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Now that Beck has effectively exorcised his personal demons with 2002's hyper-confessional Sea Change, he can get back to the business of being a total fruit loop. We all know what that involves: video game sound effects, random shouting in Spanish, and rhymes about popsicles and vegetable vans. And that's just the second track. Guero is like every Beck album condensed into one, a no-holds-barred collision of two-turntables and a microphone with the added bonus of guitars, bossa nova beats, Jack White, lyrics about spaceships and dump truck full of ideas all fighting to get heard about the ruckus. It's an exhausting and exhilarating listen with lots of peaks, such as the digitized power ballad "Broken Drum" and handclap drench folk freak-out "Farewell Ride," and more than enough to restore anyone's faith in Beck as one of the most chaotically inspired songwriters of our time. -- Aidin Vaziri ... Read more

Reviews (155)

Phenomenal
Beck is truly one of a kind, and that is what makes his music always enjoyable.You never know what Beck is going to do and that unpredictability factor always makes a Beck album engaging. Too many musicians today are too cliche and you can always predict what direction they are going to take.With Beck, you're in for a surprise ride everytime.

What is unique about GUERO is that it doesn't just appeal to one audience.While Beck may be rocking out with hard guitars on his first single (and notable track) "E-Pro",he doesn't just use a standard drum set.With the Dust Brothers (Beastie Boys) producing he uses drum programming that hints at a very catchy hip-hop edge. Beck goes full fledge alternative hip-hop on "Que Onda Guero" while he chooses a conservative beach rock sound with synth and all on "Girl".

After an engaging three hit track start, Beck disappoints somewhat on "Missing".His follow-up track "Black Tambourine" again uses a Dust Brothers hip-hop beat.While it is a good and fun track, it isn't the caliber of "E-Pro", "Que Onda Guero", or "Girl".

Beck comes back strong with the hip-hop synth arrangement on "Earthquake Weather" where Beck sings with his typical folk/indie-rock style over a genius arrangement."Hell Yes" is another stellar track.Who couldn't say hell yes to that?

While all the tracks on the album are enjoyable listens, the first few and the above mentioned are the best.Beck should definitely be recognized by the Grammys for this. It is an artistic masterpiece.It is a breath of fresh air when an artist doesn't conform to the commercial aspects of music and goes for the independent approach in producing whatever they want to.You keep on doing your thing Beck and hell yes your album is cool!

The Resurrection of Beck
Beck returns in full force and great musical shape with a Cd that runs the gamut from psychedelic Jimi Hendrixlike rock to Jobimish bossa nova travelling through Pinkfloydesque ventures.
True talent exudes from this offering from the first funky single E-Pro,the ethnic QUE ONDA GUERO,the definite next single GIRL and the dark yet inspiring BROKEN DRUM.The presence of BECK in the music world is an inspiring element and reassuring thought that talent lives on,be it hailing from East L.A. or from Topeka

Pretty Good 4 a Guero
EASolinas has the perfect description : Distortion Rock a la Latin Hip-Hop . I made my fantastic edit of Odelay , Midnite Voltures and Guero called : Mixd Emotions ... Six of each ... This Guero is pretty inventive and keeps life a fresh ... Sea of Change I like all of It as it Is ... I guess I am a real at heart 70's child ... Keep it comming ...

BECK RETURNS (AND SAVES THE WORLD)
Alright, alright. We can all get over ourselves now. After months of pointing the Salem-witch-hunt-like finger at Beck and enceremoniously saying that his career has come to a dead stop, I think we need to listen to this album. Because the fact is that if any other upstart band or artist came out of nowhere and produced Guero, we would be hailing them as surefire Messiahs. They would be plastered all over every magazine, poster, t-shirt and record store and would win the Mercury and/or Shortlist prizes before the award ceremony could be put on.

This isn't Beck's best album. But does that really matter? That's like criticizing Abbey Road for not being as good as Sergeant Pepper's. The fact of the matter is we have a truly genious artist (Beck) producing a really great, fun, listenable-yet-challenging and completely original album (Guero) that can only be classified in one genre: "Beck music".

But, "Gasp!" you say. "He isn't creating a wildly new aesthetic and changing the music scene singlehandedly!". "Oh no!" you cry, "Some songs teeter on, dare I proclaim, Minimalism! THE SKY IS FALLING!"

Get off it. This record is just one of the myriad of exciting, buzz-worthy, and unique albums to be released so far this year, so for god sakes, stop debating and BUY THIS ALBUM! And then do me a favour. Sing along to the "na na na" chorus. All three of them. Bask in their carefree glory, and hear them almost speak to you. Do you know what they're saying?

"Forget expectations. Put on some Beck. Be happy."

Best album since Odelay
Beck's mishmash of sound and genre is a wonder to behold, and at times hard to listen to.It requires a patient, open mind and an ability to appreciate artists who are the musical equivalent of Picasso.Guero is not quite as all over the place as Mutations, but it still varies widely from Latin hip-hop to a quasi Country/R&B.Add in some video game sampling and distortion mic and you have Beck.

