Reviews (11)

"we're dancing to the dark side of this tune..."
The 1981 effort of Bauhaus is truely amazing. It is the most "mainstream" Bauhaus record to date, but that doesnt mean in the least that it doesnt have its dark moments. (of course! It's Bauhaus!)

On this version of the LP you will find the 10 tracks that make up the original album "Mask". These are the first 10 tracks. These songs are all brilliant, but standouts (in my opinion) are Hair of the Dog, the Passion Of Lovers, the Man With the X-ray Eyes, the chilling Hollow Hills and title track Mask.

There are 5 bonus tracks on this CD, however, these tracks are nothing compared to the first 10. These tracks come from various singles and EPs released around the same time (ish) as Mask.
Track 14 is comical, and fun to listen to, and track 15 is alright, but i prefer to have the CD set so it only plays the first 10 and then repeats back to track 1.

If you have just downloaded Bela Lugosi Is Dead and have decided it's time to buy your first Bauhaus CD, make Mask it. Buying the actual albums is a much better alternaltive than buying Crackle (the greatest hits CD) or the single collections. Collections like that may be of interest to you, but they do not provide the whallop that a full length Bauhaus CD will give you.

And if you are prepared to buy a couple of albums, put "Pornography" by The Cure and "The Downward Spiral" by Nine Inch Nails into your shopping cart right now too.

This album is easier to get used to, but still complex
Because its the most mainstream, this is the Bauhaus album which took me the least time to get used to, which is handy as all Bauhaus takes a lot of getting used to, and if I hadn't realised how brilliant this album was just in time, I may never have got into Bauhaus to the extent that I did.
The track 'Kick In the Eye' is so manic, so full of little tunes and undercurrents that only get noticed many listens later that it is still a joy to listen to, 1000s repeats later. 'The Passion of Lovers' has so much subtle, sometimes nearly inperceptible choir backing vocalisations that add to the grand sinister feel of the song, in much the same way as acoustic affects litter the morbid soundscapes of 'Mask' and 'Hollow Hills.' To cut a long story short these songs are mainly intensely atmospheric for those who want to sit back listen passively, but their complexity also keeps the the avidly attentive, careful listner eternally occupied.
The only track which prompts the 'skip track' reflex is 'In Fear of Fear' which rather unfortunately sounds like a flock of Geese honking. Atmospheric, yes, but what kind of atmosphere do you want?
Once you get used to the style, Bauhaus is perfect for anyone!

A monolith of creative darkness...
Bauhaus (and their lack of mainstream acceptance) is proof perfect that people prefer their music bland, mindless, and about ten years behind the times. Basically formed by art students who loved punk and Bowie in equal measure, Bauhaus was a ship with the perfect crew: the innovative Daniel Ash screaming guitar licks over the tribal rumble of the Haskins brothers, David J. and Kevin. And then there was Peter Murphy: an emaciated cross-dressing ghoul who twisted and writhed across the stage. His angular good looks and lunatic mannerisms swept those who saw them into the Love 'Em and Hate 'Em camps. I plant my flag in the former, and this album contains every reason why. While their first album is a ravaging classic that defined their unique sound and B&W 1920's aesthetic, "Mask" boasts some of their best tunes. "Hollow Hills", inspired by an Arthur Machen story that cautions those who would tamper with prehistoric sites and their invisible occupants, is Bauhaus at their most atmospheric and poetic. "Dancing" and "Of Lillies and Remains" (the first dealing with all the places one can dance, the second some kind of surreal snippet about ghosts, weird fluids leaking out of orifices, and someone named Clancy) show that the boys had an incredible sense of the absurd, "Muscle In Plastic" is a primal workout, "Hair of the Dog" is a grinding opener with a fantastically creative guitar line, and "The Passion of Lovers" is a Spanish-ish ode to lovers and their pursuit- death in each others arms. "In Fear of Fear" (like "Dancing") actually features Daniel Ash on saxophone, "Man with the X-Ray Eyes" slams forward like a rugby team of Neanderthals, and the title track is eerie and glorious (check out the video for it, if you can find "Shadow of Light"- nowhere is the band's horror movie sensibility more evident). The bonus tracks are interesting, especially the one in which Peter relates an unusual way of making fish cakes- stuffing the creatures with potatoes before smashing them up! Basically, this album shows that Bauhaus was a group of talented, creative guys that all shared a morbid sense of humor, a passion for the bizarre, but were in no way a contrived bunch of goth types. Those came later.

Of teddybears and remains
This second album by Bauhaus continued the band's exploration of the gothic sensibility that they had so brilliantly pioneered on their debut. There is a definite effort to broaden their musical style with more explicit keyboard and synth experimentation. Amongst the best songs are the tracks Of Lilies And Remains, a type of spoken poem with nightmarish images over squeaking guitar, nervous drumming and spacious, evocative synths, and Kick In The Eye, a gripping ballad with hypnotically repetitive phrases over an atmospheric rock backing. The up-tempo track In Fear Of Fear has particularly impressive keyboard textures, whilst Hair Of The Dog is a great track with rousing vocals and Muscle In Plastic is a dissonant excursion with an almost funky undertone. Bauhaus is an acquired taste and I find Peter Murphy's solo work more accessible and appealing, but there is no question that they were a very inventive band that extended the boundaries of rock.

Accessible is a relative term...thank goodness
A lot of reviews refer to Mask as Bauhaus's most "accessible" or "mainstream" album. And if you're looking at Bauhaus for the first time, hoping to buy an album that will give you better old-school Goth creds, maybe that will turn you off. But you have to keep in mind that this is, in fact, Bauhaus we're talking about. Mask is their most accessible and mainstream album in kind of the same way that I might say that Duran Duran's original album is their most Goth. It's kinda true in its way...but not really.

Try to imagine for just a fraction of a second a world in which you would hear the actual song "Mask" on the radio, and you'll see what I mean. Not gonna happen. It's much too full of eldritch noises and dark intellectual musing to get any airplay.

"Mask" is a personal favorite of mine; but if you're looking for the names that get bandied around more, check out "Passion of Lovers" and that pleasantly hostile paean to spiritual growth, "Kick in the Eye." Important to song cross-referencing, a favored pastime for Bauhaus and for Peter Murphy solo, is "The Man with X-Ray Eyes," which is the lyrical basis for the later "Departure." ... Read more

Amazon.com

On Dust, his second album for the goth-industrial Metropolis label, Peter Murphy continues his foray into elegant guitar lines and delicate electronics, while adding shades of Middle Eastern melodies and rhythms that only add to the music's exotic flair. Murphy's post-Bauhaus solo releases, which have included some interesting music, have displayed an admirable willingness to experiment. That he has managed to do so without sounding pretentious or contrived (or alienating the fans who have been with him since the Bauhaus days) is a testament to the man's resilience over his 20-year career. Though the album isn't exactly a reinvention of his sound, the freshness and appeal of Dust can be found in the dark melodies of tracks like "Things to Remember," as well as the layered instrumental work on "Fake Sparkle or Golden Dust." As an added bonus, there's a new version of "Subway," originally from Murphy's 1995 release, Cascade. This one features a real violin and some other sweet extras, making it a worthy inclusion. --Genevieve Williams ... Read more

Reviews (49)

Songs from golden dust!
This album was made in 2005 not 2001! It's a diamond amongst stones, and like the diamond it has an authentic and geniune sparkle. The whole musical environment really sounds natural and spontaneous, and it's as if Peter has returned or found a place/environment, which he has always been part of and comfortable with. Peter's incredible voice, reflects/mirror's the music so naturally and perfectly... That diamond voice cut from a star, unveils it's colourfully rich baritone caress, in a much more intimate and spontaneous style. There is a spacious quality coloured with a spiritual beauty that leaves no image, and I really feel that this is Peter Murphy now/today. This is Peter Murphy singing from the home within his heart... Dust is free from the reigns of commercialization.

A great sense of being, humility and a feeling of great purity emanates from this powerful album... A beauty and clarity that is something quite special and undefinable. This album has such a cool balance... It is neither from the east or the west, but from the middle way. Many people are going to find this album really inspiring, it's unique!

I was scented away, and to put that experience into action is quite simple... "The proof, as always, must come with the eating, so I suggest you claim your portion and relish it".

Cool Middle Eastern Vibe BUT....
If you were hoping for another "Deep", "Holy Smoke" or "Cascade" - you may be in for a disappointment. But not a complete one:

"Dust" is interesting in its own way: it has a dark Middle Eastern vibe that makes for an enjoyable listen; it's somewhat of a "mood piece". What I miss, however, are the memorable melodies of Murphy's previous releases; there's nothing along the lines of, for example, "Indigo Eyes" (in my opinion one of the most beautiful rock songs of all time). Most of the songs are 6-8 minutes in length and the instrumentation is often more predominant than Murphy's singing. Also, this is what - the third release in a row with some version of "Subway" on it? A studio version of "My Last Two Weeks" from "Alive Just For Love" is also included. Enough rehashing of the old stuff.

If you're a Murphy fan, pick up a copy of "Dust". I can imagine this one growing on me with repeated listenings. If you're a Murphy newbie, check out "Deep" or "Wild Birds" - his greatest hits album.

Overlooked, Underrated
It's such a rarity when an artist actually gets better over a period of time. Such an example is Peter's latest album 'Dust'. Legend has it that it was actually Mercan Dede who called Peter to suggest working on his next album and who suggested rerecording 'Subway' and 'My Last Two Weeks'. Both of those songs have never sounded better in my opinion. The beauty of 'Dust' is that it so perfectly blends the influences of both Turkish and Western music culture. The songs, which were written inside of a week, are very emotional and personal. 'Girlchild Aglow' was written about Murphy's relationship with his daughter and how it has changed with time. Although Murphy's vocals are the focal point, the music doesn't take a back seat, blending electronic sounds with some incredible-sounding real percussion, not to mention input from some great musicians such as violinist Hugh Marsh who we all remember from 'Alive...Just For Love'. I really can't say enough about how much I love this album. It should have recieved awards. It should have sold in the millions. Do yourself a favor and purchase one of the best albums of all time by one of the best vocalists of all time.

Love it!!!
Knowing I am a huge Peter Murphy fan, my boyfriend gave me "Dust" for Christmas. I was entranced by the very first song... and then continued to be mesmerized by each song after that. The Middle Eastern instruments were beautifully used throughout the music. The new version of "My Last Two Weeks" made me cry, it was so gorgeously moving. The album as a whole is very atmospheric, and there is an intense exotic/gothic/mysterious mood throughout, making it consistent from song to song. This is why I have always loved Peter Murphy's music, and this album seems more "him" than ever... as if his style is evolving with the course of his life, and aging/progressing in the best of ways. It's so genuine. If you're a huge Bauhaus fan, you probably won't like this album. In my opinion, the further away Peter Murphy gets from Bauhaus, the better his music is. Although you may not hear any of these songs on the radio, and I don't believe there are any "singles" on here (that is, in my opinion, a *good* thing), this album is darkly mellow, hauntingly stirring, and a must-have for those who love what Peter Murphy is all about.

The Peak of Murphy's Evolution
Peter Murphy's album "Dust" is what I consider to be the peak of his progressive evolution. We have all heard elements of this "sound" in his earlier albums, but with DUST, he goes all out, and does an absolutely phenomenal job with it. Songs such as "No Home Without its Sire," "Just for Love," "Jungle Haze" with the brilliant bongo set towards the close. And of course, the beautifully rendered version of two old songs, "My Last Two Weeks" and "Subway" which has a little extra (Epilogue) not included in the original; you simply can't go wrong with this meditative, Middle Eastern sound supporting the elegant and strong voice of Peter Murphy - you simply cannot go wrong!

It is no doubt my favorite Murphy album. His lyrics are deep, overlaying a subtle Middle Eastern flare that converges with one another in a way I could've never expected when I bought the album. Innovative, creative, musically enhanced and collaborated with Murphy's metaphoric and consistently poetic, thought-provoking lyrics, along with his voice, which may I add has developed over the years into a weapon in itself; just listen to the opening lyric-only song "Cool Cool Breeze" on "Just for Love Live" and you will understand the heightened status of this man's voice, from Bauhaus in 79 to Dust in 2002. What more can I say: absolutely brilliant, better than any other!

Richard C Williams
Yes, I invite feedback from other Murphy fans or those who disagree with my opinion; always up for a debate. ... Read more

Album Details

The Finnish Goth Metal Band's Fourth Album is Sure to Swell the Ranks of the Converted as this is their Most Polished, Best Written Album Yet. Ville Valo is One of the Most Compelling Figures in Rock Today and his Vocals Just Get Better with Each Successive Release. This Album Could Ultimately Turn Out to Be their Finest Moment, However, Judging from the Past Progression, There is Probably a Lot More to Come. The Video of "The Funeral of Hearts" is Enhanced as a Special Bonus. ... Read more

Reviews (20)

H.I.M Freaking Rocks!!!!!
To start out with if you haven't heard of these guys you need too!!! I know that a lot of people have and those people are very big fans. Such as myself! Anyways I first bought Razorblade Romance and it is a great album and will be in my book for a long time!!! I just got done listening to Love Metal and it damn near blows Razorblade Romance out of the water! There is not much more to say... Him's sound is so unique and beautifal to my ears!! I Highly recommend a person that hasn't listen to them to get Razorblade Romance since it is realeased in the US and then get the others if you like them!!! I'm not sure how you couldn't like it. I'm a musician and the music is just great! LOVE IT!!!! Later Kids N'JOY

Superb Songwriting
While HIM has pleased us in the past with brilliant releases like "Greatest Love Songs v. 666" and "Razorblade Romance", they hit a slight slump with their third full length album, "Deep Shadows & Brilliant Highlights". The album was not bad, is just showed no progress. However, HIM come back with their most powerful and masterful work yet, "Love Metal".

