Amazon.com

My Bloody Valentine's entire career has been aiming toward the perfect guitar noise that Kevin Shields has in his head: a pure, warm, androgynous but deeply sexual rush of sound. Loveless is overwhelming, with Shields and Bilinda Butcher's guitars and voices blending into each other until they become a distant orchestra, the rhythm section striding in majestic lockstep, and occasional bursts of dance rhythms (as on the single "Soon") buoying the live instruments' warp and drift. Furiously loud but seductive rather than aggressive, the album flows like a lava stream from one track into another, subsuming everything in the mix into its blissful roar, and pulsing like a lover's body. --Douglas Wolk ... Read more

Reviews (299)

beautiful, ethereal, fuzzed-out bliss-one of my fave cds!!
i have actually owned this cd since it first appeared on the music scene ages ago, and to this day, i love it more each time i listen to it. mere words can't even describe the profound and lasting effect it has had on me; as an artist, it has provided for me a swirling, heady landscape from which i have always pulled forth inspiration. kevin shields is a true genius-i have yet to hear anyone that has been able to rival the unique sounds he has been able to twist and distort into truly beautiful, angelic noise. belinda's voice flits in and out of the thundering guitars on some tunes like a feather falling to the ground...during the midst of an earthquake. it sounds like an odd combination, but for anyone who's heard it and loved it as much as i do, it all seems to gel and compliment one another perfectly. so, what can i say that hasn't already been said by every other reviewer here? at the expense of sounding like a broken record, this gorgeous album is not to be missed, and has rightfully earned the title of a "masterpiece". even if we do ever hear from mbv again, it will be interesting to see how they top this excellent album. if you've yet to hear it, i strongly suggest that you purchase it. if you're anything like me, you will return to it again and again for sheer indulgent listening pleasure...provided that you're ever able to take it out for your cd player at all!!

Loveless thunders elephantine!
If music is the external record of the evolution of the human consciousness to a point in time where all sound, even the white noise that is the universal frequency of interstellar energies, is heard with wonder and as manifesting beauty because it is one with our experiential perception of god, then My Bloody Valentine's "Loveless" is nothing less than a landmark record in that evolution.

Language is usually a poor tool to communicate the experience of sound, and it is rendered useless when presented with a document like this. If I were to try I might suggest words like "beautiful", "oceanic", "sensuous", "sensual", "ecstatic", "dreamlike", "orgasmic", "breathtaking", "emotive", "transcendent", "psychedelic", "mesmerizing", "elephantine", "lullaby", "ethereal", "soothing", "mellifluous" and "euphoric", but I would simply sound like an Amazon reviewer whose specialty is hyperbole as opposed to subjective critique. Make no mistake, however...this album is nothing short of extraordinary in every way. The fact that so little has come close to its power and grace since its release in 1991 is either testament to the vision of its creators, or proof that human beings are able to successfully channel the mysteries into an audio recording.

I feel this album is also an excellent example of the kind of textural tone colors that can be realized through the creative use of a guitar and digital sampler. The stereo mix might be described as "distorted", "out of tune", or "unbalanced" to the casual listener, and indeed, the recording is ripe with the sounds of machines being used in ways for which they were not designed. By the same measure, Les Paul was criticized for electrifying the guitar. "Loveless" is a wonderful album for the musician, as it will challenge, confound, and leap over your preconceptions of what music and sound should be.

It has been said that an essential quality of good art is its ability to leave each who witnesses it changed, and the fact that everyone who hears this album either swoons or recoils is proof that this is art with a capital "A".

I give "Loveless" my absolute and highest recommendation. No degree or amount of accolades do it justice, and my life is richer for having heard it. What more can I say?

one of the greatest albums of the 1990's...
in 1991 came the already classic "Loveless". the rockers "My Bloody Valentine" made their rare debut with "This is Your Bloody Valentine" in 1984. then, four years later they released "Isn't Anything", but the album they made them special... the album that made them famous in the rock genre... was "Loveless". which is easily one of the greatest albums out there. what a incredible 48 minutes it is, with amazing tracks like "Only Shallow", "When You Sleep", "Sometimes", and their amazing ending to the album... "Soon. but theres absoulutely not one bad track... those are just the stand-outs. Only Shallow has some of the greatest streaming guitars ever. theres always those complaints with the band with the vocals they can't hear and not nearly enough bass. but if you listen to the record a couple more times... you realize that doesn't matter.

When i first purchased "Loveless" and listened to it, i was a bit disappointed. It got so much acclaim as "one of the greatest albums ever!" so i kept trying, then one day I was listening to it... and... it just... CLICKED! it just clicked to me how beautiful this album really is. its just so many different things! want me to tell you how different? i've wrote over 50 reviews on CD albums here at Amazon, and when I i clicked the "recommended" button on Loveless, it had more than half of the CDs i reviewed. Spiritualized, Godspeed You! Black Emperor, Neutral Milk Hotel, and much much more. this part of this review may seem useless to you, but i'm just saying... if you buy any album from the '90s... make it this one.

I've tried. Really.
I really have tried with all my might to like and appreciate this record, simply because of all the wonderful things I have heard about it. In the end, I just can't do it.

The first thing that kind of puts me off is the complete lack of dynamics anywhere on the disc. There are two: on and off. And I can't help but feel that for each song Shields just picked a key and kind of fuzzed around until it sounded right. I'll give you that some of this noise actually sounds pretty cool when the layering is done correctly -- I do like the intro to "I Only Said".

I read some reviews that compared "Loveless" to Philip Glass and Debussy. I just can't hear it. I can't get past the part of me that thinks that most of the record sounds like whale song played through a slew of pedals and other toys. The fact that the band nearly bankrupted a whole record albel recording this beast is beyond me. Where did the money go? (and yes, I have listened to it on the Sennheisers) I don't find the production value to be all that spectacular.

For my money, this is not one of the best records of the 90s, as has been stated. This sounds like what would happen if Sonic Youth covered Radiohead's "Kid A", and its not all that fabulous. I think I will stick to Hum's "Downward is Heavenward" for my expansive, spacey, fuzzy, and celestial rock songs.

Very jumbled over-layered fuz.
So amny people love this album but I think it's one of the most over rated albums ever.
Take a guitar, turn the reverb and volume all the way up and let it go over the vocals and you have this album.
Can't understand a single thing that is "sung" and the music sounds like it was recorded on a tape recorder that the batteries were about dead in.
Almost ever song sounds alike.
Sorry, but I think this album stinks. ... Read more

Amazon.com

Failing students have had such an influential role in shaping rock & roll that it's easy to give the bookworm segment short shrift. Witness the vital contributions from the likes of Ray Davies, the Zombies, and Neutral Milk Hotel's Jeff Magnum--the kind of smartypants songwriters with whom the Decemberists' Colin Meloy is often compared. The second full-length CD from Portland, Oregon's Decemberists certainly posits Meloy near the top of the current crop of literate indie rockers. Meloy is the brother of author Maile Meloy and a fellow whom one concludes has his own well-worn library card. Eschewing conventional pop-song subject matter, he delves deep into the past for his narratives and even his lexicon, witness "Shanty for the Arethusa," the high-seas opener, and "The Chimbley Sweep," which recalls the Zombies' similarly dark-hued "Butcher's Tale." Though the subject matter is frequently dire and the approach is lyrically erudite, one shouldn't conclude that listening to Her Majesty is the aural equivalent of wading through some dusty tome. Bright pop melodies, smart arrangements, and Meloy's commanding vocals adorn songs that are as inviting as they are astute and evocative. --Steven Stolder ... Read more

Reviews (34)

Decemberists Down Under
Firstly, I thought I'd take this opportunity to clear a couple of things up about the Decemberists!

I noticed that he has been critised a number of times in these reviews for his vocal style. Some claiming that it is too close to Neutral Milk Hotel, and some even claiming he is attempting to put on an English accent.

The reason for his apparently unusual style is, he's Australian!
(As am I!)