My favorite tracks on the album are Epro, Que Onda Guero, and Earthquake Weather, but all of them are great.This is one of those rare albums I can listen to from start to finish, and as such, it earns all five of its stars. ... Read more

Amazon.com

On No Doubt's great Rock Steady, Gwen Stefani was a "girl that hangs with the boys...just sippin' on chamomile." Three years and a KROQ-nerd Talk Talk cover later, she presents a solo debut that wants it all--Vivienne Westwood and John Galliano, backseat love and lifetime devotion, '70s pop throwbacks and hip-hop beats and Clash adoration (she continues to be managed by the firm of Rebel Waltz, named for a mournful Sandinista!cut). Among the standout tracks are the stomping, Neptunes-driven "Hollaback Girl," the tongue-in-cheek Eve/Dr. Dre collaboration "Rich Girl," and the girl-power manifesto "What You Waiting For?"; another tune, "The Real Thing," nods toward role-model Madonna's "Holiday." Though it can't match Rock Steady's inexorable track-by-track flow, Love, Angel, Baby, Music is such state-of-the-art pop that the description almost feels like damning it with faint praise. --Rickey Wright ... Read more

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Despite making it through a difficult four-year stretch in which the band temporarily broke up, singer Shirley Manson left her husband, and new technologies made the sleek electro-rock sound of its first three albums feel passé, Garbage resurfaces in rude health on Bleed Like Me. Manson is still kickboxing the air and stomping the glitter under her heels, as she channels Debbie Harry and Chrissie Hynde on edgy glam-rock anthems like "Run Baby Run" and "Metal Heart." All the while three bookish producers in the background--including Butch Vig, who famously helmed Nirvana's Nevermind--turn up the sleazy machine-like rhythms. Foo Fighters front man Dave Grohl sits in on the drums for the menacing "Bad Boyfriend," but it's the confessional title track Bleed Like Me"--part "Walk on the Wild Side," part therapy session for former cutter Manson--that shatters Garbage's image as the ultimate non-stick studio band. "You should see my scars," goes the chorus. And, for once, Manson is actually willing to reveal them. -- Aidin Vaziri ... Read more

Reviews (122)

This Garbage doesn't Smell
If you were like me, you loved the first two Garbage albums but felt a little let down on the third release, Beautiful Garbage. It wasn't bad but it wasn't as good as the first two.

Well after waiting four years for a new album I'm happy to report that Garbage is back. Bleed Like Me is another standout performance by a standout band.

It took them a long time to put out their fourth album but it was worth the wait. Please listen to the album closely and for at least two listens, as it gets better the more you hear. I'm equally impressed with the song writing, arrangements and presentation. You'd think by the fourth album they'd be slowing down a little but both crucial elements seem to be as strong as ever.

I like all the songs but here are my favorite five.

"Why Do You Love Me" I believe this is or will be released as a single. It is a medium fast bouncy tune with a catchy
chorus:
"Why do you love me, why do you love me,
why do you love me, You're driving me crazy"
If "Why Do You Love Me" is not the best song on the album it is certainly the most noticable.

The title song "Bleed Like Me" is another dandy. It has the tempo and presence of Garbage's biggest hit "Stupid Girl" but it different enough to really be appreciated. The suject seems to be homosexual in nature as this chorus depicts:
"All dressed up and acting coy,
Painted like a brand new Christmas toy.
He's trying to figure out if he's a girl or he's a boy

Three Killer songs in a row with "Metal Heart" a variable paced Gem. As with the previous two it's quite catchy and has some just killer guitar riffs in it. There's also a bit of electronica in this one too. Lyrics are sweet as well:
"I wish I had a Metal Heart, I could cross the line
I wish that I was half as good as you think I am"

The hits keep coming with "Sex is not the Enemy", maybe my second favorite song. I don't know it's hard to tell. As a lot of Garbages music "Sex is not the Enemy" has a deliciously, querulous delivery and melody. I like the lyrics as well:
"No evolution, Sometimes it depresses me
The ame old same, Oh we keep repeating History"

Shirley uses the megaphone for part of this rolicking rock tune, "The Boys want to fight", Which is a variable tempo but is mostly fast. Cute lyric's too:
"The Boys want to fight,
But the girls are happy to dance all night"

Not their best, but wait a minute...
I ordered this album blindly, because I'll listen to anything that Shirley Manson appears on, even the rather mediocre stuff from Angelfish. I turned it on, and I heard "Bad Boyfriend," and I was BLOWN AWAY.
Unfortunately, I was bored by "Run Baby Run" (it's one of those songs you have to develop a taste for), "Right Between The Eyes" (not nearly enough venom), and "Why Do You Love Me" (it is good, but far from magnetic; I think it was a poor choice for a single). Despite what Rolling Stone says, I think that the best part of the album is the second half (except, of course, for "Bad Boyfriend"). "Bleed Like Me" was eerily brilliant. "Metal Heart" grabbed me with its chorus: "Now that we know for sure that they're telling lies when they say no one gets hurt and therefore nobody dies..." "Sex Is Not The Enemy" is formulaic but the instrumentals are good. "It's All Over But The Crying" is the best breakup song I've ever heard: a happy medium between "YOU BROKE UP WITH ME!!! I HATE YOU!!!" and "I think I'm going to curl up and die." "Boys Wanna Fight" is perfect for an era where every side wants you to believe their propaganda. "Why Don't You Come Over" is loud, biting, and the perfect song for not caring. "Happy Home" is an intense finale in the tradition of "Milk" and "You Look So Fine" (although nothing tops "Milk.")
If you're picky, just download "Bad Boyfriend."
If you have never listened to Garbage before, what the heck, get this: my first Garbage album was Beautifulgarbage. I later realized it kind of sucked, but I enjoyed it a lot then.
If you are a Garbage fan, you need this album, if only to compare and contrast and enjoy Shirley Manson.

another band another album ho hum
Garbage has always been a quality band. Their first album is still amazing. They have put out four albums now and are among one of the great international bands. Their songs are truly massive and have widespread appeal. They are music for festival and rather large venues. "Bad Boyfriend" has a feeling much like Foreigner's "Hot Blooded." Dave Grohl plays drums on this track. Other songs like "Run Baby Run" combine rock and techno music. This is their song that is most like The Cure. "Why Do You Love" is their best single in many tries. "Bleed Like Me" is based on a story by JT Leroy. Shirley Manson has befriended the strange author. He is so reclusive that Shirley had to take his place at a book reading. Most of the album deals with Shirley Manson's personal emotions. This album overall seems a little bit more up. I ran into Duke Erickson at The Roxy earlier this year and he acted like a jerk. He was pissed that I even spoke to him. What a snob! I like their music though. I think that fans of Garbage will like this album.

