Amazon.com

With its heavy-duty distortion, weighty rhythms, and cynical lyrics, Tool is a heavy metal band for the '90s. Rather like Metallica circa ...And Justice for All, the sound is focused heavily on texture, with vocals and guitars layered one atop the other, and heart-pounding drums underlying everything. There's not a whole lot of variety on Tool's second full-length album--most of the songs start off fairly low-key, kicking into high gear for the chorus, and repeat--but Maynard James Keenan's distinctive voice, the prog-rock stylings over a heavy metal base, and a supremely unhealthy dose of vitriol make this the perfect album to bang your head to. --Genevieve Williams ... Read more

Reviews (875)

A stunning album
Aenima is quite simply one of the only records I own that challenges me on an intellectual level every time I listen to it. Maynard's lyrics are intricate, often terrifying explorations into forbidden subject matter. The music is equally haunting, often spiralling into crescendos that cause one's pulse to quicken and tears to spring to one's eye.

Tool is metal with a small M, not the Death/Grind/Aggro kind. It's okay for Tool to have it's own category; they've earned it by breaking the genre. You're not cool because you listen to Tool, you simply have an appreciation for cool and ground-breaking music. Every song on the album packs an emotional and musical punch, especially "Forty-Six and 2", "Hooker with a Penis" and "Eleven".

"Aenima" is a song that pays homage to Bill Hicks' excellent comedy record "Arizona Bay", which is what will be left when LA falls into the ocean. Maynard's lyrics nail every single thing that is wrong with Los Angeles, while the music rages and writhes to complement the sentiments.

The songs that are actually songs are excellent. By all rights, this album should deserve 5 stars. HOWEVER: I was at first startled by and later put off by all the short songs packed in between the ones of substance. Every single one is deadwood and could have been chopped to reveal the true core of Aenima: the insightful and powerful music that is classic Tool. Many bands have done this (or the "Hidden Track" thing), with varying degrees of success. Most are pointless, and muddle what may be an excellent album.

Tool is, in my mind, one of the most brilliant bands of the past decade. While their style may not tickle everyone, I think the overwhelming majority of positive reviews on this page shows that Tool are truly a heavyweight in the music world and a true force to be reckoned with.

Fantastic
This album is Tool at their best. Expanded Song structures, great atmosphere, thoughtful lyrics, ironic humour. Thios has to be in my top 10 favourite albums of all time. It has a reputation for being a bit messy and true, it does sort of deteriorate towards the end a little. But there is so much good stuff on this album that any minor shortcomings are totally irrelevant.
What Tool did here was take the basic sound of Undertow, an inspired alt metal album, and add a huge helping of progressive rock. This is Pink Floyd for the 90s and beyond!
Its difficult to pick out individual songs as something you would um to yourself in the car. But that's not what this album is about. The most amazing thing about this album is that it manages to be so damn good and never does so cheaply. This album is inspired throughout.
The songs are epic, each wonderfully diverse pieces of music in their own right. While Undertow included songs in mostly standard song structures, this album blows structure apart. My favourite track has to be the tour-de-force, Eulogy. The mood in this song changes so many times, as does the pace. Its simply breathtaking. Tool also use their trademark "musical orgasm" as I like to call it throughout this album; this is a point in a song when they do something totally unexpected and you're left thinking "Oh yes!"
Maynard facilitates the mood changes wonderfully and he can show vulnerability one second, and bellowing machismo the next.
I could really go on writing about this album indefinitely but that would be pointless. Its simply a breathtaking experience.
Like I said with Undertow, Tool's not everyone's thing. If your looking gfor singalong catchy melodies look elsewhere. If you're looking for totally immersive progressive hard rock, I can't recommend this more.
One of the greatest releases of the 90s.

Think for yourself...question authority...
I know no one will ever read this. I don't care. This is my favorite cd EVER aside from Pink Floyd's Animals. Those two NEVER leave my changer. Tool, I fear, will never make another cd like this, much like the Deftones will never make another Adrenaline. Unfortunate as this thought is, it is made "all better" by the fact that this great recording is made immortal through the blessing that is the compact disc. Tool is most excellent...they are, I feel, the Pink Floyd of this acursed generation, melding their album art with the music. Cam De Leon is now one of my favorite artists, along with, Giger, Dali, Escher, and none other than Tool's own Adam Jones. In short, Tool's ultimate opus lies in this album. Most excellent.

Tool's Greatest Hits CD
An historical landmark of the American culture, AENIMA is possibly better than any other band's greatest hits CD. That's because it plays itself out like a greatest hits collection. Most of the songs are so epic and so destructive that the "annoying" intermission/filler tracks are necessary to divide the songs and let you gather your senses. Many of the individual songs are so grandiose, that I actually think of this CD as many mini-albums combined into one (with separator tracks in between). Many of these individual songs are higher on my ranking list than other rock band's albums or even collected libraries. These songs are simply deep... and then you start to hear the hooks... then you start to understand the lyrics. It takes a long time to digest this stuff. At some point in time, each of these songs has been my favorite. "Eulogy" may still be my favorite, and it's eight years old! This will probably always be the best album of all-time, in my mind. I don't see how anyone can ever outshine it.

Tools Best
A classic.Tool are some of best song writers ever. When you think of Tool you think of this Album. A lot better then Undertow. From Stinkfest to Third eye Theres not one song I dont like. Its lyircally a masterpiece. The music is so origanal. Something no rip off bands like Ear Shot will ever come close to. Tool have made place in music history. ... Read more

Album Details

The German Kings of Power Metal Never Stray Too Far from Controversy and this is the Follow Up to their Breakthu Album "Mutter". The Wall of Sound Comes at You at 1,000 Mph and Won’t Let Up! features the First Single "Mein Teil". ... Read more

Amazon.com

Bruce Springsteen followed his muse on this haunting 1995 release. Perhaps that's why it barely made a dent in the marketplace, even while it thrilled the faithful who were willing to take another dark, Nebraska-like journey with him. It's abundantly clear that Springsteen had been soaking himself in the work of John Steinbeck and Woody Guthrie during the writing of The Ghost of Tom Joad, but their combined influence is found on more than just the title track. It's all over these windblown songs (including the haunting "Dry Lightning" and "the seminal "Youngstown") and their hard-scrabble protagonists. Not the Boss's biggest record, but certainly one of his best. --Michael Ruby ... Read more

Reviews (83)

A Stunning American Classic
Don't get me wrong, I am primarily a maniacal fan of Bruce's rock 'n' roll masterpieces and his stupendous live shows, but his acoustic work shows equally important facets of his genius as a songwriter/musician/poet. These "Tom Joad" recordings have the haunting quality of Appalachian folk songs with the lyric depth of the poems of Federico Garcia Lorca or Dylan Thomas. I honestly can't think of another musical artist that has captured the heartbreak, complexity and hope of the American experience in the way that Springsteen has. "Galveston Bay" talks with quiet irony of way in which our nation of immigrants tends tragically to discriminate against each latest wave newcomers. And yet, by the end of the song, the antagonists finally relent and allow new blood to reinvigorate and replenish the American dream. "Across the Border" captures the mix of hope and illusion that draws so many to "El Norte." "Youngstown" speaks achingly of the betrayal of the American working man and woman. "Dry Lightening" paints a word picture of the itchy, discomforting freedom promised by true love and the unending horizons of western plains. I could go on and on. I never tire of this album. It still has the ability to change my life just a tiny bit for the better each time I hear it. If you don't love "Tom Joad" on first bounce, play it again and let its power seep into your soul. You'll never be sorry.

