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| 1. Unquiet Grave 2000 | |
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Reviews (5)
The Moors' slavic chant "Dve Nevesti" is ominously catchy. Mors Syphilitica's opera-goth ("Ungrateful Girl") is as amazing as ever. Necromantik Sunshine's "Necromantic Sunshine" (hmmm, their first song?) has a seedy, dancefloor Christian Death The vocals are buried on several tracks - usually meaning there wasn't much time or money to record the songs. Perfectly understandable for bands just starting out. Disc 2 features more industrial and EBM than the first. A lot of the songs ("Televisual," "Listen," "Fallen Angel,") remind me of stuff we heard in the mid-to-late 80s when electronic music was starting to bleed away from Kraftwerk and Joy Division. Other tracks fit the Front Line Assembly/Front 242 mold, like Pulcher Femina's "Scream & Die." and Cydonia's "Ritual." The EBM songs indicate the enduring influence of disco. Unit 187's "Capital Punishment (MM6 Remix)" is a righteous shot of drum n' bass with speed metal guitar. X-axis closes the sampler strong with "Occident," a driving techno anthem with Human League-ish vocals. I would've given it five stars, but I'm more into the overall goth/darkwave sound of the first collection. If you're more open-minded and dance-oriented, you will definitely dig this "Grave."
The standouts on the first CD (the goth/darkwave/ethereal part) include Mors Syphilitica's operatic goth on "Ungrateful Girl", Cruxshadows' infectious dance floor groove "Marilyn, My Bitterness V2.0", Immortalis Amor's ethereal techno of "Invocation", and Klang Abstrakt's soundtrack intrumental "Memories". The second CD's (the EBM/industrial part) highlights are TNV's catchy industrial offering "Televisual", Hocico's ominous, FLA-like "Banished", Pulcher Femina's driving EBM on "Scream", Angels and Agony's goth dance on "One", and Cruciform Injection's beat candy "Embryonic Testaments". Much of this disc would could be played on your local club's industrial night. With an overall movement more into electronic territory, this installment is better suited to the more beat-friendly rather than those looking for more of the slower ethereal/darkwave variety. But once again, a great way to explore the (presently) unknowns of the genre.
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| 2. Gothic Rock, Vol. 1 [Cleopatra] | |
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Reviews (3)
-Tommy Demise
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| 3. Cat-Shaped Hole in My Heart | |
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Reviews (10)
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| 4. Gothic Club Classics | |
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Reviews (4)
As a whole, I found it a little ordinary, though I loved some of the tracks. The high point for me was the awe-inspiring live version of Bela Lugosi's Dead. And I thought Nick Cave, Alien Sex Fiend, and Type O Negative delivered. But the low point was Eternal Afflict's truly awful rendition of Paint It Black, an obscene desecration of the Rolling Stones' grave. And I felt like punching someone at the chorus of the X-mal Deutschland song: "Incubus succubus... succubus incubus... incubus succubus... succubus incubus". It should be noted that this set was made in Germany, features a number of German groups, and presumably is directed at German tastes. This might have put me off a little. I think I have difficulty with the language barrier, or there's otherwise something about German culture that doesn't translate for me. Anyway, if you outlay a measly $20, you'll definitely find tracks and parts of tracks that you like. And you'll get a fair cross-section of music. But don't buy this collection expecting to be wowed.
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| 5. Goth: Music of the Shadows, Vol. 1 | |
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Album Description Reviews (7)
As to bands being missing - well it was only a single CD, and I wanted to reflect some sense of the old but concentrate on a broad range of new names which were established, because I felt the compilation would obviously be aimed at newcomers. Compilations can be awkward beasts to pull off. The Gothic Rock ones, done by Jungle/Cleopatra, were the first big ones to really get noticed, and I came up with the idea when doing my second book. That was quite easy, but you still don't get certain bands because some simply don't want to be involved, so if you ever see a comp and think something's missing it doesn't mean the person organising it didn't ask. Then I did the Hex Files ones with Nova Tekk, and that was nearly all new bands, because that's what my Hex Files book was about, concentrating on what was happening at the time. Now I've done my new book I'm looking for a label to do a new compilation. And so it goes on....