Hopefully if people read this, it will help dispell some of negative opinions and remarks that have seemingly tainted the music this band makes. Although they record and tour in the US, they are actually an Australian band, hence the slightly unorthodox (to the American ear) voice!

There is little to say that hasn't already been said..

This album is full of haunting melodies, grand 3/4 jaunts, clear and nostalgic imagery, subtle yet complex instrumentation, and clever lyrics.

If you enjoy any of the bands mentioned in previous reviews you will more than likely enjoy this release. Although straight out folkish pop songs on the outside, these tracks reward repeat listens, allowing the dense arrangements to fully take hold.

Back on the Australian note, if you like this, you most certainly enjoy one of australia's finest bands, Augie March. I cannot speak highly enough...

anyway, this album is more than worthwhile, 4 stars

A Modern Folk Epic
Building upon their momentum from their first release, "Castaways & Cutouts", The Decemberists create a masterpiece with "Her Majesty The Decembrists" (There's a spelling mistake in the amazon.com title - it's not a typo on my part). The album starts off with "Shanty for the Arethusa", a song that's epic in nature and graceful in its performance. Other songs that stand out on the CD are "Los Angeles I'm Yours", "I Was Meant for the Stage", "The Bachelor and the Bride", and "The Chimbley Sweep". Colin Meloy delivers intersting song reminiscent of, but in no way related to, Jeff Magnum's work with Neutral Milk Hotel. All in all, Meloy's vocals are more interesting and more epic in nature than Magnum's and I must say that I prefer the Decemberists over Neutral Milk Hotel. Additionally, many people believe The Decemberists are trying to create a type of poppy folk music. The band definitely appears to be leaning in that direction, but unlike most other pop music, the Decemberists create smart and powerful songs instead of catchy and superficial beats.
If you're looking for music to groove to, you've come to the wrong place; but if you're looking for well written and performed song with complex lyrics and dazzling melodies, then Her Majesty The Decembrists is the CD for you.

bold and ambitious
The songs on this album are very well written, crafted I suppose, and the lyrics are interesting and obscure enough to peak my curiosity. I won't bother comparing this to Band X or Album Y, it is a very solid album from start to finish. I don't know if I'd call it experimental, but for those with more vanilla tastes, I'd suggest trying something else.

Very, Ambitious, Very Good
_
The Decemberists sophomore album is a more ambitious outing than their previous "Castaways and Cutouts," but it definitely has its highs and lows. But when it hits its stride, it's on.

It opens with its most ambitious track, "Shanty for the Arethusa," (3/5) which is quite a whale of a song. It's a little lengthy and drags on, leaving the listener to wonder if the rest of the album will sound like this. It's not at all a bad song, but it's, dare I say, too much. It gets to be overwhelming. It's chorus gets you thinking it's about to pick up into something new but this song just, sort of, goes on... over my head. Definitely an interesting track and not one to skip, but it's just a little too ambitious and overwhelming. Next you hear the shout of "Billy Liar" (4/5) having his hands in his pockets staring over at the neighbors' knickers down. This is a much peppier song than the previous and changes the direction of the album for the better, it's not their best song, but "Billy Liar" is much friendlier to the listener and is much more enjoyable.
"Los Angeles, I'm Yours" (5/5)is one of the better songs on the album. Composed with the guitar, backed up by the Decemberists' string quartet and including a harmonica solo, this brilliantly written song that takes shots at my home town is one that will leave you asking for more.
"The Gymnast, High Above the Ground" (4/5) is another more ambitious song. Unlike "Shanty," "The Gymnast" builds up rather than go backwards. This is one of the more beautiful songs with a little bit more piano. The simple repetition of this song is infectious and it was very well done and thought out, but still not their best.
"The Bachelor and the Bride" (4/5) is another more listener friendly song that seems a little bit simpler; not their best, but is still very good. This song marks the star of where this album really hits its stride.
"Song for Myla Goldberg" (5/5) is another really good one. It's very unique and again, more listener friendly. Sounds good in all the right places. Very interesting lyrics.
"The Soldiering Life" (4/5) is, again, a very, very good song. Very well written and well done.
"Red Right Ankle" (5/5) is an absolutely amazing song. I'm still not sure what it is about but this simple acoustic-driven ballad(?) is one of the best songs on this album, absolutely incredible.
"The Chimbley Sweep" (4/5) is again, a very ambitious song. This song has an interesting sound and truly is unique. Messes with the stride built by the last 4 songs a little, but worth it.
"I was Meant for the Stage" (5/5), although a little long is incredible. Possibly the best of the bunch. Awesome.
"As I Rise" (5/5) is the perfect end for this album. Extremely good. Whimsical sounding, good fun.

This album may not be better than "Castaways and Cutouts," but it is very good. The Decemberists are one of the most original and ambitious bands to come out of Portland, or anywhere for that matter, in a long, long time. Not a single bad track. Can get a little trippy and overwhelming, but this album is very good and won't disappoint you. As much as comparisons to Bell and Sebastian and Neutral Milk Hotel are flattering, they forget how unique the Decemberists are. Listen to the album and you'll understand.

One of those guys on the cover looks like George Orwell!
All I have to say is, this is the first pop group that has forced me to consult a dictionary since I started listening to Dylan back in highschool - Conlin Meloy is full of fun, clever, exotic lyrics and strong melodies - and the band sounds great. Piano, organs, guitars, drums, accordian, stand-up bass - all tight and well executed. "Billy Liar" alone is worth the price of addmission. Enjoy! ... Read more

Reviews (695)

Surprisingly good for its genre
I'm usually a person that's more a fan of edgier music, the type of band that doesn't receive much play on your local "music at work" station. At first I did not like Third Eye Blind. I thought "Semi-Charmed Life", with it's "doo-doo-doo" hook line, was irrelevant alt-pop. However, I eventually heard "Graduate" and "Losing A Whole Year", and though they might be a band worth checking out. At a bowling alley one night, I heard the whole album, and was quite impressed. This band, with its radio songs that crossed over to Top 40, received a bad reputation as a middle-of-the-road alterna-schlock band, but they don't deserve that label. Frontman Stephen Jenkins writes some very poetic lyrics, and the band can rock out with a style that's like a more streamlined Jane's Addiction. You don't realize when you hear it on the radio, but SCL is not the cheery love song that it sounds like on the surface. There are slower songs that don't drown the listener in schmaltz, like "God Of Wine" and "Motorcycle Drive-By", but even better are the crunchy rockers like "Narcolepsy" and "London". The band's strength lies in these dark, moody rock tunes, which there are more of on this album than on the follow-ups "Blue" and "Out Of The Vein". If you are like me and are not a fan of most Top 40 music, give this one a chance - it contains more depth and isn't nearly as insipid as most pop acts. Aside from the hits like the aforementioned SCL, "Jumper", and "How's It Going To Be", the rest of the songs are in more of an modern rock vein and not as played out if you are sick of the above songs. 3EB are one of a select few bands in this genre that deserves its success.

Best Album Ever?
I remember the first time i heard of 3eb(Third Eye Blind). I was driving in my car listening to the radio and this song comes on called semi-charmed life. It was a fun song and i loved it immediatly. The next day i drove to the music store and bought the cd. Most people who buy a new cd skip to the tracks they've heard before. Not me. I listen to a new cd from begining to end. If only somone took a picture of my face. Not only did the songs have great rythm but deep meaningful words too. One song makes u feel like dancing like "Semi-Charmed Life", then the next just takes u away to another world "God of Wine". Then they bust out with harder songs like "London". I am not jus some guy who likes one and ONLY one genra, I like everything from rap to metal. But this album and this band jus grabs me and doesnt let me go 'till the cd finishes. I don't care what music you like, or if you don't like the songs by 3eb they play on the radio. The rest of the cd owns. My personal fav's don't even include popular ones. If you're still not sure d/l these songs and i promise you will change your mind. "God of Wine", "Narcolepsy", "Losing a whole Year", "The Backround". I have never liked any band as much as i like 3eb. Give them a try, you wont regret it.