There won't ever be another CD like this
When 'The Rising' came out I went back and bought all of Springsteen's past collection. I came across 'The Ghost Of Tom Joad' and sat down to listen to it, not really knowing what is was about. It really blew me away, and for the first time I actually felt like I was pulled in to the album, thanks to Bruce's brilliant song writing. You listen to an album like this, which is so beautifully crafted, and then listen to basically any song from pop bands, you will be put into a new light. This is how music is suposed to sound, intimate, fun, and emotional. I can honestly say, if you buy this record you won't be sorry.

Out on a limb? It's artistic genius!
Bruce Springsteen's a reliable rocker. His lyrics aren't always the best, and his voice could use a little touchup, but people love him anyway. Why? He sings about the common man. And he's talented as hell.

On "The Ghost of Tom Joad," Springsteen finds himself at his peak--even if he had to leave the rock arena to do it. Sure, his electric guitar-fueled rockers are superb (find one rocker who's had a more lasting impression on various generations, past and present, than the Boss; and if you say McCartney, I'm gonna hit you). However, these gentle (mostly) acoustic numbers are sublime--graceful folk/country songs that sound the bells for the downtrodden (and Springsteen's multi-instrumental talent).

"Straight Time," for example, deals with a former criminal who can't seem to live a decent life; "Highway 29", about a fateful Bonnie and Clyde couple; "Youngstown," about a factory worker who needs a reprieve; "The Line," about a border guard who falls in love with a refugee; "My Best Was Never Good Enough," a darkly humorous tune about a man who just can't win, no matter what advice he's been given; and several other songs, most about immigrants and their troubles.

Yeah, it's a little opressing at first. Springsteen can be that way, when he's writing from his soul. And the album never really picks up, tempo-wise. It's not something you're gonna party to; but if you want good quality music, that'll make you think about yourself and the world, and shine a better light on your relations with others, then "The Ghost of Tom Joad" is your album.

A Masterpiece
As far as I am concerned, this is the best album Bruce has ever made. As I own practically every album he has released, I am speaking with some knowledge.

An amazing sequel to Nebraska
The Ghost of Tom Joad is one of the most haunting albums I have ever listened to. It was in fact listening to this album that I noticed the tremendous influence he has had on so many of our great singer/songwriters. The music on Ghost is tremendously affecting. It is Springsteen without his pop-enthusiasm. The songs are bare, and his tremendous talents as a songwriter really stand out for all to see. Ghost is a great album that showcases the considerable talents of one of our great songwriters. ... Read more

Amazon.com

One of the most striking debut albums ever released, this disc instantlyestablished Chapman as a musical force, and with good reason. Immediacy, integrity ofpurpose, and unqualified artistry are apparent in nearly every song. And while "Fast Cars"remains Chapman's best-known work, "Talkin' Bout a Revolution" is that rarest breed: asong which is both topical and timeless. Any exploration into Chapman's work shouldbegin with this at times stunning effort; it's a disc of remarkable uniformity and claritythat Chapman has yet to improve on. --Wayne Pernu ... Read more

Reviews (73)

Absolute perfection
I genuinely don't think this disk could be any better. There is not a single song on here that isn't a work of art. I owned this on tape initially, but I had to get the CD because the tape was getting worn out, because I listened to it constantly - particulary to Baby Can I Hold You, Why, and Talking About A Revolution.

Chapman's voice is stunning, particularly on the a capella Behind The Wall, which never ceases to bring a chill down my spine. I always thought I didn't like folk music, but Chapman has made me reconsider that belief. Her lyrics are meaningful, and the collection of songs come together to form an overall feel, a mood, that is extremely moving and empowering. She exemplifies how music can bring people together and be an impetus to change, ala the greats like Bob Dylan. Make no mistake -- this is a political album and Chapman wears her left wing leanings like a badge of honour. If you can't tolerate her political views, you probably won't like the album as much as her core fans. That said, her voice and the music itself may make it possible for you to give it at least an intial listen. Chapman is more than a singer and musician - she's a poet, and her message is one that I believe we all need to heed.

I highly reccommend this album to everyone. Even if you don't agree with her politics, hopefully she'll make you think. At the very least, you'll be listening to one of the purest, best voices in modern folk/r&b/soul around today.

Tracy tingles your soul with her lyrics & voice
Tracy Chapman's first album "Tracy Chapman" shows depth & bredth of an artist with at least 20 years more maturity and experience. The lyrics to her songs are deceptively simple yet manage to touch deep social issues and provoke contemplations on your world-outlooks. The songs "Talkin' Bout A Revolution" and "Fast Car" were her big breakout hits, but the entire album is stellar. A special standout is her chilling acapella " Behind The Wall"--if that doesn't wound you to the core, then turn in your membership card to the human race!

Time to call it a classic
I think enough time has gone by that this album should finally be called a classic.

With a voice this expressive, lyrics this blunt, and a musical sensibility this exciting and haunting ... Tracy Chapman deserves legendary status for this album alone -- even though she's made more good ones since.

Hard to imagine anyone going through teenaged years without lying in bed and listening to this at least once or twice. It's gritty and honest -- brutal, yet strangely comforting all at once. Made a whole generation want to buy guitars and make up their own songs!

One of the essential albums of the 80's!
Winner of 3 Grammys in 1988 for Best New Artist (one of the few winners that were the best of their years), Pop Female performance (Fast Car), and Folk Album. It was also nominated for Album of the Year, and Best Song & Record. I was shocked to find out that she lost Best Song to Bobby McFerrin for "Don't Worry, Be Happy". While I remember McFerrin's song, it has not aged well. But "Fast Car" still sounds relevant, with its telling lyrics about people who reach for a better life. A theme in her album is a cry to the lowly to try to rise above their conditions. While she doesn't give an answer how, she gives words of encouragement to let others know that there is hope.
On this album a lot of musical genre influences can be heard. You can hear things from Pop (Fast Car) to Reggae (She's Got Her Ticket). This was labeled as Folk music but it has such a blend of styles that you really can't categorize it. It's a great album and is mentioned many times when people talk of great debuts and great albums of the 80's.

Unparalleled
After almost 16 years and over 7 million copies of this album sold, each of these songs still bears an importance to just about anyone who is willing to listen carefully. Tracy Chapman tells stories, sometimes entertaining, always emotional, through her songs. Whether she is singing acapella or with accompaniment, her voice, lyrics, tone, and just about every facet of her tracks are inspiringly unique. Tracy Chapman is without imitation or contenders, for this album is truly without flaws. Besides being a work of art, it is excellent listening as well. ... Read more

Amazon.com

With his soundtrack for Eternal Sunshine of the Spotless Mind, Jon Brion has carefully crafted music every bit as quirky (and fascinating) as the movie itself. As he did with Magnolia and Punch Drunk Love, Brion has made a varied score filled with odd instrumentation, infectious melodies, and at least one or two near-perfect pop songs. Best of all, these offbeat tracks compliment the movie incredibly well, and stand on their own as great listening. Mood-wise, this soundtrack is all over the map: "Row" is a simple, haunting piano solo; the movie's opening theme sounds like the austere and melancholic notes of an antique music box; while the strings on "Drive In" are playful and inquisitive. Even the non-instrumental tracks are gems: Beck's "Everybody's Gotta Learn Sometime" and Brion's "Strings That Tie You" rank among these artists' best songs. A handful of well-chosen tracks from E.L.O., the Polyphonic Spree, and the Willowz rounds out this thought provoking disc. A gem. --Jason Verlinde ... Read more

Reviews (21)

A "Shining" Review
some of the songs aren't perfect, but wow, the ones that are, they hit their mark perfectly.

First off, I must refute the review that said the soundtrack's only hinderance is the willowz songs. I disagree. I think that they reflect the sort of indie punk vibe given off from the film. Not only that, but eh song "Something" is truly great. Its catchy and upbeat.

Not only that, but Beck's cover of "Everybody's Gotta Learn Sometime" by Krogis is beautiful. In the film it comes in at great, meaningful moments, and hearing it on the soundtrack recalls the film well. All in all its a great song.