Before this release, I never truly realized how talented this band was. I've always appreciated their vocalist, Ville Valo, and consider him one of rock's best singers. He also writes music for all the band, which must be why they all work together and play off each other so well. Their guitarist (there's always two guitars at work at the same time on every track, so I guess he overdubs it) does som pretty tricky and catchy stuff that he hasn't shown off in previous releases. Their bassist, while no Les Claypool, is an excellent rhythm keeper. But the one bad musician, as on all HIM releases, is their drummer. He's not too good, basically. He does not complicated things, and basically hits a snare and a bass drum throughout the whole album, sometimes throwing in a crash. It's either he's not capable or Valo isn't writing good enough stuff for him, but it kind of brings down the music.

Despite the drummer, this release is a masterpiece. Every time I listen to it, it gives me a feeling of seclusion and peace. That sounded corny, but this is one of the only album's I recall that can actually do that. The way "Soul on Fire" comes to it's epic conclusion is oh so super. This is the way music should be done.

The lyrics in the album are quite unique. They basically revolve around joy, sorrow, love and hate. But they are not handled in the Simple Plan way: someone's miserable because their girlfriend used them and now she's going out with the jock. No, I think HIM's a little more mature than that. Most of the lyrics are metafourical, as they have always been. Which is the uniqueness of them.

I highly recommend this band if you are looking for originality. This band is bleeding it.

P.S.: Love metal is the genre HIM falls into. Not goth. Though Love Metal does highly resemble it. And I've read reviews where people seem to think "Love Metal" means something like "I Love Metal". No. That's wrong. Sorry.

oh god no
With all the amazing music coming out of Finland, this is the one band that gets recognition? Black Hair Dye and a wardrobe from Hot Topic does not a good band make. This is generic, boring pseudo-metal which sounds more like a second-rate Motley Crue if Vince was an anorexic pansy. Everything about this band is uninspired and contrived.

A little on the harder side.
There is no arguing, this is HIM's hardest album to date. Moving in a very different direction from their pervious album, Deep Shadows And Brilliant Highlights, Love Metal combines HIM's dark Scandanavian metal, with a classic, Black Sabbath like sound.

Buried Alive By Love: One of, if not the hardest HIM track ever. This track was placed at the beginning of the album to try and replicate the powerful opening of Iggy Pop's, ''Raw Power.'' This song is simply a great song. Very good at thier live shows.
The Funeral Of Hearts: This song was not originally intended to be on Love Metal. On a visit to Ville's apartment, bassist Mige' heard him playing the riff on acoustic guitar. Mige' convinced Ville to finish the song in time to put it on Love Metal. This track was described by Valo as, ''Their Simon and Garfunkle rip off.'' This is one of the lighter tracks on Love Metal, and deserves a listen.
Beyond Redemption: Another great track live. This song has a great guitar riff and solo. There isn't much to say about this track, other than that is good.
Sweet Pandemonium: Another song with a great guitar riff. The verses can get a little boring, but the choris is amazing. Really nice lyrics.
Soul On Fire: Yet another song that is awseome live. One of my all time favorite guitar riffs. The verses are a little mild, then the chorus just explodes. I think this may be my favorite track on the album.
The Scarament: One word to describe this song, beautiful. This song is absolutly perfect. Everything flows together flawlessly. This is probably the lightest track on the album.
This Fortress Of Tears: A very ecletic song. I always get the impression of a very romantic piano sound in this song. This song is very hard to describe, I suggest you listen and see for yourself.
Circle Of Fear: Another track that can be called ''perfect.'' This song is just great all around. Lyricly, and instrumentally.
Endless Dark: A very ecletic track. You keep going back and forth between distorted and acoustic guitar. It does drag on a little, but it really doesen't effect the song in anyway.
The Path: A very long, haunting track. Described by Valo as, ''A great campfire track.'' This song has a very good guitar riff, and is an absolute wonderful ending to this album.

HIM Just Keep Pumping Out Fantastic Albums
You would think that after three albums the quality of HIM's work would be going down hill, but in fact it seems to be getting even better. Love Metal is really up to date music but it hasn't lost HIM's amazingly deep and meaningful lyrics.

Ville Valo's voice is truly stunning and his vocal range is fantastic, Linde is an excellent guitar player, Midge adds beautiful bass lines, Burton's keyboard skills are excellent and gas's drumming though somewhat slacking behind the others in quality is perfect for this album.

Buried Alive by Love: 8/10 - I love this track loads and it is a fantastic start to the album, the almost psychedelic intro is completed with Ville's voice entering from a distance. Great lyrics, great music and very catchy. I however have over listened to this song!

The Funeral Of Hearts: 10/10 - Beautiful. Simply beautiful. Ville's Voice is really done justice in this song. The first ever HIM song I heard was this and I simply fell in love with them. It is a beautifully, deep song with a really wintry feel about it which is reflected in the wonderful video.

Beyond Redemption: 7/10 - Don't be put of by the rather worrying intro, this song is actually great! Ville's loud breathing is enough to turn any cold heart warm. It is completely adorable! Slightly predictable lyrics but fantastic all the same.

Sweet Pandemonium: 7.5/10 - Big words in this song!!!! It is really great but the chorus seems a little bit disconnected from the rest of the song but beautiful all the same.

Soul On Fire: 9/10 - Very catchy, I love this song. Not sure that I completely understand it, but there again I am quite young!!!! It's a get up and dance around your room pretending to be one of the living dead kind of song!!!

This Fortress Of Tears: 8/10 - Quite a long intro to this song but its worth the wait. Nice chorus. Quite slow but a nice change

Circle Of Fear: 10/10 - Ville Valo's voice in this song is completely heavenly it is so low and deep *shivers*. This song is incredibly moving it really gets to you. I love the part where the music quietens and Ville is singing almost without accompaniment.

Endless Dark: 7/10 - A bit repetitive but a pretty song. Deep, dark and quite sinister. Rather irritating drumming though. It is quite a good song until the repeats in the chorus; I mean how many people can make the word "dark" drag on for about 5 or 6 seconds - repeatedly!?!

The Path: 9.5/10 - I really love this song, I know a lot of people, especially new HIM fans, don't agree with me. It is quite "old HIM" but I think it is incredibly moving especially when the drums and guitar join in. It is quite long (HIM have a habit of putting a really long song on the end of each album). Great lyrics.

Hope that was helpful. These are the views of a 14 year old. If you are my age or younger and looking for something a bit darker and deeper: BUY THIS ALBUM.
Check out: www.heartagram.com for HIM's official site.
ENJOY.
Luv

Charlie
xxxx ... Read more

Amazon.com

Hark all ye fans of Dame Darcy, Gothic Archies, and madrigal dinners! The Mediaeval Baebes follow-up their Christmas-themed debut with Worldes Blysse, an imperfectly enchanting homage to the cycle of life and death. Numbering the mystical 13, the Baebes are Miranda Sex Garden's Katharine Blake and her girlfriends, supplemented by a somewhat older period instrumentalist who, along with Blake, is the only classically trained musician. Fancied mistresses of dark faerie tales and maidens of Lilith Fair, the Baebes, bedecked in diaphanous gowns and locks like Rapunzel, perform traditional plainsongs of the 13th through 15th centuries, as well as originals written in that style. Acoustic period-inspired accompaniment flits round a cappella numbers and is given the spotlight on the frolicsome instrumental "La Volta." Giving hardly a hoot for chops, and rather reveling in vivacity, the Baebes court the image of themselves as a naughty flock of strumpets: scooping and sliding into notes at times like rosy-cheeked choirgirls ("Kinderly," "Beatrice"), and at others sounding like bratty children tromping through a village green ("Ecci Mundi Gaudium," "How Death Comes"). Not for purists or classical snobs, Worldes Blysse is a weirdly wonderful windfall for melancholy teens, drama queens, and hipsters too cool for authenticity. --Paige La Grone ... Read more

Reviews (23)

Blysse-ful Baebes
A longtime Loreena McKennitt fan, I got hooked on the Medieval Baebes halfway through the first song, "Kinderly" -- and that's not even the best song on Worldes Blysse, an honor I'd reserve for "Erthe Upon Erthe", "All Turns to Yesterday," or "Pearl." This album is wonderful.

The thing which astonished me most about it was the congruence between the middle English lyrics and the original melodies to which they are set. Most of the songs on this album are not really medieval compositions, but they partake richly of that tradition. The Baebes keep things simple, letting their choral arrangements and personalities shine. One of the most stunning pieces, "Pearl", combines original music with an excerpt from a long poem (required reading in many medieval lit classes). These lyrics were never meant to be sung. Yet in the Baebes' hands, it sounds seamless and right, complex and energetic, equally appropriate for a Renaissance Faire, a choral concert, or a morning jog.

If you like your medieval music strictly authentic, the Mediaeval Baebes aren't for you. But I'm thrilled that a skilled vocal group is mining the rich, underappreciated lode of middle English poetry and creating something beautiful and relevant out of it. Bravo, Baebes.

The BEST Baebes album!
Have you heard a few Mediaeval baebes songs but are wondering which album to start with? Start with Worldes Blysse and you'll be hooked on the Baebes!! I listen to celtic music (bothy band, deanta, clannad, lothlorien, ect. ) but also love moody haunting medieval music as well. This Baebes album for me is their best. Haunting melodies, true medieval sounding music (with memorable hooks - not mundane medieval music you forget 2 minutes after listening to it) with brilliant harmonies, and no "modern" instruments! This music is PERFECT for getting in the mood to go to a renaissance faire! (or to listen to while you're driving to that renaissance faire) The last 2 albums have introduced some modern elements in a few songs (drums,guitar,ect.) although the Baebes still are one of my favourites. Start with "worldes blysse" , if you love this album as I do, then try "undrentide" and "sal va nos". I have still yet to get "the rose" , but I think it's just a matter of time!

Classical Music So Sexy it's almost Pornographic
You can make love to Motown; Or try this album. It is erotic, transformational and utterly delicious. Where did these baebes come from? The world never ceases to amaze me.

DEE
Absolutely love this cd!! The Baebes sound heavenly in all their albums! Katherine Blake does a great job arranging these songs and the vocals come together perfect.

Very good album, glad to have it.
If you don't already know, The Mediaeval Baebes sing songs composed of centuries old dialects of English,French, Latin or occaisionally other languages accompanied by period type music. I've been pleased to find that in this album the ladies do a lot of singing either without any musical accompaniment or they kept it to the background. #3 Love me Broughte is 14th century English, and one of the better tunes, I also like #5 Ecce Munde Gaudium which is called 13th century English but sure looks like Latin to me (the lyrics of all songs provided in original languages as well as modern English)
Well worth owning, I only hope their latest album "The Rose" is as good. ... Read more

Reviews (22)

A really good Best Of
This is a very good compilation of Bauhaus' songs. Now I had listened to the previous best of which was separated in two discs and found i somewhat lacking in cohesion, this cd also has small problems : ''Bela Lugosi's Dead'' sounds like a remix of the track I know because the guitar melody seems to be missing, but maybe I'm hearing it wrong. There is also a few songs that are missing like Lagartija Nick, Paranoia,Parnoia,God in the Alcove and Killing Mr Moonlight. Most of the other really good tracks are on here, Bauhaus is a classic Goth band and if you have never heard of them you should pick up this album. If you're not into Goth I suggest you listen to : ''Bela Lugosi's Dead'', ''The Passion of Lovers'', ''Silent Hedges'', ''Hollow Hills''and ''She's In Parties'' which are the tracks that really hooked me when a friend first made me listen to bauhaus. All the other tracks are amazing as well so just buy the album if you like any of Bauhaus songs but don't want to get all of the albums!

bauhaus for your house
Bauhaus hardly need an introduction. Crackle is the first true "best of" compilation of the work of the fathers of goth. Released to coincide with the world reunion tour, Crackle goes deeper into Bauhaus, beyond the singles, and explores each of their albums. Do not expect any rarities on this recording-- "best of" collections are meant to introduce new generations of fans to the work of influential artists, and Crackle does that quite well. The album is cohesively arranged by tone and mood, not by the historical order of the sixteen songs. Crackle opens with Daniel Ash's abrasive guitar underscoring Peter Murphy's commanding presence on "Double Dare". Kevin Haskins' incredible drumming leads us down into "In the Flat Field" which rises from the ashes of punk, only to shift gears as David J demonstrates his idiosyncratic and amazing bass guitar skills on the classic "Passion of Lovers" (and that's just the first three songs!). The version of "Bela Lugosi's Dead" is the original Small Wonder Records single (much more spare, minimal, and riveting than the larger-than-life arena rock version which is on the Singles Volume 1 collection). Also included on the disc is "Silent Hedges", "Mask", "Ziggy Stardust", "Spirit", "Hollow Hills", and more. Unlike the tracks on the Singles album, which were the favorite songs of the Beggar's Banquet executives, Crackle is the personal beloved choices of Ash, Haskins, J, and Murphy themselves. If you are new to the work of Bauhaus, this fantastic album will certainly convince you of their deserved legendary status.