One of the best albums of our times
I'm generally not a huge fan of this genre of music...what I guess I want to call "medium pop-rock" or something like that, but this debut album from Third Eye Blind (3EB for short) is absolutely positively one of the best albums EVER, regardless of genre. For those who only remember the bouncy sounds and fast lyrics of Semi-Charmed Life coming over the radio, you are missing out on one of the most coherent pieces of musical work ever made.

Although each song is well-written, with good hooks and deep and poetic lyrics, what makes this album five stars is the way in which all the albums weave together and tell an intricate story when played beginning to end. Now, the story it tells is up for interpretation, but I've always imagined it as the story of a man who is watching his life crumble away before his eyes...he is abandoned by his girlfriend and his loved ones, he grows to feel empty and shallow, and he is torn emotionally as a series of difficult situations arise...for instance, the girlfriend, who was only exploiting him but he still holds love for, is caught in a horrific accident in "The Background" and he has to decide to put his heart on the line again or walk away from the girl he loves.

There are so many other examples that I could go on for pages, but to summarize, this album is so ripe with a coherent and intricate love story that you could write a novel based on this album. That puts Third Eye Blind's debut album near the top of a short list of the best albums ever made, period.

3EB, "Thanks A Lot".
Unfortunately, these guys have suffered the same fate as many others, like "Sugar Ray". They got huge right away with their debut, then with each release people kind of lost interest. Well, regardless of all that, this is a great disc. I've heard a few make comparisons to "Pink Floyd" and "Jane's Addiction", and while 3EB is nowhere near the caliber of those bands, they're much better than say "Matchbox Twenty", or similar VH1 bands. Most all of these tracks are good, but the hits are "How It's Going To Be", "Jumper", "Losing A Whole Year", and the way overplayed to the point of being annoying "Semi-Charmed Life". Their next album had some good tracks like "Never Let You Go", but this is the disc to own. You should be able to find numerous copies at your local used cd store.

what are you guys smoking?
I don't know whats up... you guys are all saying that 3eb went downhill after their first album. I think all of the albums are kickass. every cd they have i can listen to over and over again without getting sick of it. Even if the first cd was teh best, the next 2 were still great albums that deserve to be recognized. Anyway, for those of you who are glue to the first cd, get the other two, and listen to Wounded (Blue), and Crystal Baller (out of the vein). Third eye blind is a sweet ass sweet band in general ... Read more

Reviews (25)

As the name says - it is THE BEST
This has got to be the best album that came out in 2002. Even if one's not a Cranberries fan, this album has a little bit of something for everyone. All best songs from the past are included (even though there are still some other great songs) and the latest single - "Stars" is just simply great. I couldn't help myself listening to it for several times everytime. The song is a true Cranberries trade mark - beautiful, melodic, good beat and just pure simple music. Very addictive. Every music lover should have this CD. One of the greatest 'best of...' albums of the decade!!

awesome CD
This is a great CD A must have for any Cran fan. The only reason I give it 4 stars is because of the editing they did on some of the songs(Dreams Promises Hollywood Free to Decide). I felt it just took away from those songs. Other than that, I'm glad I bought the CD. It's worth every penny. I can't wait till the next CD comes out. Rock on Cranberries, you guys are the best.

Great Collection
Though some of their best is still missing from this album, at least "Promises", and "Zombie" are on this album, those are both amazing songs that I still listen to daily, anyway if you're a fan, this CD is a great addition to your collection.

most of their best
This is a very good collection of the Cranberries hits and should-be hits. Basicaly, most of their best tunes. This Celtic folk-turned-rock band from Ireland has really impressed me for many years. I love Dolores' vocals. She's original and has a great sense of melody. I also like it when they give their stuff a slightly heavier edge. Some d*ckass reviewer once criticized Dolores when she sometimes sings in a low whispery voice like on the album "No Need to Argue" but I saw nothing wrong with her doing that. Whether it's high pitch loud or deeper and lower, her singing voice is niiiiice.

David Rehak
author of "A Young Girl's Crimes"

Irish "Stars".
This is a pretty good collection from the best selling Irish group of all time, after "U2". However, it seems more like a "Greatest Hits" than a "Best Of", if you know what I mean. It's really heavy on all their pop-rock tracks (Zombie, Hollywood), which tend to sound the same after awhile. I myself enjoy the more moody and lush side of the band (Pretty, Disappointment). I also wish there was more than two tracks from the debut, seeing that most of the other albums have four on here. But what's included is all good, and it's hard to complain when you get 20 tracks, including two good new ones. Enjoy. ... Read more

Reviews (32)

The Complete Singles Collection
This American compilation (not available in the UK or anywhere else other than as an import product) is the most complete singles collection on one CD. Unlike "Tears for Fears - Tears Roll Down - Greatest Hits", it also features songs which cannot be found on the duo's first three albums 'The Hurting', 'Songs from the Big Chair' and 'Sowing the Seeds of Love'.

The track listing is almost chronological to the singles released back in the eighties and nineties, and therefore gives the listener a chance to experience the way Tears For Fears changed its sound with the passing of time.

It is worth noting that this compilation is the only one that includes tracks from Tears For Fears 'Elemental' album -- 'Break it Down Again' and 'Goodnight Song'. 'Elemental' is in fact a solo album by singer/songwriter Roland Orzabal released after the duo 'split' in the early 90's. There are no tracks here from 'Raoul and the Kings of Spain', Tears For Fears's last album, and another solo project by Roland Orzabal. For the record, there is a new album (not another compilation, but a collection of new songs) due for release in April 2004 titled 'Everybody Loves a Happy Ending', featuring the original duo line up of Curt Smith and Roland Orzabal.

If you're looking for a solid collection than spans around fifteen years, then 'Shout: The Very Best of Tears for Fears' is the one to get.

Good collection from under-rated duo
Tears For Fears is the duo who crafted intelligent, tuneful pop songs back in the 1980's, riding the "new wave" sound of that era. The duo parted ways in the early 90's, and this is the first hits album to include Roland Orzabal's post breakup material recorded under the TFF name. Curt Smith has the more impressive voice, but Orzabal is also a solid vocalist, with his solo hit Break It Down Again a memorable track. This album fails to include anything from the 2nd Orzabal TFF solo album Raoul and The Kings of Spain, which had a few memorable tracks but was a commercial and chart flop. If you like Tears For Fears you might also want to get the last album and Elemental in addition to the hits collection.

Long Live Roland and Curt!
This is just an absolutely fantastic collection of music. Tears For Fears wrote some of the most beautuful tunes I've ever heard and this compilation puts all my favorites in one place. It is still a stunner to hear these tracks and I will never tire of songs like "Mad World", "I Believe", or "Shout".
...and the best part is, Roland and Curt are back! I found out recently that they have a new record coming (9/14/04) called "Everybody Loves A Happy Ending". Damn Right! Their 1st record back in like 15 years! It's a great to be a TFF Fan again.

Best of TFF
A great collection of Tears For Fears songs. I haven't heard any of their songs that weren't one of their big hits, but their greatest really were the very best. It was also helpful to read about their inspirations. Now that I know they used psychological theories to write their songs, the music makes even more sense.

Has a lame version of "Mothers Talk".
Has a lame version of "Mothers Talk". ... Read more

Album Description

"Awake, The Best of LIVE", a deluxe 19-song compilation CD spanning the entire 13-year recording history of the acclaimed rock band from York, Pennsylvania. The package also includes a DVD containing 22 music videos going back to the band's 1991 debut.

The CD compilation includes, "We Deal in Dreams," a previously-unreleased track from LIVE's 1994 Throwing Copper sessions.Also, includes a spirited cover of the Johnny Cash classic " I Walk The Line."

The lavish packaging includes a 14-panel four-color fold-out booklet of photos spanning the band’s career, as well as extensive liner notes and commentary on each album by LIVE lead singer Ed Kowalczyk.