Finally, the pieces from the film's composer, Jon Brion. Wow, some of them are truly brilliant. "Theme" is the first song and a great use of the minimalist style. "Phone Call", represents a sweet tender, and impossibly unexplainable moment of love from the film. But the song that struck the greatest chord with me (no pun intended), was the song "Peer Pressure". It happens during the scene in the film during which Carrey is wearing a cape, and it completely encapsulates one of the film's messages. The perfection of the love, the trueness of it, is reflected in the simple and moving piano notes, complemented by the building chords (violin?) in the background. Yet, as it peaks, just after its climax, its disolves and distorts into into a mess of noise quite quickly and then cuts out. To me, this symbolizes how the perfection of anything and everything will not last. That eventually that moment of perfection is over-- it has to end.

And what an end it is.

Great Album, better movie.

A ray of Eternal Sunshine in my dark, dreary CD collection
If you left the theater feeling as liberated and hopeful as Joel and Clem at the end of the film, you'll want to recapture those glorious emotions. Fortunately, you can... musically.

The disc opens with the title theme -- a lazy piano-driven number -- and segues into the deliriously happy "Mr Blue Sky," a tune that will leave you overcome by an impulse to skip down the street, smiling at every stranger you pass. This is the heart of the soundtrack -- a fantastic feel-good song that reminds you, as the movie did, that life is worth living in its entirety, despite any hardships you may encounter. "Light & Day" is a similarly warm, joyful tune that is equally upbeat. Polyphonic Spree's second contribution, "It's the Sun," slows things down a bit, but you'll keep on smilin'. It isn't till you near the close of the disc that the pace starts to drop. However, for once you won't be disappointed. You'll find that the conclusion is as natural as the final yawns that send you to bed at the end of a hectic day.

All in all, one of my favourite buys of 2004 -- vivid, emotional and, above all, real. This could easily be the soundtrack to anyone's life. I highly recommend this selection, as well as the film it accompanied. Five stars and then some.

I Love it
Jon Brion makes me re-think everything that went on in the beautiful movie. Especially "Theme", and Row." They remind me of the movie, and since the movie is so great, this soundtrack makes me feel good.

Significant due to Jon Brion's compositions
Jon Brion's compositions on this CD are phenomenally delicate. They possess a kind of ethereal beauty that I have trouble explaining, particularly "Phone Call," "Spotless Mind," "Collecting Things," and "Bookstore." I liken the feeling I get from listening to watching the sun rise, or looking up at rays of light from underwater. While I'm not a fan of some of the other songs on here -- those by The Polyphonic Spree and Willowz especially -- there are a few other gems, like Beck's "Everybody's Gotta Learn Sometimes," and Electric Light Orchestra's more upbeat "Mr. Blue Sky." As some others have said, I think Jon Brion's music could stand alone. Perhaps it would have been a better move to make a score rather than a soundtrack. However, it doesn't dampen the effects of his music -- it's worth the buy.

Disappointing
This music may have been very effective in the movie but it doesn't translate at all well to CD. I like Jon Brion and enjoyed his score for Punch Drunk Love but ultimately I found this soundtrack very dull. It's disappointing since the music was one of the things that really stood out for me in the movie. The main problem is that most of the pieces are too short, a few don't go for more than about ten seconds. This is annoying and doesn't allow you really get a feel for the material. Even the lengthier parts are generally cut off just as they are beginning to get interesting, the best example being track 3 (the name escapes me). The only redeeming features of this soundtrack are the first track, "theme", which is an absolutely lovely piano-based piece (I just wish this would have been repeated in different variations, as is the case with a lot of other soundtracks) and the contribution from Beck. I am a big fan of Beck and it's a really good song, though not as good as anything on his Sea Change Album. Some of the other songs just don't fit in with the mood of the score and it all just adds up to a very uneven listening experience. Make sure you give it a listen before you buy as I'm not sure that it would have much replay value for a lot of listeners. ... Read more

Amazon.com

"A Perfect Circle is not a side project," proclaim the members of Perfect Circle. It's a caution worth heeding, since the most identifiable name in the band is that of vocalist Maynard James Keenan, lead singer of Tool. On the other hand, one wouldn't be much inclined to file this one under "side project" anyway. The musicians involved go to great lengths to create something distinctive, and if the uniformity of sound can be attributed to the fact that guitarist Billy Howerdel (whose previous songwriting credits include Tool, the Smashing Pumpkins, and David Bowie) is responsible for the lion's share of the music, well, the others aren't exactly marching in lockstep. Keenan's vocals here are quite different from anything heard from him before. Subtle, thoughtful, sober, they're a far cry from Keenan's work with Tool, which is what makes this album more than a side-project curiosity. Mer de Noms has a life all its own. --Genevieve Williams ... Read more

Reviews (592)

Yes! At long last...review #439!
There's not a throwaway track on the whole damn thing, and that is in itself rare. "Mer de Noms" is a catchy, thoughtful blend of Tool's metal guts and Reznoresque atmosphere. The album could easily serve as an indie film soundtrack.

The consistent sound across the CD is a wet wall of guitar, metal drums, and the solid vocals of Maynard James Keenan. Trent Reznor was pleased to tour with Tool a few years ago, and you can tell they've listened to each other's stuff closely. "Rose," "Thomas" and "Renholder" each harken to NIN's "The Fragile" without being derivative (granted, Alan Moulder worked on both albums). Plus, Keenan's a better singer.

"Mer de Noms" is a more melodic, radio-friendly extension of Tool the same way that Foo Fighters is a catchier take on its ancestor, Nirvana.

It's just nice to hear an album with intelligent, well-sung lyrics that still has a strong, driving rock foundation and seductive rhythms. Twenty-first century thought-rock; that's as close as I can get for now. Typing this review is just a good excuse for me to listen to the CD again.

A Perfect Album?
APC have been both blessed and cursed by comparisons with lead vocalist Maynard James Keenan's other band, the excellent Tool. However, these comparisons aren't exactly justified. Perfect Circle is Perfect Circle and Tool is Tool. Both bands are unique, and their only real connection musically is through Maynard's vocals, which here sound far more vulnerable and emotional than his usual style.

The first thing that must be said about this album is that the performances given by all five members are all absolutely awe inspiring. Billy Howerdel's song writing ablility is second to none; Maynard James Keenan's vocals are better than ever before; Josh Freese is simply one of the best drummers on earth; Paz Lenchantin's bass playing is excellent, and her violin arrangements are simply perfect; and Troy Van Leeuwen's excellent guitar work is equally noteworthy.

Mer De Noms opens with the superb 'Hollow', one of the more upbeat songs on the album. Like many of the songs on here it has a wonderful chorus that you just can't get out of your head, with Maynards' vocals soaring while the music simply builds in intensity until the end.

Following 'Hollow' is the atmospheric 'Magdalena', one of my personal favourites and an exercise in controlled power. The atmosphere on this song is so thick you can almost taste it. There are some great guitar-noise breaks here before the song again builds up until it reaches an awesome intensity.. but without any kind of screaming or earache inducing yells.

'Rose' is up next, with its off-kilter melodies and strange bass/keyboard parts complimenting one-another perfectly. Some nice guitar solos without being over the top. (More pink-floydy than most rock/metal solos).

By now everyone will have heard 'Judith', the heaviest track on the album, expressing Maynards' rage at Christianity and Religion in general, with a great main riff and some superb 'bottle-neck' slide guitar.

'Orestes' is one of the more mellow tracks, with some excellent vocal harmonies and a wonderfully memorable guitar melody. Again this track (like much of the album) is intense without resorting to screams or heavy, pounding riffs.