A must have for any Bauhaus fan!
This is a great cd.Any Bauhaus fan will be pleased with this cd."Double Dare","Hollow Hills"and of course "Bela Lugosi's Dead".It's just an really great album.

A Great Best Of......
This is an exceptional best of Bauhaus!!! On this cd,it gives you different tastes of the moods and feelings in this wonderful best of cd. Songs from "Burning for the Inside", "Mask","In the Flat Field","The Sky's Gone Out".....and so on.Peter Murphy has a voice that will send chills down your spine.I got interested in Bauhaus after seeing the horror classic "Night of the Demons" and heard the song "Stigmata Martyr" This is my first cd i got by Bauhaus since i think its a good intro if you just heard or am getting into this band. All of these tracks on here are just delightful,some sad,some slow,some up beat,and essential none the less. Next release i hope to get is either "In the Flat Field","Mask",or both:) If you want to get into some real goth music,try Bauhaus,Believe me,you WILL NOT regret it!!!!! "Alone In The Darkened Room....The Count...."

The Best Place to start if you're interested in Bauhaus
This is probably the best collection to start with if you're interested in discovering the joy that is Bauhaus. It starts off with stuff from the first releases In The Flat Field and Mask, and then get's into the last couple releases The Sky's Gone Out and Burning From the Inside, along with a great cover of David Bowie's "Ziggy Stardust" for good measure (to make up for the cover of "Telegram Sam" I assume). This record is a good deciding point on whether you'd like to pursue Bauhaus or not. If you like Crackle you'll probably like the studio albums from Bauhaus, and if you don't like it then at least you've gotten the gist of it without spending over $. ... Read more

Amazon.com

Filth Pig arrived after an extended break that found Al Jourgensen and Paul Barker giving rural Texas life a try before retreating back to the chilled concrete of Chicago. But, despite the Lone Star roots of some of its songs and much talk of Jourgensen's budding taste for country music, Filth Pig isn't Ministry's Nashville Skyline. There may be more organic elements as guitars more to the fore at the expense of keyboards and samples, but Jourgensen and Barker's forte remains the bitter screed powered by insistent beats and pummeling riffs. Ministry may have some new tools these days (most notably standout drummer Rey Washam, formerly of Scratch Acid and Rapeman), but they're working on the same old chassis.--Steven Stolder ... Read more

Reviews (45)

Ministry's answer to 'The Downward Spiral'
If you know of the industrial genre, then you probably know these two bands; 'Ministry' & 'Nine Inch Nails'. And regardless if you've heard the former and dislike them from other albums they've released, if you're one of the many who was weened on industrial through the likes of (admitedly latecomer) Trent Reznor & Nine Inch Nails with his album 'The Downward Spiral'. You will find a lot that will grow on you in this album. While 'Filthpig' & 'The Downward Spiral' are not comparable on a broad one-to-one basis, there is something atmospherically related. To me, if 'The Downward Spiral' were not a concept album with it's conveyance and feeling of exhaustion after its title track, and the slow paced moments fused into the slow quiet ones, it would be Filthpig. anyone who considers "The Downward Spiral" their favorite album, deserves it of themselves to give this a listen.

In my opinion, Ministry's other albums in the vein of 'Psalm 69' don't stand up, but then again, I do not consider myself a great fan of Ministry, I admire Al and all, yet albums such as 'Psalm 69' are a completely different style of industrial, with a common beat throughout each song, which is almost thrash dance or 'metal-techno.' however, 'Filthpig' has a kind of bitterness to it which almost wants to break any flow that could be made in each song, while still having a rhythm, and to me, that jarring feeling will always be what IS "industrial".

It is surely one of the harshest 'easy listening' albums I have ever heard, a 'thrash' style and a gloomy foreboding ambiance. Not for everyone, but for the lovers of the most antagonistic sounds that can be made, certainly.

One of the top 5 albums of all time...
If i have ever seen an album being criminally underrated and overlooked not so much by the professional critics but mostly by Ministry's very own fan base it has got to be this absolutely stunning masterpiece called "Filth Pig".

Having come after the album known widely as "Psalm 69" which was considered to be Ministry's peak and a definitive album of the 90s, "Filth Pig" was misunderstood on a vast scale exactly because the fans simply expected yet another "Psalm 69" or an album that sounded like it, and instead got something entirely different. The thing was, and is, that "Filth Pig" was not only a tremendous leap in creativity for Ministry that totally outdid "Psalm 69", but also a massive leap in contemporary music as a whole.

Does this all sound a bit over the top, you think? Well, the "problem" with 'Filth Pig' was that its brilliance demanded very experienced listeners to appreciate what it was, and beyond that it demanded listeners able to listen with an open mind. In the world defined as the "rock scene" where any sing-a-long good lil riff will do, and where lyrics associated with scaringly low IQs, that album was basically ahead of its time and ahead of its target group alltogether.

"Filth Pig" is a tremendous soundscape, unbelievably multilayered and yet as emotional as any album you could ever hope for. And then some more.
This is by a light year, Ministry's finest moment. Jourgensen sounds like he's singing from inside a war-zone with a voice towering high over the heart-thumping beats and the the genius guitar drives by Baker who also proves on this record that he's easily one of the best rock composers to be found.

But as mentioned, what makes this album so eeringly effective, is that, while it's so complex, it does not fail on the emotional side, now that is an achievement only met among the best musical feats i know of. And i do know something having spent over 10 years working in record stores and having listened to over 15.000 albums in the process.

I would say, and feel perfectly on the safe side, that this is as close as you can come in describing darkness in musical terms as one could. Simoultaneously though, "Filth Pig" for all its intimidating sheer dark power that it comes at you with, it's still beautiful. Beautiful as all things that can't be fully grasped at an instant.

There was one aspect in this album (achieved as of yet, only in the immediately following "Dark side of the spoon") which made it undoubtedly unique among "heavy" albums. That was that it is not fast. There's none of the typical 200m/h riffs that you'd come across almost all other heavy albums. Instead, Ministry managed to put together riffs and multisampled beats and effects that are at times even incredibly slow, and yet so overwhelmingly heavy, you have the impression you're hearing a skyscraper collapsing and producing wondrous melodies while doing so. I know of no other group that can do this the way Ministry do, and i imagine (creating electronic music myself) that it's anyway a musical aspect hard to achieve because you need to walk an extremely tight rope while trying to maintain intesity and melodies through so many layers of sound.

In my opinion, along with the debut album of "Rage against the Machine", "Roots" from Sepultura, "Dummy" from Portishead", and "Mezzanine" from Massive attack, "Filth Pig" is with these 4 in the top 5 albums i ever heard. I could go on for another 50 paragraphs explaining and detailing why this is a masterpiece. No need. Find out for yourself. Those by the way that think that "Animositisomina" is a return to good things for Ministry, have no idea onsesoever what they're talking about.
As is the case with any group's finest moment it will be close to impossible for Ministry to outdo what they achieved with "Filth Pig". It would be like expecting Tool to outdo "Aenima" to state one example. If Ministry, who are anyway one of the greatest bands ever, manage in the future to outdo this album of theirs, we'll then be talking about one truly unbelievable achievement.

Absolutely their best album
This is undoubtedly Ministry's best album. Admittedly, it took a little to really grow on me, but once it did i realized how special this album is. I cannot comprehend why so many supposed Ministry fans believe this album sucks.
I've nothing really to add to all the praise in the other 5-star reviews. Just can't understand how any industrial fan fails to appreciate this gem of an album.

Woefully misunderstood in the collection
Well well well, what have we here! This supposedly is the " worst " Ministry record which is something I can't understand. There's brilliant use of guitars and what's more it's texturally more layered than Psalm 69 which for all it's charm was more of a metal album for robots. People complain about the lyrics in some cases but Ministry were not one for deep intellectual lyrics a la Billy Corgan, they were here to rock your brains out! Sure it has a few bad songs but what album doesn't? You got to reconsider this album - it could be one of the best albums Ministry album put out!

Terribly underrated album
I would call "Filth Pig" the "South of Heaven by Ministry". I see these situations very alike, when the band decides to make a 180-degree-turn after releasing a series of successful albums. This move wasn't well met with many fans, who wanted more of the same ol' style, but the open-minded among us came to appreciate the band's new-found sound.

Having scrapped nearly every trace of danceable electronic background from the songs, Ministry provided hellish heaviness and crunchy slow rhythms instead. This is achieved mainly by extreme distortion of bass-guitar, its megaton-heavy sound rips through your eardrums and oppresses you. The whole sound is constructed to crush the listener, and Ministry never were this brutally heavy.

The variety of the album is pleasing, and we have both faster heavy industrial songs, like "Reload" sounding like machine-gun, and slow stacatto crunch of "Crumbs", and slow heavy songs with good melody, like "The Game Show", and everything in between these.
As usual, there are many Ministry trademark samples, captured and delivered with incomparable finesse. But what I'm amazed with, is the introduction of new instruments, that are extremely rare seen in industrial music. To name just a few, it's a catchy harmonica solo in "Filth Pig", acoustic guitar going along with industrial crunch in "Lay Lady Lay", a cover of Bob Dylan song (and what a cover it is!), and my absolute favourite, the piano in "The Fall". This piano sounds even more bizarre, because its part lags exactly 1/4 behind the rest of the music. This is genious.

I won't blindly recommend this to anyone. It's pretty clear that many of those into "Psalm 69" or "The Mind is a Terrible..." didn't find appeal in this record. It took myself a lot of time to get into this. But if you're open-minded, or interested in all things bizarre, you probably should give "Filth Pig" a try. It provides its healthy dose of catchy material. But it's really different to what we come to expect from Al&Paul. ... Read more

Reviews (48)

Stunningly Unique
Very heavy, very organic, very electronic. One would find it hard to believe that those three descriptions, essentially opposites in the music world, could all be incorporated into only one CD. Still, Stabbing Westward's debut album, Ungod, amazingly displays all of these qualities. How did they manage to combine these unlike traits into one piece of work? It is hard to pinpoint. One explanation is that the live drums incorporated into the CD do not drown out the other instruments, leading to a heavier, more organic sound. In addition, the keyboards and programming are used to enhance, not compete with, the other instruments, further deepening the sound while adding an electronic feel to the music. Nevertheless, however hard it may be to figure out how they mixed together heavy, organic, and electronic sounds successfully, Stabbing Westward uses their uniqueness to their advantage. This holds especially true on the heaviest and catchiest track, "Violent Mood Swings." While Chris Halls (vocals, keyboards) lets his groans and screams ring out, the digitally enhanced guitars and bass pulse through the listener rapidly, the keyboard riffs give powerful dance undertones, and the live drums unify all the sounds to make one controlled yet thrashing piece. Still, Ungod's power also works as well on more sedate tracks, such as "ACF." During that song, a heavy yet emotional bass hooks the listener into the song, leading him or her to quiet vocal cooning, and then slams him or her into dark guitars accented by thick keyboard lines. Therefore, overall, Stabbing Westward shows promise as well as a great deal of uniqueness on Ungod, so they just need to sit back, relax, and watch their star rise over the industrial/metal world.

Possibly the Greatest Album Ever
My extremely biased view of Stabbing Westward already shines through in the title of this review. The music on here is just phenomenal. Though SW is just recently gaining the fame they deserve, their original album, Ungod, is still the favorite of most of their long time fans.

Persons new to the group who have purchased a CD on the account of 'What do I have to do?' or 'Save Yourself' should definately give this music a try. The blaring anger of Chris Hall in 'Throw' and the passion he sings with in 'Nothing' and 'ACF' are incomparable to anything else. Also featured on the CD is the skill of Stewart Zemekis before he left to join Robert Patrick in Filter (I hope I got the names right). He adds a new dimension to some of the tracks (such as Ungod) that fans of either band will enjoy.

I would go as far to say that anyone who has a soul should feel something in this music. The band's zeal seems to have slowly faded in each successive album but here in Ungod it is at its zenith. If you only buy one CD in your entire life it should be this one.

-Zilean

Good.
Frequently compared to Nine Inch Nails--who are themselves only a shadow of the true industrial genre cast on the pop world--this band is pop-industrial at best. They're a band for the 13-17 age group who are consumed by self-centered angst.

"Ungod" is unquestionably this band's best release. The quality of their albums has steadily diminished with each release, until finally reaching the abysmal nadir of their self-titled CD, which is utterly unlistenable. Still, their first effort shows some true creativity and a glimmer of the uncompromising, challenging ideal that is industrial.