What needs to be remembered or enlightened upon, is the fact that this company began making compilation albums long before it was the thing in vogue. Now, everyone seems to be doing it. It is applauded that K-tel reared their head yet again to continue in a tradition they seemed to have started many years ago, only this time utilizing gothic songs that remain a great introduction to the scene. Many in the goth underground have heard at least some, if not all of these selections, however, one must remember not "everyone" is fully enmeshed in the glorious underground. It can only be anticipated that K-tel continues in this vein to bring an often overlooked sound into the forefront of the music market. Despite the volumes of goth talent available, most remain anonymous to the world at large and continue to go unappreciated. I loved this compilation and my only regret was that it was not done sooner. For a great intro into the gothic music scene, this is definately a great one to start with. Mike V CD reviewer for Gothic Topic...
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| 6. Gothbox | |
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Reviews (15)
Note: Most of the bands on this disc do not want the label goth.. but the media gives it to them.
However, it's not for everyone. If you're a big fan of lighter, more melodic goth or darkwave, and would like to listen to some diverse bands that AREN'T on the Projekt label (except for a few key exceptions, there ARE 60 songs in this set), this is a nice little purchase. Admittedly, I'm one of the few blasphemers that think that Bauhaus isn't all that special, and so I'll let you know right now--if you're looking for something that's full of music along the same lines, you'll not find that here. What you will find, however, is a plethora of bands you may not have heard of, with lots of little surprises awaiting you. Some of it seems a little dated, but most tracks won't make you groan with thoughts of Flock of Seagulls hair. My top ten favorites from this album include (in no particular order) : 1. Mountain Voices (Remix) - James Ray and the Performance
Disc 1: Disc 2: Disc 3: Disc 4: If Cleopatra compiles a strong group of songs on ONE disc, it'll make the whole process a lot cheaper. ... Read more | |
| 7. Seireenia | |
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Amazon.com Reviews (7)
The most recommended track in the album is 'Divine' by Mira in which you are in a state of dream, a reflection of life. Peaceful, it pulls you out of depression with hope in the near end. Faith and Disease is another band I like very much under the 'Projekt' label. 'Stray', an un-released title before, while folkish, pulls you back into good old memories. This is not a best track by Faith and Disease so check out their other albums. Black Tape for a Blue Girl, the fronted band under the label as the label's owner plays in the band, has a better than usual 'Overwhelmed, beneath me'. The band is not my favorite ( because I find their music is sometimes too monotonous), but this song changed my impression. 'It Swallows me Whole' by Rosewater Elizabeth single-handedly push the album to its high tides. No one can spare his sweat when Rosewater's phantom voice swirls around you, singing 'I can't see light'. Others like Stoa, Love is Colder than Death and Lycia are also featured in the album and the singles selected are fair enough to pay the price again even if you have bought their album before. Overall, this album is a great introduction to what the label stands for. For others who have been following the bands, this is also a good experience to refresh in an hour of delicate collection.
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| 8. Sex, Death and Eyeliner: The Soundtrack | |
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Album Description Reviews (1)
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| 9. Undead: The Greatest Goth Collection of All Time | |
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Album Description | |
| 10. Vampire Themes | |
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Reviews (8)
The selections are all from vampire films (or TV shows) or inspired by them. None of these, tho, seem to be from the actual soundtracks. Even the Bauhaus classic "Bela Lugosi's Dead" is a live version not the studio version used (as I recall) in THE HUNGER. There is also a cover (by The Electric Hellfire Club) of the Rolling Stones' "Sympathy for the Devil" included because it was the closing music for INTERVIEW WITH THE VAMPIRE. (But that film used a cover by Guns n' Roses so the selection here can, I guess, be considered a cover of a cover.) The music from FOREVER KNIGHT is here with LaCroix's chilling opening narrative ("He was brought across in 1228...") but IT'S NOT NIGEL BENNET SPEAKING! That last seems like heresy and is epecially disappointing but apparently the selections are meant as original tributes to the productions and soundtracks which inspired them- a sampling of new interpretations of music which the vampire legend has generated. Still, there are many good selections. I suspect different people may like very different things here. I especially enjoyed Electric Hellfire's "Sympathy" (creepy treated vocal, driving rhythm and no "woo-oo woo"), The Damned's "Testify" and Nosferatu's "Graveyard Shift". Big Electric Cat's cover of "Cat People" was OK but didn't seem to add much new. (And technically CAT PEOPLE isn't a vampire movie, remember?) The instrumentals seemed very atmospheric but, for me, tended to blend together- lots of low strings, for example, and Tangerine Dream effects.