'3 Libras' is one of the most beautiful songs I've ever heard. The lyrics are superb, complimenting the music perfectly, and the vocal work is astounding, particularly the end of the song which sees Maynard really opening up. The music in this song has an almost trance inducing effect, so well is it played.

'Sleeping Beauty' is one of the more heavy tracks, again intense and concentrated, simply due to the tightness with which it's played.

'Thomas' begins with a little melody played out on what sounds like an acoustic before the band kicks in with a riff that sounds like the world is ending. Brilliant.

'Renholder' is a strange interlude, consiting of another off-kilter guitar melody, with Paz Lenchantin's violin arrangements flitting around and complimenting it, along with Maynards' unearthly moans and sighs.

'Thinking Of You' has simply the best rock bassline I've heard since Ozzy's 'Perry Mason' from the 'Ozzmosis' album. I just can't get it out of my head!

'Brena' is almost ethereal in it's presentation. The vocals are again unearthly, and the music is absolutely superb, full of passion, and wonderfully emotive.

The album finishes with the NIN 'Fragile' soundalike 'Over'. Simply piano, a small amount of percussion and vocals. An odd, yet satisfying way to finish the album.

This really is a special album, one of those where you find yourself wanting to keep to yourself and treasure, and yet simultaneously shout its' praises from every rooftop until everyone knows just how great it is. There's something here for everyone, and everything here for someone. If you like your music passionate and intense, you won't be dissapointed.

Put a wicked smile on my face
Mmmmm, Mer de Noms sat in my CD player for a good three weeks, and more often than not I'd be hitting replay at the end. Rich and varied with a good shuffling between the hard and the soft. Absolutely nothing to skip. Favorite tracks, "The Hollow" for its vampiric themes, "Magdalene" for its sultry, unashamed hunger, and "Thinking of You," because even the bad guys need love songs.

Second Best Debuet Album Ever Behind Undertow
WOW. Brilliant. Masterpiece. ALL OF THE ABOVE

This is what music is.

Tool and A Perfect Circle deliver the goods each time out.

The Best Songs (All of them, but my faves)

The Hollow (10/10)

Great song to sing a long to.

Judith (10/10)

The Classic

Orestes (10/10)

The fan favorite. Takes a while to sink in but then it pulls you in

3 Libras (10/10)

Mjk proves to the doubters he has an angelic voice and can sing.
Great song to make love to

Brena (10/10)

Passionate song to his former/still/nobody knows Fiance.
Great song to make love to

Thinking of You (9/10)

The closest mjk might ever get to a rap song. Watch out 50 cent.

Renholder and Over are the seagues those fit in nicely.

Pick this up or you will miss out

Very good.
This is like the softer side of Tool, or rather the softer side of Maynard. Unlike Tool, this band is more melodic, and has simpler song arrangments. Yet it still has meaningful and powerful lyrics. Favorite song: Sleeping Beauty. ... Read more

Amazon.com

The sound of Southern rock gets a facelift for the '90s on Yourself or Someone Like You, the record that made Florida's Matchbox 20 a success story.Rob Thomas's charismatic and passionate vocal delivery carries this collection of captivating, personal-story songs, based on honest, heart-felt lyrics rich with cathartic emotion. Anyone who's felt so scarred by love that they can't imagine taking the chance of getting hurt again will relate to a song like "Push" (an exhilarating feminist anthem disguised as just another relationship-on-the-rocks song). A much-needed break from the alternative pack. --Gail Worley ... Read more

Reviews (575)

Okay , listen up
To everyone who says this cd is only 'semi' good and Rob Thomas isn't a good artist:

This is their debut album. And it's sold 30 million copies. This means that if you randomly take 300 people anywhere in America atleast 1 of them will own this cd.

Let's take a look at two of the biggest Alternative band's debut albums,

Bush. Their debut album was of such high quality it had 4 singles and sold over 8 million copies. With this they carved their name in the alternative scene forever.

311. Their debut album had enough quality to have 2 singles and sold 3 million copies.

Matchbox 20 on the other hand. Their debut album sold 30 million copies. More than those two combined and doubled. And it had the song quality to release 6 singles. Just because you got the cd and got bored of it because the radio plays them so much doesn't make rob thomas a bad musician.

Perhaps when you sell a 30 million copy 6 #1 single debut cd you can argue that you can judge rob thomas' skills as a muscian?

This is my favorite CD in the entire world!
This is truly my fave CD. It dosn't ever(and I mean it) come out of my stereo. Ever since I've owned it, I listen to it all of the time. Whenever my friends ask me: What is your favorite song on the album? I say: All of them! This CD is a totally all around type. You can rock on, or even cry to their music. A lot of their songs aren't exactlly what you'd call "PG", but their lyrics are very meaningful, whether they be "nice" or "bad". As you probably know, thier most fame songs are push and 3am., but the truth is, you'll be surprised when you hear the rest of the songs, they live up to push and 3am. Once, I asked my friend why they only advertise push and 3am? She told me it's because there wasn't enough room to write all of the songs onto the cover. I didn't have the CD at this time and I laughed and said, "yeah right!". A few weeks later I bought the CD, and to my surprise I totally agreed with her. Every song was a hit in my mind. The truth is that they might even be better than push! Wow, hold back, push is pretty tough to be better than. But anyway if you are looking for a CD that is new to you, but you want it to be good, then you can completely count on liking this CD. -K

Whether you like it or not, it's MB20 at their most basic
I feel compelled to write a review here to counteract everyone else who seems to have just bought the album within the last year. This is a great rock album, and if you want to know what matchbox twenty is about, this is your album. However, as someone who has followed the progress of this band since '96 when this album came out, I have to say, I enjoy their 2nd and 3rd albums a little more. This is not to imply that it's not worth listening to from time to time, but I feel as if Rob Thomas' songwriting skills don't hit their peak until Mad Season.

But, seeing as none of my friends understand why this is my third favorite band, most likely because the first two are Coldplay and Radiohead, I should probably advocate buying this album.

1. Real World- A great intro to the album. Musically, it gets overrun later on, however.

2. Long Day- Really an interesting song, since it briefly put the band on the map in the thrash rock genre. A lot of soulful lyrics in this one.

3. 3 AM- The most popular song on the album, it's worth a listen to and plays well with people at parties if you're just picking up a guitar, but gets old after a while.

4. Push- Totally underrated, it's one of matchbox twenty's best songs ever. It's controversial because some say that the lyrics imply sexual abuse, but Thomas claims this is not the case. A great tune and if anyone gets their hands on the acoustic version, they will love it even more.

5. Girl Like That- A little obnoxious, but it grows on you.

6. Back 2 Good- Really an awesome song, it lays down the foundations for some of their better depressing ballads. Great considering how it stands out in the middle of the album, keeping a listener's attention with it's sad lyrics.

7. Damn- A confusing song, I'm not sure if it's supposed to be twangy or rock or sad or what.

8. Argue- A good rock song and I wish they'd have pushed it as a single.

9. Kody- No one ever talks about this song, but I love it. Second best song on the album. It's sort of a sad tune about a homeless man (and one can hypothesize that Thomas wrote it about himself, a former homeless person).

10. Busted- Reminds me of a bad version of Feel (on MTYTYA).

11. Shame- Catchy guitar riff, and a good song.

12. Hang- Underrated, and sets the tone well for some of the acoustic songs on the next album (If You're Gone, You Won't Be Mine). A spectacular final track to an album, second only to Street Spirit of "The Bends."

If you adore matchbox twenty already, then you should probably not skip buying this. If, however, you want to get your money's worth in one matchbox twenty album, buy not their latest album or this but Mad Season.