The BONUS DVD boasts a comprehensive representation of LIVE's history on video. It includes 22 videos along with a 30 minute interview commentary from Kowalczyk. Videos included are:"Pain Lies on the Riverside""Pain Lies On The Riverside (live performance)""Operation Spirit""Operation Spirit" (live performance) "Selling the Drama" "I Alone""Lightning Crashes""White, Discussion""Lakini's Juice""Freaks""Turn My Head" (from director Jake Scott) "Turn My Head" (from director Mary Lambert) "The Dolphin's Cry""Run to the Water" "They Stood Up For Love""Overcome""Simple Creed""Like a Soldier""Heaven""Heaven" (concept version)

The DVD also contains two never-before-seen videos: "Ghost," and "Run Away" (with Shelby Lynne). ... Read more

Amazon.com essential recording

With valuable assistance from producer Rick Rubin, the Peppers find just the right blend of punk, funk, and hip-hop. Even with a running time of 74 minutes, this 1991 breakthrough has continuity and cohesion both within and across the 17 cuts. Riding Flea's surging bass, Anthony Kiedis delivers his explicit lyrics with a rapper's flair, extolling the virtues (and outlining the dangers) of sex and drugs. Plaintive ballads such as "Breaking the Girl," "I Could Have Lied," and the hit "Under the Bridge" give the album depth and provide contrast to the raw energy of "Mellowship Slinky in B Major," "Funky Monks," and "Give It Away." Rubin masterfully fuses John Frusciante's raunchy guitar with the irresistible grooves. --Marc Greilsamer ... Read more

Reviews (262)

The Epitomy of the Red Hot Chili Pepper's Career
This is definately one of the best records of all time. Flea's one of the most innovative and funky bassists of the last 10 years, and John Frusciante's solos are sure to blow your mind. Flea and CHad Smith make up what is possibly the best rythym section ever. And Anthony Kiedis's lyrics are random yet beautiful and humorous. But despite all the bands individual talent (which is elite), what shines here is the band's incredible chemistry. The whole album is recorded live, with hardly any dubs. They blend together so amazingly into 17 rocking songs. THere's raw funky songs like Apache Rose Peacock, Sir Psycho Sexy, If you Have to Ask, Mellowship Slinky in B Major and The RIghteous and the Wicked. All driven by infectious funky grooves, supplied by FLea's bass. To hard agressive rocking songs like Power of Equality, The Greeting Song, and Funky Monks. Many people think of Under the Bridge when they hear Blood Sugar Sex Magik, but I Could Have Lied may well be one of the saddest songs you'll hear. Driven by intense passion and somewhat dark lyrics, the guitar is just beautiful. So if you haven't a clue what Red Hot Chili Pepper's albums to get, screw By the Way or Californication, go for the classic Blood Sugar Sex Magik.

A funky classic, though not quite perfect.
Although Mother's Milk and the later Californication were both good albums, Blood Sugar Sex Magik is the album that revealed the full extent of the Red Hot Chili Peppers' talent. It's their longest album (18 songs) and by far their most diverse.

With heartfelt acoustic ballads (Breaking The Girl, Under The Bridge, I Could Have Lied), raunchy funk scorchers (Funky Monks, Suck My Kiss, Fellowship Slinky In B-Major), political commentary (The Power Of Equality, The Righteous And The Wicked), hard rock (the title track) and even some rapping (If You Have To Ask, Give It Away) this album has a bit of everything. And most of it is classic.

Anthony Kledis is a great vocalist with outstanding range--he handles raunchy funk, adrenaline-fueled raps, and soulful crooning with equal ablomb. Flea is one of the best bass players ever, ranking right up there with Roger Waters and John Entswistle (though with an entirely different style)--his funky playing is given free reign in this album. Guitarist John Fruciante is somewhat Hendrix-esque in his style, and Chad Smith's drumming is excellent, especially in the steel drum solo of Breaking The Girl.

Now for the reason I give it four instead of five: The first 11 songs are A-list material without question. However, like most Red Hot Chili Peppers albums, Blood Sugar Sex Magik starts to unravel toward the end. Naked In The Rain and Apache Rose Peacock suffer from poor lyrics. Sir Psycho Sexy ends in one of the most glorious jams ever, but the horrible lyrics in the first 3 minutes ruin the song. And the closer They're Red Hot is incredibly annoying. Fortunately it's short, just over a minute long.

Despite these gaffes, Blood Sugar Sex Magik easily ranked as one of the best albums of '91. And deservedly so. If you want a funky, energetic, and sometimes deeply moving album (Under The Bridge is dedicated to their former guitarist, a victim of heroin overdose) run out and get this one.

The Best Album of All Time, PERIOD
I have to say, I have a collection of over 600 CD's - and this would be in my top 3 of the all time greatest albums ive ever had the pleasure of listening to. Hardly ever do I "wear out" a CD - this one would have to be an exception. It was pure genious when it came out, and still is today. I think I can honestly say the Red Hot Chilli Peppers have to be one of the greatest collections of the most talented musicians to ever come together. Many people focus on Flea's outrageous and funked up bass playing, but the fact is Chad Smith is an amazing drummer, and John Fruisciante - is near godlike to anyone who knows anything about playing Guitar. If you are younger and want to know what the REAL chilli peppers are like - get this album!!

One of the top 20 albums of all time
Play through every song on this cd..you'll find nothing wrong with it whatsoever. Youll love every track almost the same. A few stand even better than the rest. Highlights on this album incl. If You Have To Ask, Breaking The Girl, Suck My Kiss, I Could Have Lied, Slinky In B Major, Give It Away, Under The Bridge, Apache Rose Peacock, My Lovely Man, and Sir Psycho Sexy. That's just about everyone on there lol. Buy it..youll enjoy it, and treasure it for years. (...)

Spicey.
Easily the best Chile Peppers Album. Which is saying a lot, since everything they do is gold. The Best-of album is close, but 2/3 of it were from this. Every song is full of soul, passion, and skill. My least favorite song on the album is "suck my kiss" and I still don't skip it. Even the worst songs on this CD, and worth listening to repeatedly. Rock on Chile Peppers. ... Read more

Amazon.com

The ill will that initially greeted Rattle and Hum--the follow-up to the band's massively successful Joshua Tree album--was due in large part to the bloated and self-important feature film that accompanied it, which showed the band as being simultaneously naive and pretentious as it "discovered" America. But as the film mercifully slips from memory, the music has remained, from the furious swirl of "Desire" and a clutch of live hits to insightful musical nods to heroes such as Bob Dylan, John Lennon, and Billie Holiday. Songs like "When Love Comes to Town," a supercharged blues duet with B.B. King, suggests the quartet knew more about America from listening to its music than Phil Joanou's unintentional mockumentary suggested. --Daniel Durchholz ... Read more

Reviews (83)

U2 with cowboy hats
Hey, check it out. Rattle and Hum (1988)was U2's (highlights) from the Joshua Tree Tour, new songs and singles. Whop-dee-doo!!!

Helter Skelter (live)- Uh, well... never been that big of Beatles fan. U2's version is great. 9/10

Van Diemen's Land- Who sings this, Edge? Does Bono play the guitar? PERFECT LENGTH!!! End is weird, but hey, this is a live album. I wonder if cowboys sing this. 10/10

Desire- Awesome, but so short. After the first 2 verses, things slooooooow down. 10/10

Hawkmoon 269- What's with the 269? Too simple and long for me. Ok, but enough with the freaks singing in the background. 8.5/10

All Along the Watchtower (live)- Bob Dylan wrote it? LAME!!! 4/10

I Still Haven't Found What I'm Looking For (Live)- HOLY COW!! Live version with choir is much better than the original (as if that wasn't good enough?) 10/10

Freedom for my People- Don't bother skipping it, it's only :38 long 1/10

Sliver and Gold (live)- Good enough for middle song. 7/10

Pride (live)- HOLY another COW!!! This is the best version ever!!! So shut up! No, you can still talk. 10/10

Angel of Harlem- 2nd single, the bomb man. Sounds like an angel. 10/10

Love Rescue Me- The Blues- I don't think so? 4/10

Whe Love Comes to Town- Whatever happened to U2 music? Who wants to hear BB King and his guitar? 3/10

Heartland- To slow, never is too good. 6/10

God Part 2- Good rock I guess. 5/10

The Star Spangled Banner- JIMMI ROCKS!!! 10/10

Bullet the Bliue Sky (live)- Best version EVER dude!!! 10/10

All I Want is You- Good for the first 3 minutes. Edge's great. 10/10

U2 + American music = Great record
U2 were completely panned by the press and some hardcore U2 fans for 'Rattle & Hum' (1988), which is purported to be U2's ill-fated egocentric exploration into American music. Leaving pretentiousness in the eyes of the beholder, a lot of people liked this record, a mix of studio songs and live tracks from 'The Joshua Tree' tour and for good reason. Here's a song-by-song:

1. "Helter Skelter" [Live]. OK, the ego does get a bit out of hand here, but this is one of the standout cover tunes.

