were full of youthful anger and reactive, externalised rage. This album sees Harvey growing up and coming of age a lot. There's still some morbid horror and confusion on the record, but less anger. Now she's more concerned with the nature of longing and loneliness, desperate melancholy, a spiritual yearning and existential pain that's harder to define.

I think the reason listeners find this album more accessible than her others is simply because it sounds so much more mature and sophisticated. Flood's production is tastefully elegant, giving Harvey's songs room to breathe and echoing his past work with U2, Depeche Mode, Nine Inch Nails and Smashing Pumpkins. He brings out the space, texture and depth of sound in her songs, and the overall sound is more luxurious and resonant as a result. The exotic atmosphere is rich, vivid and well captured on every track. Also, Harvey projected a playfully seductive image, sexy attitude and elaborate theatrical glamour for this album's videos and tour that made people sit up and take notice.

Ultimately though, what makes To Bring You My Love such a masterwork is its raw power and simmering passion, the brooding emotional intensity, the pure heart and guts and soul that pours out nakedly from every note of the record.

PJ Harvey sings these ten songs like her life depended on it, and no other modern artist can convey such dizzy extremes of emotion in their music.

Impressive Trash Guitar Racket With Just Two Chords
Several artists, including the Stooges and the Sex Pistols, have been able to make quite an impressive trash guitar racket with just two chords. Add the name P J Harvey to this short but distinguished list. The screaming guitar work is brutal (Meet Ze Monsta), and P J often growls in a deep distorted voice (Working For The Man). There are some rule breakers here - compositions with stuff left out (like guitars and drums), and a few unique things added for variety (vibes, chimes, bells and a four-piece string section). P J's music is thick and filled with tension - there's little relief (Long Snake Moan).

Despite the dark and moody veneer (lots of sacrilegious lyrics), the basis of To Bring You My Love is the blues. And you thought that this was spooky-rock. Ain't so. The blues numbers (C'Mon Billy, I Think I'm A Mother) follow the traditional 8 and 16 bar structure, they're just slowed to snail's-pace tempo. Hidden deep within several compositions are some beautiful melodic lines (I know that alternative rock is supposed to violate the convention of "melody," but it's here). 'Working For The Man' has a bass line that will test the floor of any subwoofer.

One minor complaint: P J, go get yourself something to eat. Your looking wasted. And an hour in the sun wouldn't hurt either. To Bring You My Love is an crafty and inspired work. While others attempt to do more with more, P J is successful doing more with less (gee I hate the term "minimalist"). Besides, P J adores Patti (To Bring You My Love, Send His Love To Me), and I adore Patti, so it's only natural that I adore P J. Did I say that right?

Woman-Size
After splitting from her partners Rob Ellis and Steve Vaughn, Polly Jean Harvey spent two years making a CD which would recreate her image. She traded in her heavy combat boots and jeans and tank tops from the men's department for striking brightly-colored dresses. She grew her curly black hair down her back and painted her face with slashes of bright red lipstick and black eyeliner. Essentially, she transformed from a starkly militant asexual performer to a theatrical epitome of femininity. However, as the record proves, this transformation was completely on her terms.

1. To Bring You My Love--A kind of slow, heavy metal song. A real tension builder complete with an organ. Harvey really throws herself into this song with throaty vocals and dramatic lyrics. "And I'd travel over the dry earth and floods; Hell and Highwater to bring you my love. To bring you my love..."

2. Meet Ze Monsta--A song with growling and snarling guitars that crunch and stomp. This is kind of a fun song, probably one of the faster ones on the album. "Yeah, I'm read to meet ze monster tonight."

3. Working for the Man--This one is interesting. It's has a nice beat but it is so quiet that you can barely hear the lyrics. It's worth trying to find them on-line because they are interesting. The song could easily be about a nun or a prostitute. I've heard claims that it is actually about God. It is eerie though to hear Polly Harvey insisting acquiescently, "I'm just working... for the man," as one gets the impression that Harvey would never let herself be subdued thus.

4. C'mon Billy--This is probably the closest PJ Harvey has ever come to producing a folk/country song. It is very pretty and the premise is probably one of the less complex for a PJ Harvey song--a woman who has given birth to an illegitimate child pleads for her lover to return to see the child he deserted. Harvey sounds heartfelt and affectionately subservient as she begs, "Come home, is my plea, your home now is here with me."

5. Teclo--Probably one of the more interesting tracks on the album. It begins with what sounds like ice being shaken in a glass and then dark, eerie guitar chords kick in. I have no idea what this song is about, but it seems to involve darkness being redeemed by dignity. "I've learned to beg, I've learned to pray, send me his love... Let me rise, let me rise, let me ride on his grace for a while."

6. Long Snake Moan--My personal favorite. Probably the most intense song on the album. It begins with a sort of moan and then guitars just slam in and the song practically explodes. The song almost seems to be daring the listener to enter a personal hell. "You ought to hear my long snake moan." Special sound-effects include the noise of a whip cracking in the background. Who can resist Harvey asking of the listener: "Is my voodoo working?"

7. Down By the Water--My second favorite song and probably the most well-known. This song kind of ambles eerily along, mingling a sense of parental protection with lost innocence. Reportedly the refrain is taken from a Captain Beefheart song, "Little fish, big fish, swimming in the water/ Come back here and bring me my daughter.

8. I Think I'm A Mother--Another dark song with a tension-building guitar opening. The kind of song you could imagine playing on a dark and stormy night. Again, it's a little bit hard to understand what Harvey is saying. Ostensibly, the song seems to be about abortion, but in an interview, Harvey claims she was writing about herself.

9. Send His Love To Me--Another folksy song. Although it's lyrics describe being kept prisoner in a desert away from one's love, the song itself seems almost lighthearted in tone. Reminiscent of C'mon Billy, but good.

10. The Dancer--Frankly, I didn't like this one much. It's supposed to be Flamenco-tinged, but I couldn't tell. It is kind of in the same vein as C'mon Billy and Send His Love To Me, but I did not like it as much. The bird calls in the middle struck me as kind of weird and I didn't know what they were as first. Probably the worst track on the album, but still mediocre.

Overall, this album is extraordinary and quite a departure from DRY and RID OF ME. Many people consider this to be Harvey's finest work and it seemed to pave the way for her later albums, most especially my personal favorite, IS THIS DESIRE? Polly Jean Harvey proved that not only could she retain the name of her trio and bring it to new heights, but that she could metamorphose and change herself and her image, while still retaining her edgy, won't-go-quietly roots. Apparently, the strain of this album was too much for Harvey as she suffered a nervous breakdown after this album came out. Fortunately for us, she recovered and managed to use the depth of her pain as fodder for her next album. In the meanwhile, she seems to have found a renewed and permanent happiness.

a prized treasure
i am a huge fan of " rid of me", so i was a bit suprised that i liked this cd. In fact, the only song on this cd that retains the raw power of PJ Harvey's earlier works, is the title track. That may be because this track displays her characteristically new barbed-wire voice more than any other track on this cd. While listening to this song, you can imagine a deranged psychotic woman, walking from the dust of the desert to the front of your tv screen, with saliva oozing down her mouth, and her eyes bloodshoot, and no, shes not on weed. Despite all the creepiness, this title track is catchy and captivating, thanks, in part to the organ and e-bow.
however, the fun does not end there. throughout all the tracks, harvey displays an excellent sense of imagery that was never diplayed in her earlier works. " I think im a mother" has to be one of the creeepiest tracks in memory.
Although to bring you my love may not be " rid of me", the beauty of the tracks makes this cd a winner in its own right.