Review from the Synthesis
After a three-year hiatus and another year in the recording studio, Garbage has returned with their fourth album, Bleed Like Me. After trading in their electro/alternative rock sound for the lavishly produced pop vibe on their last album, Garbage is back to what they do best. Stylistically, Bleed Like Me is close to their first two releases, with the addition of a darker, more aggressive edge. This new facet to their sound is evident from the start of the CD as it opens with the driving, guitar-laden "Bad Boyfriend," and returns throughout the album. Even with this edgier sound, one can't dismiss the catchy pop elements on Bleed Like Me. Songs like "Run Baby Run" and "Right Between The Eyes" are reminiscent of "Special" from Version 2.0. And Shirley Manson's Chrissie Hynde-esque vocal stylings have always brought a pop flavor to the band. Despite being one of the more defining elements of their sound in the `90s, the electronic influence is now more subdued. But those who love Garbage's electro sound need not worry, as songs like "Metal Heart," "Boys Wanna Fight," and "Why Don't You Come Over" contain enough electro elements to keep them happy. Solid from beginning to end, superbly produced and full of sonic ear candy, Bleed Like Me is a much-needed relief from the neo-new wave sounds permeating the air waves.

- Jason Catanzarite
Synthesis.net

A Triumph!All Killer- No Filler.
This is my first listen to Garbage, and now I see what I was missing.Manson's singing is great and the songs have unusual arrangements that are very appealing.And, Garbage rocks!I have been listening to this for a week and I am not tired of it yet.Buy it. ... Read more

Amazon.com

The Killers. Interpol. Franz Ferdinand. Without New Order's influence they could have all ended up making albums of country & western ballads. Since the demise of Joy Division in 1980, the British synth-pop quartet has been diligently changing the course of popular music, lobbing unlikely but inventive hits like "Blue Monday" and "True Faith" into the charts. Twenty-five years on, New Order remains shockingly vital. Its eighth proper album overflows with shimmering melodies, anchored by Peter Hook's spine-tingling bass lines and Bernard Sumner's thin but emotive voice in thrilling new songs like "Krafty" and "Dracula's Castle." -- Aidin Vaziri ... Read more

Reviews (74)

Will someone please steal this album from me?
Why the odd title?I drive a little over a half hour (each way) to and from work, and since I bought this album I have listened to it over and over.(I know, dumb eh?)

At first listen I thought "Get Ready" was a far superior album, but I found that the more I listened the more I heard.By far a much more progressive album for New Order, but still classic sounding that fits the fact that "yes, New Order was an 80's band", but this is their new album that is so 21st century.A worthy addition to any collection, whether rock, pop, 80's, or synth.

Refreshing....!!!!!
In am an old Joy Division fan and have followed New Order ever since.When Technique came out in 1989 I could not stop playing it when I was in Brunei of all places.Since then I have had kids, etc. etc. but still love to listen to music.My favorite station is http://www.bbc.co.uk/radio1/.So when they started playing the new NO some months ago I could not believe my ears and straight away pre-ordered it on www.amazon.com. It took some getting used to but now it is the CD I play most in the car and it brings tons of smiles to my face.The kids may not like it too much but for me it brings back good memories and it is so refreshing to see that old 'rockers' can still bring out a record that surely must be one of the top ten of this year.If you like their record and have not discovered BBC1 go to their website and listen to the live show or the various shows from the previous week which are all accessible on their 'player'.If you pay $12/month here for satellite radio then think again...

Alt-rock icons make us feel like its 1992 all over again.
New Order's history is filled with mournful iciness, sublime electro-disco, seminal Britpop and episodes of portly overblown grandeur. And, depending on what moves them, the band's fans always seem to gravitate toward one of these elements more than the others. To that end, Waiting For The Sirens' Call offers something for everyone: "Turn" has that 1986 college-rockin' jangle that'll make elderly R.E.M. fans tingle. For the synth- and sequencer-damaged among us, there's the electrolytic "Krafty" and the disco workout "Guilt Is A Useless Emotion." Going off on another tangent, "Workin' Overtime" is the band's simultaneous nod to '60s garage rock, the Beatles' "I Feel Fine" and that last Elvis Costello album.

The axis of mystery and implied arrogance that made New Order compelling may be gone, but that's okay; none of us is the same person we were decades ago. As far as right now goes, Waiting For The Siren's Call is a fine distillation of everything New Order have been. And when you've got a passport that's as thick as theirs, it's admirable that they refuse just to walk away from this thing entirely.spin j.p

Definitely not an "instant hit" album!
Waiting for the sirens' call will NOT hook you immediately. It's not that kind of album. There isn't any obvious hits, except Who's Joe, Krafty or Jetstream.
When I played it the first time I was kind of bored. Too many songs didn't hook me, sounded just "ok" and after Get Ready, I was disappointed.
However, days passed and I didn't play the album - didn't want to! And then, when I played it again after a week or so, out of nowhere, I started to like the songs! One by one, they PERFECTLY matched each other - carrying specific mood.