The rest of the reviewers need to be educated on the definition of 'industrial'. The fact that nobody has ever posted a similar denunciation here is evidence that people who know what industrial is do not listen to this music. Needless to say, you see my comments here because I have a soft spot for this worthy attempt at something big.

Awesome Debut Album
I can't believe I didn't pick up this album until this past summer. It's one of the best debuts I've ever heard. Forget what you've read about Stabbing Westward being another NIN spin-off. They are one of the most unique industrial bands out there. Lead singer Christopher Hall's voice fits in perfectly with the music being played. Give this a listen to and it just might become your favorite SW album. My favorites on this CD are "Control", "Nothing", "ACF", and "Lies".

Something to note: Listen to the chorus of "Ungod" and Filter's "Hey Man, Nice Shot" and you'll notice the guitar riffs are the same. That's because guitarist Stuart Zechman played in both bands at the time and accidently played the same riff for each song.

Trenty Rez Jr.
Have you ever wanted to listen to Nine Inch Nails but you were overwhelmed by their dark, raw power and overwhelming cd catalogue? A common lament. Look no further. Stabbing Westward is the best way to get into the Industrial genre without being overwhelmed. Chris Hall's haunting voice provided the one thing industrial music had been missing...a strong voice. Don't get me wrong, Trent Reznor has a fabulous voice for screaming and ranting, but Chris Hall combines that raw emotion with actual credible singing. Apart from that, this is an awesome cd within itself. The dark grindy synth mixed with the haphazard rhythm section make for a controlled yet messy experience. The little effects become more and more noticeable with each listen and this cd definetely grows on you. Standout Tracks: Lies, ACF, Lost, Control. ... Read more

Amazon.com

Sumptuous, soothing, sensual--the heavenly voices of the Mediaeval Baebes continue to enchant the ears with the group's fourth album. These talented Baebes (and their main composer Katharine Blake) borrow lyrical material from medieval prose and find inspiration in medieval music. While most of The Rose comprises original pieces, it also includes a medieval English composition, a 14th century French traditional song, and an Italian lauda. The hypnotic, dulcet voices of this nine-piece collective are mesmerizing a cappella, especially with their fluency in multiple languages, but some of these songs feature accompaniment from strings, zither, recorder, acoustic guitar, percussion, and other instruments. The Mediaeval Bloakes Choir even turn in a supporting appearance on the sublime "Dringo Bell." Despite their name, the Mediaeval Baebes create timeless music that, for many listeners, may help fill in the gap left by the dearly departed Dead Can Dance. --Bryan Reesman ... Read more

Reviews (25)

excellent cd
As a huge fan of the Baebes I absolutely loved this cd. Their voices are wonderful together despite losing three members who left to cocentrate on other things. All the songs are great with I Am Eve, Slay Me Suddenly, and L'Amour De Moi being my favorites. This cd uses no modern instruments as Undrentide did so fans wanting music in true Baebes form should enjoy this very much. I can't wait to hear more from these talented women.

Feast for the ears!
I was introduced to the Baebes by some friends while we were on a road trip to a wedding. I'm not even sure now which CD it was they had in the car, but the music stayed with me and the name definitely caught my attention!

When my copy of The Rose arrived I cranked it up. It was as if angels had dropped by to sing my spirit into heaven. Their voices were distinctive and harmonious, polished, yet still individual.

My personal favorite cut is #7, "There Is No Rose of Swych Vertu". Maybe it was because I got The Rose around Thanksgiving, or maybe not. Somehow I just think this song would be a wonderful part of a Christmas church service. It's exactly the kind of music I would expect from an angelic host. Simply elegant and hauntingly beautiful.

Another positive aspect of this album is its variety. The cuts range in tempo and style from elegant to lively, providing a musical feast for the ears.

If you are not familiar with medieval music, this would be a wonderful introduction. And if you already enjoy music from centuries past, The Rose is definitely a blossom worth plucking!

I Cried - and in a good way!
There are absolutely no words to describe how beautiful this CD is. It's beyond amazing in every way. Sure, the voices may not be good enough to stand alone - but as a group it comes together perfectly. The music is brilliantly arranged and in some places tries to keep very true to the original Medieval sound (something I appreciate as a history major and freak). It's perfect - hypnotic, beautiful and completely engrossing.
Needless to say, this group is extremely refreshing and deserves MUCH more attention that it gets.

Spiriti
This album contains some of the most hauntingly beautiful music I have ever heard, whimsical, delightful, coy, rousing, romantic, longing and deeply spiritual; the kind of music that makes you hold your breath to listen better - if you can breathe at all. The orchestration is richer than on their previous work, and the unholy combination of The Babes and producer John Cale is at an end, thank God.
If we lived in more civilized times, temples would be build for the muses that inspire these marvellous musicians.

THE BEST
These women are amazing. There music is so haunting and magical. How can you not love them. I've listened to all of their cds and plan on buying them as soon as possible. I just love it. It makes me feel like I'm in a mediaval story. It is so great. And it isn't just for renaisance freaks like myself. I also like rock and punk. This is awesome! ... Read more

Reviews (7)

A very good album from a fun band!
These guys have a way of making very basic songs (often just standard blues runs at their core) sound very cool. They do exactly that on much of this self-titled album, which is an unfortunate title in my view. Unless a band is truly capturing its esssence, a self-titled album usually indicates a classic sell-out bid for mainstream popularity and $ (ECHO AND THE BUNNYMEN, METALLICA). While that doesn't seem to be the case with LOVE AND ROCKETS, it's certainly not their strongest or most creative album. Still, it's a good listen, despite the fact that certain words have been edited (I abhor all forms of censorship).

The breakdown:

"**** (Jungle Law)" - The sound this song has is actually cooler than the song itself. It's a neo-psychedelic sounding riff souped-up by sampled percussion and a stomping, almost plodding drone. The title stands for the "F" word which is also the name of the main character in the song, apparently a real loser. ***1/2

"No Big Deal" - another basic blues run cranked out with background guitar antics and more fuzz bass. ***1/2

"The Purest Blue" - an art piece featuring multitasker Daniel Ash on sax. Ash takes the lead vocals on the songs he writes, about half of them. Equally versetile partner David J writes and sings on the other half including this one. ***1/2

"Motorcycle" - great rocker propelled by 2 basses, loaded with guitar and bass feedback and a thudding beat full of riding cymbals from drummer Kevin Haskins. Towards the end, guitars evoke a motorcycle from hell accelerating into the stratosphere. ****1/2

"I Feel Speed" - a sort of coda or continuation of "Motocycle" (and the last song on the 1rst side of the original LP), this song is gorgeous and soothing save for the reemergence of the demonic motorcycle. ****1/2

"Bound for Hell" - Probably the most fundamentally blues-based tune on LOVE AND ROCKETS, with David J blowing harp and cool lyrics about, well, going to hell. David J starts out confessing his lack of faith and desire for something to believe in. He then relates a harrowing, darkly comical dream that wakes him with a start and sends him to his knees to pray. ****

"The Teardrop Collector" - a 50s style finger-snapper with a subdued, dreamy quality. Ash lays down those trademark L&R acoustic guitars and overdubs electric guitar and "ghost" keyboards that perfectly portay the rather downer "that's life" sentiment. ****1/2

"So Alive" - A fun classic that deserves the wide airplay it got. Ash sings the words, "I'm alive, so alive" like a 300 year old vampire in need of a blood fix. In contrast, the background singers are angelic. "I wish I could stop/ Switch off the clock/ Make it all happen for you." *****

"Rock N Roll Babylon" - a real switch after "So Alive," this tune is dominated by an acoustic guitar sound that heakens back to SEVENTH DREAM OF TEENAGE HEAVEN. Makes adventurous use of a miniature string section and more great sax from Ash, but seems to end rather abruptly. ****

"No Words No More" - Once again Daniel Ash confesses to being lazy as he did on "Lazy" from EARTH SUN & MOON. It seems to be a personal issue with him. Here he longs for, "No words, no reasons why." The song also illustrates another common L&R theme: a desire for paradise as a blissful, burdenless state. "No Words No More" is a fabulously dreamy song, largely aided by heavily processed vibes played by Kevin Haskins. It's a cool way to close the album. *****

rock and roll masters
a classic worth re-visiting time and time again. Haunting lyrics, swirling guitars and that unmistakable voice. You must see Daniel Ash live!

LOVE AND ROCKETS
THIS MIGHT BE LOVE AND ROCKETS MOST COMMERCIALYY SUCCESFULL ALBUM EVER, BUT PERHAPS NOT THEIR BEST.DESPITE HAVING PRODUCED A TOP TEN HIT (SO ALIVE)THIS IS ALBUM LACKS THE SOLIDNESS AND LYRICAL STRENGTH OF PREVIOUS EFFORTS (EARTH ,SUN AND MOON MOST NOTABLY).ALSO IN PRODUCTION TERMS THERE IS MUCH LEFT TO BE DESIRED.THE SOUND IS OFTEN SLUDGIE AND THE DRUMING NOT VERY RE-SONANT. THERE ARE A FEW NUMBERS THOUGH,THAT SAVE THIS ALBUM FROM BEING A TOTAL CREATIVE-LESS FIASCO MOST NOTICEABLY "MOTORCYCLE" WITH ITS THUNDERING BASS, INFECTOUS RYTHYM, AND BALLS TO THE WALL HEAVY METAL-LIKE ATTITUDE AND THE CLOSING PIECE "NO WORDS" A NICE DISPLAY OF LUSH ATHMOSPHERES AND DANIEL ASH'S SMOOTH VOCAL ARRANGEMENTS.THIS ALBUM IS PERHAPS SERVES AS THE BEST PIECE OF EVIDENCE AS OF WHY DANIEL ASH AND PETER MURPHY DECIDED TO PART WAYS AND BRING BAUHAUS(THEIR PREVIOUS BAND) TO A HALT.THERE IS ABSOLUTLELY NOTHIG REMINESCENT OF ANY BAUHAUS ALBUMS HERE.THIS IS MATERIAL STRICTLY RECOMENDED FOR FANS MORE FOND OF THE BANDS'LIGHTER AND MOST ACCESECIBLE SIDE OR THOSE MORE NOSTALGIC FOR 80'S TOP 40 RADIO.GOTHS PLEASE KEEP YOUR DISTANCE!

Love and Rocks!
Although _Express_ is also a decent entry into the goth canon, this is the only L&R album I own on disc. It's much more well-produced, well-arranged, and doesn't contain nearly as much of the tuneless amateurish nonsense that earmarked Bauhaus and earlier L&R. One moment it rocks with reckless power-chord abandon - "Motorcycle", "Jungle Law" and "Bound For Hell" are almost heavy metal, if they weren't so cold and mechanical - the next moment it's pure soundscapes and bliss. "The Purest Blue" is a beautiful atmospheric cut, more successfully capturing the psychadelic side of this band than anything I have heard from them before or after. There is also the big hit (tm), "So Alive", a fine late-80's entry into the one-hit-wonder canon. The remaining songs the listener may be tempted to overlook because of the intensity of the first half of the album. "Teardrop Collector", "No Words No More" and "Rock n' Roll Babylon" are surprisingly gentle, wistful and sentimental, sometimes they remind me of perhaps The Church or MCA-era Damned, sometimes they approach smoky lounge-jazz.

no flow..no go
This was the one that really let the boys down. After the heights of 7th dream and Express, the previous album Earth,Sun,Moon had hinted that the quality control was beginning to slip. It sounds like a selection of J + ash solo album tracks and they appeared to have little input on each others efforts. This is a shame really since the dual harmonies and interwined songwriting is what made it happen in the first place

So if your looking for a place to start with Love and Rockets avoid this opt for either Express or 7th dream ... Read more

Reviews (82)

WoW
Before I saw Otep on OzzFest's second stage this summer, all I knew about them was that they existed. As soon as I heard them, the next day I ran out and bought 'Sevas Tra'...they are downright amazing. Not only is the singer (also named Otep) extremely hot, but she can SING. Not only can she sing, but she can GROWL...this lady can grown deeper than most men I've heard. And as great as her growl is, the words she growls surpass everything. Otep is truly a poet, as her name would suggest, and crams all her songs with beautiful, devestating lyrics that she sings/screams/growls/raps perfectly. I fail to find a band to compare them to, but most people like to compare them to Kittie, because Otep is a female. If you're going to do that, just know that Otep makes Kittie look like Destiny's Child. Hell, they do that with most male bands. I highly recommend this CD to anyone who is a fan of music, poetry, or thinking in general.

Whoa! This is the loudest album I've ever heard!
I first heard Otep on the Ozzfest 2001: Second Millennium disc. It had a live performance of "Fillthee". It was the heaviest song on the album, which was surprising since you had Slipknot, Mudvayne, and Hatebreed losing to a band with a female vocalist. But it's true. Otep is the heaviest nu-metal band out there. That's not the only thing they've got going for them. Otep Shamaya (vocals) is also a poet, so she uses a poetic style to her lyrics. This is evident in the free verse tracks, "Emtee" and "Jonestown Tea".

Otep also does some rapping. But this isn't Limp Bizkit we're talking about. This is tolerable stuff. No, this is great stuff, especially in "Battle Ready", "Sacrilege", and "T.R.I.C.".