To bring you my love
I can't really say that I am still the big PJ Harvey fan that I once was a few years ago. Obviously my musical tastes changed in the past five years. Still if anyone can sing the blues in modern rock, it is PJ Harvey. PJ definitely does a much better job at it than say the White Stripes. PJ's music is more primitive and raw, "To Bring You My Love" definitely establishes that the woman can sing the blues. I must say that my favorite PJ Harvey cd still is "Stories From the City, Stories From the Sea" but "To Bring You My Love" is still a solid blues-rock album from PJ Harvey. Although her music isn't necessarily autobiographical, PJ certainly sings with the utmost conviction. You can hear her angst and rage through "Meet Ze Monsta" and the title track. I first heard PJ Harvey when "Down By the Water" became a moderate hit for PJ back in 1995 when I was in college. It wasn't anything that I heard of back then. It was indeed a nice change from the sea of garbage that flooded the airwaves at the time. The first time I listened to "To Bring You My Love", I wasn't exactly thrilled with what I heard, especially the first couple of songs. I had to listen to the cd a few times for the music to sink into my head. Listening to it again makes me wish that alternative rock today was what it was back in the '90s like PJ Harvey, and not this horrid garbage like New Found Glory. ... Read more

Reviews (91)

Whole Song List from Empire Records
Songs on the Soundtrack

Track 1 Gin Blossoms -Till I Hear It From You
Track 2 The Cranberries - Liar
Track 3 Edwyn Collins - A Girl Like You
Track 4 The Martinis - Free
Track 5 Toad The Wet Sprocket - Crazy Life
Track 6 The Innocence Mission - Bright As Yellow
Track 7 Better Than Ezra - Circle Of Friends
Track 8 Ape Hangers - I Don't Want To Live Today
Track 9 Cracker - Whole Lotta Trouble
Track 10 The Meices - Ready Steady Go
Track 11 Drill - What You Are
Track 12 Lustre - Nice Overalls
Track 13 Please - Here It Comes Again
Track 14 Evan Dando - The Ballad Of El Goodo
Track 15 Coyote Shivers - Sugarhigh
Track 15(Film version)

Other Songs From The Movie

The Dirt Clods - Can't Stop Losing Myself
The Cruel Sea - The Honeymoon is Over
Jimi Hendrix - Hey Joe
The Buggles - Video Killed the Radio Star
Noah Stone - Dark and Brooding
Quicksand - Thorn in My Side
Ass Ponys - Little Bastard
Sacrilicious - I Don't Know Why
Real - Real
Dishwalla - Counting Blue Cars
AC/DC - If You Want Blood (You Got It)
Dire Straits - Romeo and Juliet
Full Tilt Gonzo - Candy
The Cranberries - How
Peg Boy - Hardlight
Fig Dish - Chew Toy
Fitz of Depression - Power Shack
Daniel Johnston - Rock 'n' Roll/EGA
Gwar - Saddam-a-go-go
Loose Diamonds - Backdown Blues
Mouth Music - Tomorrow
Sponge - Plowed
Billy White Trio - Surround You
Adolescents - LA Girl
Queen Sarah Saturday - Seems
Dead Hot Workshop - Vinyl Advice
The The - This Is the Day

Maxwell Caulfield - Say No More (Mon Amour)
Poster Children - She Walks
Suicidal Tendencies - I Shot the Devil
Sybil Vane - Sorry
Mouth Music - Infinity
Throwing Muses - Snakeface
Flying Lizards - Money (That's What I Want)

An excellent collection of music!
My only real complaint about the CD is the absence of the film version of Coyote Shivers' 'Sugarhigh', but I also enjoy the version found on the CD. I bought the CD years before I saw the movie, and the mix of alternative, rock and what comes close to blues is one of the best I've ever found.

This disk contains everything from the one-hit wonder 'Til I Hear It From You' by Gin Blossoms (a well-formed group that produced two very good CDs), to the haunting 'Bright as Yellow' by Innocence Mission. Some notable absences from the soundtrack, though, were Cranberries 'How', Buggles 'Video Killed the Radio Star', Flying Lizards 'Money (That's What I Want)', Dire Straits 'Romeo and Juliet' and Dishwalla's 'Counting Blue Cars', all of which would have only added to this CD.

When I first bought this CD, I was primarily a fan of music from Bon Jovi, Tom Cochrane, Bryan Adams, and Corey Hart. This CD gave me a taste of other music, including The Cranberries, Gin Blossoms, and Toad the Wet Sprocket, groups I never would have tried out on my own. Now I have a healthy new collection of interests, thanks to this album. Soundtracks are a great way to get a taste of some bands that are new to an individual, and this album is proof of that rule.

Flying Lizards- Money, That's What I Want
This is a great soundtrack, but I agree, tons of the good songs aren't on it and are easier to download... but my point is is that the song Anthony Merten is looking for is Money, That's What I Want, by the Flying Lizards :).

.Good Soundtrack...Great Movie.
If you haven't seen this movie, see it. If you don't have this soundtrack, buy it. If you don't like it, you have no business listening to music.

I love the movie but the soundtrack's not that great
The movie was awesome with a lot of great songs but so many are missing! Keep in mind thought that if they were to put on all of the songs there would be well over 45 songs.. ... Read more

Amazon.com

Why pick on a girl for taking a chance? After experiencing flagging sales, Jewel has become proactive and given herself a cosmetic and artistic makeover. But 0304 isn't the winsome thrush's first leap into the unknown. Hiring Shakira producer Lester A. Mendez to give her solemn, folksy songs a pop sheen and some dance beats isn't as radical as starring as a Civil War widow in an Ang Lee film. Besides it's a lot more interesting to hear her squeeze her chaste, malleable soprano around an accordion solo in the futuristic namedropping fable "Intuition" or her voice a beat-driven condemnation of the George W. Bush regime on "America" to see her sashaying on the silver screen in those tight bodices and hoop skirts. Although she has changed the very structure and sound of her songs, Jewel's undeniable talent shines through. She still has a way with words and her voice is remains as pure as an Alaskan stream. --Jaan Uhelszki ... Read more

Reviews (637)

* * * * This Jewel Shines! * * * *
"The video of Jewel's new single "Intuition" contains a shockingly clever TRL parody in which one teen exclaims, "Jewel's music sounds much better now that she's dancing!" It's a joke, of course, but the Alaskan-raised folkie's music does sound better now that she's Madonna. Reinventing herself with sleek studio effects, plastic dance-rock hooks and pop-art irony is a major move for an icon of the unironic." ....Rollingstone Magazine's Review is right on the money.