2. "Van Diemen's Land". The Edge takes vocals on this nice ode to the working man which is abruptly cut off in mid-verse.

3. "Desire". The first single, an obvious musical tribute to blues legend Bo Diddley, continues to be one of their most popular and infectious songs.

4. "Hawkmoon 269". Although there is some lyrical help from Bob Dylan, this is one of the studio tracks that really does not work.

5. "All Along the Watchtower" [Live]. An uninspired cover which is memorable only if you saw the movie.

6. "I Still Haven't Found What I'm Looking For" [Live]. With embellishments by a real gospel choir, the song is performed the way it was meant to be.

7. "Freedom for My People". This is just a snippet of a street performer.

8. "Silver and Gold" [Live]. A great live version of a non-LP track, seethingly delivered by Bono toward an apathetic American audience.

9. "Pride (in the Name of Love)" [Live]. What live record would be complete without the consumate U2 anthem.

10. "Angel of Harlem". As one of the songs recorded at the historic Sun Studios, complete with a horn section, this lyrical ode to Billie Holiday is a U2 classic.

11. "Love Rescue Me". With the accompanyment of Bob Dylan, this one never really picks up.

12. "When Love Comes to Town". Although many U2 fans did not appreciate the prominent vocals and guitar of B.B. King, the lyrics are "fantastic" (as the King puts it in the movie), and if you love the blues . . .

13. "Heartland". You can almost see the Mississippi going by on this song, a mood piece which works much better than "Love Rescue Me".

14. "God Part II". A great rocker about contradiction and a lyrical and musical prequel to U2's "reinvention" in the 1990s.

15. "Bullet the Blue Sky" [Live]. With a recorded intro of Jimi Hendrix doing "Star Spangled Banner", this is the consumate version of this song.

16. "All I Want Is You". Although it seems a bit out of place on this record, this is simply one of the best U2 ballads ever.

More Massive Than It Seems
During the "Joshua Tree Tour", director Phil Joanou captured a massive amount of footage, to be sorted and used in a documentary about U2 and this tour. To quote Edge: "No one could really remember when it went from being this small project that we all knew what it was and could deal with it, to being this big thing, but at some point that shift occured." Indeed it did, and this documentary morphed into a massive project, resulting in a movie and eventual home video, and a new album, a double album of sorts, a mix of live material from the "Joshua Tree Tour" and brand new studio material.

As far as the live stuff is concerned, U2 are a phenomenal live band, so the live stuff is great. But some of the best live performances that were in the movie were left off the album(Streets, With Or Without You, Running..., and the powerful Sunday Bloody Sunday on the night of the Enniskillen bombing, featuring his now notorius 'f**k the revolution' speech). The best thing to come out of "Rattle And Hum" is the new material. 'All I Want Is You', 'Angel Of Harlem', and 'Desire' are classics, and are part of the live set to this day. The B.B. King collaberation, 'When Love Comes To Town' is a sore spot among U2 fans...some love it, some hate it, I think it's good but not great. Lesser-known gems from this record are 'Hawkmoon 269', 'Heartland', 'Love Rescue Me', and 'God Part II', and 'Van Dieman's Land', which is one of three songs in the U2 catalog to feature The Edge on lead vocals(the previous one was on "War" and entitled 'Seconds').

U2 recieved quite a bit of backlash when "Rattle And Hum" was released, labeled as arrogant and presumtious to put themselves in the rock pantheon of the Beatles and Dylan. It was clearly misunderstood by these critics though, as Bono later explained, 'We weren't saying we were up with those guys, we made that record as fans, that's why we put in a picture of us looking at their posters'(something like that). This is a must-have for any U2 fan. This was the last U2 release of the 80s. After this was released, and U2 concluded its "Joshua Tree" and "Lovetown" tours(Lovetown was simply a renamed last two legs of the "Joshua Tree Tour" in Australia and Ireland among other places), U2 found themselves actually bored of playing the same music every night, becoming, as drummer Larry Mullen Jr. put it, "a human jukebox". The band were united in this boredom and fatigue and general disenchantment with where they could possibly be headed, and they knew that had to make big changes, because they didn't have the joy and excitement required to make great music anymore. As Edge put it, much later during the "Elevation" tour, 'When you're on tour, it has to be unpredictable. As soon as it becomes comfortable, it's time to stop. And we learned that lesson on the Lovetown tour'.

So, at one of the last shows of 1989, in Dublin, Bono made his now famous speech, saying, 'This is just the end of something for, for U2. It's no big deal, we just have to go away for a while...and dream it all up again'. What that led to is for a different review. "Rattle And Hum" is a documentary of U2 on the path that would lead to the end of an era, and it shouldn't be missed.

U2's Energy is truly felt on this album!
More often than not, you can only tell what kind of band you are listening to by seeing them in concert or by listening to a live recording. Rattle and Hum is a recording of various concerts in the same tour of U2 in the 80's just after the Joshua Tree. the energy is incredable!
The first track starts out with the cheering of the croud. Then you hear Bono say "This is the song Charles Manson stole from the Beatles...we're stealing it back." And then Edge plays the opening riffs to Helter Skelter. The hole album is an experiance. If you are a new comer looking for a good taste of U2, or an old fan looking for somthing classic, but unique- this is the album you've been praying for! "F*ck the revolution!"~Bono

Mix of good and bad tunes.
I'm amazed how inconsistent this album is. Here you have one outstanding track (Heartland), some decent tracks (Angel of Harlem, Desire, All I Want Is You), a few mediocre tunes (When Love Comes To Town, Hawkmoon, God Pt. 2), and the rest is...plain crap, including poor live performances (a tuned down version of Pride, with no delay on guitar). Also why does Bono try to sound country in every song? You know what I mean, that frog in throat trick he employs. It sounds TERRIBLE. Two stars for being a double cd and ergo twice as expensive when instead it should have been separated into a live cd and a studio b-sides compilation. ... Read more

Amazon.com

Electrifying performers and pure-pop songwriters of the highest order, Toronto's Barenaked Ladies have emerged over a decade as that strangest of beasts. They'll never land a dishy cover story in Mojo Magazine, but as they reflect on those ribald years between 1991 and 2001, the five can allow themselves wry smiles, knowing that sometimes, just sometimes, the cream rises to the top. In addition to familiar radio staples such as "Pinch Me," "The Old Apartment," "Jane," "Alternative Girlfriend," and the ubiquitous "One Week," there's a trump card on All Their Greatest Hits that will prove irresistible to completists: the Ladies' buttery, acoustic version of Bruce Cockburn's "Lovers in a Dangerous Time." Recorded eons ago for a Cockburn tribute disc that almost immediately went out of print, the song has until now been a rare and highly coveted collector's item. Two news songs--"Thanks That Was Fun" and "It's Only Me (The Wizard of Magicland)"--were recorded specifically for this collection, while two others ("Brian Wilson" and "What a Good Boy") are captured live. But what really brings this album home is, ironically, "If I Had $1,000,000." One of their very first hits cut as the Ladies were learning to dovetail their so-called "acoustic hip-hop" into slicker pop sensibilities, "$1,000,000"--a simple knock-kneed love song with harmonies so tight they're practically braided--is a snapshot of a band with all the pieces in place just as the planets were about to align. --Kim Hughes ... Read more