Otep Shamaya also has a few, um, unresolved issues as a child. She reflects this on the closing track "Jonestown Tea". This is a song that goes pretty deep, like some of Korn's older songs.

That said, here are my "thots" on the songs:

TORTURED - A free verse poem. Has interesting lyrics. Shows a
little bit of Otep's view on certain things. It works
well in opening the album. 3.5/5
BLOOD PIGS - Very heavy, starts off right after "Tortured" ends.
Provides a lot of bass. The lyrics are pretty sweet
"I'm not afraid/AND NOW YOU'RE WALKING AWAY!" 5/5
T.R.I.C. - Here's where the rapping comes in. As I said, this is
enjoyable rap, not Limp Bizkit. Another brutal song. 4.5/5
MY CONFESSION - Sounds kind of like a Tool song with the drums.
More good lyrics:"I'm at an end and there's no way out". 4/5
SACRILEGE - Kind of like "T.R.I.C." but with a chorus. Shows
Otep's views on religion. Again, very heavy. 4.5/5
BATTLE READY - A very fast, heavy song. I love this one. It
reminds me of an action scene in a war movie. Second heaviest
song on the album. 5/5
EMTEE - Starts off shaky but gets better. A very creepy song.
4/5
POSSESSION - Back to brutal. Not exactly sure what some of the
lyrics mean, but it's still cool. 4/5
THOTS - Not much here but a long free verse and an outro that
bleeds into the next track... 2.5/5
FILLTHEE - Awesome! My favorite song here on this album. So
heavy. Otep talks about herself in the third-person narrative.
I think it's about being greedy and letting it get the best of
you. The bridge is really awesome! 6/5
MENOCIDE - My least favorite song on the album (not including
"Tortured" and "Thots"). It starts off really bad I think and
I'm not a big fan of the lyrics. It's not too bad though. 3/5
JONESTOWN TEA - Ahh, the odd one out. This song goes beyond deep.
Otep sounds really mad at some points. The song is long
but I still like it. Good way to end the album 3.5/5

I recommend this to nu-metal fans, esp. fans of Mudvayne, Coal Chamber, Hatebreed and Slipknot. Even Korn fans should love this. But not Limp Bizkit fans (this is just too much for you guys). Get this if you don't have it!

What crap!!
This album is terrible. It is a blatent rip-off of Tura Satana and Manhole...two bands led by Tairrie B. who is a far superior lyricist and vocalist than this Otep chick and thats saying a lot considering I don't even like Tairrie. Don't buy this album unless you are still living in a nu-metal bubble.

For fans of females in extreme music I recommend Thorr's Hammer, The Wage of Sin, Walls of Jericho, Crisis, Yellow Machinegun, Damad and Demonic Christ over this pseudo-intellectual, pretentious loser.

brutal, and fresh
This girls sings like the devil, totally angry, totally awsome. Too bad their new album is not as good

OTEP JIHAD
AFTER SEEING THE OTEP VIDEO, I NOW KNOW WHO THE BAND SCHEER WAS REFERING TO IN THEIR SONG WISH YOU WERE DEAD. THE BAND OTEP!!!

WHY IS IT THAT ALL THE SO CALLED POLITICALLY THINKING BANDS ARE ALWAYS SO ULTRA LIBERAL. I WOULD LOVE TO SEE A REMAKE OF THE CURES SONG "KILLING AN ARAB" DONE BY SOME OF THE BETTER BLACK METAL BANDS.i.e. CRADLE OF FILTH , DIMMU BORGIR, MAYHEM , DARKTHRONE. PERHAPS EVEN TURBONEGRO OR ELECTRIC SIX OR MORRISSEY.
MORRISSEY WOULD MOST LIKELY DO THE BEST JOB. HIS NEW CD RULES. ... Read more

Reviews (45)

Making Sabbath Proud!
Finally, a Sabbath tribute album that does the original band justice! I don't think there could've been a better collection of bands on this album. The opening track (After Forever) by Biohazard is crushingly brutal compared to Sabbath's original version; and that's saying ALOT. Megadeth's version of "Paranoid" is great, and Dave Mustaine's vocals suit the song perfectly. The two highlights of the album however, are Sepultura's brutal rendition of "Symptom of the Universe" and Type O Negative's take on "Black Sabbath". Max Cavalera and Co. turn "Symptom" into one of the hardest hitting songs ever; it just goes to show how damn good Sabbath would've sounded if they were reborn today. Type O Negative's version of "Black Sabbath" is reason enough to buy the album though. The first half of the song is turned into a slow, gothic rumble; as the original speed is slowed WAY down from the original Sabbath track. In the outro of the song, they launch into the "Sabbath Bloody Sabbath" classic, "Killing Yourself To Live"; and when they jump into that riff, the heaviness reaches it's maximum point! And just when you think they're done blending Sabbath classics, the organs start playing the theme from "Fairies Wear Boots" while the rhythm section is still pounding on "Killing Yourself To Live"! That basic song idea pretty much sums up the idea of this album; paying homage to your heroes, and taking it to a whole new level of excellence!

Excellent Tribute
Having listened to the original versions of all the songs on this album many times, I must say every band has done Sabbath justice on this Tribute CD. In my opinion Black Sabbath by Type O Negative is an amazing rendition of the orginal, infact I think it's even better. One person said Sabbath doesn't sound good in "goth". Well in my opinion the song Black Sabbath is the premier Gothic Song and who better to cover it then todays premier Gothic Band. I love hearing Bruce Dickinson and Rob Halford sing "Sabbath, Bloody Sabbath, and "The Wizard", It's really cool to hear these other metal "gods" sing Sabbath songs. My only complaint is in the linear notes of the CD the person who put this CD together said something like we could had enough bands doing Sabbath songs we could have had a two CD set. Well, why didn't you then, I would have loved to have heard Metallica, or Pantera or other similar bands do a song for this CD. Especially since Metallica has done Sabra Cadabra and Pantera has done Planet Caravan, on there own CD's. Both songs being excellent covers of course. And why arn't there any songs past the Sabatoge Album. Songs from DIO's albums or there other stuff would have been great on this CD. But, anyways all in all it's an amazing CD that Sabbath and non-Sabbath fans(are there any non Sabbath fans out there?) should buy.

MUCH better than N.I.B. II
Black Sabbath are often considered to be the first true heavy metal band, so it's no real surprise that many modern hard rock artists wanted to pay homage to them. And what better way to do it than with a tribute album? In 1994, this tribute was released. Read on to see how it measures up.

1. After Forever - Biohazard
A popular modern band takes this Sabbath classic and redoes it with excellent results.

2. Children of the Grave - White Zombie
I'm not a huge fan of White Zombie, but they're version of this Sabbath classic is a VERY good one, and it's no surprise this became the most popular cover song on the album.

3. Paranoid - Megadeth
Megadeth is one of my favorite metal bands, and when one of my favorite metal bands covers another one of my favorite metal bands, the results can ONLY be good.

4. Supernaut - 1000 Homo DJ's
This is a band that was thrown together exclusively for this tribute. Their version of this song is pretty good, too.

5. Iron Man - Ozzy Osbourne with Therapy
I don't really see why Ozzy needed to play on his own tribute, but still, this is an excellent rendition of the Sabbath classic.

6. Lord of This World - Corrosion of Conformity
A popular modern hard rock band takes this Sabbath classic and redoes it with excellent results.

7. Symptom of the Universe - Sepultura
A modern metal band breathes new life into an old favorite. Bravo, Sepultura.

8. Wizard - Bullring Brummies

Yuck. I was expecting A LOT more from a track that had Rob Halford, Bill Ward, and Terence "Geezer" Butler. The song completely loses its bluesy charm here.

9. Sabbath Bloody Sabbath - Bruce Dickinson with Godspeed
They don't call Bruce Dickinson a metal god for nothing. His vocals are unsurpassable by any heavy metal singer, and here it shows.

10. N.I.B. - Ugly Kid Joe
I'd never heard of Ugly Kid Joe before I listened to this tribute, but I must say, this is a GREAT version of this song.

11. War Pigs [Live] - Faith No More
Many pass Faith No More off as a one-hit wonder due to the smash success of their (appropriately-titled) Epic, but truth be told, their version of War Pigs is even BETTER than the song often referred to as their lone hit!

12. Black Sabbath (From the Satanic Perspective) - Type O Negative
Huh? Type O Negative slowed down this song too much, and their singer sings in a very monotone voice. It's almost like he's reciting a poem and not singing at all.

All in all, this is an excellent tribute, way better than the godawful N.I.B. II that followed it. All of the artists who play on here are hard rock/heavy metal arists, unlike the sequel which contained rap-rockers, and even a dedicated rapper (Busta Rhymes!) If you only get one N.I.B. CD, make it this one.

Not Perfect, but very close to it!
Being a huge Sabbath fan, I looked forward to my purchase of the Nativity in Black Tribute CD, and I have not regretted my purchase. With all CD's, there are excellent tracks, and there are abysmal tracks. Fortunately this album contains much more excellent tracks than abysmal ones. Here is a quick review of the tracks on the CD, and my opinion.

1.) Biohazard-After Forever (9/10): A great opener in my opinion of a very underrated Sabbath song. The guitar work is great, just like the original with a "modern" touch.

2.) White Zombie-"Children of the Grave (9/10):" Great remake of a classic Sabbath song. The little voice overs in here, although they seem to make little sense, give this song the haunting mood it needs while still maintaining it's metal groove.

3.) Megadeth- "Paranoid (10/10):" A great metal band which knows how to cover another great metal band, which is what all the tracks need. Guitar solo in the middle is excellent, and helps earn this track as one of my favorites on the album

4.) 1000 Homo DJ's "Supernaut (10/10):" This is another perfect track. The "advertisement" in the beginning is classic, in my opinon the best part of the track.

5.) Therapy? with Ozzy "Iron Man (9/10):" Almost identical to the original due to ozzy's vocals, but in a faster groove, which makes this track great.

6.) Corrosion of Conformity "Lord of this World (8/10):" Before listening to this track, I didn't really like Lorof this World, but this track was good enough for me to give Sabbath's version a chance.

7.) Sepultura "Symptom of the Universe (4/10):" This is one of the abysmal tracks I was talking about. The riffs and drums are OK, but the vocals are death metal like. This track should have been put on Hell Rules as it is more so death metal lyrics.

8.) Bullring Brummies "The Wizard (10/10):" This group consists of Bill Ward and Geezer Butler, original Sabbath members, and Rob Halford, along with a guitarist who I cannot remember the name of. Since Butler and Ward are the rhythm section for the band, it is no surprise that this song is one of the album's centerpieces.

9.) Godspeed with Bruce Dickinson "Sabbath Bloody Sabbath (9/10):" Excellent remake of my favorite Sabbath song. The only problem would be the solo, which was nothing like the original, one of my favorite solos. Regardless of this however, this is a great track that is a must listen.

10.) Ugly Kid Joe "NIB (9/10):" This is my second favorite version of NIB aside from Primus' cover. A slightly diferent touch on the guitar riffs gives this song a new sound while maintaining its old feel. Good track.

11.) Faith No More (War Pigs (LIVE) (6/10):" An average track. While not abysmal, it is far from perfect. The voclas could use a little help too. Perhaps if it was a studio track t would have been better.

12.) Type O Negative "Black Sabbath (3/10):" The lyrics here are all death metal like. A bad way to end the CD. After all the perfect and near perfect tracks, the album ends with a horrible cover of a classic Sabbath song.

Overall, the album is a must buy for all Sabbath fans. While there are a few bad tracks here, there isn't enough to not purchase this otherwise excellent tribute album.

good tribute
I'm normally not really interested in tributes, but this one is actually pretty good. I never do song-by-song reviews, but here I'll make an exception, since there's so many different bands.

1. Biohazard, "After Forever" - Cool cover. Biohazard's a pretty good band, and they put their own spin on it quite nicely. I like.

2. White Zombie, "Children of the Grave" - Yeah! One of the best on here. It's just too awesome. Proof that Rob actually did make good music at one time.

3. Megadeth, "Paranoid" - At this point, I'm gasping for breath. This is another favorite. Dave like triples the speed of the solo. Yow!

4. 1000 Homo DJ's, "Supernaut" - Who is this band? I heard somewhere it was Trent Reznor, but it doesn't sound like it. The worst of the album, for sure.

5. Ozzy/Therapy, "Iron Man" - It's good, but not really much different from the original. Why is Ozzy singing on his own tribute?

6. COC, "Lord of this World" - COC! Sludge-tastic rendition of this underrated classic.

7. Sepultura, "Symptom of the Universe" - Eh, it's ok. Sepultura has seen better days.

8. Bullring Brummies, "The Wizard" - You may ask yourself, "Who are these guys?". Well, it's none other than Geezer Butler and Tony Iommi singing with...Rob Halford! Too sweet.

9. Bruce Dickinson/Godspeed, "Sabbath Bloody Sabbath" - THE best on here without a doubt. Bruce is God! I wish he had his regular band with him, though. Oh well, this one works.