You can tell by her first single, "Intuition" that this ain't no folk-guitar jamming Jewel, LOL. If you like it, then get the CD cause more of it is on the album. All the songs have catchy hooks....I promise.

Her song "America" is dead-on, and it's waaay better than Madonna's "American Life". "2 Find U" is unique, it starts slow, but the courus is fast and fun filled....."Hey you! Do not walk away....let's choose love (c'mon, what do ya say?)"

Overall, it's very refreshing from all that "accoustic folk" we're used to. Many classic Jewel fans are complaining, "She's a sell out!" Well, SHE'S NOT. She's just grown as an artist, trying new sounds. Maybe some of her bashing critics should be more open.....and at least "Grow Up" too!! :P

PS I'm not 5 yrs old, I'm 24. (I didn't wanna give my email out to Amazon.com :P)

Awesome! What a Jewel!
I'm a kid,and I have to admit,I feel a little insulted by the negative reviewers who degrade Jewel's new album as shallow fluff to appeal to teen-agers. I tend to disagree. I have been a big fan of Jewel's since I first listened to her debut album "Pieces of You." I was immediately captivated by that pure, pristine voice and the deep, poetic lyric-driven songs. I also love the new Jewel (well, the sound, anyway,I'm not too crazy about the look) although she has obviously shed her old image of purity and simplicity. However, I consider her even more versatile because of her impressive transition to pop music. In my opinion, it isn't at all bubble gum pop. It's just more up-beat, with a cool retro dance hall sound. And the lyrics are just as traditional Jewel, with the same deep, thought provoking quality. Yes, maybe this is Jewel's way of reaching out to a more diverse audience. So what? She's definitely not selling herself short. She still stays true to her poetic, meaningful lyrics and that breathtakingly gorgeous voice, only now she has evolved to a more up beat style. True, this may just be a short foray into the pop genre, but she has more than pulled it off! My personal favorite songs on the record are: Stand, Intuition, Leave the Lights On, Haunted, Fragile Heart, Yes U Can, and U + Me = Love, plus all the other songs on the album! Way to go Jewel!

Amazing album from Jewel
This is an amazing new album from Jewel. Alot of people have slated it because she's gone too dancy and left her folky roots. Thats totally untrue because for a start the most of the tracks are soft rock rather than dance with folk elements, therefore going just a bit further than the direction her previous album "This Way" went in. 0203 is heartfelt and look out for the slower songs such as 2 Become 1 and Becoming. They will take you away. Sweet Temptation is faster yet equally mesmerising with great lyrics. The album is very feel good, just listen to Run 2 You and Doin' Fine, and has alot of variety. There's the political America and Haunted which as an Evanesence feel to it. Theres really a song for everyone and you should get it if you like female soft rock with a twist!

****Jewel Now Sparkles****
Awesome!!!!!!! I kept listening to it over and over (and still do!) Intuition, 2 find U, America, and Stand were my definate 10/10 songs. The rest were all 9 1/2 /10. You will love this album. I didn't care much about her folk songs,but this is my favorite album in the world!!! I love how she is realistic with her songs, EXMPL: America- she tells it how it is, Stand- "Mothers weep, children sleep, so much violence ends in silence." Awesome!!!!!!!

Different yet the same!
I was hesitant to buy this album because I hadn't heard too many good things about it. For one, the Amazon.com review said, "Why pick on a girl for taking a chance?" Why would anyone pick on her? This is a great album that takes her Jewelness to a new level. Her lyrics, while mostly pertaining to love, are still hers in the sense that she puts poetic thought into them. She also has some great message-bearing songs, and then just some fun ones with no need for substance!

"Stand" is the first song and is a great way to kick off the album. It talks about the sadness of the world we live in, how some poor people spend money on drugs and alcohol, there's a lot of violence, and other horrible things. She also mentions how we can come together and make a change!

I really liked "2 Find U" because it talked about the problems of relationships. Though there are mistakes that we make with our boyfriend or girlfriend, we have two choices when fights or things like that happen: 1) we can let the pain win and walk away forever, or 2) we can give eachother a clean slate & start over. Jewel asks for a clean slate in this song, it's very bittersweet.

Her voice is so cutesy in "Fragile Heart," it's funny! She uses simple sentences and the childlike sound of her voice makes it amusing to me: "If you want my heart, you have to promise not to tear it apart, 'cause my heart has been hurt a lot." It's a cautionary song letting someone know she's had lots of pain in the past and doesn't want that now.

I must say that "Haunted" gave me goosebumps when I first heard it, and still does!!! Though Jewel's liner notes say it's about a stalker (which makes sense if you look at the lyrics), I like to think it's a very dark song about someone who Jewel wants revenge against. She describes how she will "come to you in the still of the night" and "crush you with the burden of sight." The music is very creepy and slick, adding to the frightful feel of the song. There's also a little clock ticking in the background, making it all the more paranoid and intense! Remind me not to make her mad! :-)

"Yes U Can" is a song that really doesn't have much meat to it lyrically, but is very fun to listen to! It describes a club scene with cowboys and 'naughty girls.' It's tongue-in-cheek I think, kind of playing on words and stuff. Very good song!

I think "America" might be my favorite song on this album. It talks about the imperfections of our country, from the fact that our president wants us to 'shed blood in the name of liberty' to the deteriorating quality of TV shows. She doesn't just blast America, though, she admits that although she wants to change it she wouldn't leave it if she could.

Yes, Jewel's sound is altered here on this electronic album. But don't think it's crap because of that; like I said, in my opinion it enhances her greatness. Though there are some very computerized songs, there are also ones that are closer to her acoustic style on "This Way." I would strongly encourage every Jewel fan to give this album an honest listen! I think it'll be worth it! ... Read more

Amazon.com

As she's gone from the Young Woman Who Could to the Woman Who Has, Ani DiFranco has explored more than her share of musical styles, all the while remaining true to her core. Even during her most extreme departures, you could hear the sound of the early albums coming through. On Little Plastic Castle, an album on which people are credited for adding pontifications, incantations, and an "evil machine" to songs, you could--for the first time--hear an almost completely new artist. Call her Ani, version 3; she couldn't have existed without hearing all of Ani, version 1's albums, and she wouldn't be as funky and experimental without the influence of Ani, version 2. She still has a lot to say--about politics, about relationships, about herself--but the messages aren't thrown in your face here (well, not as often). Instead they're wrapped in funky hooks and lots of production--anything you learn from DiFranco on this album will come from pure repetition, and for the first time, the album is varied enough, catchy enough, and subtle enough that you'll push the repeat button while cleaning the house. --Randy Silver ... Read more

Reviews (101)

really spiffy album -- worth your money!!
Ani is an incredible artist -- her lyrics are astounding, her sound unique -- truly a revolutionary artist in this day and age, especially when people succumb to the capitalistic industry and buy hanson, backstreet boys, and the like...Ani is just so unique, and refuses to be labeled and goes with whatever comes creatively in her life, which means it always changes...and I love the fact that she's got the ambition to have her own label.