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| 11. Vampyre Nigyhts | |
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| 12. Gothic Rock, Vol. 1 [Jungle/Freud] | |
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Album Description Reviews (5)
As a DJ I find the following tracks useful: ....
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| 13. Gothic Rock, Vol. 2: 80's Into 90's [Cleopatra] | |
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Reviews (7)
DISC TWO: Even with it's limits, Disc Two gets an Erland two verging on three; an Erland two all around- call it three stars. There's no real reason not to get this if you've the money; the three-volume set is a better deal, though, all-in-all, as it's less than the cost of two individual volumes for the lot.
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| 14. Dracula: King of Vampires | |
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Album Details Reviews (3)
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| 15. Vampire Rituals | |
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Reviews (2)
From the opening notes of Nosferatu's 'Eye of the Watcher' through the close of 'Dracula's Return' by Transylvania 1847, we are treated to twelve atmospheric works, each by different performers, that are well above average for this particular little subgenre. Even the weakest cut, 'Damian's Chord' (by Demon Slave) is a nice piece of atmosphere music... it just suffers from the all-too-typical flaw of going on too long and getting annoying. And the best--'Night of the Exorcism' by Demonic Prophecy is downright beautiful. (That's not something I can say often about these sorts of albums which generally lean heavily in the industrial/techno direction.) In fact, the tracks are so good on this collection that I wish they had done the obvious and given us thirteen tracks instead of just twelve! I recommend this collection for fans of instrumental music, gothic sensibilities, and those who just enjoys a good chill. ... Read more | |
| 16. Dark Pleasures: Gothic Rock Collection | |
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Reviews (2)
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| 17. Saints & Sorcerers Volume I | |
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Album Description Reviews (2)
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| 18. Bride of Darkness | |
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Reviews (1)
The Vile Priest and Marionettes song is worth the modest price of the CD. I'd like to find more by VP but can't seem to locate their work anywhere. The Marionettes, too, are hard to find. ... Read more | |
| 19. Saints & Sorcerers Volume 3 | |
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Album Description Reviews (1)
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| 20. Monsters of Goth | |
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(price subject to change: see help) Asin: B000001JKD Catlog: Music Sales Rank: 253598 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
This comp predates and in many ways far surpasses all three two-c.d. sets in Mick Mercer's _Gothic Rock_ collections despite having only half as many discs. Going from Bolshoi's soft almost-pop of "Lyndi's Party" to Lydia Lunch's industrial/noise opus "Stinkfist" to Faithful Dawn's oh-so-goth "Enchant Me" and Scarehead's downright fun ode to insanity, "Ha Ha" and Ghost Dance's cover of "Radar Love" this comp proves that yes, there *was* gothic rock before London After Midnight and no, it didn't all sound like Siouxsie Sioux or Bauhaus. While the biggest "monsters" of goth on this comp are Alien Sex Fiend and Valor's incarnation of Christian Death, I think they should have chosen a different title, but oh well, like the hair metal comp of similar moniker most of these guys are Titans by association (Ghost Dance is compiled of former members of the Sisters of Mercy) and influence to the modern bands. An excellent choice for those disoriented with modern goth music and heard all sorts of rumours about what it was like before Projekt Records. ... Read more | |
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