10. Ugly Kid Joe, "NIB" - I never cared much for Ugly Kid Joe, but this song is pretty good.

11. Faith No More, "War Pigs" - I love Faith No More, I love "War Pigs", I HATE this version. It's really terrible. The studio version is good, but the live one is almost an insult. What were you thinking, Mike?

12. Type O Negative, "Black Sabbath" - Whoa! This is creepy! Pete Steele's deep, ethereal vocals make this song 1000 times scarier than it ever was before. Very, very cool.

Get this tribute if you like Sabbath, and most of the bands on here. I think it's much better than NIB2, which I won't even bother with. ... Read more

Reviews (82)

better than the best, harder than the rest .....
After the somewhat disappointing comeback album, 'Attak', Sascha has reformed and re-tightened KMFDM yet again. The results are a very cohesive, progressive, and HEAVY album. While most people found Attak to be a fairly satisfying CD, it was no where near the quality of previous KMFDM classics. Make no mistake, WWIII is right up there with Nihil, Xtort, Money, Symbols, etc .... Tim Skold is gone and the musicianship is tighter (finally, some quality guitar work again!) and Sascha's innovative work with synths/electronics fits perfectly over the heavy beats and guitars. This is an album that demands repeated listening. Tracks such as WWIII, Jihad, Last Things, Pity for the Pious, and Stars & Stripes will make you realize how solid and focused this effort is. On top of that, the overall mood of anti-war and protest on this album gives it a sense of urgency that makes it so relevant in these messed up time we live in. So .. buy this album!!!

Ah, Finally
At last, a new album in the vein of Nihil and Xtort. Really, truly in that vein, and not just close enough to make a stretch. The tracks are fast enough to remind me of Xtort's "Son Of A Gun", but at the same time they maintain the heavy but focused sound that characterized Nihil's "Ultra", "Flesh", and "Beast".

Even still, there's a bit of everything. "Jihad" has the slow feel of "Yohoho", and "Pity For The Pious" is as noisy and depraved as somthing you might expect from Pig. "From Here On Out" and "Last Things" feature Lucia's vocals and call to mind "Hydroelectric" or "Superhero", but both are faster and meaner. Notably absent is Tim Skold, but some might consider that a plus (personally, I prefer vocals by Konietzko or Watts, which this album has in spades).

The barbs for Mr. Bush are going to irritate some people, but hey, KMFDM has never been in the business of sucking up.

It's hard to top first love, but WWIII meets or exceeds my longstanding favorite Nihil. If you consider Nihil or Xtort to be KMFDM's highwater mark, check this one out. Those who enjoyed MDFMK or Attak will also not be disappointed.

Retrospective
I grew up on KMFDM, own every album (including the original Naive), and am skeptical about a few reviewers' distinctions between "good KMFDM" and "bad KMFDM." The only album of any real merit was What Do You Know, Deutschland? They produced a few cheesy but fun records afterwards (More & Faster + a few tracks on Money come to mind), but nothing "good" in any normal sense of the word. Moreover, everything since Symbols has been garbage. Two words, guys: Spinal Tap.

first album
this was my first album so i dont know all the politics of the band...I enjoyed this cd alot. Very intense and energetic. Theres that feeling that the music is just a straight forward attack and (i dont mean politically) I love that. Along with the latest Killing Joke album nothing has even touched government issues which is surprising. look at the music of the 60's and the vietnam war. People would rather ignore these issues and worry about there own self centered lives then to speek out. I dont care what view KMFDM takes, its still a great album. My only complaint is that the growling female vocals tend to get a bit cheesy.

Bravery in Music
In the past, I liked KMFDM's concept more than much of the actual music. It seemed a little muddled to me, but this album is fantastic. Somehow more accessible and dynamic than previous albums. And for those who are whining that they are attacking Bush on every song, why shouldn't they? He and those before him(i.e, that pig Reagan) are slowly turning our society towards complete ruin.
If you don't want them attacking Bush, why are you listening to KMFDM anyway? Go back to listening to Britney Spears and asking daddy for a raise.
In the current climate of our country, with almost every facet of the media controlled by corporate, right wing interests, it takes guts to stand up for what you believe in and do a politically oriented album. Bravo KMFDM!!! ... Read more

Reviews (12)

What a dream it was!
I bought this cd because: a) the cover art intrigued me and b) the asking price was too good to pass up...Being a big fan of goth music, I thought this cd was worth checking out especially for the Miranda Sex Garden because I am a big fan of Katherine Blake's latest group Mediaeval Baebes. I absolutely loved "Ardera Sempre" by Miranda Sex Garden. I really need to hear more music from the classical/pop trio. I really don't consider Future Bible Heroes to be gothic and thought it was odd to hear this indie pop band on a cd with mostly goth bands. Still I enjoyed "O! What a Dream It Was" immensely. It took me a few listens for Rasputina's "Hunter's Kiss" to grow on me. Initially I wasn't too wild about the song. I am not really familiar with Bitstream Dream, The Flir, Russell Mills, Livid Kittens, The Devics, and The Legendary Pink Dots to be perfectly honest but what I heard from them I did like, especially The Legendary Pink Dots and The Flir. Violet Indiana is alright. They could be better if the guy stopped singing. I used to have their debut album and I thought his vocals just ruined the vocals. I dug the other songs by The Creatures (Siouxsie Sioux's post Banshees project), The Cranes as well as Miranda Sex Garden, The Flir, the Legendary Pink Dots, and Rasputina. The art work was fascinating as well. Not many people put much effort into the art work in their cd booklets but the girls in Rasputina did with this compilation. It added a nice touch to the music.

Worthwhile buy- maybe even twice
I recieved this cd as a gift over a year ago, and I still absolutely love it. I have a feeling it was bought for me because I was a Rasputina fan with nothing left to buy, (ha-ha) however the rest of the songs on this c.d. are just as epic and lovely

It's absolutely beautiful in it's entirety. The most outstanding songs are "Hunter's Kiss" "Purr la Perla" and my ABSOLUTE favorite "O What a Dream it Was" by Future Bible Heroes.

My cd is already starting to skip (from repetitious play) and- now this should tell you something- Im thinking of obtaining a REPLACEMENT copy!

so yes nothing but glowing reviews for this cd.

12 satisfying tales
If you're into ethereal and melodic Goth music and don't mind some shoegazer and very subtle glam rock thrown in the mix than why not take a chance and buy this? The price is affordably low so it's definitely worth checking out. I promise you won't be disappointed, and if you are, well, you don't have much to lose - only something to gain so look at it that way. Not every song's a gem but it's a well put together compilation and it's a great introduction to a lot of amazing groups, such as The Cranes (Alison's childlike voice fits right in here), the eclectic Bitstream Dream, Miranda Sex Garden, and many others that are far less known but just as talented in this underground arena of stars. "The Hunter's Kiss" by Rasputina is a fantastic song but the production is so gritty I can hardly stand the torture of it. Not every track is like that though which leads me to believe it was their intention for the instruments to sound raw that way instead of polished (?). "O! What A Dream It Was" by Future Bible Heroes is probably the biggest highlight for me and I'm absolutely enthralled with the deep, enchanting male vocalist. The dark, hypnotic "Slipping Away" by The Creatures, the trip-hop blues of "Purr La Perla" by Violet Indiana, the harmonious guitar and drum swirling of the alternative "Flying" by Livid Kittens, and "You Could Walk Forever" by Devics, which is a sad yet gorgeous tune with an underlie of pop sensibility are other personal favorites that I otherwise would have never heard before if it hadn't been for this purchase. What truly makes the merit of this album laudable, however, is how every track includes illustrations by the often-quirky Amy Brown with short tales written by Melora Creager to accompany each picture. I therefore recommend this to fans of faerie lore as well.

[Cover art: Cloak Of Stars by Amy Brown]

fantastic mix
Don't hesitate to hear some familiar favs and learn about new bands on this mix cd. Rasputina's gritty love-death-hunted song can be found on their album Cabin Fever, and if you like the second track "Oh What a Dream it Was," browse through Stephin Merritt's other works from the Magnetic Fields and the 6ths - no one else brings such glamour to darkness. The Flir's song "Lick" is one of my favorites and has a great beat and haunting vocals. Some tracks will remind you of goth roots like Souxie and the Cure, but the overall mix is well constructed and flows from song to song. Quite enchanting, and a great bargain for the 12 tracks you get.

Not as great as the cover looks.
What first got my attention was the cover, and that Rasputina put it together. I like Rasputina but the other artists really weren't that great to me,nor are the songs.(Although Miranda Sex Garden is fairly good.)If your a Rasputina fan, I would definantly check out the other artists first to see if you like them. I know I won't make judgements on cd cover art anymore. ... Read more

Album Description

Nearly 80 minutes long, this value-packed CD takes all of the Ministry side projects and collects them in one place at last! Includes PAILHEAD - a collaboration with Ian MacKaye (from Fugazi and Minor Threat); 1000 HOMO DJ’s - a collaboration with Trent Reznor (NIN), Jello Biafra (Dead Kennedys) and others; PTP - a collaboration with Chris Connelly; ACID HORSE - a collaboration with Cabaret Voltaire ... Read more

Album Details

Third Album from the Finnish Band that Has Redefined Goth Rock Since Its Inception in 1996. Their Sound is in the Same Vein as Sisters of Mercy and the Mission (U.k). Lead Singer Villo Vallo Writes Spiritual Songs About Friendship, Trust and Love. They Are Songs of Longing - but They Are Delivered with Attitude. For Every Moment of Sorrow There's Always a Mischievous Smile, and a Killer Left Hook to Knock You Out Cold. That's Probably Why the Album is Called "Deep Shadows and Brilliant Highlights" - a Photography Term Used to Describe Those Old Black and Whites of the Likes of Greta Garbo. The Album, Too, is Heavy on Sharp Contrasts .you Can't Help but Notice that the 'love Metal' of Him's First Two Albums Has Turned Into Something Significantly Deeper, a Scorching Yin and Yang Concoction the Band Likes to Refer to as 'scandinavian Blues'. Ville Hates the Beatles and Red Meat, but Loves Gene Simmons and Edgar Allan Poe....those Choices Speak Volumes. ... Read more

Reviews (41)

In Joy and Sorrow
I'd be tempted to give this one five stars, but it costs so much! Valo and the band have produced an album that has instant appeal for three groups, at least: gay, goth, and glam. But listeners of all persuasions are likely to be moved by the passion and immediacy of these songs, each one more affecting than the last. If I had to pick a favorite, it would have to be "In Joy and Sorrow," which was promoted in Europe last year by a video that would have made a welcome addition to the CD (in this case, "Pretending" is the sole track represented by a video, and an appropriately kinetic one it is). You have to see Ville Valo to appreciate how beautiful he is. Having said that, he's not just another pretty face. His voice, too, is gorgeous, full of passionate intensity, to borrow a phrase from Yeats, and a perfect complement to the songs' bittersweet lyrics: "From lashes to ashes / from dust to dust / in sweetest torment / I'm lost." He sounds a bit like Nick Cave with a big sob in his voice. All right, hang the cost; I'm giving this one a five. Even if you're put off by goth trappings and boys who wear make-up, you owe yourself a listen to "Deep Shadows and Brilliant Highlights." Buy it, and then give it a spin the next time you turn out the lights and get intimate with a friend. I guarantee it will set a properly ardent mood.

H.I.M has returned
This is one of those bands you should never miss out on. It reminds me of the old 80's rock style with Goth elements. I did like Razorblade Romance a tad better because it's got a heavier guitar sound. This cd didn't contain any real high energy aggressive songs like, "Right here in my arms/I love you(Prelude--.) Most of the new album moves at a slow to medium pace. I still gave it five stars becaue the songs are still very catchy and very well done. If they ever get around to releasing Him in the U.S. he would be a big hit here. Everytime I play one of his C.d's somebody is always asking who the band is, and where they can get the album. If you never heard Him and you like catchy rock mixed with experimental goth get this album first. If you like metal mixed with goth get Razorblade Romance first. If you like songs that hook you, then get all his albums

Ville Valo, Please Don't Let It Go!
Once again, Ville Valo and his fantastic band have amazed me with their musical craftsmanship. Their third album sounds great! Songs such as Heartache Every Moment, Pretending and Please Don't Let It Go really manage to touch me and leave a lasting impression.

Very clear on this album is Ville's voice, which really seems to evolve with every new album he produces. He manages to put into his songs a level of emotion that few can match. His own subgenre, love metal, is still very much alive and this album is a true must have for fans of this famous Finnish band. In my opinion, this album is yet another masterpiece and it makes me wonder if this band can actually produce something unworhty.

Why this album is hated by so many is beyond me....
This may possibly HIM's most underated album to date. Why, I have no idea having listend to all of their albums. Yes, Deep Shadows And Brilliant Highlights does venture a little far from say Greatest Love Songs Vol.666, but so did Razorblade Romance. And Love Metal is just a different from there past works as DSBH. Lucky, the more respectable HIM fans do see this album's greatness. Each HIM album is unique. Thats what makes them so great. You never hear anything repeat.