For Ani fans, [shame on you if you haven't gotten it yet ;) ] this will be a very different experience from her earlier days. The sounds are more "modern" -- more than just her guitar and beautiful voice. For newcomers to her music; this is a great album, but not indicative of most of her earlier music. If you want to hear the folk, get "Puddle Dive" or the first album. All of her albums are amazing in their own ways.

Overall, a great album, although her sounds get a tad repetitive for the --very selective listener.-- I like it a lot -- and I was satisifed paying full price for it. Get it -- you won't be dissapointed -- Ani is truly a gem.

Ani's schtick is getting old
Honestly, who cares about weather or not Ani wears lipsick? Not me! And i sure don't think it's worth writing about in a song. Every time I hear the verse about Ani's image I want to cry. It doesn't come across as therapeutic, or strong, or any of the other qualities Ani is sow well know for. It just comes across as pure narcissism. Muck of this album rins with similar sentiment. It is really time for Ani to grow up.

As for this album being more mainstream? It's no more mainstream sounding than any of ther other albums. More people just happen to know about her, so in that respect it has higher visibilty. But the music will not be confused with the Spice Girls any time soon. This album has a lot more pure misses than most of Ani's albums, which tend to be about 30% great, 50% good, and 20% garbage. This album is about 0% great, 50% good, and 50% crap. These words are pure sacrilege to Ani fans, but as a music fan (as opposed to those who worship Ms. Difranco's boot straps) I really can't recommend this album. If you are new to Ani, and are looking to check her out, "Not a Pretty Girl" is a good place to start. But ideally you should see her in concert before you buy anything. Ani is talented, and that comes across much more live, than on her albums. But quite frankly, I just don't need to know quite so much about how she is dealing with fame. And i suspect that there about about 8 people that identify with her on this album, where 80% have on previous albums. This is an album all about her fame. And the musical end isn't so great either. Stay away

Different and Not to be missed
This was Ani DiFranco's first really synthesized, fancily-produced album. And it's a whole different world from the style she was known for before this. Listening to this is definitely like being introduced to a whole new artist. There are more electronics, more experimental song styles, and even her voice has changed a little -- it's a tad raspier.

The lyrics are still just as good -- but don't buy it expecting the old Ani ... you have to love it as something completely new.

And I DID love it!

The songs are made not more watery, but more powerful by the elaborate compositions. The topics capture so many sides of life -- from the pretty to the dark.

One song urges rude people to "just suck up and be nice".

Another song, whose entire atmosphere tells of a desperate hour proclaims, "If you think you know what I'm doing wrong, you're gonna have to get in line."

GRAVEL has a catchy, hardcore beat and really gets across the humor in having an ex that you just seem to keep taking back, no matter what he does.

And it all leads up to the climax -- the final song -- that is more of a hypnotic symphony than a song. It only has a few spoken words -- the rest it says in its swaying rhythm -- but it is absolutely powerful. An expected pinnacle.

The first song or two on the album are just warm-ups. Skip past them to really delve into the riches of this outstanding record.

This album is not to be missed by anyone who likes true-to-the-heart, poignant, powerful experimental music.

A solid album from Ani...
To me this is a solid album from Ani... It's also my first one that I've bought/owned by Ani - got lucky and picked it up in a 2nd hand store (thought it's definitely worth full price)...
Musicwise, 'Two Little Girls' and 'Swan Dive' is my two favorite tracks, though I like them all at varying degrees of enjoyment... As well as I like that it doesn't sound exactly the same from... So after listening to this one, I'm looking forward to one day picking up "Not A Pretty Girl"... Plus, I'm very impressed that Ani performed at the "Women March for Choice" on March 20, 2004... - Savannah Skye...

This one never pulled me in...
I own Not A Pretty Girl, Dilate, and this album by Ani Difranco. While I thouroughly enjoy the first two--Little Plastic Castle never pulled me in at all really. I've given it numerous listens and still I don't think it remotely compares to the other two albums I own by her. The only song that sticks out to me is "Gravel" and even that song I am having trouble recollecting exactly in my mind. I suggest the other two if you are a starting Ani fan. I must admit I'm surprised by the overwhelming popularity of this one. ... Read more

Amazon.com

Chan Marshall devised the Cat Power moniker in order to put a degree of separation between herself and the often-twisted individuals who inhabit her songs. Here, she takes another step back while also taking a step forward. As the album title indicates, these are covers of other people's songs. Yet she sings them with no less intensity than if they were her own. Mick Jagger may have snarled the definitive "(I Can't Get No) Satisfaction," but Marshall takes a different tack. She removes the chorus and returns it as elegant slow blues. The Velvet Underground's "I Found a Reason" becomes a near-wordless cry. She relies only on her sufficient guitar picking and likeably amateurish piano tinkling, creating an isolated web not unlike that of Neil Young at his most deserted. Most appropriately, she covers "Red Apples" by Smog, whom she resembles in approach. Obscure (traditional and early) Bob Dylan, Nina Simone, and Michael Hurley tunes complement the bruised but not buried surroundings. --Rob O'Connor ... Read more

Reviews (43)

Best I've heard all year...
You'd think that starting at the beginning of the year and ending now I'd hear something better than a covers record wouldn't you? Covers records have historically stunk. Generally speaking, you don't want to hear someone do covers because the original is unbeatable. However Chan Marshall has made what I feel is the best album to come out this year (thus far... it's early, so there's still time) Where I can never say that someone, anyone, has performed a song better than the original, I can say that Chan Marshall has matched them. Her beautiful voice and stripped down performing style are perfect for these songs. Highlights are "Naked If I Want To" "Salty Dog" and "Sea of Love." One of the most interesting tracks is when she does a cover of one of her own songs "In This Hole," originally appearing on "What Would The Community Think." Also does wonderful folkish countryish songs Dylan's "Paths of Victory" (sounds wonderful on the piano) and traditional "Salty Dog." Where for the type of album this is, I would normally recomend for listeners new to Cat Power go for a Chan Marshall original, like "Moon Pix" however, either will do. This is an excellent introduction to Cat Power, and even though it's all covers, one of the more original albums to come out this year.

A voice as gorgeous as she is.
Covers records can be such a tricky thing. There are inherent dangers for an artist trying to pull one off. Do you do it exactly like the original? No one wants to hear that. Do you place the song in a new genre? Ugh, Madonna's "American Pie" has shown the world the errors of THAT. I mean, just think of that awful Duran Duran cover record (Simon LeBon singing Public Enemy's "911 is a Joke"?) or Guns N Roses "Spaghetti Incident." Ew.

Chan Marshall, however, manages to do it right on this album. Just listen to what she does on the opening track, with the Rolling Stones' "Satisfaction." Just as you get over the confusion of the song sounding completely different, Chan's voice kicks in and says, "for the next half hour, these songs are mine."

