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| 41. No Alternative | |
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Amazon.com Reviews (13)
The Good: Matthew Sweet, Buffalo Tom, Urge Overkill, Smashing Pumpkins, SOUNDGARDEN, and NIRVANA. The Bad: Beastie Boys, Breeders. The Average: Pavement, Bob Mould, Sara Mclachlan, and Uncle Tupelo. The Unheard of and Forgettable: American Music Club, Straightjacket Fits, Barbara Manning, and The Verlaines. The Somewhat Lame Covers: Soul Asylum, Goo Goo Dolls. Which all leads to the sweet "memorial tribute" for AIDS victims by Patti Smith at the very end. After a few kind words, Smith spontaneously bursts into a short songbird-like vocal performance, with no added instruments or frills. The crowd erupts after she finishes and the album ends, or so one would think. Quickly after, an unlisted Nirvana tracks explodes in, sounding positively rambunctious compared to the previous low-key tribute by Smith. However, Nirvana's song is quite a surprising and stirring ending, even fitting, given that Kurt Cobain was a humble and compassionate leader in speaking out for human rights. Let it be known, both Nirvana and Soundgarden lent vintage, completely rocking songs, both of which could have been A-side tunes. As for the entirety of "No Alternative," it hearkens back to a very dear era in rock and roll music, a time when aspiring young artists seemed to be everywhere and the music was always good wherever you turned your head. This is no "Singles" soundtrack by a longshot, but it was a nice gesture by these groups to lend a hand in supporting the fight against AIDS, and it's easy to see just how much they care about the dreaded cause, merely by listening to some of the lyrics in the songs. On the other hand, though the bands on this album showed promise at one time, many were passed up. Even the ones that broke through and hit the big-time are now mostly defunct. Truthfully, Soundgarden, Nirvana, and to a lesser extent, The Smashing Pumpkins, all carry this album. Everything else is mere teen spirit.
Another note of trivia for those interested; often it has been said that the Nirvana track was 'hidden' because the band provided the song after all the booklets etc had been printed. But if you actually read the booklet, it refers to 19 tracks rather than 18, suggesting the the person who wrote the inlay was aware of 19 tracks before printing, and perhaps that the Nirvana track was hidden intentionally. WHo knows? In closing, the Nirvana completest will be satisfied, but apart from the Mathew Sweet opener and the live Beastie Boys track, most of the other songs are just throwaways you'll never listen to again.
Another note of trivia for those interested; often it has been said that the Nirvana track was 'hidden' because the band provided the song after all the booklets etc had been printed. But if you actually read the booklet, it refers to 19 tracks rather than 18, suggesting the the person who wrote the inlay was aware of 19 tracks before printing, and perhaps that the Nirvana track was hidden intentionally. WHo knows? In closing, the Nirvana completest will be satisfied, but apart from the Mathew Sweet opener and the live Beastie Boys track, most of the other songs are just throwaways you'll never listen to again.
The best cuts: Lastly, no Nirvana fan should be without this album, because of the amazing "Verse Chorus Verse".
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| 42. Short Music for Short People | |
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Amazon.com Reviews (71)
There are a lot of cool tracks on the comp, mostly from bands that have mastered the art of the short song, such as the Descendents. The lineup features everything from legends like Bad Religion, Black Flag, and the Subhumans to today's popular punk bands like NOFX, Pennywise, and the Bouncing Souls. But with such a screwy setup, you're bound to get plenty of bands that don't really take the project seriously, and there are some disappointments. Out of 101 bands, though, what did you expect? There's enough good stuff that you can skip over the crap and still get your fix. Plus, the full-color booklet features a little something from each band, including as pictures, contact information, lyrics, or random band jokes. It's hard to take this CD seriously, but it's a good opportunity to hear a wide mix of punk bands or just sit around with some friends and see who can name the most bands (or count which bands can swear the most in under 30 seconds).