AWESOME
This is one of the best CDs I own. I bought it because I loved "Unwell" and "Disease" but when I got it I saw how many other great tracks were on it. "The Difference" has very emotional lyrics that I liked, while "You're So Real" and the hidden track (about 10 seconds after "The Difference) were fun but just as enjoyable. I strongly recommend this CD to everyone. :)

excelent example of 90s rock
Great 90s band who is still making music today.

This cd has half a dozen great songs that you could listen to over and over again.

It is hard to catagorize: Easy rock, hard pop but basically it keeps you entertained but does not promt other people around you to turn it down.

The first 5 songs are the best. ... Read more

Amazon.com essential recording

An introductory drum roll drops out and is replaced by a single suspended electric guitar, which is then paralleled by a snare, filled in with the bass, and--crash!--"Cherub Rock," the opening track, is enveloped in an explosion of metal guitar. So the journey begins. This album is pre-experimentation vintage Pumpkins. Produced by Butch Vig (Garbage, Sonic Youth, Nirvana's Nevermind), Siamese Dream is first about guitars. Lots and lots of guitars. A very close second is Jimmy Chamberlain's unquestionably excellent power drumming. Throughout each song, Billy Corgan delivers angsty lyrics in his signature breathy whine. "Disarm" is a nice intermission halfway though the album. As the title of the song suggests, it throws the listener into a different mood with its full string arrangements and radiant orchestral chimes. But then it is back to the aural masochism--a pain that rarely sounds so sweet. --Beth Bessmer ... Read more

Reviews (352)

Read this now! ( I only said that to get your attention )
Sad songs, happy songs, angry songs, and "puffy" cloud-like songs. Steady melodic bass lines + Crackling drumwork + Brilliantly written solos + Billy Corgan's musical genieus + James Iha's musical talent=Siamese Dreams.Billy, James, Jimmy, and D'arcy take you on a bullet train to the human sole. This album contains the embodyment of every emotion you will ever feel. Sadness, love, anger, meloncholly, glee, and even awe(as in the awe of the album's power).James' guitar pick flys over the strings as he unleashes the beautiful solos. Jimmy's snare drum echos the beat of D'arcy's lullabying bass. Billy's voice goes from deep and sad, to loud and angry, to high and sweet. The Pumpkins are the best in the buisiness. This album is great in the car, at parties, or just to rock you to sleep. As a music fan I can't sing its praises enough. As a guitar player, musician, and a song writer, I have never been more inspired! - Tim(california, U.S.A.)

Sweet Dreams Are Made of This
Smashing Pumpkins` second album is not only one of their best but also one of the key alternative rock records of the early nineties. Combining grunge influences, metal, indie, pop, folk and rock, "Siamese Dream" uses diverse ingredients to deliver a strong and peculiar listen. Unlike some of the band`s latest releases, this album is mostly guitar-oriented, and many of the songs are loud and abrasive moments of energy. Highlights include the opener and memorable "Cherub Rock", the noisy and dynamic "Quiet" or the enticing and raw "Geek U.S.A.". These are powerful and alluring songs, full of strenght and dinamism. However, "Siamese Dream" also provides a couple of quieter and more calm tracks, such as the melodic classic "Disarm", the tender and melancholic "Spaceboy" or the terrific and unforgettable "Soma", probably the best song here. This record is a teen angst masterpiece and an essential work of art for the so-called Generation X, containing a strong collection of heartfelt, honest and innovative songs.

A vital and meaningful effort.

This is my favorite record of all time.
There aren't enough good things to say about "Siamese Dream". In my opinion, it's flawless; there is no filler and no note is wasted. The Smashing Pumpkins were unique, no other band could have written these songs, with all it's twists and turns. This has Billy Corgan's best lyrics as well.

"Cherub Rock" starts it all. It was the first single released back in 1993. "Cherub Rock" shows that Billy Corgan can sing. It has plenty of guitars of course. 10/10

"Quiet" is a real good rocker. The guitars churn, it's amazing. This is as heavy as it gets on the record (which isn't really heavy by my standards). 8/10

"Today" was the second single, and it is definitely one of the top ten singles of the 90's. Enough said. 10/10

"Hummer" is something only the Smashing Pumpkins could have wrote. It's great. It just twists and turns, goes from quiet to loud to quiet again, and it's almost 7 minutes long. This is probably my favorite song. The lyrics are great too. 10/10

"Rocket" I think was a single, well the Smashing Pumpkins have a video for it at least. I used never care for this song, but after seeing on the internet the Pumpkins playing this live, I became a fan of the song. It's another song that only the Pumpkins could have written, because it meanders and there's no chorus. Once again, I like the lyrics. 10/10

"Disarm" was the third single from this record. It has excellent lyrics to it. I guess the bells and violins in the song might bother people. But it doesn't bother me at all. 10/10

"Soma" starts off slow and dreamy and rocks at the end. I don't like it as much as I used to, but don't get me wrong, this is still an excellent song. 8/10

"Geek U.S.A." rawks. It is my second favorite track. You have to hear a live version of this song, it's just incredible. I don't think that anybody but Billy Corgan could have thought up this rocker. 10/10

"Mayonaise" is many people's favorite SD song. I think it's great. The beginning sort of reminds me of "Tuesday's Gone" by Lynard Skynard. I can't believe this wasn't released as a single for radio play! James Iha co-wrote this one. 10/10

"Spaceboy" is about Billy Corgan's brother. It means a lot to him. But I still think this is probably is the weakest track on "Siamese Dream". 7/10

"Silverf**k" is pretty cool. It has real hard rock moments at the beginning and at the end. In between in is like a dream rock sequence. It's the longest song, clocking in at 8 min. 43 seconds. 8/10

"Sweet Sweet" is a nice little short song. It sounds like something that could have been on "Mellon Collie". 9/10

"Luna" is a quiet lullaby to end a great album. 9/10

I admit, I'm a little biased about "Siamese Dream". It is my favorite album by my favorite band. But I do recommend that you buy "Siamese Dream" because it has little bit for everybody. Plus it's an excellent introduction the Smashing Pumpkins.

Smashing Pumpkins Cherub Rock To the Top of Alt. Rock
Siamese Dream(1993). Smashing Pumpkins' Second Album.

Around 'Siamese Dream''s release in 1993, Grunge was ruling the airwaves, with bands like Nirvana, Pearl Jam, and Soundgarden achieving massive sucsess, and the Smashing Pumpkins set out to achieve the same sucsess as their counterparts. Instead of combining Heavy Metal, Alternative Metal, and Punk like the other bands, Billy Corgan set out to do something totally original, combining influences of Heavy Metal, Alternative Rock, Goth Rock, Progressive Rock, Goth Rock, and even Psychadelia, mixed with creative and heartfelt vocals, and a swirling, distorted guitar, and frequent solos. Because of disagreements inside the band, Corgan played almost every instrument besides the drums, which Jimmy Chamberlain played. He vowed that if Siamese Dream didn't do well(Like the previous album 'Gish'), Corgan would disband. He didn't have to worry. 'Siamese Dream' quickly rocketed into the Top Ten, eventually selling over 4 Million copies in the progress. It spawned the Alternative Anthems "Cherub Rock" and "Today", while the soothing ballads "Rocket" and "Disarm" also became big hits. Although not quite as sucessful or inspired as 'Mellon Collie and the Infinite Sadness', 'Siamese Dream' stands as a definite triumph for the Smashing Pumpkins. Read on to find out why...

Track Ratings-

Cherub Rock- The Pumpkins start the album well, blending Corgan's distorted guitar and vocals to create Alternative gold. Very heartfelt!

Quiet-Chamberlain and Corgan thrash 'Quiet' out, and Corgan's vocals are very soothing behind the chugging distortion.

Today- 'Siamese Dream''s biggest hit, and why not? My favorite also, Corgan's oddly symphonic vocals behind the gothic guitar riff blend to create a masterpiece. Not as dark as it sounds, but actually very heartfelt.