And once you hear her beautiful version of "Sea of Love", all harp and creaky voice, you should agree. It's a perfect late night, sitting around smoking cigarettes kind of album.

SLG vs TCR
You know...covers can be a wonderful medium if dome right. If you liked the way Cat Power covered the Stones, then you'll LOVE Tori Amos' cover of Rainning Blood by Slayer. It's all about changing the song for your own needs, and both of these artists do that well. If you buy The Covers Record then you MUST buy Tori Amos' Strange Little Girls. It's a must...with everything from The Velvet Underground to David Bowie (on the b-sides) to Eminem.

Chan Marshall best female vocals besides Dido
The Album was super. Her voice goes along with every song. In every song she will have climax with her voice where it sounds really great. This album is one of her best so far.

cat power is so cool
This cd is really good and mellow--I listened to it non-stop for about two months before branching out. Definitely one of my all-time favorites. ... Read more

Reviews (62)

Quite Possibly the Greatest Album of the Past Decade
Although 'Moon Pix' did not nearly reach the impact of Nirvana's 'Nevermind' during the 90's, it can still be regarded as one of the most moving and captivating listens that the decade had to offer. Chan Marshall's earthen voice sounds so beautiful along with that single guitar that accompanies her, and the lyrics are so amazing and true and touching that the songs bringtears to your eyes. 'Colors and the Kids' may be the greatest song of the decade altogether due to its trueness to life and the human spirit. 'Cross Bones Style' and 'No Sense' remain eerie little numbers, again having amazing lyrics and touching, haunting musical backgrounds. All in all, Moon Pix is one of the greatest albums I have ever heard and is strong competition with "XO" - Elliott Smith, "Portishead" - Portishead, and "To Bring You My Love" - PJ Harvey for the best sounding album of the 90's. It just works.

Grade: A+

Beautiful voice, simple production, intelligent songs
While there is nothing spectacular, ground breaking, or even unique about any one track, Moon Pix is one of those discs that will not leave my CD player. I give credit to both the artist and Matador on this. All to often it seems acoustic performers, especially after a few minor successes, get caught up in the instrumentation to success route. This is for good reason -- add a back beat, and you've got a potential hit single on your hands. Singles sell CDs, unfortunately CDs don't sell CDs in mass. I couldn't imagine any track herein getting much airplay on anything other than college or public radio.

Thankfully, in traditional indie fashion, this work has been left intentionally underproduced, with a few precious anomalies left in for good measure. This provides an intimate feel which allows the artist and her songs to show through. A hauntingly beautiful voice, intelligent lyrics, and strong emotion do make the cut here...

If you like this album you may want to take a listen to Low -- who pioneered sparse pop genre.

Hauntingly beautiful yet stark...
I'm a fan of Cat Power since hearing "You Are Free" at an SO's place... This one I like almost as much... "No Sense" is my favorite track on this one, although I like them all each in their own unique way... To me Cat Power has staying power...
As well as I've read in an article that Perry Farrell enjoys Cat Power's music, so who knows, maybe Cat Power will be in the next Lollapalooza festival... Here's to hoping... - Savannah Skye...

The best album....if you want to sleep!
I've always thought that I'd only enjoy a completely new band to me, through hearing the album while I'm sleeping...Well, Moon Pix is fantastic, 'cause it makes me fall asleep right away and I wake up feeling refreshed...songs like "Metal Heart", "Back Of Your Head" and "You May Know Him" are like hot milk to me!
When I stopped to listen to the cd, paying attention to the lyrics and melodies...it kinda let me down...but still the distinct voice of Chan Marshall makes me fell like someone was putting a child to sleep...which is a beautiful feeling!

Haunting
When I asked a friend to give me something tranquil to listen to while I study, she gave me "Moon Pix" on tape. Stilling and haunting, it proved entirely wrong for my purposes, being just the kind of music that makes you gaze off into the distance for long moments, forgetting where you are...Not that I minded.

Spooky and off-kilter, this album is maudlin the best way. Chan Marshall (is that her name?) adopts a kind of child-visionary persona, delivering an idiosyncratic mixture of surreal, direct, and insinuating lyrics that are enough to rend your heart the more you hear them. Her voice is husky yet pure at the same time, and she's at her best with minimal instrumentation, just stark vocals and a muffled guitar, sounding like the saddest, most hopeful person on earth singing to herself in an empty room. If you know what I mean...
Nonetheless, I can understand why a lot of people might fail to see the weird beauty in this album, especially upon first listen, and it's very difficult to know whether you're the kind of wistful oddball this will appeal to unless you try it for yourself. Take a gamble and see. ... Read more

Amazon.com

For many pop-music cynics, excess can be neatly summed up in three things: live albums, double-CD's, and Tori Amos records. Damned ifTo Venus and Back doesn't hit the trifecta. But perhaps Amos is just trying to prove what we've always suspected: that her muse possesses a sly, ironic wit and has been frantically trying to give us a wink while Tori whipped up her heady cocktail of quiet Sturm, desperate Drang, and angst in the panties. There's teasing moments on this double-dose of Tori's love affair with her own melodic and mystical dramaturgy to support that notion, even in the disc of powerful new studio recordings that inaugurates this set. Dubbing a song "Glory of the 80's" is burlesque enough, but yearning to have oneself cloned as Kim Carnes at its climax is simply inspired. Amos is to Kate Bush's distaff mysticism what Mark McGwire was to Roger Maris; she hasn't so much broken the mold as willfully hammered it into her own image. After Bush hit the snooze-bar on her career in the late `80s, Amos boldly stepped into the fray, building a body of work that demanded to be taken seriously, even while the thrift-store chic set were laughing up their tattered sleeves at her ambitious chutzpah. They're not laughing now; in fact, many may find Venus to be a deliciously guilty pleasure. Amos supporters have long maintained that the key to understanding her intrigue lies in her live performances. Disc two boldly states their case as Amos coos, whoops, and warbles through a hit-sprinkled set, her shrewd, sorely undervalued band hanging with every nuance and turn of phrase. Cynics are from Mars; Tori is from Venus--that's just the way her galaxy crumbles. Jerry McCulley ... Read more

Reviews (404)

Not exactly a full-of-suprises following but still stunning
" I've had sex with God " said Tori Amos once and while a statement like that would be considerred ludicrous if it came from the lips of any other singer , coming from her makes it somehow sound naturall . In order to understand her work you must fully believe her supernatural fairy-like universe . Her lyrics don't make sense otherwise . Her confessions on "Bliss" ( " Father i've killed my monkey... " ) are blurry and confusing. What is she talking about ? If you let go though and give to the words your own meaning everything becomes so beautifull! In her 1999 album "To The Venus And Back" she displays once more her enormous vocal and writing skills . This project seems to be the logical continue of "From The Choirgirl Hotel" . Although it's not exactly the beautifull nightmare that record was , she focuses again on building a rich background atmosphere by using a big number of musical instruments .Tracks which stand out are "Concertina" , "Riot Poof" , "1000 Oceans" and the divine "Lust" .What makes this release even more noteworthy is the extra cd with songs from her live acts .Anyone who hasn't had the chance to see her perform can't help but feeling the desire to live the experience . She's delivering her melodies with an even greater passion , talks to the fans , reveals details about the songs and makes " Precious Things " sound like the ultimate musical hymn of the 90's.