dropkick murphys
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| 43. Hell Comes to Your House, Vol. 1 | |
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| 44. Rare on Air, Vol. 1 | |
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| 45. Live at CBGB's [Atlantic] | |
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| 46. KCRW: Morning Becomes Eclectic | |
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| 47. New Wave Dance Hits: Just Can't Get Enough, Vol. 2 | |
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| 48. MTV Class of 1983 | |
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Solution : Bring MTV back to showing videos from all different genres. Also, great way to make a ton of money here.....re-release DVD's of classic 1980's videos. People like me who long for the days of big hair, british invasions will easily plop down 24.95 for a DVD compliation of these great videos (ie, Bryan Adams, The Cars,ect ect). I know MTV now is an advertisement machine designed to put on as many commercials as possible and 15 second video clips to make kids buy the record or mp3, but if i remember, MTV had a much larger following back in the 80's because it was better programming
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| 49. 80's New Wave | |
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| 50. Vol. 2-Before You Were Punk | |
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Album Description Reviews (11)
I think it is wonderful, except for a few songs I don't care for, such as the butchering of "Every Breath You Take" by Strung Out (which is an understatement). The songs are as peppy as the originals, but turned up a notch with the infusion of punk. You can't go wrong with bands like RFTC, Gotohells, The Get Up Kids, MXPX, and the Hippos contributing to a compilation album. Final word - if you like 80's music and you love punk, this one's for you, baby. My #1 song pick on the album: "Close to You", a cover of a Cure song by the Get Up Kids. Absolutely fabulous.
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| 51. Before You Were Punk | |
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What makes a good cover tune is some degree of respect for the original, the desire to take something you have some affection for and make it your own. Most of these tracks sound like the bands want to beat the songs until they stop twitching. There are maybe three good tracks on this CD; Pretty in Pink, Peace, Love, and Understanding, and the stellar Walking in L.A.(which makes a song I've never been able to stand into a great tune). The remainder fall into three categories: 1. Sounds just like the original, 2. Sounds like the original sped up and played while drunk, 3. Sounds nothing like the original, but horrid. Particularly painful are Good Riddance ridding "I Melt With You" of all of its hummable charm, and the usually better Blink182's ritualistic slaughter of "Dancing With Myself." I'm at a loss to explain the good reviews this album has. Maybe if you like your punk dirty, raw, and screaming, this fits the bill. But if, like me, you prefer more talent and vocal skill thrown in the mix, you're better off skipping this one and picking up Me First and the Gimme Gimmes, or even the far better sequel to this disc.
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| 52. Plea for Peace/Take Action | |
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| 53. Swing This, Baby! | |
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Amazon.com Reviews (18)
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| 54. Punk-O-Rama | |
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| 55. Punkzilla | |
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Album Description Reviews (4)
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| 56. New Wave Dance Hits: Just Can't Get Enough, Vol. 15 | |
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| 57. Lonely Is an Eyesore | |
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Album Description Reviews (16)