Hummer- One of 'Siamese Dream's longest, "Hummer" is a blend of Alternative Rock and Prog Rock, and the end result is a hard rocking ballad that is simply beautiful. Love the solos!

Rocket- Corgan belts out guitar chords and vocals reminiscent of "Today", except adding more depth to the chords and riffs. Great songwriting!

Disarm- Corgan's brooding lyrics and solemn acoustic guitar, blended with cello's and violin's in the background, create a surreal ballad that is totally original. Superb.

Soma- Prog Rock at its best, "Soma" chugs along slowly at the start, but soon the distorted guitars sweep in, and soon Corgan belts out impressive vocals and an even better solo. Another "Hard Rocking" ballad, this song is very good.

Geek U.S.A.- After two ballads, the Pumpkins come back with a heavy Alternative Rocker, combining Corgan's spontaneous riff(He changes it often) behind his vocals works well. The song goes through many different musical measures, from slow to fast, and this song shows sophisticated talent. Great solo.

Mayonaise- Another ballad, Corgan's pained heartbroke vocals, behind the slow melodic guitar riff create an amazing song. Great solo!

Spaceboy- Once again, Corgan blends his syphonic vocals along with the cello and the violin, not to mention the oddly distorted acoustic guitar to craft yet another superb ballad.

Silverf*ck-Tied with "Today" for my favorite, "Silverf*ck" is Alt Rock at its best! Corgan's Metallic riff sweeps in at blistering speeds, and Corgan's whispery vocals mix well. The song slows down for a while, but at the end Corgan and Chamberlain showcase their incredible speed. Prog Rock + Alt Rock= Masterpiece!

Sweet Dreams- Another ballad, Corgan's melodic vocals, sinfully sweet acoustic guitar riff, and the deep lyrics keep this short song from being filler.

Luna- "Luna" ends the album slowly, and the Smashing Pumpkins remind me a little of Coldplay, using Corgan's vocals primarily while adding in odd instrumental beats. Easily Siamese Dream's worst, it's a little too slow, yet it manages to still be good

Overall, I found 'Siamese Dream' to be an Alternative Rock milestone, and Corgan's clever mixture of Melodic vocals and Distorted guitars never fail to please. 'Siamese Dream' has a little something for everybody, ranging from Hard Rock, Alt Rock, Hard Rocking Ballads, and Soft Ballads, and the range of the songs is impressive. Though not quite as good as 'Mellon Collie And the Infinite Sadness', 'Siamese Dream' should appeal as much as the other.

HIGHLY RECOMMENED! FANS OF PROG ROCK, METAL, ALT ROCK, AND THE SMASHING PUMPKINS WOULD HIGHLY ENJOY THIS ALBUM! ALTHOUGH NOT QUITE AS GOOD AS PEARL JAM, THE SMASHING PUMPKINS WERE ONE OF THE 90'S DEFINING ALT ROCK BANDS!

Also Recommended-

Mellon Collie And the Infinite Sadness-Smashing Pumpkins
Ten-Pearl Jam
Superunknown-Soundgarden

Thanks For Reading!

Some people just don't know what they're missin'!
The Pumpkins' Siamese Dream is a lovely rock album with its fuzzed-out guitar wanderings and beautifully-bizarre lyrics that only us Pumpkins fans can appreciate, and dare I use the L-word... Love? Of course, the same can be said about their debut Gish, but Siamese Dream has a slightly delicate edge to it that makes it more dear to me. "Today" and "Disarm" are my absolute favorites, but there are quite a few gems in there alongside material that sounds like a massive wall of noise to an unfamiliar listener. The person below who only likes the Siamese Dream singles is missing out on more than they realize when they say they aren't going to try listening to another certain Pumpkins album. That's a hint to run over to a place that lends out CDs (like your library) and borrow "Mellon Collie and the Infinite Sadness"! It's such an amazing double disc set! "Bullet With Butterfly Wings", "1979", and "Tonight Tonight" are nary impossible to not enjoy! ... Read more

Amazon.com

On her third album, Chambers has weathered a storm of publicity and expectation by clinging to her deeply southern--as in Australian--roots. She stands by her Dead Ringer Band kin (brother Nash Chambers produces and father Bill Chambers plays lead guitar), and her delicate songs continue to celebrate the innocence and wonder of loving and being loved. The slight adult-contemporary sheen never outshines the blues and bluegrass flourishes--indeed, "Follow You Home" rips like a Del McCoury breakdown--as she explores all the poetic potential of the conditional voice. "If I were lost would you shout my name out loud?" and "If you were a river run dry, well I'd sing you sweet by and by" are more than coy conceits. They're unforced glimpses of grace, earned by remaining faithful to who she is. Even in a holding pattern, the sweet strength of Chambers's voice and songs find room to soar. --Roy Kasten ... Read more

Amazon.com

Maynard James Keenan is known for venting his personal angst through the abstract metal of his former band Tool and the poisoned art rock of his current outfit A Perfect Circle. On the group's third full-length release, however, the songwriter drops the high drama and gets blunt: War is bad. Politicians are evil. The world is doomed. To support his case he delivers a handful of politically charged originals and unusual Eastern-influenced covers of crusty anti-war anthems like John Lennon's "Imagine" and Marvin Gaye's "What's Going On." You could never accuse Keenan of being predictable. --Aidin Vaziri ... Read more

Amazon.com

Rapper and producer Lyrics Born was part of the fertile Bay Area underground rap scene for a decade before he finally dropped his debut Later That Day in 2003. That highly-anticipated album was really good, if not a little samey. See, LB. had made his rep largely by collaborating with others, spicing up tracks by the likes of Blackalicious, Tommy Guerero, and Poets of Rhythm. When it came to crafting his own album on his own time, he didn’t fall flat by any means, but something of that sense of crazy urgency was lacking. And here we have a remix album that trumps the original, showing that Lyrics Born was truly meant to work with others. He’s got quite a crew helping him too, DJ Spinna, , KRS-One, and Dan the Automator among them. It’s fun, weird, and flows really well despite the crazy eclectic style. Hooray.--Mike McGonigal ... Read more

Reviews (7)

Vibrant
This would be my first Lyrics Born purchase, with limited instances of hearing him before. LB is an MC hard to pinpoint. You can easily say that he is an all-around MC. This is the most eclectic Hip Hop album to come out this year, no doubt.
Most of my favorites came near the beginning. "Hello" gets me really amped, and is a very fun song that doesn't resort to destructive lyrics. "Pack Up(remix)" w/Evidence and KRS-One is a full-blown banger, and is really enhanced with the last verse done by the legendary Teacha. "I'm Just Raw" is an awkward, but infectious, battle track, while "Do That There" is just nuts. Very unique! That moves into "I Changed My Mind" where he begins crooning, and is the best instance of that off the whole album. I liked this song too. LB is too versatile for his own good! I mean that in a good way. It's very natural when he switches up from flowing one track to crooning the next. You may barely even notice if you're not paying close enough attention.
"The Last Trumpet" w/Latryx mate Lateef is a pulsating rallying call, and has some really nice political and social lyrics with great chemistry between the two. I actually enjoyed the slower "Over You"(w/ his wife Joyo Velarde) and enjoyed the next one "I Can't Wait For Your Love"(w/ Joyo again) even more. I'm a sucker for lyrics, and while I didn't find LB is be a superior lyricist, his eclecticism and versatility is irrefutable. Plus, he does flex lyrical muscles on tracks like "Do That There" and "The Last Trumpet," among others.
Overall, the eclecticism and production make this album a winner. The production is great throughout, and is as eclectic as LB's styles. There are instances of funk, soul/R&B, hard bass, and just pure Hiphop that give this album such a vibrant quality. For now, it's one of the better Hip Hop albums of the year, and something worth checking out. The excellent bonus DVD makes the purchase a wise investment.