Now I think it's one of their better releases - much better than, for example, Republic and on par with Get Ready (I like that album very much).
It's incredible how this album works! If you like New Order, you'll certainly love this album. Do NOT expect to like it on the first listen! You probably won't - maybe just 3-4 songs!

This album has some ultimate NO gems and classics: Who's Joe?, Waiting for the siren's call, Dracula's Castle, Turn. They are magnificent!

There are no fillers here, excet that I don't like "I told you so" that much - interesting, but not my cup of tea, and "Guilt is a useless emotion" has some kind of generic chorus. That's a shame, considering that the song starts extremely well! Just the chorus isn't that memorable. But great for a summer fun! :)

All in all, a very very solid effort. As the time goes by, I expect that I'll like this album even more. It's THAT kind of a record. So refreshing these days - I'm fed up of instant hits that I get bored with after few weeks/months.

Just another perfect album!
At first listen I did not like Waiting For the Siren's Call as much as New Order's last album Get Ready. This album is just as good as Get Ready. If you want a perfect album from a great band. Pick up Waiting for the Siren's Call and Get Ready, Get Ready was the best album of 2001 in my eyes. WFTSC is going to be in the running this year.

Dear, New Order

Why havn't you toured the US other than a couple of dates. Please come to Pittsburgh.

Yours Truly, Substance ... Read more

Amazon.com

So much has been said about disco-punk's King Midas, New York musician/producer James Murphy, that it's kind of hard to believe that we've had to wait until 2005 for the debut album from his dancefloor project, LCD Soundsystem. LCD's classic triumvirate of early singles--"Losing My Edge," "Give It Up," and "Yeah"--joined the dots between punk-rock, disco, and funk in a way that hadn't been seen since the New York downtown scene of the early '80s, but these are bravely relegated to a bonus disc in favor of a suite of new material that reworks the band's influences in new, often explicit ways: take "Movement," for instance--a homage to the Fall that finds Murphy barking "It's a fat guy/ In a T-shirt/ Doing all the singing!" over punchy analog synths, or the quietly majestic "Great Release," a doff of the cap to Brian Eno circa Taking Tiger Mountain. For all his encyclopedic musical knowledge, however, it's one of Murphy's strengths that he seldom seems uptight about the practice of music-making: it's how he can get away with penning a gonzo disco-punk number and naming it something as fantastically flippant as "Daft Punk Is Playing at My House"--and more importantly, it's why LCD Soundsystem succeeds as a splendid dance record as well as a smart intellectual exercise. --Louis Pattison ... Read more

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This album arrived shortly after singer Andy Bell's revelation that he had been living with HIV for more than six years, suffering from debilitating pain. It's no wonder the music carries a more somber tone than the sugar-smacked synth-pop of '80s hits "Chain of Love" and "Blue Savannah." But it's hardly a gloomy affair. Yes, there is a more ominous tone to lyrics like "The tears that are falling, there's no room for doubt." And yes, the choruses aren't quite as chaotic. But for the most part this is vintage Erasure, right down to the Casio-sounding keyboards that permeate tracks like "Here I Go Impossible Again" and the ABBA imbued cheek of "Don't Say You Love Me." Erasure is clearly a band too engrossed by life to be knocked down by its mundane realities. --Aidin Vaziri ... Read more

Reviews (82)

20 years too late?
Oh please. This is a very good album (perhaps not great). I hardly think that the correct criterion to apply to it is whether it fits in with the crap music that rules on the charts these days... And before you lump Erasure in with cheesy 80's Top 40 bands, you must be too young to remember that Erasure hardly got lots of radio play. They have a lot more cred than that, which is more than I can say for the played out rap, American idols, boy bands, and the like that seem to be ruling the charts these days. About the only time a song seems to have any staying power at all is when it's a cover of a decent song from the (gasp) 80s or earlier. This album is very good as I said, and the boys have proven they are still capable of writing some decent songs.. I guess that would be an alien concept to you "oh i'm so hip this is like OLD stuff" children.

Does it come Sugar Free.
Man, my teeth are stinging form the sugar.Put me in some neon colored clothes and drop me right back in the 80's. This would have been great it's just 2o years late.Move on.

WHO KNEW.....?
I had long ago given up on buying anything from Erasure...but for some reason decided to give "nightbird" a try....i have to say i was completely floored by how incredibly good this CD is, easily one of their best, if not their best. The songs are so catchy, yet somehow steeped in a feeling of melancholy which makes them even more effective and resonant. I cannot stop listening to it....

*******
I HAVE BEEN AN ERASURE FAN SINCE THE BEGINING...BUT I HAVE NOT LOVED TOO MANY OF THEIR ALBUMS IN THE 90'S. "NIGHTBIRD", I THINK IS THEIR BEST ALBUM SINCE "CHORUS". THIS ALBUM JUST FLOWS SO WELL FROM BEGINING TO END. I CANT TELL YOU HOW MANY TIMES I'VE LISTENED TO THIS ALBUM IN THE PAST 5 MONTHS. AT LEAST A COUPLE TIMES A WEEK IN ITS ENTIRETY. THAT SAYS A LOT ABOUT HOW GOOD THIS CD IS. THEIR LAST ALBUM, LOVEBOAT WAS SUCH A DISSASTER, THAT I DIDNT THINK THEY'D EVER GET IT RIGHT AGAIN. THIS CD CONTAINS SOME SONGS THAT I LOVE AS MUCH AS MY FAVORITE ERASURE SONG, "SHIP OF FOOLS". BUY IT AND ENJOY IT.