Reviews (74)

BNL comes full circle...
...from fringe-dwellers mocking 'Greatest Hits' collections on their first album ('Disc One, it's where we've begun/It's all our greatest hits/And if you are a fan then you know that you've already got 'em' from 'Box Set') to Big Stars putting out a collection of their own. As the title indicates, they're well aware of the irony; what this traditional-style CD really celebrates is success for a band that has never sold out.
The lush (19-song!) selection is excellent, covering the obvious highlights ('Brian Wilson', 'If I Had $1 000 000', and, yep, 'One Week' - be prepared to be driven crazy all over again) as well as less successful or harder-to-find treats ('Call and Answer', 'Shoe Box', 'Lovers in a Dangerous Time'). The only track I'd disagree with is a live version of 'What a Good Boy', an essentially intimate ballad that isn't at it's best with several thousand people singing along.
The two new tracks are a toss-up; 'It's Only Me' is frenetic New Wave stuff, funny but maybe a bit too busy, and 'Thanks That Was Fun' is the gentle, nicely rueful story of a break-up that (in patented BNL fashion) isn't proving nearly as satisfying as the narrator had hoped.
The liner notes include two admiring (but thankfully not gushy) 'how-they-dunnit' essays and track-by-track annotations from Steven Page. In other words, everything you wanted to know and some stuff you maybe could have lived without but will enjoy anyway.
All told, a hugely satisfying Barenaked Ladies experience. (Although they'll hopefully drop the 'Box Set' references while they're ahead. Otherwise...'Disc Three/Well this is really me/In a grade school play' and 'Disc Six/A dance remix/to catch the latest trend...')

Disc one...it's where we've begun...
I am probably one of the biggest BNL fans out there. I've seen them live too many times to count and I have all of their earlier CDs, yet I still had to have this Greatest Hits compilation. For older fans, it's totally worth it for the amazing version of the previously rare cover of Lovers. *This* is the song that should have Steve Page writing Jim is a bass god on random walls. Wizard (or It's Only Me) is an excellent upbeat, fun song, particularly once you realize what it's all about. Great fun to sing along to. Thanks That Was Fun is quite possibly the greatest Ed song ever. This song owns me. The bridge is fantastic, and his voice on this song gives me chills every single time. I can't get enough. And if that's not enough to sell an older fan of the band, it's worth it just to have Steve's commentary in the liner notes.

For the rest of you, this is an excellent introduction to the wonder that is Barenaked Ladies. Be warned, however, because once you hear the gems What a Good Boy, Brian Wilson, and Too Little, Too Late, just to name a few, you will be hooked.

A Great Introduction/Compilation To A Great Group
When I heard this for the first time, I noticed there's something both modern and Beatlesque about the music. For me, it's refreshing to buy something I can listen to all the way through and enjoy every song. It's now one of a handful of albums I play regularly.

To all BNL fans who haven't bought this yet: You already know great these songs are. It's worth buying because Lovers In A Dangerous Time, It's Only Me, and Thanks That Was Fun don't appear on any of the other albums. This Old Apartment and Shoe Box sound remarkably better than the versions on Born On A Pirate Ship.

To everyone who doesn't listen to top40 radio: If there's one modern group to buy music from, it's BNL. Start with this album and then check out their studio albums. You will discover, as I did, that this album is a brilliant introduction and will have you wanting more.

Great Introduction to Barenaked Ladies for newcomers
If you do not own a Barenaked Ladies CD this is a good selection for you. I suspect those new to the Ladies will find tracks on thsi CD they are familiar with but did not know the artist.

My favorites on this disc include, "Jane", "Lovers in a dangerous Time", and a very nice live recording of "What a good boy".

vintage Barenaked Ladies
This is easy-listening rock that does not suck. Barenaked Ladies basically sound like the Beach Boys but better, more depth and talent. This is a great collection of their best songs, new and old. they also have the best name of any band

David Rehak
author of "A Young Girl's Crimes" ... Read more

Album Description

Their first-ever hits compilation! Founded in New Orleans, this pop-flavored alt-rock outfit migrated to L.A. in the early '90s and rocketed to stardom with the 1995 Top 40 album Deluxe and the smash single "Good." It's featured herein along with 15 other definitive tracks, including "In the Blood," "King of New Orleans," and a trio of previously unissued recordings, among them the French Radio Version of "This Time of Year" and the VooDoo Mix of "Porcelain". ... Read more

Reviews (2)

Ezralites (An Honest opinion on best of's)
The problems I have with best of's is that each fan will disagree with what bands put out.

Choosing a favourite Ezra song is also not easy though I do feel the band did make some mistakes if they want to follow the AC/DC formula.

Problem number 1: I have not seen AC/DC perform their studio work differently live so why the need to change "This Time Of Year." Maybe if you guys wanted to do anything with that song, you should have re-recorded it the same only used Travis on drums as he does bring out that sound better.

My goodness, did Kevin Griffin take one out of an ACDC page with "Laid" if the lyrics can be sexually referenced but the upside is he makes it work like the rock legends. I think there isn't enough credit given in the quotatoin for the influences in Kevin's music, just refer to Extra Ordinary "just like that AC/DC song come on baby shake me all night long" - It's good but sounds weird in the context.

However enough about that, they do give us some new treats, Tremble being the best I've heard from these guys since "Friction Baby" (probably their best work to date, as it had variety).This & Wallflower are great.

I am a little puzzled as to on Before Robots why another song titled "Lifetime" haven't you guys alread done this on "closer?".

I am looking forward to a new album, whilst this is a good best of it is not a best of. A lot of it is kind of commerical & I think you could have focused on more gems. As I said earlier the problem with best of's is that each fan will want something different, to me with all your present material BTE, my best of would probably go something like this:

1.Laid
2.Tremble
3.Wallflower
4.Roselia (probably would have used the orignal recording & maybe got Travis to do drums on it, if you really felt a need to re-record).
5.In The Blood (Good single remix)
6.Porcelain (Original was way better).
7.This Time Of Year (only thing this has going for it is the interesting guitar but the metallica type of yeah at the end is un-necessary).
8.At The Stars (thank god you guys left this in tact).
9.Extra Oridanry
10. Misunderstood
11. Normal Town
12. WWOZ
13. Rolling (this is beautiful so why did you leave it out & please don't do anything different with this song).
14. A Lifetime
15. Good
16. Under You
17. Everything In 2's
18. Get You In
19. Scared Are You?
20. Happy Endings

With this said, you guys are selling yourself short, all your songs are pretty good so why a Best of? Anyway at least you guys are hard-working musicans & are giving us a new album in quite some time so that's something to look forward to as you can't go wrong with an Ezra album.

Also I would suggest to the lads to try something new, like try living in New York & write from that perspective, why: because I feel you guys could do justice to a great city.

Cheers.
Look forward to the new material.

A nice collection
Since the early 90's Better Than Ezra has been around and making good music that, for the most part, has flown under a lot of people's radar. They have definitely gathered a cult following that has allowed them four terrific albums (excluding artifakt), a live album and now finally a Greatest Hits package.

On this release fans can find many of the favourite songs the band is "known" for. Such songs include the mega-hit "Good", along with other crowd pleasers "Desperately Wanting", "At The Stars" and the song some people know due to a McDonald's commercial, "Extra Ordinary". Included are also some of the more rare releases that could formerly only be found on web-site-avalible "artifakt" album; "Tremble" and "Wallflower".

This Greatest Hits package couldn't be complete if it weren't for some revamped songs and a new release. On this note, the band has re-recorded two songs from the debut album "Deluxe" for the listeners enjoyment. Here, they have included the version, that could previously only be found live that has been dubbed by BTE fans as the "Voodoo Remix" of "Porcelain", which is much more savvy and blues driven. Also they have updated a concert favourite in "This Time of Year", which here is also including part of the song "Get You In". A cover of the James song "Laid" is the newest offering on the album, which starts off sounding like they have fused together that song with AC/DC's "For Those About To Rock (We Salute You)".