Lyrics Born Joins Quannum's Top Ranks

It's 2005 and, since his beginnings as MC Asia Born, Lyrics Born has undergone a massive artistic transformation. The high-pitched freestyle ramblings, off-kilter flows, and nonconformity that once defined Latyrx and the Quannum Projects collective are completely absent from "Same !@#$ Different Day."

Instead, LB has mastered his craft as both a versatile emcee and, in the post-Jay-Z era of hip-hop, involuntary businessman. The insipid beats found on "Later That Day" have been replaced with top-notch production from Jumbo The Garbageman, Dan The Automator, Chief Xcel, and DJ Shadow; and the album also includes a DVD chronicling Lyrics Born's career.

But the true highlight of "SSDD" is LB's phenomenal range. He gets downright funky one minute ["Do That There (Hoo Hoo Mix)"], and then vents all of his angers and frustrations the next ("Shake It Off"). On "I'm Just Raw," LB utilizes a Stuart Smalley (of SNL fame) phrase to belittle his competitors, and then croons his heart out on "I Change My Mind (Rattlesnake Mix)." The already larger-than-life political anthem, "The Last Trumpet," is remixed into a Latyrx classic; complete with paranoid whispers, a DJ Shadow scratch solo, and progressive warnings of the country Americans REALLY live in. The album then climaxes with "I Can't Wait For Your Love," LB and Chief Xcel's ode to committed couples, and "Callin' Out (Remix)," where E-40 and Casual drop candy-painted flows bound to get a few rumps shaking.

In terms of faults, the sequencing on "SSDD" could have been better. DJ Spinna's remix of "I Changed My Mind" is both poorly executed and blatantly unnecessary, while Morcheeba's remix of "Stop Complaining" would have fit in around mid-album.

Other than that, however, Lyrics Born has created his most cohesive album - group-wise or solo - with "SSDD." The album deserves your ducats for its sheer positivity and ambitious lyricism, if not for its rock solid production. Lyrics Born - already the best live performer in Quannum - can now claim bragging rights as one of the label's premier artists; and after 12 years of grinding it out on the independent hip-hop scene, those rights are well deserved.

quit bein stupid and buy this album.
maybe i'm just nuts, in fact i probably am.at least that's what my last therapist said.regardless - this is the best hiphop album to drop in 2005 - all you palookas out there still listenin to lame hip POP need to toss out your old eminem, 50 cent, li'l jon, and... well you get the idea.use 'em for coasters or somethin'.but LISTEN to this cd.even better get it on 12".this is the truest and illest hiphop currently, the fact that The Blastmaster Himself KRS-One appears on the album should be proof enough of that for any true hed.can we get Chuck D on the next Quannum?i WISH someone would bring back '88... before hiphop went all screwy.LB and crew (and special honored guests) are here to straighten it, and YOU, out.word.

Quannum does not disappoint...
I found this CD yesterday on accident. I'm a HUGE fan of all of the Quannum artists (Blackalicious, Lateef, Joyo Velarde, DJ Shadow) and was just looking around in the L section of the record store when I saw this. Now I usually wouldn't buy a 'remix' album. I mean, I assume that it would just be the same songs rehashed. But I knew this one would be different. I was right. This is an AMAZING CD with new songs as well as great takes on old favorites. Here's how I rated each song:

1. Intro (4 Stars) - Well, this is an intro... but it keeps with the same vein as LTD, and I liked the ambient feel.

2. Hello (5 Stars) - Wow, I haven't heard much of Lifesavas, but their production can be felt on here. Easily as funky as DJ Shadow or Lyrics Born's own beats, this is a great song to start the album off with. (It's weird that it ENDED the last CD). Very dancable.

3. Pack Up (4 Stars) - This was a great song, and it was great to hear the Godfather, KRS-One, as well as Evidence spitting on this track. It wasn't as unique as the others, so I don't give it five stars, but still a song to bump in your car.

4. I'm Just Raw (4.5 Stars) - Very funny and intelligent battle rap. Good to hear a rapper come up with reasons why he's good besides his b*****s and money.

5. Do That There (5 Stars!) - Wow, one of my favorite moments on LTD was the nonsense of the third verse of Do That There, and him rhyming 100 words that were off-the-wall. Now he gives us a WHOLE song where he does this, and it rivals the flowing ability of Gift of Gab. My third favorite song on this CD.

6. I Changed My Mind (Rattlesnake Mix) (4 Stars) - Very funky, very original. I like hearing Lyrics Born belt the funk and take a break from rap, but seemed too long after a while.

7. Bad Dreams Interlude (5 Stars) - Great way to remind us of the FIRST Bad Dreams cut.

8. Shake It Off (5 Stars and more...) - This is my favorite song on the CD, and the one where he doesn't rap. A lot of people where tripping when he sang on his first CD, but people don't realize that this is Bay Area HIP-HOP, not RAP. Hip-Hop is being funky, and flowing over a great DJ or producer, whether it be singing or rapping. And he really funks it up to the level of Sly or P-Funk.

9. The Last Trumpet (4.5 Stars) - First mellow song, and done properly by DJ Shadow. I enjoyed it, but it still seemed too similar to the first cut, so I couldn't give it 5 stars.

10. Over You (3.5 Stars) - Not totally feeling this one yet, may need to listen to it in the right mood. Not bad, but his next track is a better duet with Joyo.

11. I Can't Wait For Your Love (5 Stars) - This song is more proof that Lyrics CAN speed it up AND slow it down whenever he darn well feels like it. And I'm not stopping him. Very poignant song.

12. The Bay (4 Stars) - Nice song, good to hear a shout-out to the area responsible for such great underground hip-hop. I wasn't feeling the LB feel as much on this, but a great track nonetheless.

13. Callin' Out (4.5 Stars) - And here, the funk comes back in. Tight track, E-40 should've rapped at his normal pitch, but overall keeps the party goin'.

14. Outro (5 Stars) - Nice outro, tones it down for us.

15. Stop Complaining (5 Stars) - Holy crap, more songs? Nice! This is my 2nd fav, and it's VERY funky. I actually didn't like the beat at all on the original, but I can listen to this song 5 times in a row, and STILL hit repeat. LB & Capricorn work well together.

16. I Changed My Mind (DJ Spinna mix) (3.5 Stars) - It was a good song, but it wasn't right for this CD. If it was on a DJ's CD, or maybe on a more relaxed CD, I wouldn't mind. But I'd rather listen to the Stereo MC's version to keep with the LB funk explosion.

Overall, this CD is well worth its money, and I would've even payed double for it. I played it at a party that same night (last night), and had all the girls dancing in a second. Get this CD if you like funk, underground hip-hop, soul, or if you're just looking for that feel-good CD.

LB remixed
"Same S!@#$ Different Day" is one of those rare occurances where the remix album is stronger than the original album.I thought the original Later That Day was good but it didn't do that much for me.This remix album is underground hiphop from the bay area, with good beats.

The Quannum-label as usual, means it's good stuff.The beats are stronger on the remix album.The songs seem to have more energy.