Nightbird
I just love Nightbird. Our son got us interested in Erasure years ago and we own every one of their cds and most of the singles. Their music has the ability to put me in a better mood no matter how bad the real world is sometimes. Don't know if we are their oldest fans at 55, but hey, we are going to their concert on May 18 and I'm ecstatic.Buy this cd,you'll love it. P&D ... Read more

Reviews (49)

Whirlwind of Talent
Emiliana Torrini's album, "Love in the Time of Science", essentially gives us what the titles beckons. Ms. Torrini certainly follows in Bjork's footsteps, blending in a haunting voice of echoes and a compilation of electonica beats and orchestral compositions. Though, Torrini does not possess the wide style range of Bjork, her voice seems more trained, focused and confident - proof that Torrini is good at what she does, singing about simple interactions with the world around her.

"Dead Things" is a brilliant song, the one I flaunt everytime I visit friends who have not experienced the album. The song has a smokey jazz club feel, despite the electronic sounds, as Emiliana drones on about a desperate relationship. One seems almost spell bound by the gentle mysterious music until a wild instrumental is unleashed in the middle, then abruptly haulting back into the soothing tones.
The rest of the album keeps a good mixture of both extremes. Emiliana delivers a wonderfully charged serenade in "Unemployed in Summertime" - the sound is upbeat and playful, reminding us all of that last summer between childhood and adulthood.

The album plays itself off quite well - Emiliana loves to bring out music the hippi's can swing and sway to, with a background of chimes and buzzers. If anything, "Love in a Time of Science" is perfect background music for small intimate gatherings or to hold a seance. Which ever you prefer.

A must have album for those who appreciate Bjork or ethereal songstresses.

downtempo triphop pop with no comparison to bjork
What can I say about Emiliana Torrini? She's so dreamy that I need to replace my gus gus 'polydistortion' disc because I don't remember her singing on two of the tracks. Emiliana is an incredible singer albeit slightly commercial in places. Her tracks range from incredible triphop moments to saccharine pop, which isn't a bad thing. overall it pleasantly comes together as a whole creating a lovely collection of what I would call downtempo triphop pop. The only similarities between Emiliana and bjork are they're both from Iceland. There are times when her vocal stylings or pronunciations sound similar to bjork and on 'telepathy' and especially 'sea people' it sounds like bjork growling in your ear, but make no mistake it's emiliana you're listening to and that's where the comparisons should end.

my top three favorite tracks are: 'umemployed in the summertime' because it's such a lovely, upbeat optimistic pop song; 'telepathy' because it is one of those beautiful bjork-like moments with slow beats, rising strings and an aggressive bassline and 'tuna fish' because it's just a cool triphop track. I get goosebumps when she sings: "Do you know that tuna fish float up to the surface, bellies to the moonlight just to cool their hearts down." She's really amazing.

If you're looking for something refreshing then buy 'love in the time of science' but don't buy it if you're expecting a bjork sound-alike.

A gorgeous delight
Though her voice may be similar to Björk's, her musical approach is of a different nature, and just as spellbindingly virtuosic.
There isn't a dull song on the entire album, and her whimsical outlook on serious events, or mundane ones, fill the listener with a twinkly, yet realistic sense of wonderment.
From the driving tale of isolation that is "To Be Free", to the carefree amusement of "Unemployed In Summertime", to the giddy introspection of "Tuna Fish", this album is a stellar collection of immaculately crafted tunes, lyrics and trip-hoppish arangements.
One my personal favourite albums I have ever purchased. And to think I bought it with only knowledge of two songs :)

You'll love this one. Trust me.

Pretty, interesting music
Others have offered fine descriptions of Torrini's voice and music. Let me just add that this record was produced by Tears For Fears' Roland Orzabal, who also co-wrote "Wednesday's Child." The production is smart, streamlined, and at times quite innovative, and I think the album would appeal to people who like TFF's "melodic but edgy" sensibility.

absolutamente deliciosa
este album de emiliana torrini, es una joya, es su primer gran album en solitario y combina, con belleza y sencilles la electronica, el jazz y un pop muy suave y sofisticado.

es cierto, suena algo simil a bjork, pero es muy diferente a ella, emiliana suena mas serena, y como lo afirme antes mas sofisticada.

respecto a cada cancion, ninguna es simil a la otra, son diferentes, melodiosas y ese extraña pronunciacion de emiliana hace de oirla una experiencia relajante. ... Read more

Album Description

"Home alone and happy / Nothing brings me down" So opens Emiliana Torrini’s second album, a soft-yet-searing collection of twelve intimate and atmospheric songs that will whisper their way into your bloodstream. Back in 1999, when the singer released the critically acclaimed Love In The Time Of Science, Emiliana came out with a gorgeous, electronic trippoppin’ vision of endless summer and moonlit nights out. Following her departure from One Little Indian, there’s a new introspection, closer to Nick Drake or Jolie Holland than Portishead or Goldfrapp. The 27-year-old singer and writer has nonetheless been busy since Love In The Time Of Science. She moved to Brighton, joined the cast of Lord Of The Rings: The Two Towers to perform the enchanting ‘Gollum Song’ wrote and toured with Thievery Corporation, and wrote a Number One Hit for Kylie Minogue in the shape of huge-selling pop smash "Slow." ... Read more

Reviews (6)

Beautiful voice but disappointed.
When I purchased this album I expected something much more similar to "Love in the Time of Science" her 1st album.This is too mellow even for my wife.It reminds me of when Natalie Merchant left the 10,000 Maniacs.She had a cool voice too but it needed some good musical accompaniment.I realize recording artists have to change their sound here and there but this was too much.