No Angel Came
Most of Tori's albums are based on a major thing that happened in her life. Little Earthquakes was the "rape" album, Pele was the "breakup" album, Choirgirl was the "miscarraige" album but it seems to me that this is the "gee i'm bored" album. The songs on Orbiting seem to lack the original pizazz that first got me hooked on Tori. Don't get me wrong, it's still a pretty good album and I would recommend it to any tori fan. Bliss, suede, 1000 oceans, and the haunting Jaurez are among my favorites on the first disc.

As for the second disc, I have never really liked live albums (why should i pay to hear the same songs i already love played differently with all that background noise?) but of course they do add a sense of 'being at the concert'. If you like live albums you'll probably like the second disc. But listening to tori sing 'little earthquakes' live, immediatly prompted me to stop in the middle of the song, and put in the original cd.

Well, there's my two cents on To Venus and Back. I give the album 3 1/2 stars. If you're new to Tori, start with Little Earthquakes or Boys For Pele instead.

Missing the Old Tori...
If you're one of those people who has the tendency to say, "I like their old stuff better.", this is not the Tori CD for you. Similarly, if you're a Tori neophyte, this is NOT the introduction you want to her music. While I can't say I didn't enjoy this electronically-influenced venture from Ms. Amos (I still listen to it often), it left me aching to hear her doing the "girl at the piano thing" again, as she puts it. Tracks like 'Concertina' and 'Spring Haze', (the most old-school Tori on the album), are the ones on which I find myself pushing the repeat button. 'Juarez', a deep, sexy track, and 'Glory of the 80's', with its clever lyrics and pulsing beat, are also on my replay list. However, tracks like the whiny and repetitive 'Suede', and 'Datura', (coming in at over 8 minutes long with not a lot of substance to show for it), are where this album falls short. Also less than impressive is the live CD, which I'm convinced was only attached to force die-hard Tori fans who must own every album to pay upwards of $20 for the new release. It's your standard fare-- the kind I wish Tori would have written more of for the new portion of 'To Venus...' The final verdict? It's a great exploration into Tori's eclectic capabilities, but I doubt it will ever be anybody's favorite.

Not a dull moment... rediscovering Tori
I've owned this album since days after it was released back in 1999, but for some reason the studio tracks on it had managed to "elude" me until today, while I focused my attention on the live 'side', which continues to be a personal favorite Tori recording of mine.

Five years after its release, it feels like the time is perhaps more ripe for these studio songs. She was most definitely ahead of her time when she recorded tracks as experimental as the electronic-based "Datura," "Lust," "Glory Of The 80s," "Concertina" or "Juarez", to be found in here, all of which add a new dimension to her typically-more-acoustic-based work.

It'd always been a pleasant experience to listen to the live renditions of some of Tori's classics, along with the unique "Cooling", which I hadn't heard prior to this release. But paying close attention to the 'new' tracks has given new life to this production by one of my favorite contemporary artists and composers of all times.

Probably Toris Best Lyrically.
I can't understand why a lot of fans didn't like this. It's just beyond amazing. maybe if you would stop comparing everything she does to "little earthquakes" then maybe you can enjoy this spectaular music. i believe that some of these songs show tori at lyrical best. songs like "bliss", "lust", "suede", "1,000 oceans", "juarez" & "datura" are probably some of her greatest masterpieces to date.

GET IT STRAIGHT IN YOUR MINDS PEOPLE. TORI IS NOT GOING TO MAKE "LITTLE EARTHQUAKES: THE SEQUAL" SO GET OVER IT & STOP ANALYZING EVERY SINGLE THING ABOUT EVERY OTHER RECORD SHE DOES & SAYING THAT SHE SOLD OUT! THIS IS AMAZING, & REAL MUSIC, ENJOY IT!!!! ... Read more

Reviews (14)

History repeats the old conceits
Hailed by Columbia at the time of its release as a masterpiece and trashed by many critics expecting business as ususal from EC & The Attractions, Imperial Bedroom stands as a pivotal album in EC's career. Why? Because he created a diverse musical experience echoing everything from the Tin Pan Alley gaints to his British music idols (most notably The Beatles). It's technicolor production and sweeping lyrical themes make it one of the top 100 albums of all time. Imperial Bedroom along with This Year's Model, Armed Forces, Blood & Chocolate and King of America represent early Costello at his best; intelligent, witty and musical adept at adopting a number of musical styles.

This reissue has stunning sound, complete liner notes by EC, complete lyrics as well as a second disc that includes the bonus tracks from the Ryko release. Add to that the alternate takes, demos and you have a reissue worth having. Price as a single disc collection, Imperial Bedroom is well worth purchasing again just to have all the extra

Masterpiece? YES!
IThe Rhino reissue is wonderful. First the sound is enlightening, I never heard Bruce Thomas's bended bass notes at the beginning to "The Long Honeymoon" , and as well in that song, the mourning french horns sounding so sad and pathetic, while Elvis sings, "she never thought her love could be as strong as this" (Her love being a strength and a curse at the same time. Can you think of another song writer who makes their characters more 3 dimensional than most of what we watch on TV or in movies?). The wonderful arrangement of ..And In Every home bursts out of the speakers. Excellent sound. The second bonus disc includes all the tracks added on the Ryko release and a bonanza of great extras. The original Beyond Belief (retitled the Land of give and take), a more sensual Kid about it, sung in Elvis's lowest range (this is the one that is almost better than the original cut), a raging rock version of Man about time and a disco, yes disco version of Town Cryer. My favorite extra is the 2 extra versions of You little fool, both with different lyrics that change the dimension of the final song.
I give this CD release 5 stars because of the quality of the original album and the great extras.

There's Better Elvis to be Had
I came upon Elvis Costello's "Imperial Bedroom," by way of a Rolling Stone article something along the lines of the best 100 albums of this century and sure enough Costello's "Imperial Bedroom," made the cut. I already was a big fan with a greatest hits tape that introduced me to "Allison," and "Pump it Up." "Imperial Bedroom," is pretty steeped in the 80's. Though it contains some memorable songs, the general tenor is symphonic, jazzy, flowing numbers. For some reason it didn't strike a chord with me like other Costello and the Attractions works I've come to know and love.

Granted, "Almost Blue," and "Beyond Belief," rank right up there with Costello's best, the album stays on the surface slick and sleepy, torchy and touched. Granted it was hard to live up to the expectations set forth by making a Rolling Stones top 100 list, but with the likes of Elvis Costello it was possible.