This Greatest Hits package goes from start to finish with some of the best songs Better Than Ezra have recorded over the span of their careers. Instead of just taking the songs off of the original albums, they have also included several "single versions" of songs that mix things up a bit. The only draw backs to the album, however, are that the songs don't flow as well as they could due to the order they are put in. Also being redundant is small problem; most of these songs are also included in the recent release of the "Live at House of Blues" album. Those, along with an aparent technical problem on the song "Rosealia" that leaves a terrible scratch sounding noise in the right track, are the only problems with this album.

If a person remembers the wonder years where "Good" was played time and time again on the radio and wonders what happened to the band, this is for you. Also, if someone has told you about BTE and you're wondering what they're all about, this is also for you. Or, if you're simply a huge fan and want to own anything by the band that you can get your hands on, this is undoubtably for you. ... Read more

Reviews (186)

"I've kissed mermaids, rode the el nino"
There will never be a band quite like the Pixies ever again. Oh sure, Nirvana used thier dynamic and went on to bigger things (with Kurt Cobain always giving props to this band, as one should) However, the Pixies were one of the first true alt rock bands,even though thier sound was still categorized as punk, post-punk, or just plain wierd. And this album (and thier prior release, the beautifully disturbed "Surfer Rosa") cements the fact that they were way ahead of thier time. The album starts of with the frightening "Debaser", a song about a fairly obscure Salvadore Dali film having to do with "slicing up eyeballs". It then moves on through the just scary "Tame", the beautiful "Wave of Mutilation", and then slams us head first into the pure pop wall that is "Here Comes Your Man". After this the songs get stranger, with the reggea dub of "Mr. Grieves" to the full throttle punk of "Crackity Jones". The entire spirit of the album, in fact the entire spirit of the band can only be summed up in a line from "This Monkey Gone to Heaven", "like ten million puonds of slush from New York and New Jersey, this monkey's gone to heaven..."

"You Can Gouge Away...."
If there was any band who just didn't seem to care how strange or noisy they came off, it would have to be The Pixies. But what they created was brilliant, offbeat, and catchy music. Good luck trying to figure out exactly what Black Francis' (now Frank Black) lyrics are about with his twisted tales and weird lines. The music is flat-out amazing rock that was very ahead of its time. Yeah, this was released in 1989, but it still sounds fresh today. The musicianship in the Pixies was great and it's a shame they are no more. At least they put out this excellent piece of work entitled Doolittle. Check out the Frank's psychotic chants on "Debaser," the dark and twisted "I Bleed," "Wave Of Mutilation," "Hey," and the classic "Monkey Gone To Heaven." Hey, even the most accessible song, the poppy "Here Comes Your Man," oozes with originality. If rock these days is bringing you down, take a trip back to 89 with Doolittle. And give it a few listens if it doesn't sink in at first.

. . .
i don't know about the person that said this album is power pop (what the hell is that anyway) but this album has surf style music and punk. i think you should get surfer rosa first if your new on pixie stuff. these guys will never get old to me even after i got into the whole punk music fase.

best album by the pixies
give this album a few listen-throughs and you'll know why they're one of the best bands ever. their influence on nirvana, weezer, everyone is incredibly obvious after you've obsessed over this one for a minute or two.

Truly one of the great albums of all time
Ask anyone who knows their stuff and chances are, they got at least one Pixies album in their collection. I don't care if you like Iron Maiden, Sonic Youth, Peter Frampton, Jimi Hendrix, Yngwie Malsteem, Minor Threat, Fugazi, Slayer, Joy Division, NIN, Beach Boys or The Cure. The Pixies are just too damn good not to get into.

The striking thing is, "Doolittle" doesn't have a song that sucks or lacks character. Frank Black still up to this day has one of the most chameleon-styled voices ever. "Wave of Mutliation" pretty much covers a wide variety of grunge in all it's charming likeness where "Hey" bounces, oozing with dark humor. "Debaser", the opening song served as a template for many post modern hard rock acts to follow. "Monkey Gone to Heaven" and "No.13 Baby" were inspiring anthems for a generation of listeners who wanted something more than all the ho-hum mainstream music of the 80's. Kim Deal's voice compliments Black's tenor almost effortlessly in "Silver".

There is a particular reason, listener keep coming back and why people are now just getting to know who the heck this great band was. They forever shaped the music to come in the 90's, yes Kurt Cobain, the SUPPOSE icon of late 20th century music even admitted it. "Surfer Rosa" and "Trompe Le Monde" are both excellent listens, but "Doolittle" capitivates the most distinguished sound of the Pixies.

It's just too hard to not think of these guys without thinking of this one. Please, put aside Good Charlotte, Linkin Park, Simple Plan, Yellowcard, The White Stripes, The Darkness and listen to a band worth knowing about. Then again, who the hell am I kidding, no one ever listens to these things. ... Read more

Album Description

From their arrival in 1992 with the 8x-platinum "CORE," Stone Temple Pilots have consistently been among the forefront of modern rock ‘n’ roll artists. With each album, the California-based quartet - Scott Weiland, Dean DeLeo, Robert DeLeo, and Eric Kretz - has pursued their own unique musical vision, an inspired sonic approach merging metallic riffs and baroque pop melodies with a punk-fuelled energy and a gift for psychedelic experimentation.As a result, Stone Temple Pilots have sold more than 20 million albums worldwide, and they rank among the top three most successful bands to emerge in the 1990s (along with Nirvana and Pearl Jam). Among their many accolades, Stone Temple Pilots received a "Best Hard Rock Performance with Vocal" Grammy Award for their #1 rock smash, "Plush."Other honors bestowed upon the band over the years include two American Music Awards, one Billboard Music Award, two Billboard Video Awards, and an MTV Video Music Award.In 2001, the band received a Grammy Award nomination in the "Best Hard Rock Performance" category for "Down" (from "No. 4"). ... Read more

Reviews (42)

A great wrap up of the band's last five albums
In the early 90s the grunge-rock scene was alive with bands such as Nirvana, Pearl Jam, and Sound Garden. Among these great bands included the Stone Temples Pilots. Although they may have been called Nirvana poseurs, they developed a truly great sound. From their debut allbum Core to the 2001 release of Shangri-la-di-da, Thank You collects all the hits singles and includes the new song "All in the suit that you where." A great buy for new time listeners who are getting their first taste of the band. If you already have all the other STP albums it probably isn't worth it for only 1 new song which isn't even up too classic STP quality. Its a shame that lead singer Scott Weiland has so many drug problems. Hopefully we'll hear some new stuff from them soon.

Excellent Compliation for Casual Fans
This new greatest hits collection from the Stone Temple Pilots is excellent. You get all of their biggest songs (Big Bang Baby, Plush, Creep, Interstate Love Song etc.) plus a new track (All in the Suit That You Wear) and an Acoustic version of Plush (which is excellent). If you are just a casual fan of STP, then I urge you to buy this album right now. I can assure you that you will not be disapointed. For hardcore STP fans who have all of STP's albums, you might want to pick this up for the Acoustic Plush and the new track. All in All, an excellent hits collection that really shows how great STP is.

Note: If you can pick up the version with the DVD, then I would get that. For 12 bucks more you get a lot of their great music videos and some other footage.

Best STP Album
The reason that I first bought Thank You is because I had heard "All in the Suit That You Wear" on the radio. I had never been a fan of Stone Temple Pilots before and I was not familiar with any of their songs. I knew that Core had sold over 8 million copies and thought this would be a good place to start. STP made many good songs over their career and they are all included here. "Vasoline" is short but great and "Plush" is the song that put them in the spotlight (and fortunately this includes the unedited version). "Interstate Love Song" is possibly the best single released by any band formed in the 90's and shows how amazing Weiland is (Don't forget "Sex Type Thing" and "Down"). After this I bought each of the rest of their albums over a span of four months and found that, apart from the songs that were included on Thank You, it was all weak material. Stone Temple Pilots is best described as a singles band, which is what makes Thank You so great. The album is not perfect, however. "All in the Suit that You Wear" is a good song but doesn't rank in their top five of all time. Songs like "Days of the Week" are terrible and have no place on a disc that also has "Big Empty" on it. An acoustic "Plush" seems unneccessary to all but acoustic fans and diehards.