*sigh*
acoustic, intimate and breathily soft, a non-jazzy-blues-ish version of norah jones. quite different from her previous album, which triphoppily falls under the electronica genre. i first heard her in "crazy/beautiful" (song entitled "to be free"), remembered her name, found this album last week at a nearby music cafe, bought it, and have been listening to it eversince. icelandic like bjork, and reviewed as a bjorkish artist (it's funny though--i can't stand bjork's music. i appreciate her lyrics, though).

From Scientist to a "Fisherman's Woman"
Making her American debut in 1999 with the flawless and intense "Love in the Time of Science", Emiliana Torrini established herself as one of trip-hop's finest and a muscician to watch for years to come.After a six year hiatus, along with a song on the "Lord of the Rings: The Two Towers" soundtrack ("Gollum's Song"), collaborations with Thievery Corporation, and writing a #1 dance hit for Kylie Minogue ("Slow"), she is back--and with a new sound strumming from her fingers."Fisherman's Woman" is a complete revolution from "Love in the Time oc Science", drenched in melancholy folk music.Ms. Torrini has incorporated so much nature into this album, focusing on hurt and recuperation, that it sometimes sound as if her and her production team fled into the remote forests and lakes of Iceland, recorded music and came back to see what had come into the mix.Some beatiful things include the creaking of a boat, the lovely way in which Torrini strums her guitar and, of course, that voice.She cooes and swoons her way through her music, allowing listeners to feel her pain and happiness, then relies on her guitar to do the rest, which does quite well.What is amazing about this album is how she has gone from hard-core trip-hop ("Love....") to folky acoustic music.In all, it is an amazing sophmore album and a great step in her creativity.Fitted for a lazy afternoon or an hour of creativity, "Fisherman's Woman" is bound to make you want to be that very fisherman of which she speaks.

Emiliana Torrini's Most Accomplished Yet (4.5)
Emiliana Torrini emerged around 1999, at least in the US and most of Europe, heralded as a voice belonging to Bjork's coven, a comparison I always found more related to their common homeland, Iceland, than a deeply strong sisterhood of sound.
Although 'Love In The Time Of Science" did bring to mind some of Bjork's occasional lullaby-like phrasings, and the album's arrangements did rely on subtle and timely Electronica, Torrini was already promising to be her own person, someone with something genuine and personal to say.
The thought that came to mind -please allow an unexpected metaphor here- is that the songs follow each other like geese migrating toward warmth, each of them distinct yet flying at the same altitude and with a common destination.
"Fisherman's Woman," her new album, is that promise fulfilled. Her voice, in this new album, is more confident, more decisive while never raising beyond a tender hush, a perfect tone to deliver lyrics that are at once revelatory, thoughtful and yet innocent and uncomplicated.
But don't let the sweetness of these tunes confuse you about the strength of their confessional power. Whether it is the short title song, the painful and beautiful "Today Has Been OK," or the gorgeous melody of the album's first single, "Sunnyroad," Emiliana weaves images into stories that you may feel she's only singing to you.
Equally worthy of recognition are the melodies and the band, particularly Dan Carey -who plays some unassumingly beautiful and intelligent guitar, as well as bass and pedal steel- and the subtle piano of Julian Joseph. This and the intimacy that Emiliana's voice is capable of, also shows decisively in "Snow," and "Lifesaver" with its bewitching cadence and the brilliant sample of the creaking wood of a boat swaying.
If you come to Torrini for the first time, I can't imagine you not finding enough to remain near, for repeated listenings. And if you were already touched by Emiliana's earlier releases, I predict that you will be elated with this album. She has become her own self yet more deeply, an old skin has shed and made space for a new one.
This is a brilliant album, confirming a voice and a sound that has much more offer to new singers than it owes to the ones that precede her.

different performance, same sublime beauty
*This is the same review I posted for the import version of this album.The two versions contain the exact same content, so I thought my review might also be useful here*

Torrini's sophmore album bares little resemblance to her first masterpiece, "Love in the Time of Science." "Fisherman's Woman" is strictly a light, acoustical production with none of the deep bass lines or trip-hop flare of her previous work. What Torrini preserves, however, is her wonderful gift of poetic songwriting.

As one can infer by the album's title, "Fisherman's Woman" evokes feelings of a simplier life and times. Arrangements are beautifully minimalistic, assembled with great care to accentuate Torrini's breezy voice and laymen's lyrics. In "Love in the Science of Space," her voice often seemed to play second fiddle to the wondrously rich music. In "Fisherman's Woman," however, Torrini's voice clearly takes center stage, with sparse stringed and percussive instruments serving as accompaniment.

Like her previous album, I don't believe there are any particular standouts simply because I find every song wonderfully engaging (I suppose if I had to pick, track #6, "The day has been okay," is very endearing). Torrini's two albums serve as a strong testament to her consistent skills as a lyricist and songwriter. For whatever reason, many musical artists disappear after their second showing. I pray Torrini does not join their ranks. It would be an utter shame to lose a bonafide creative talent in today's sea of mediocre performers pretending to be true artists. ... Read more

Amazon.com essential recording

The third full-length release from Massive Attack is a taste of the future of pop music--a future where precisely engineered events can be seamlessly partnered with the subtle complexities of a human voice. Since their first album, Blue Lines, they've been making similar magic happen with any one of several guest vocalists, but nothing like the way it happens on Mezzanine. This time they take the union further, moving it into a darker space in which the individual elements become less discernable. Guest vocalists are Sara Jay, Horace Andy (who also appeared on their debut), and Elizabeth Fraser (of Cocteau Twins), whose amazingly articulate and distinctive voice works so very well with the music of Massive Attack. --Paul Clark ... Read more

Reviews (310)

simply unbelievable
its now the year 2000, and two years after this album's release, it still remains the first and foremost in musical innovation and just downright grooviness. i am a big fan of complicated music. when a sound, riff or melody seeps into my listening experience even after hearing it numerous times before, i think it is the mark of true music genius. and this ablum does seep, crawl, stalk, flow, seethe, and pulse with sounds, vocals and beats blended into a never before accomplished masterpiece. the music is as layered and complicated as the new NIN cd, but with a groove known only as trip hop. this music is cool, cutting edge, dark, erotic and hypnotic. play it loud at a party for its sheer sound, or low in the middle of the night with your siginificant other. a few of the songs with the female vocalist remind me much of the gothic sound of switchblade symphony, only with sexier, less dated musical support. this album never stops, it'll never leave your cd player. be prepared. leave the boy boy bands and all the mtv trash behind, and come into a world of intelligent, sexy, and challenging music known as massive attack.........