Standout Tracks:
Salt In Our Wounds
Beautiful
Love You Like I Do

Reccomends:
Greatest Love Songs Vol.666
Razorblade Romance
Deep Shadows And Brilliant Highlights (Digipak)
Love Metal
And Love Said No...The Greatest Hits [1997-2004]
The Singles Collection

Ville Valo is Beautiful......What an amazing Poet!
Deep Shadows and Brilliant highlights explores various different topics of life. Love, lust, pain and tragedy, but manages to maintain a constant mantra of artistic depth. Ville valos lyrics and poetic tones go straight to your heart and the guitar solos in many of the songs remind you of the skill this band represent. Just beautiful. Songs like "Love you like I do", "please don't let it go" and "In Joy in Sorrow" are just plain beautiful. I don't understand why rock magazine journalist put this album down and give it bad reviews...I happen to find Deep Shadows and Brilliant highlights better then "Razorblade Romance". I like Razorblade Romance, but I love Deep Shadows and Brilliant highlights a million times more.

This album just proves that the void Jim Morrison left when he died in 1971, has now filled up with Ville Valo. Ville is as poetic as you can get. A true poet. ... Read more

Album Description

A Live Just for Love is the fully uninterrupted set fromthe El Rey show in Los Angeles on November 30th during thePeter Murphy Just For Love Tour 2000, featuring PeterDiStephano from Porno For Pyros on guitar. The set alsofeatures a bonus disc, containing the entire live acousticencore with former Bauhaus member David J from the December 1st show in Los Angeles. This supplemental disc featuresWho Killed Mister Moonlight, All We Ever Wanted and Hope.As another added bonus, the disc features a cover ofElvis's Love Me Tender. 18 tracks over 2 CD's in a slimline double jewel box. 2001 Metropolis release. ... Read more

Reviews (20)

a quiet storm....
As a rule, I find live albums to be overly indulgent product... usually of questionable sound quality and rarely offering any insight or improvement on the studio versions of the music. There are exceptions of course (see Nirvana's "Unplugged in New York"), and thankfully this outstanding effort by Mister Murphy is just such a rarity. Containing the entire set as it was played at the El Rey Theatre in Los Angeles in november, aLive Justforlove is a beautifully realized revisiting of some of the finest moments from what is truly an amazing body of work. From the entrancing "All Night Long" to the achingly beautiful "Indigo Eyes" and "Marlene Dietrich's Favourite Poem" and on through the more full productions of "I'll Fall With Your Knife" and "Gliding Like A Whale" the musicians create a loving framework in which the full depth and stark beauty of these songs is wonderously apparent. Accompanied only by Peter DiStefano on guitar and Hugh Marsh on electric violin, Mister Murphy strips down these lush and poetic songs.... in many cases totally reinventing them, showcasing not only his gift for evocative and gorgeous lyricism but also his rich, expressive voice. In many cases live albums may serve as a sort of greatest hits compilation for an artist, in the case of aLive Justforlove the songs are presented in such strikingly original compositions that it stands alone as an album unto itself. For the uninitiated, Mister Murphy is one of the most intelligent and compelling songwriters and vocalists making music today, and this album offers intriguing possibilities as to the direction of his future work. With an stellar second disc featuring an encore performed with Bauhaus cohort David J, aLive Justforlove is required listening for even a passive fan, and for those unlucky enough to have not yet been exposed to this work it offers a hypnotic overview of Peter Murphy's career that will leave them scrambling to find the rest of his discography. Impressive, fragile, lush and lovely.

aLive is simply amazing
I saw this tour in Seattle and was completely blown away. I have seen Peter Murphy perform many times (both solo and with Bauhaus), and this was my favorite show to date. The simplicity and passion of the music carried me far into that place -- that place only his voice can take you. This recording captures that feeling perfectly, and I have listened to the first CD (yes, there are two: the second only has four songs, but David J makes an uncredited appearance to play several Bauhaus tunes) four times since yesterday. The only disappointment is that one girl in the audience is a bit too loud and I would like to tell her to shut it.

A great performance for the aging PM fans
While I am one of the biggest Peter Murphy fans ...I thoroughly enjoyed this album .... I have to say that I wish he would spice things up again and move away from the adult contemporary path down which he seems to be treading. Granted, the songs are becoming more personal and more of a religious experience for Peter, but I miss the fire of earlier works. However, this album showcases a smoldering side of Peter's work, accented by talented artists DeStefano and Marsh, and once again atests to the man's talent to capture the mood. Anything that includes this man's voice is going to resonate, and I highly recommend the album. Standouts for me include 'Subway', the great guitar work on 'Gliding Like a Whale', and the perfect and pure rendition of 'Indigo Eyes'. Now go buy it.

The obligatory double-live album
Ok, this isn't a typical live album. To promote his best-of album, Murphy assembled an all-star band of sorts featuring members of Bauhaus, Porno for Pyros and Jane's Addiction. For this tour, he took a drastically different course employing only 2 other musicians, a violinist and a synth-guitarist, to back him up. The result was a very stripped down, honest sound. This album has my favorite versions of Subway (although the Dust version is a close second) and Marlene Dietrich's Favourite Poem. For the second disk Peter is joined by ex Bauhaus bandmate David J for memorable versions of some Bauhaus songs. Another great album by one of the best vocalists ever.

Once Again, Excellent
Peter just continuously blows me away. "Just for Love Live" is a brilliant performance I only wish I could have seen live; however, for a live double disk, it does capture the overall vibe, atmosphere, and the quality; absolutely excellent for a live CD.

He seduces us with a diverse array of material that spans from his solo career, and surprises us on the second disk with an appearance by David J, and with it, 3 Bauhaus songs -- a rarity in itself. What I found most impressive about this album is how Murphy converted several of his older songs, and enhanced them with Turkish instruments, allowing us an opportunity to hear his dearly beloved older songs with an underlay of unique instruments by unique musicians. It is an absolutely wonderful double CD, and I strongly encourage anyone who is into Peter, Bauhaus, and the slew of others, to grab this and expect a new sound beneath Peter's brilliant, and highly developed voice!

Richard C Williams
I encourage feedback by fans or those who might disagree. ... Read more

Reviews (90)

Don't be so ignorant
Labeling The Cure as a goth band and being disappointed that they aren't putting out "goth albums" is completely ignorant. The Cure didn't start out as a goth band, just listen to Boys Don't Cry. If you only want the dark side of The Cure, buy Pornography or Disintegration. If you want the Cure in all their bipolar madness, check out any of their other albums. Wild Mood Swings opens with the dark, guitar-heavy track "Want." It's reminiscent of "The Kiss," the first track on Kiss Me, Kiss Me, Kiss Me. "Want" is as ferocious as a tornado, with the most profound and self-realizing lyrics I've ever heard: However hard I want/I know deep down inside/I'll never have any more hope/or any more time. It moves into "Club America", a standard rock tune, then goes into "This is a Lie", another great song. "The 13th" works extremely well, given that it sounds so different from anything they've done before. "Strange Attraction", with its happy vibraphone melody, is good, and "Mint Car" is probably the most insanely happy Cure song ever. "Jupiter Crash" is dark and brooding, and probably the last really good song on the album. The remaining tracks are average, not groundbreaking stuff, but overall, it's definitely worth picking up.

and the cure keeps evolving
The Cure is a band that is constantly evolving, with the changes of line-up, instrumentation and Smith's different moods for songwriting. WMS is the best example of Cure-variety ever, i can't believe there's someone dissapointed because it may not sond like Disintegration or Pornography, this band always reinvents itself (or Smith reinvents it?) to make something different, in WMS they took a lot of different directions, Smith's classic songwriting is present here (Want, Bare, This is a lie) he's also taking back the horn element (Round3, Gone) and he's also dared to write incredibly different songs from what he's done before, like Club America being the kind of dumb rock song they never did, or The 13th with a spanish rithym to it and working very well, indeed. I can also find qualities in the "insignificant" tracks of this album, the ones no-one ever talks about, like Return, Round &3 or Strange Attraction, wich are (like keyboardist R, O'donell one said) less than classic, even though for me they're as enjoyable as any cure track.

So if you can get The Cure out of the "goth band" stereotype, i recommend you to buy this record.

A follow-up to 'Wish'
This album follows 'Wish' in the fact of leaving behind the gloomyness they were into in the marvellous 'Disintegration'. So now they explore many different kinds of musical 'moods' which makes this album unpopular because it's irregular and loose, but in a way it also brings a lot of hidden feelings we couldn't find before in the band. The incredible variety of this album makes me put it in the place of the 'odd' album almost every band has. And although some songs are weak, like 'Club America' and the dreadful last song, the worst I've ever heard from The Cure, there are some gems here.

The first song, 'Want' is very consistent and even the title seems to want to carry on with the 'Wish' album's concept. 'Trap' is a great rocker with outstanding guitar and drums work, and trademark desperate lyrics about an almost broken relationship. 'Jupiter Crash' is a very poetic song, 'Mint Car' gets to sound funny and happy, and has a strange magic based in the fact of how strange is hearing The Cure sound so happy.

'the 13th' is not a fav but its really exotic, a strange step into latin by a very European band. 'Drug' sounds exotic also because of the sitar and has the same beautiful sadness of 'To Wish Impossible Things' from the previous album.The rest of the songs is interesting and varied. It is so an interesting album full of different tracks, in which you will find your favourite depending on your own taste.

Beautiful music
Wild Mood Swings was the first Cure album I had listened to in my life, not knowing how many albums they did previously, which was quite a lot. When I hear what people have to say about it they say it's crap and it's not mopey and gothic like their old material. Well, hate to break it to you naysayers, but when bands like Aerosmith and The Rolling Stones made it through 3 decades, still going strong, they tweaked their style a little, not losing their unique sound but making it adapt with an ever shifting audience. Nirvana, if still around, would do the same. But bands who don't change will die and all they'll have is two albums to be remembered by. The Cure, led by talented lyricist Robert Smith, have endured and will continue to endure in this fashion. It's not called Wild Mood Swings for nothing. The solid album carries a variety of different tracks with different "moods", from sad(Want, This is a Lie, Numb), to classic infatuation(Strange Attraction, Treasure). Upon listening to their other stuff, this is still one of their best albums. It deserves a full listen.

Never roll with the crowd
well, this was the final last Cure album i was to purchase. Now, i own all of them...i had heard that this album was not very good, so i rolled with the crowd and refused to buy it...DUMB, DUMB, DUMB.....i can say this, why are Cure fans so hard on this album? I enjoyed it the minute i dropped the needle on the record..there is not one bad song on here...the production is acutally pretty amazing on this album..if you like Wish , you should buy this...my favorite songs are Mint Car, Gone, Want, and Club America...C'mon Cure fans...dont be so hard..its NOT that baD :) be open minded ...i am very glad i own this album...

i can see why Robert Smith said this was one of his favorite productions... ... Read more

Album Description

1983 singles collection featuring the 7 inch versions ofthree singles ('Let's Go To Bed', 'The Walk' & 'The LoveCats') and five of the B-sides from these singles ('TheDream', 'Just One Kiss' (7 inch version), 'The UpstairsRoom', 'Speak My Language' and 'Lament'. Unavailabledomestically. Fiction / Universal. ... Read more

Reviews (16)

Cut the Words and Waved Goodbye
Japanese Whispers was released by the band at the end of 1983 as a collection of its recent singles rather than as a fully developed studio album. Yet the sounds emanating from this disc have much more in common with the next three Cure releases, The Top, Head on the Door, and Kiss Me Kiss Me Kiss Me than any of the earlier records do. For whatever reason, this album and its immediate predecessor, The Top, were never published in America, as Elektra probably decided that the albums would never sell here. The album's final song, "Love Cats," is probably the most perfect pop song the Cure ever made until 1987's "Just Like Heaven." "Let's Go to Bed" and "The Walk" were also very successful singles for the band, though they sound distinctly like early 1980s techno pop. Fortunately for non die hard fans, these three singles are all available on the album, "Staring at the Sea." For those willing to venture a bit further, though, the rest of this album is very tight, and Japanese Whispers belongs in any Cure fan's collection. All of the songs are heavily synthesized. "Lament" has that eerie sadness that would have allowed it to fit seamlessly on the "Faith" record; "The Dream" is a rather catchy B-side, and the almost irritating "Speak My Language" is my favorite Cure song on the record--it's like having "Love Cats" with alternative lyrics. "The little time I spend with you, we drink each other dry." A must for serious Cure fans.

A New Language
"Japanese Whispers" is an album that marks a departure point for the Cure. This is where the music was starting to become more commercial, after the bleak, tormented, soul-wrenching anguish of "Faith" and "Pornography".

"Let's Go to Bed" was Robert Smith's attempt to write "a silly pop song". Apparently Smith hated the song so much he wanted to release it under a pseudonym. Luckily he was talked out of it.

Every Cure fan will know the hit single "Lovecats" of course. At the same time this album came out the Cure film-clips were starting to look more exciting, thanks to the creativity of Tim Pope. In the clip to "Lovecats" Robert Smith doesn't look the least bit depressed. "The Walk" is one of those songs that sticks in my head. It's very 1983.