I believe you should give Costello his due...the man is ultra-talented and knows his way around a song. But unless you are drawn to the more pop-ish polished side of Elvis, go elsewhere. If you need some "Peace, Love, and Understanding," and don't mind some of the sameness give "Imperial Bedroom," a whirl. Just don't get your expectations up too high unless you are a "Seal," crossed with Burt Bacharach fan. If you are...first seek counseling...next get Imperial Bedroom...it's only bound to make the condition exasperated. Not bad for a sleepy Friday night date under candle-light but other than that the Bed ain't spinning, it's imperial after all.
--MMW

Sophistication and drama
I remember reading an interview in 1982 where Elvis Costello expressed his desire to have someone like Frank Sinatra cover his tunes (as opposed to Linda Ronstadt). Out of that urge came IMPERIAL BEDROOM, and it shows wonderfully. Whether Elvis Costello was simply maturing or just displaying a side of his songwriting talent that he had to suppress for so long, I couldn't say. But IMPERIAL BEDROOM was certainly an ambitious and far-reaching album. "Man Out of Time", "Shabby Doll" and "Beyond Belief" are incredibly brilliant compositions that, frankly, stunned me back in 1982. I couldn't get over the mix of sophistication and drama in these melodies. While I knew Costello was incredibly talented, I honestly didn't know he had such range.

I don't think that Ol' Blue Eyes even bothered to listen to anything on this album--seriously doubt it. But for my money, just for the first few songs alone, this cd is worth every penny.

Cut to the chase....
The other reviewers are spot on: this is a brilliant album. If you want to troll through Elvis' copious catalogue, do yersself a favor and add this one first. Elvis' best song, in my mind, is "Man Out of Time"; this is the album it came from. Connect the dots. ... Read more

Reviews (67)

PJ HARVEY: the BEST female artist of the 90's
This review is not only on the LP "Rid of Me" but PJ Harvey as an artist as a whole. There is almost no other artist ive heard that can capture the magic of making music like PJ Harvey. Every single one of her 5 albums have their own style and sound, all different from one another. She exploded onto the music scene with Dry, a pure indie-rock record. Then this CD. This CD is definately her rawest, most edgy and emotional recording. To bring you my love was next, which in my opinion is her very best, and most experimental. Its unlike anything she had done and has the most variety on a single album. Moving onto "is this desire?" where she experiments with some dark trip hop beats mixed with her trademark lyrics. Then onto her latest, "Stories from the City..." where she seems to have gone back to her earlier roots somewhat, but instead the lyrics are alot more mature, less raw and punkish, and seem even happy at times. She is awesome in concert also, as i saw her open for U2. There is no other artist that is as talented or as raw, or has the sheer music genius that PJ has.

Sublimely draining.
What would life be without Polly Jean Harvey? I feel she is the most talented artist in music today. Rid of Me shines as an album of incredible intensity and intelligence.

The focus of most of this album is love and the feelings it evokes. And most of these feelings aren't good.

The first song "Rid of Me" has a wonderful explosion in it with PJ singing lines such as, "I'll make you lick my injuries..".

"Missed" is so beautifully sad and lyrically brilliant. And very melodic. At this point my favorite song is the next one, "Legs". PJ takes her vocals to new limits as she moans, pleads, torments, and threatens.

Other highlight songs are "Rub til It Bleeds", the funky "Me-Jane", "Yuri-G", and the rocking "50FT Queenie".

I most highly recommend this album and I hope it brings as much ecstasy to your life as it has mine.

The fiercest and rawest album I've ever listened to
For years I have heard raves about PJ Harvey. I had never heard her music, but I didn't make any attempt to seek it out. Then in Blender they raved about this CD. I went online and heard a snippet of the title track off this album. I immediately fell in love with the song and impulsively ordered the entire album. Having listened to the whole album, I did not make a mistake in ordering it. The sheer intensity of the album does not let up at all. PJ Harvey has a great voice that is able to pull off almost every song on this album. Every song is terrific. The arrangements of the song were deceptively simple too. When I heard the entire song of the title track, it seems very quiet and intense and then 2 minutes in she lets the music rip and she never lets go until the end of the album. The only song I don't care for is "Man-Size Sextet". It's a weird inclusion, but I don't ever skip over it because I don't want to miss a second of this album (it's just so good).

I give this album my highest recommendation. If you like your music raw and intense, then you should definitely check this album out. I listened to it every morning for about a month. Believe me, it really wakes you up and gets you ready for the day!

Lady Sings the Blues
Having seen PJ perform Rid Of Me live in Athens just a month ago, alone on stage with her guitar, having heard her desperate wailings, her calling to that great unknown, it is hard to be unbiased. Her soul is in every song she has ever written. And she gives nothing less than her soul in her performances. This album is a great introduction to her universe, a world where wounded and healers drink together. She is definitely one of the greatest women singers-songwriters of our time, giving blues a whole different meaning. Missed is also an amazing track, full of bitterness and awareness of the unavoidable.
Definitely a must-have for anyone interested in a great voice accompanied by great passion and soul.
Thank you PJ.

A brutal triumph
There were a handful of great female artists to come out at once in the 90's, but none of them did what PJ Harvey did, which is to brutalize herself into her music, to reclaim every inch of self-punishment and anger pop music had sanded over. Rid of Me pushes that thesis to its breaking point, seeing Harvey step into the role of man and woman, of Eve shrieking in hysterics at the snake in the garden of Eden, of Jane of the Jungle on her period. It's a wild, unique creation, but at its center is the passion of an artist driven to fiery heights by her demons and then sublimating them into the darkest, angriest, most painful alternative masterpieces you've ever heard. ... Read more

Amazon.com

Ben Harper sounds good on paper. He's a 24-year-old Californian devoted to vintage acoustic guitars, original political songs and the unusual blend of calypso and Mississippi Delta blues--an inspired blend of David Lindley, Tracy Chapman, and Taj Mahal. Unfortunately, Harper's execution of this original conception on his debut album, "Welcome to the Cruel World," is distinctly underwhelming.

Harper's singing is the biggest problem. He mumbles his vocals with so little articulation and within such a narrow range that he makes Bob Dylan sound like Al Green by comparison. Moreover, Harper's overall performance is so low in energy that he makes the laid-back Cowboy Junkies sound like the Sex Pistols. His songwriting and guitar picking reveals hints of a modest talent, but they aren't nearly special enough to compensate for the narcotic effect of his singing. The heavy-handed Rodney King song, the adaptation of a Maya Angelou poem and the broken-hearted love songs are more likely to recall Chapman's disappointing second album rather than her exhilarating first. --Geoffrey Himes ... Read more

Reviews (56)

"Ben Harper... I am in love"
I am a huge classic rock fan. Put on any Rolling Stones, Beatles, Zeppelin, Doors, Van Halen- and I will be content. However, I am also a fan of such accoustic artists as Dave Matthews and Rusted Root. My friend introduced me to Ben Harper on a recent road trip that we took. I loved it!! The songs are so beautiful. Ben has a wonderful voice and the words seemed to sing to my soul. I am also a big fan of poetry. Ben does an insightful interpretation of Maya Angelou's "And Still I'll Rise" for the last song on the album ("I'll Rise"). I love to put it on repeat because it is a powerful and inspiring song. Please check this album out- you will love it! It is perfect for a lazy summer drive or to listen to while doing homework. Ben is a beautiful, forward-thinking man with equally profound musical messages and guitar and piano playing skills...