Massive Attack Outstands Trip Hop Genre
Year after year of the same music, artists copying of one another, some artists try changing their taste for music. But there's one group that outstands them all. The group is called "Massive Attack". Massive Attack is a Trip Hop group that has been around for years. The Mezzanine era ranges from deep Trip Hop "Risingson", to classical, jazzy, trip hop "Teardrop".
The album contains 11 tracks, one bonus on the Japanese Edition. The top hit singles were "Risingson", "Teardrop" "Inertia Creeps", and "Angel". This tpe of music is good for strolling in your car driving, or in a dim sun room with your shades on drinking and talking with friends.

Introducing this album in 1998, it seems that the 90s were only for pop artists such as "Madonna", "Janet Jackson" and "Britney Spears". Massive Attack broke the ring of the pop, making Trip Hop the best, outstanding from every other genre there is.
That's why I believe why Massive Attack, and Trip Hop is so popular today. So from reading this review, I HIGHLY suggest you purchase the Mezzanine album. If you are a TRUE fan of Massive Attack, buy the Japanese Edition. It's worth the extra money.

Groundbreaking and breathtaking
I guess I just need to put in my two cents in this sea of reviews (most of them good, obviously) for this album. I fell in love with this album in the summer of 1998. I listened to it while reading the 4th book in the Dark Tower series by Stephen King. They meshed perfectly. The dark, haunting synths, downbeat droning guitar, and spine tingling vocals on this album are simply amazing. I had never heard anything quite like it before, or since. Massive's earlier works are not as dark and moody, and their later work is a little too innaccessible for most people (though I absolutely loved it!). Buy this album! Dont hesitate! Do it NOW!!! SPEND, YOU AVID CONSUMER YOU!!!!

Whew! 'Nuff said. Bye!

too good!
This is by far the best album ever released, not only by massive attack, but i'm talking about the best album ever released in the music world. angel, rising son, mezzanine, I couldn't stop listening, it crabs you and doesn't let you go until the last sound. it's just hypnotising. God, I wish I could listen the album for the first time again!!forget blue lines, this is the album you should get!

I Wish I Could Use More Stars...
This is, flat out, (in my opinion) the best album ever released. Massive Attack is an utterly awesome group, and by far the best Trip-Hop band out there.
The album begins with some of the best songs ever created by any artist of any kind, starting with "Angel", sung by Massive Attack's honorary member, Horace Andy. With his wonderfully haunting voice and the song's slow beats and humming bass, the song becomes dark, desolate, and completely otherworldly.
The second song, "Risingson" is probably the best song Massive Attack has created. It's yet another dark song, filled with paranoia and doubt. I love it.
The third track, "Teardrop" is one of my personal favorites. The song is sung by guest vocalist, Elizabeth Fraser of the Cocteau Twins. It's Ethereal, dreamy, and utterly wonderful.
And, of course, there is "Inertia Creeps". A truly great song and one of Massive Attack's bests. Eerie, paranoid, and hypnotic: it's a great song to lose yourself in.
The rest of the album cannot quite keep up with its first four epic tracks, but none the less, it's other half beats out most albums without ever even trying. A truly wonderful album. I highly recommend it. ... Read more

Album Description

Vocalist Tracy Thorn and multi-instrumentalist Ben Watt began making music together as Everything But the Girl in the early '80s while students at Hull University in the U.K. By the '90s their spare-yet-sensual, jazz-inflected tunes evolved nito a richly textured fusion of pop and electronica-"Pop-Tronica"-that shimmered with diverse musical idioms. A favorite both in the clubs and with critics and aficionados, the duo's innovative sound has become iconic to the genre. ... Read more

Reviews (9)

Stay on Topic
I really hate it when people don't review the CDs. Bartender "metropic1"'s review was completely useless because he did not say anything about the CD.If he is angry because Everything But The Girl has not released any new music in years, he should post on their website, ebtg.com. He knew it was a remix CD."Remix" means no new material.This is not the place to vent over a lack of new music.

Remix/Rehash
It is pathetic that a duo as talented as EBTG keeps releasing the same old stuff with slightly different twist. They should take a page from PSB and release new stuff as well as old. Purchase "Like the deserts miss the rain" instead of this. Ben can run a label, why not create new stuff and release it on Buzzin'Fly. Trust me, I know, you can do both, or(and I hope not)is it just over for these two musically?