"Japanese Whispers" is a neat little package of songs. This is one of the first steps in the evolution of the Cure musically, after being fashionably depressing, then darkly depressing, then morbidly depressing. It takes the Cure out of the murky swamp of despair into the light of wider acclaim. (Although these songs still appealed to alternative listeners.)

This was the first album to prove that the Cure isn't all gloom and doom. They showed a quirky side too.

Great Album but...
The Nick Romeo influence is load and clear on this one.

More Fun Than Before But Not Disposable
Some of the harsh criticism here from the darkling seeds is unwarranted and shows their lack of range, while this release showed the band increasing their musical boundaries. True that it is more pop I suppose, but it was hardly mainstream at the time. "The Walk" is the closest they ever came to synth pop, but it still had a haunting tone and mysterious subject matter. So did "LaMent", the tale of a dead young girl whose body is seen drifting under a bridge; the corpse is poetically described as the "ice cream river body" probably describing the diffuse, blurry way the submerged body would look - this song feels a bit like "Charlotte Sometimes without the bass. Also dark and mysterious is the nervous, paranoid "The Upstairs Room". Hold on, I'm getting a theme here. This album may have been bouncy and had some beat but it was still quite morose and way left of center. In fact, most Cure fans I know loved this collection of 3 singles. For sure, it wasn't there best, more of a short, sweet anomaly... but certainly not bad.

"Let's Go to Bed" was maybe their 1st U.S. hit before "Head on the Door". It's fun and takes a playful approach to sex; it was a refreshing shift from their previous stuff. "Lovecats" is one of the most refreshing hit records ever written with its charming standup bass usage, boppy rhythm and Robert actually doing a bebop scat thing of some sort... a classic by any standard.

Stated shortly, this was a very strong release that just happened to be a departure from previous releases. And here's a note to Rozzy and others who are probably a bunch of 13-year-old Goths (nothing against 13-year-old Goths... I may have been one)... I was alive at the time this came out and actually to listening to it as it was released - not some modern collector looking back 20 years after the fact. This album was enjoyed by Cure fans at the time who loved the blackest moments from before but needed a change just to keep the music alive. Variety is the spice, ain't it?

It's Only Logical That This Album Should Follow Pornography
Up to this point in the Cure discography if you haven't thrust yourself from this mortal coil due to the bleak collection of albums before this one, congratulations here's your prize. Japanese Whispers is about the closest thing I've heard to The Cure tampering with Synth Pop techniques, and I have to say I'm saddened that they never really did an album like it again. Although this album consists of only eight songs clocking in at just over a half an hour, it's one of the best collections of songs used seamlessly to fit the eerie mood conveyed by this album, and you'll definitely appreciate this if you're into the more artsy, "out-there", and eccentric side of The Cure. I liken this album to The Cure's "Head on the Door" LP, as it's really a work apart from aetypical Cure albums. Albums like "Japanese Whispers" and "Head on the Door" are examples of one thing that drives me crazy about The Cure, how they go on musical tangents on certain albums, making something incredibly unique, but then you realize it was a phase and chances are you'll end up getting a slew of "Wild Mood Swings" before getting anything else worth a damn. I'm starting to rant about WMS again...Where was I? Japanese Whispers is one of the best Cure albums on the market, and I highly recommend getting it and "Head on the Door" to hear two very different directions that The Cure went in around a small period of time.

Key Songs: Let's Go To Bed, Lament, The LoveCats ... Read more

Reviews (14)

Another Desert Island must have...
Well, I'm at it again, singing the praises of yet another desert island must have. Like the latest Ministry release this album features layer upon layer of guitars and noise, shifting monolithic industrial textures and most importantly a sense of humor. The anti music guitar feedback un-solos that leak around and fill up the neglected sonic frequencies are awesome. Yet if you're thinking the whole thing is unlistenable textural washes, you're wrong. Every song is held to earth by a regular, relentless and almost monotonous beat (but remember, this is where the layers of noise and harmonic come in to add variety).

Best tracks? "Creep", "Butcher Flower's Woman" and "Mr Lucky" (with it's sleazy horns and all, this must be one of the funniest songs I've ever heard, with the exception of the title track - if you don't know, get up to speed on all your Ministry/Revco trivia to make best use of the humor here).

Linger Ficken is quite a departure from Beers Steers and Queers, which in itself was a departure from Bigsexyland. Yet, it still retains all the harsh beats and ambulating tempos and surreality of all previous releases. True, non retro (at least not strictly speaking rock retro) psychadelia. Ingest at peril!

absolutley AWESOME
This is one of my favourite albums. I deliver pizzas for a living and this is CD I play when I'm doing my job. Time just seems to fly when I listen to Al & company raving it up. Nearly every song has a driving beat, loud guitars, and memorable lyrics. I was looking for it for several years and now that I have it, I totally impressed with the music. REVCO and Ministy are very popular in this town (ministry's filth pig was recorded about an hour drive from here). Top Tracks include "gila copter' , 'do ya think I'm sexy', 'crackin' up', and the title track. You must buy this cd if you find Ministry, NIN or industrial music even remotley interesting

Creep
Creep :

What a great song. The best on the album (unlike what these other reviewers would have you believe).

It's the reason I'm giving this CD a whopping 5-stars. Hell, that song might as well be the greatest thing Al has ever recorded. It's simple, yet brilliant.

Lot's of Fun
This CD is worth the price for the cover of "Do ya think I'm sexy?" I first heard that song back in the mid-90s on Houston's 104 KRBE (a POP station, fer cryin out loud) and I busted out laughin! Ten years later or so, and I'm still busting out laughin! I like RevCo mainly because of the humor--it's like a ministry album where everything is sarcastic and tongue-in-cheek, not just the album titles.

Not for the easily offended....thank goodness!
The best thing I like about this group (and their music), is that you will likely never hear their stuff on the radio. People who really say that they are/were into the "underground music scene" should know about this group, and more importantly, this album. You literally have to discover them by coming across one of their CDs in a store by their loony cover artwork, or being referred to it by a knowledgeable friend.

The last real track on this album ("Linger Ficken' Good") is simply brilliant. The rest are also pretty good, although I would rate "Crackin' Up" as my least favorite, partly because it was used in a skater, false-punk, compilation CD put out by MTV, of all people.

Of course, you shouldn't be caught owning this album with the censored artwork on it. There are two "versions" floating around.

This CD (along with others mentioned below) is great listening for long trips. If you live in Southern California, and often drive to Las Vegas via the I-15, I strongly suggest playing "Creep" from this album, as well as Ministry's "Scarecrow" and pretty much all of Ministry's "Filthpig" album, as well as White Zombie's "Astro-Creep 2000." These tracks collectively, in my opinion, fit the drive perfectly....tough, searing, long, desolate, and merciless! If you are hard enough, this compilation is even better taking the I-10 east to Route 177 at Desert Center, then take the Cadiz Road north, make a left at National Trails Highway, then north on Kelbaker Road all the way up to Baker. You'll add a good 5-7 hours extra to your journey to Vegas, but in the middle of summer and these tunes blaring with no air-conditioning, it will be a trip you'll never forget.

As the boys from RevCo would say, "Good Luck"! ... Read more

Reviews (38)

No where near as good as VNV's "EMPIRES" or "FUTUREPERFECT"
I have to admit that I have become a big fan of VNV nation these days. The reason is for the later albums "empires" and "futureperfect". I got "PTF" later after falling in love with "empires" and now with the new release of "futureperfect". I believe that the lyrics in PTF are almost as good as the ones on the other albums but the voice of Ronan Haris just didnt do it for me. What I hate about this album is the fact the it is more on the industrial side, rather than EBM. Ronan's mezmorizing voice is changed to sound more agressive and harsh as it is hooked throught the computer for advancement (on most songs). It really took the sound of the voice that we all come to love away from him. The music is great as Mark Jackson's powerful synth/EBM sounds will move the masses to the dance floor as always yet it gets better with the other two albumns as he matures more. If you are new to VNV, I suggest that you buy "empires" and "futureperfect" first and then "PTF" as I am sure you will fall in love with this band.
VNV nation are one of the best and well respected EBM bands in its genre.

Haunting and Beautiful
After the spoken prose of Chosen kicked in, I knew I would love this CD. I have never been a big fan of repetetive "4-on-the-floor" dance club industrial, but despite the club feel this album is far deeper than anything else i have heard in the genre. What makes the music stand out are the poetic, "painted" lyrics that push through the dreary sonic wastes in the background. The synths are lush and bright, always shifting, and the imagery evoked by the full experience reminds me of Ian Banks novel "The Bridge". As the last words unfold in the song "Solitary", the vision of man's futility stabs you through the chest, leaving you out of breath and appreciative of the anthemic memorial "PTF2012" and the one-minute-of-silence aftermath that serves as "Schweigeminute". Sufice it to say - this is a great album. Now.. if only Wax Trax can bring "Empires" to the states (the VNV Nation follow up to "Praise The Fallen") I will be set...

Intriguing, although somewhat simplistic...
Praise The Fallen (PTF) is a very well conceived EBM album. EBM is basically a lighter and faster variant of Industrial music, and even though PTF is significantly faster than anything put out by that bunch of anorexic labradors (by that I mean Skinny Puppy), it is not that much lighter. The beats in this record are utterly ferocious, and this is not a bad thing. However, at times, the beats tend to overwhelm the melody.

The melodies, although at times complex, are subordinated to pounding drums during some of the tracks, and this seems to grate owing to the fact that the beats are as rough as a cheese grater. If the melodies in some of the songs were played louder and more frequently, this would be a brilliant album. However, the dark and haunting sounds are sometimes drowned in repetitive drumming all to often, resulting in a record that has less melody, and dramatic impact, than it potentially had. The only songs that really manage to strike the balance (and also be the best tracks on the album IMO) are Joy, Procession and Honor. These songs are so catchy, and awfully danceable, that they would turn a retirement home into a rave. Still, most of the other tracks can get too rough, or, suprisingly, too sedate.

This, however, doesnt mean that VNV's first big album is bad. In fact, it is very good! The lyrics, although sometimes too preachy, are quite intelligent and compelling, and the times in the songs where they allow the melody to shine through are utterly breathtaking. If you are new to EBM and want to start with the sound of the Berlin Philharmonic being ripped apart by chainsaw-weilding Nazis (which this album is wonderful at creating), then I would reccomend this. However, a softer (and more depressing) alternative for an EBM novice would be Failure by Assemblage 23.

Although this record is too polar (your choice between sheet-metal instrumentals or boring ballads, with too few 'middle ground' tracks), it shows excellent promise and a vision that was fully realised in VNV's next album, Empires.

Wonderful lyrics, majestic sound...
Unlike "a music fan from austin, tx" I like the music but love the lyrics even more. To me it lays out our unhappiness with the world at times, which gives us a frame of reference to go on and work thru to at some point hopefully greater knowledge & understanding. Their lyrics are really beautiful poems of sadness & disillusionment. Haven't we all been there before? And these haunting words are framed in a mixture of industrial and somehow a classical music type sound. It's different and very original. They've created their own thing, that's not like anybody else's. Not easy to do in this world of everything. You can really lose yourself in the crashing majesty of it all. Listening to them reminds me of falling of cliff & not caring, all you really can think about is the thunder of the wind as you travel quickly down.

Just that good...
"Empires" was a concept album that delivered the message to us that all empires end in ashes, the same way they begin. It delivered to us the message that ours is an empire that is already in the midst of a slow decline that is steadily getting faster. "Futureperfect" was a concept album that beckoned the question as to whether or not we are what was intended, and what we plan to do to better ourselves while we still have a chance. But before any of those two albums, there was "Praise the Fallen (PTF2012)," the first of VNV Nation's trilogy of pain and hope. While still predominantly instrumental, following the footsteps of the less-than-spectacular debut "Advance and Follow," this album shows VNV's new direction towards a sound with more mass appeal but no less impact. The lyrical presence on this album, while not as strong as on "Empires" or "Futureperfect," shows Ronan's growing ability to write thought-provoking words that can reach our hearts and our minds. All but one of the five vocal songs (why do people keep forgetting that he sings on "Voice" as well?) show Ronan singing with as much passion as on later material, but with a great deal more anger. The vocals are harsh, giving the sensation of a rallying call to arms. VNV Nation always questions the relevance of war, its futility, and yet on songs like "Joy" and "Honour" there is still the sense that conflict is needed. The most beautiful song on this album in my opinion is "Solitary." Here, Ronan sings in the soft intelligent voice we've come to know and love, telling us that change is all we can ask for...it is always there, we should revel in it, embrace it, not fear or fight it. It has the best lyric in VNV history, "With this line I'll mark the past as a symbol of beginning." I think it the best because it embodies all that VNV Nation stands for...the past is merely a beginning...the future is what we should look to, and we should start looking now. The instrumental passages on this album are a treat as well, showcasing a beautiful symbiosis between warm symphonics and cold electronics and beats. Ronan Harris and Mark Jackson have crafted a wonderful concept album that might be bleaker than "Empires" and especially "Futureperfect," but all things must start somewhere..."Praise the Fallen" was the first of three wonderful albums in a band's evolution, from underground sensation to being on their way to becoming one of the most intelligent and one of the most socially conscious bands ever. ... Read more