Weiland is an amazing vocalist and songwriter and has been an easy target for critics who call him a rip-off of Eddie from Pearl Jam or make fun of him for his drug problems. It is terrible that they do this for drug addiction is a disease and all those stupid people who ask him to his face pointless and (in some cases) hypocritical questions like "What is it like to ride in the back of a policecar?" should beat themselves, because Weiland is now refusing to speak to the media. I want everyone who listens to Weiland sing to not judge him nor his songs as no good just because of his drug past.

I would strongly recommend people to just buy Thank You and save their money. If you have bought and enjoyed STP albums then I would recommend Contraband by Velvet Revolver because, like Stevem Tyler of Aerosmith, Weiland is at his peak when he is off of the drugs.

Not the best, but not bad
I had already had Core about a year before Thank You came out, but I didn't really give it any time. I had downloaded "All In the Suit that You Wear" and thought it was pretty cool. And being anal like I am, I had to have the CD because it's more 'official' to me. After I got Thank You, I slowly got the other 4 STP CDs I didn't have. After hearing those other CDs, I can say that Thank You left out a lot of good songs. Some of them are probably just favorites of mine, but I was really suprised "Dead & Bloated" was omitted. Some of these songs are really good, like "Down", "Wicked Garden", "Plush", "Creep", "Trippin' On A Hole In A Paper Heart", "Sex Type Thing", and "Sour Girl", but like I said, it's not perfect. Greatest Hits albums are always risky because it's impossible to please everyone. Songs I would liked to have seen were "Dead & Bloated", "Still Remains", "Kitchenware & Candybars", "No Way Out", "Atlanta", "Coma", and "Wonderful". That's how it goes though, so in short, if you're new to STP, this is a good introduction, if you've got all of their CDs, it's a matter of liking all of these songs on one CD enough to buy it.

stp rocks
The selection is almost too predictable for any fan, b/c it puts almost every single they had on it. Some loyal fans might wanted a few of the lesser known songs on the album, but then would it really be a "greatest hits" album?? Personally, I wish they could have added another song, if not two, from Shangri-la Dee Da. Even though most agree its the weakest album, I absolutely love it. It's cool to show everyone that they wearn't just some washed up band who only had 2 good albums.

4 from Core, 3 from Purple, 3 from Tiny Music..., 2 from No. 4, and 1 from Shangri-la, plus a new song and the acoustic plush. I'd have added Hollywood Bitch or Wonderful, and Heaven and Hot Rods to the album to give it a better career spanning hit list. However, they put the appropriate songs for fan base.

What pains me more than anything is that they needed to release another album to end their contract w/ Atlantic. All in the Suit That You Wear is a kick ass song, and just disappoints me to see that it might be the last song by the group w/ Scott going to Velvet Revolver. Hopefully they can get back together and make some music. No offense to VR, b/c I own that album and it rocks, but w/o the DeLeos and Kretz, it just isn't the same. If Maynard Keenan can have two bands w/ Tool and A Perfect Circle, then maybe Scott can. Unfortunately Scott is probably the most unpredictable frontman of any great rock band.

If the last ever STP album is Thank You, then it should go as one of the best greatest hits album of all time. STP may fade, but the music will be here forever. Thank you STP for making music that didn't suck! ... Read more

Album Details

Digitally Remastered Collection of Blondie Hits that Accompanies the Band on their Winter 2002 Tour. This Disc Updates the Collection and Adds their Comeback #1 in the UK "Maria" to Make this the Most Up-to-date Blondie Set Ever Released. ... Read more

Reviews (26)

Crystal clear hit sounds
This is the best Blondie hits compilation by far and the sound is crystal clear; the hits are not arranged chronologically however, which makes it impossible to chart the development of the band. But that doesn't matter - this collection demonstrates the band's versatility - compare their early punk-pop Rip Her To Shreds or X Offender with the hypnotic synthpop-disco of Heart Of Glass or Atomic! My favorites include the wistful I'm Always Touched and the bilingual Denis (a classic slice of sixties pop), as well as Tide Is High with its percolating reggae rhythm, plus Sunday Girl (more lovely 60's pop). In my opinion, their best albums are Parallel Lines and Plastic Letters, and these are well represented with 6 of these gorgeous 19 tracks. I wouldn't call this a "Best Of" since there are some album tracks that I like more than some of these hit songs. These include Fan Mail and Bermuda Triangle Blues from Plastic Letters and Fade Away And Radiate from Parallel Lines. But this was never intended to be anything else but a greatest hits collection and serves it purpose very well. It just goes to show that classy pop music is timeless, and Blondie always had that special something, whatever the style they chose to do it in.

For Blondie's Hits, This is the Place to Go
Over the past twenty years, there have been at least a couple dozen collections of Blondie's hits put on the market. However, only two of those compilations have given an effective overview of the group's career- THE BEST OF BLONDIE from 1981 and PLATINUM COLLECTION from 1994. But fortunately, this GREATEST HITS edition can also stand alongside those two retrospectives, rather than be buried among the other budget collections that have probably picked up plenty of dust over the years.

To put it bluntly, the title says it all- GREATEST HITS collects nineteen of the biggest hits Blondie has scored from 1976 to 1999. Besides including their biggest hits on both sides of the Atlantic- "Heart of Glass"; "Call Me"; "The Tide Is High"; "Rapture"- this collection also includes lesser-known US hits ("Dreaming," "One Way or Another," "Atomic"); songs that only became hits in the UK ("Sunday Girl," "(I'm Always Touched By Your) Presence Dear," "Maria") and standout album tracks ("X Offender," "Rip Her to Shreds", "In the Flesh"). So basically, every essential hit and album track that Blondie scored during their career is here (with the exception of the UK hit "War Child," which is barely a loss at all). Hardcore fans will likely have a personal favorite or two missing, but GREATEST HITS pretty much tells everything a casual fan needs to know about one of the greatest new wave bands.

If there is any complaint about this collection, it's that upon listening, it may seem that more than one group is being represented, for GREATEST HITS does not sum up all of Blondie's styles into one effective mix. That may actually be nitpicking, but casual fans should still consider purchasing THE BEST OF BLONDIE instead, for not only does it focus on the very best of Blondie (and for the record, everything from BEST OF BLONDIE is on GREATEST HITS), but its nonchronological sequencing actually works so that it showcases only one group- a group that was seemingly consistent. But if you want to get virtually every essential Blondie hit and album track on one collection, then you should purchase GREATEST HITS.

BLONDIE IS BLONDIE
It's undeniable that Blondie has to be one of the best band out there(diggin' many musical styles and territories a fine example to groups like NO DOUBT), her last single GOOD BOYS represents the band at their best if you haven't heard it. So without a question this new compilation includes all their charted hits and some exclusive favorites, it would be out of place to describe each song because the titles of the songs speak for themselves, HEART OF GLASS, ATOMIC, CALL ME, ONE WAY OR ANOTHER all classic songs of the late 70's early 80's, this is one of the best compilations of Blondie around today, + include here is their hit MARIA, not available in another GH package...so delightful Blondie will always be Blondie...a must have.

The Price of Admission
"Dreaming" is one of the best pop songs ever written and makes this CD worth purchasing. The rest is great, too.

A TRUE GEM!!!
There is no doubt about it, Blondie is the band that has redefined music in a whole other way! They have gone from pop to rock, from disco to jazz, from rap to punk, and they have even done country! Every song on this compilation deserves to be here!

THE SONGS
Dreaming- A mix of pop and Debbie Harry's voice can really make some sweet music!

Call Me- One of my favorites!!! Also the theme from American Gigolo. (which happened to be a great movie)

One Way Or Another- Truly a great ROCK N' ROLL SONG!

Heart Of Glass- A true gem!!! One of Debbie's finest songs.

The Tide Is High- A happy summertime beach song! FUN!!!

X Offender- Classic as always!!!

Hanging On The Telephone