The first track is Colourbox's "Hot Doggie", their last effort before they disbanded. It's unfortunately lackluster, and in fact didn't reflect 4AD's sound in 1987 because the track was probably recorded several years previously. "Acid, Bitter, and Sad" by This Mortal Coil, a track that didn't make it onto their 1986 sophmore release FILAGREE AND SHADOW, is similarly dull. Third is "Cut the Tree" by The Wolfgang Press, and may entertain those who enjoyed that idiosyncratic band. Clan of Xymox's "Muscoviet Musquito" shows a band long past its prime. Throwing Muses's "Fish", a rerecorded version of a song from their demo for 4AD, 1984's "The Doghouse Cassette", is one of this collection's few decent tracks. The Cocteau Twins' contribution is the gorgeous "Crushed". Their sole output in the long wait between 1986's "Love's Easy Tears" EP and 1988's BLUE BELL KNOLL, this track does make a case for buying the collection, as the only place to acquire the song is here or in the Cocteau Twins boxed set. Dead Can Dance contribute two tracks. One is the original demo of "Frontier", which later made it onto their debut album. Recorded in 1982, this almost industrial piece shows a band very different from the baroque Renaissance and Middle Ages-oriented band that later caught the public's attention. The track features Brendan Perry drumming on gasoline cans filled with water, it is said only a single take was possible because afterwards the cans would be too beat up to hold water any more. The second track by DCD is "The Protagonist", recorded sometime between their second and third albums. That this track haunts it is almost enough to recommend avoiding LONELY IS AN EYESORE. "The Protagonist" consists of the same measure repeated over and over for nearly 9 minutes. At the time this collection was compiled, DCD was on the verge of releasing WITHIN THE REALM OF A DYING SUN, which many fans consider their greatest album. While they didn't contribute anything better than this atrocious track with all the great material they had will remain a mystery. While the artwork for LONELY IS AN EYESORE was among the best done by 23 Envelope, the CD unfortunately leaves out much of it. The insert is only a single page, and the paper is not of high-quality, which takes a lot of the impact out. The LP is the best way to see the artwork, if you can find it. Bottom line: if you're a collector of 4AD's releases, you need this CD because of its crucial role in the history of the label. However, if you are don't have a deep commitment to 4AD, this isn't a disc worth getting.
The video is, to be frank, an immense disappointment. Grierson is an incredibly talented photographer, one glimpse at his shots on the cover of This Mortal Coil's IT'LL END IN TEARS or on most of the Cocteau Twin's albums in the 80's will show that. However, he has little skill in creating music videos. The opening video, Dead Can Dance - "Frontier", is a chaotic, unevenly filmed mess (and Lisa Gerrard's bride-of-Frankenstein hairdo doesn't add any appeal for the viewer). Colourbox - "Hot Doggie" is the usual 80's video, instantly forgettable. Dead Can Dance - "The Protagonist" consists of mindnumbingly repetitive shots of foliage and the sky, and seems to lack any sort of message. Cocteau Twins - "Crushed" is an okay video, and the scene of Liz Fraser laughing after the song is rather charming, but one gets the idea that the video didn't intentionally turn out that good. The Wolfgang Press - "Cut the Tree" is hilarious, although I've yet to fathom what exactly it's getting at. Another problem with LONELY IS AN EYESORE is that the music has dated immensely. Although the tracks were wonderful at the time of their release and might have been considered to represent the best of 4AD's output in that era, the style now comes across as passe and doesn't captivate. Considering that Dead Can Dance were in their prime, the Cocteau Twins were getting ready to release the "Love's Easy Tears" EP, and This Mortal Coil had just done a bunch of excellent tracks (on its second album FILLIGREE AND SHADOW), 4AD's choice of tracks remains inexplicable. LONELY IS AN EYESORE is certainly worth buying if you're a dedicated 4AD collector, but for the casual fan of 4AD bands or 23 Envelope's design, it can be infuriatingly disappointing.
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| 58. The Grunge Years: Sub Pop Compilation | |
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once upon a time rock was cool, musicians were actually able to play their instruments, songs had melodies/lines/hooks/riffs, you could count on the lead guitarist (yep, once upon a time such an animal did exist) to explode into a frenetic solo, and then along came grunge...slow, droning tuned down guitars played by talentless clowns with whining, "woe is me" lyrics mumbled in a nasally, petulant poseur-boy over the top manner...with political correctness added for the b-o-r-e-d-o-m quotient. grunge quickly died a well-deserved death, and the result of the killing of rock/metal has been britney, christina, justin, and other overpromotoed mouseketeers...all thanks to kurt, eddie v., and the gang from seattle...way to go, guys.
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| 59. M.O.M., Vol. 1: Music for Our Mother Ocean | |
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| 60. New Wave Dance Hits: Just Can't Get Enough, Vol. 10 | |
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