It's odd that the album is tighter on the second go-around.Well worth the affordable list price! ... Read more

Amazon.com

The Dirty South is the sixth album by Muscle Shoals, Alabama-based Drive-By Truckers. While previous Southern rock bands have celebrated certain regional mythologies, this quintet revels in the towering glory of small, gritty realities. They can kick up a righteous storm, as on the country lick-filled opener "Where the Devil Don't Stay," or the swamp and fuzzy "Lookout Mountain." However, within the latter is a daunting verse: "If I throw myself off Lookout Mountain, No more for my soul to keep, I wonder who will drive my car, I wonder if my Mom will weep." It's clear these guys deliver emotional wallops at every turn. "Carl Perkins' Cadillac" honors the honesty of Sam Phillips, while writhing in the melancholy of changing times and circumstances. --David Greenberger ... Read more

Amazon.com

While artists like Beck and Radiohead see every new album as an opportunity for reinvention from the ground up, Cake has no such hang-ups. From the uniformly rustic cover art, the jerky rhythms and wobbly trumpet solos, each of Sacramento band's albums is reassuringly interchangeable. But on its fifth, the group's most distinguishing characteristic--John McCrea's deadpan, detached vocals--seems to have been given a makeover. On songs such as "No Phone" and "Tougher Than It Is" for the first time the singer seems, well, like he's actually trying to sing. It's nothing dramatic--the music will still sound immediately familiar to those who even in passing have heard hits such as "Short Skirt/Long Jacket" and "The Distance"--but with certain bands a little goes a long way. --Aidin Vaziri ... Read more

Amazon.com

Having delivered their last great album with 1992's haunting Automatic For the People, R.E.M. spent more than decade attempting all kinds of reinvention, from the pointlessly noisy Monsterto the painfully dull Up. But with Around the Sun it feels like the band is getting its bearings back. Not only is it the Georgia trio's most consistent album since the 1997 departure of drummer Bill Berry, but it also sees the return of the lush imagery and intricate playing of the band's vintage years. There are trains, mandolins, Man Ray skies. More importantly, it seems heartfelt. Witness the gorgeous disquietingly dark opener "Leaving New York," the rapturous folk of "I Wanted to Be Wrong" and the solidly intense "Boy In the Well." At 13 generous tracks, it's far from perfect but--just when everyone thought R.E.M. was down for the count--Around the Sun is an unexpected bruiser of a comeback. --Aidin Vaziri ... Read more

Amazon.com's Best of 2001

Everything about Tool's fourth album is an experience, starting with the packaging, which consists of liner credits printed on a translucent plastic sleeve over the CD and a booklet that layers anatomical representations atop one another--the first page pictures musculature and blood vessels; the next, bones; the third, internal organs; and so on. It's worth describing the packaging of Lateralus because it says much about the astonishing music within. Maynard James Keenan and company understand the expectations riding on this much-anticipated release and they've delivered the goods! While it remains in the Tool tradition of trance-inducing progressive metal, Lateralus is tighter, clearer, crisper, and all around a notch above their admirable previous releases. Aenima was marred by muddy production and a certain predictability. Undertow had a cleaner sound but wasn't as confident or adventurous. With Lateralus, Tool have raised an already lofty bar still higher by coming up with a collection that kicks major ass. --Genevieve Williams ... Read more

Reviews (1421)

Tool=Music for the mind
When it comes to music that messes with your head, the most unique (and greatest) band in the world is Tool, led by music mastermind Maynard James Keenan. Like greatly-produced electronic music, their sound is absolutely flawless, free from all error and leaves you guessing the meaning of the song you're listening to.

The band got started in 1992 with "Opiate", a six-song Ep that offered crunchy guitar riffs, fast drumming, and enraged lyrics. It gave fans a good taste of what was in store for the band in the near future.

In 1993, Tool released their first full-length, titled "Undertow". It featured ten awesome songs from the tortured psyche of Maynard, dealing with alcohol, child abuse, and self-doubt on instant classics such as "Prison Sex" and "Sober".

1996 came along, and with it, Tool's breakthough album, "Aenema". The band began expanding their sound at extreme lengths while also creating even deeper meanings into even longer songs such as "Stinkfist", "H.", "Forty Six & 2", and one of their best (and longest songs) ever: "Third Eye", the album's closer.

Until now, all Tool fans have been waiting in silence. Waiting for when the band would release their next breakthrough album.

Five years have passed. And now, after a long, tedious wait, a new album with a perfectionist's touch is upon us: Lateralus.

Anyone who is reading the bad reviews about this album musn't listen to them. They don't know what music truly is and don't understand this band's sound.

The songs and lyrics are deeper, longer, and more complex than they ever were before. None of them fail to impress, either, from the headbanger's delight, "The Grudge" to the mysterious, ultra-technical drumming showcase, "Faaip De Oiad (Voices of God)".

Tool has also managed to include a few instrumentals this time around as well, instead of adding boring interludes. Many of these instrumentals are acustic tracks, such as "Eon Blue Apocalypse", "Parabol", and "Disposition". "Triad" is a furious tune that, like "The Grudge", is another headbanging tune. "Mantra" is a display of eerie, atmospheric moaning that links seamlessly into "Schism", yet another awesome song.

Other honorable tunes: The Patient, Parabola, Ticks and Leeches, the title track, Reflection (a relaxing and experimental tune where the drum sounds like a beach ball bouncing on a table). Actually, every song here is good.

Why are you still here? Go out and by this masterpiece, NOW!!!! You won't regret a single second.

Welcome back, Maynard and friends. You've released yet another flawless recording that will be remembered for a long time.

Tool - Lateralus
Tool, a band that is progression personified, has left their previous albums in the dust with the release of Lateralus. A collection of tracks 78 minutes long and anticipated since 1996, Lateralus engages and hypnotizes for its entire duration. I can find nary a flaw in this latest venture by Maynard & Co.
The big thing in the album is the advancement of Tool's content. While most of their stuff has been consistantly original, it has also been a bit redundant. Tool manages to mix things up in this album while also making everything flow. Listening to this album can be most readily compared to looking at a Salvador Dali painting: It's strange and complicated, and requires you to think, but in the end, it is an enchanting and, if nothing else, memorable experience.
Tool seems to not only have surpassed Ænima audibly, but lyrically as well. The words in the songs come together amazingly with the music to produce a vibrant mental image as you listen. Perhaps this is because the lyrics on this album are so visual. The songs truly must be heard to be appreciated; most of them just defy description.
And of course, the ending tracks are no exception, regardless of what some may have said. "Disposition" serves up an eerily mellow treat to ease you into "Reflection," what I believe to be the most powerful track on the album.
Not to mention, the Art Bell radio program makes a nice appearance near the end.

I like it better than Aenima
Opiate was good, Undertow was better, Aenima was awesome, but this one surpasses all of them because it is superb! "The Grudge" is an amazing opening track, "The Patient" is awesome, "Schism" is alright. tracks 6-9 are a great lineup. The drums in "Ticks and Leeches" give me chills. "Parabol" and "Parabola" are great and "Lateralus" is my second favorite song on the album. my favorite though is "Reflections" this song took a while to grow on me but i love the way it is put together some of Tool's best are the songs that are 8 min or longer and this one is the best Tool song that is 8 min or longer. Oh yea and I love the instrumentals on this cd

Lateralus
Very good album. I listen to it a lot.

A gem.
What makes Lateralus so great is the sound. Each track is a journey through vibrant, diverse tunnels of sound. Emotional lyrics and superb vocal work from Maynard (as always). I recommend this CD to Tool fans and any fan of just plain good rock music. ... Read more

Amazon.com

It's never easy following up a multi-platinum success, but Canada's Nickelback's latest seem sure to match the sales of the many-million-selling Silver Side Up. The formula remains pretty much the same--nothing fancy, just radio-friendly grunge that lends an appropriately dramatic backing to the powerful and increasingly confident voice of Chad Kroeger. Aside from the fast and punchy opener "Flat on the Floor," the tough, staccato "Because of You," and the Oasis-like "Figured You Out," the band deal exclusively in soft-rock anthems (soft, that is, by 2003’s pulverizing standards). The only real change here lies is in Kroeger's lyrical concerns. Where 2000's The State found him suffering the frustrations of small-town life, now he's tortured by a heavy touring schedule that promotes destructive drug abuse and strains relationships to breaking point. That said, you can't help feeling the ruthlessly analytical Kroeger woul