Exceptional Debut From An Underrated Artist
I picked up this album after buying the other three by Ben Harper and greatly enjoying what I found on each of them. I can't believe why I didn't make Welcome to the Cruel World my FIRST Ben Harper purchase! If one had all four of his albums and played them in chronological order, the musical progression could clearly be mapped out from the stripped-down acoustic setting found on his debut to the varied styles and textures contained on his current studio release.

Anyway,Welcome to the Cruel World introduces the listener to the honest, soulful songwriting that has since become a trademark of Harper's craft. Some of the songs are uncompromisingly political (Like A King, How Many Miles Must We March), some are deeply introspective and personal (Pleasure and Pain, Walk Away, the title track), some display a tasteful, mature outlook on love (Waiting On An Angel, Forever) and even some songs showcase a lighter, more playful side (Breakin' Down, Mama's Got a Girlfriend Now).

The musicianship on this album is first-rate. Harper's guitar playing, especially his slide work, is truly inspiring. The backing musicians complement him nicely without overwhelming the feel of the songs. Overall, Welcome to the Cruel World should be the album to get for the uninitiated. For those who only know Ben Harper from his "Faded" and "Steal My Kisses" singles that were occaisonally shown on MTV2 will find him to be one of the best kept musical secrets of the 90's.

Ben is here
To all of you ignorants that have given this album negative reviews...

Please realise ben's depth of styles and the way he implements his own view of the world. Very honest and very talented.

Pleasure and Pain, Walk Away, The Three of Us, Waiting On An Angel, the list goes on. I think the true difficulty of writing simple music is by making it catch and sound good. Wainting on An Angel is not a difficult one to write but very difficult to put aside.

Peace

an exceptional debut album
I can't agree w/the negative reviews of this album (including the one Amazon.com editorial reviewer, Geoffrey Hines, put forward). On the whole, it might be a bit simplistic, slow, and quiet, especially in light of his later work, but it's meant to be that way, and I find it enjoyable. "Whipping Boy" and "Breakin' Down" are some of his best songs. He addresses sociopolitical issues in "Like A King" and "How Many Miles Must We March" and softly sings of friendship in "Forever" and "Walk Away" while adopting a religious attitude in "Waiting On An Angel," "Don't Take That Attitude To Your Grave," and "I'll Rise." Besides, I can't dislike an artist who supports the Green Party and saving the environment and opposes hyposcrisy, corporate greed, and cultural, racial, and religious intolerance while throughout his career expressing these concerns with such amazing sensitivity and passion. As usual, Harper exhibits a wisdom beyond his years as one of the greatest musical artists of his time.

Welcome to a Dull Album
This is, without a doubt, one of the most boring, empty and souless records I have ever heard. Ben Harper is an artist capable of decent and interesting compositions, but this debut isn`t really promising at all. This album is lifeless, flat and instantly forgettable, and there isn`t a single worthwile moment to register here.
Harper`s acoustic, laid back and mellow songs make him seem like a male version of Tracy Chapman, but pherhaps even more insipid an uninteresting. Listening to the entire record at once is a task, frankly, and creates a heavy sleep-enducing process due to its bland and sometimes melodramatic songs. All of them are filler, nothing stands out as mildly engaging and captivating.
A snoozer. ... Read more

Amazon.com

While Brendan Benson may be best known for receiving the fervent patronage of fellow Detroit natives the White Stripes, the songs on his second album display little of Jack and Meg's garage roar. Rather, Lapalco recalls power-pop groups such as Fountains of Wayne and Teenage Fanclub. Benson and longtime musical colleague Jason Falkner write ornate, Technicolor-bright songs. On "Folk Singer," Benson directly references one of his idols: "She says, 'Stop pretending you're not John Lennon.'" Sure enough, "Tiny Spark" is built around a classic-sounding 1960s riff. Benson also likes to inject character and humor into his songs. In "Metarie," he sings that he "Met a girl/ Introduced myself/ Asked her to go with me/ And no one else," only to be told, "You need a bath/ Your clothes are wrong/ You're not my type/ Know we wouldn't get along." He might mock himself on his own record, but this self-professed loser has produced a winner of an album. --Louis Pattison ... Read more

Reviews (28)

Detroit's Hidden Gem Deserves An Ear
Brendan Benson, whose excellent new CD is called Lapalco, and who has opened on tour for the red-hot White Stripes, is a Detroit cult hero who seriously deserves wider acclaim.
Benson plays what I would call "hard pop," a mix of mostly edgy rockers interspersed with some rather sweet ballads. His lyrics tend toward the angst-y, tortured side, and what's impressive about his music is he isn't afraid of melody. The songs have a listenable, hummable, Beatlesque quality to them.
I have seen (and heard) this guy as a rare talent since hearing his first CD, called One Mississippi. Do yourself a favor. Discover him.

Best Album I've Heard In A Long, Long Time
I have to thank the White Stripes' Jack White for recommending this one on their band Web site. It is one of the finest albums I have ever heard. If you're a big fan of John Lennon solo work and Beatles work (and let's face it, who isn't), than this is an album for you.

A great collection of simple pop songs with brilliant melody.

PERFECT D.I.Y. POP MASTERPIECE!
On a suggestion from MOJO Magazine I went out and bought this album, not having any idea what to expect. As it turns out, this is one of the most enjoyable discs in my collection. Brendan made this LP in his own living room, playing most of the instruments. It is the kind of album you and your girlfriend/wife can plug in on a long trip and sing together from beginning to end. Yeah, there are a couple of slower, sentimental ditties, but there are more than a couple of hard-rockin' ones. BUY THIS DISC!

HAPPY dorky BEAUTIFUL brilliant
Brendan Benson is a lyrical and musical genius.
Mr.Benson is like Bob Dylan on Prozac...An I mean that in a good way. This and all of his other albums are a must have for
any fan of story telling songs (that keep your head moving and your little brains just pounding with thoughts of love,life and detroit:)

Get this, fast and listen
I was a fan of Brendan Benson from the early days. I went to see him in Oregon and NY in the early 90's and think that One Mississippi was one of the finest records ever. As a matter of fact, that record was one of the few that always stayed in my steady rotation. No new fad, band or great record was enough to remove him from my steady playlist. I was so happy to see he was touring again and that this new record was out. For those old schoolers, it is a departure, but a more matured and thoughtful effort. A pop gem to be sure. I am hopeful that this record will be, like the one prior, a permanant member in my steady rotation. Also, if you like Brendan, you should check out greydoesmatter.com. This guy is a powerpop hero. You can listen to his entire record online. Start with Harvey Liston (track 5?) if you really want some great power pop! Cool. ... Read more