Another Outstanding Album
"Adapt Or Die" collects Everything But The Girl's remixes over the past 10 years, and is an excellent companion piece to their recent hits compilation "Like The Deserts Miss The Rain", since it adds several tracks from their 1999 LP "Temperamental" that were not included in the former. Besides the signature tunes ("Missing", "Wrong", "Walking Wounded"), there are some pleasant surprises along the way, like the Jazzy Jeff remix of "Mirrorball", which stands as one of EBTG's best remixes ever. "Before Today" is given a new lease of life by Adam F, incorporating a harder drum n bass beat than in the original. The remixes for "Single", "Lullaby of Clubland", "Downhill Racer" and "Corcovado" are also outstanding. The inclusion (at the end) of the 1990 acoustic mix of "Driving" is a nice touch, since it gives release to the relentless dance beats that occupied the last 13 songs on the record. Overall, this is one remix album you can actually listen to from beginning to end, because it is very consistent and compelling, just like anything EBTG has ever put out. If you like innovative, intelligent dance music with heart, you should definitely pick this up. HIGHLY RECOMMENDED!

Decent, at times good, but not, as is typical, great.
Adapt Or Die is a compilation of recordings made over the last 10 years (although there are some tracks older than that on here?).For longtime followers of EBTG, this is a welcome gift from the understandably reclusive group (made up principally of vocalist Tracy Thorn and husband/producer Ben Watt); they are new parents, and have made the rare decision to tether themselves to family first, and let their musical momentum subordinate.Refreshing indeed.

I've been anticipating this album since they mentioned it on their fan site some number of months ago (yes, I'm that big of an EBTG psycho, keep that in mind when I get a bit course here soon), I have great respect for Ben Watt's musical talent.I was certain he'd shepard a world-class mix.Well, after a few listens, this certainly isn't that.It's an "ok" mix.There are, in my opinion, only a couple of songs that are better than their original productions (Corcovado, and Mirrorball).Then there are a handful of songs that'll freshen-up interest in the EBTG playlist, but regrettably, not for long.

However, there are some unbelievable stinkers on this CD.I couldn't believe how bad the Tempermental remix is.It's...well, listen to it yourself before you get all worked up.It sounds like they forced Tracy by gunpoint to do a cover for that weird costume scene in Eyes Wide Shut.Disturbing.Also, the remix for Single is like...well, it's like the same song, only with some kind of Casio-watch-style beeping in the background.Maybe some people, like fans of Casio watches will be like "wow, some beeping at intervals, just what this track needed".I however am offended by what I consider needless tampering.

Which should be the title of this CD:Needless Tampering With Perfection.But that wouldn't move many units would it?

I'm obviously dissapointed.If you care to look up my reviews, you'll see that I'm a consistent 5 star reviewer of EBTG, I'm always the one strongly advising you to go buy the album.This time however, I can't in good conscience advise you to do anything but steer clear.

Sadly,

Christian Hunter
Santa Barbara, California

More than what you may expect
Beyond just a remix album, this is an overhaul of most of these ebtg classics. Admittedly biased-I am a die-hard ebtg fan, but this one impressed me none-the-less. The total reworking of great songs with fun results! Although I admit I don't like the Tempermental redo, it is certainly creative, and fits a certain mood and theme within the song. Whilst I would of course prefer new ebtg stuff, as Tracey is playing house (in a good way), this is an awesome alternative.
If you are new to ebtg or a long-time fan, this is a very worthy investment. Ben & Tracey have so much to say, in so many ways. I thank them for the latest in over twenty years of stellar releases. ... Read more

Reviews (7)

not worth it
massive attack are very goodthis cd is worthless do not waist your money like I did

Massive Attack Still Have Their Edge
I don't want to start arguments about 100th Window but this album is much better.It has a more electronic feel that's closer to 100th Window, however it has the much needed edge that 100th Window was missing.This album is totally instrumental but most of the tracks are enjoyable nonetheless.I would recommend using this more as background music because it gets very slow at times to fit the movie.The production is still very good and the tracks show the creativity and darkness that made Massive Attack so popular.

I rated the Danny the Dog soundtrack (same movie) higher because they had the good sense not to include two very crappy bonus tracks.

same as "danny the dog"
GET.THIS.CD.
you can't go wrong w/ Massive Attack.:)

A great album
I agree with nearly all the other reviewers here - this is a FANTASTIC album.

However, I would like to clear something up: This IS the same as the "Danny the Dog" soundtrack. In fact, they are the same movie, too. It was release in the UK as "Danny the Dog", but will be released stateside under the "Unleashed" moniker. In the localization process, they found that the name "Danny the Dog" wasn't "tough" enough.

So, if you already own the Danny the Dog soundtrack, pass this up. But if you have neither, buy this. I've you love Massive Attack, this will not disappoint.

Same tracks as DannytheDog, w/ 2 extra tracks
This is an AWESOME soundtrack. Not that I ever expect less from Massive Attack, however, I bought the Danny the Dog soundtrack first, and now this one came out. Wonder why they released 2, I guess it was too obscure NOT to have a picture of Jet Li on the cover, and to have a different title. But hey, I understood! There are two extra songs on the Unleashed CD, however, they are not Massive Attack songs, so no loss. Just depends what cover you would rather have. I think the Danny one is pretty rad though. ... Read more

Amazon.com

Manchester's pivotal post-punk quartet offer a 16-track opus that skips obscurities and early material in favor of their greatest singles. Highlights include "Blue Monday," "Thieves Like Us" and "The Perfect Kiss" and sparkling Stephen Hague remixes of "True Faith" and "Bizarre Love Triangle." --Jeff Bateman ... Read more

Reviews (47)

The Best of New Order? Not Exactly.
Putting together a single disc anthology of the best of New Order would be a difficult undertaking in any circumstances. The band had no easily identifiable hits, and many of their most popular songs were dance mixes (like "Bizare Love Triange") radically different from the original versions that appeared on the original albums.

Having said all of that, "The Best of New Order" is still a strangely programmed attempt. One of their most popular dance tracks, "Blue Monday" is not even included. Also left out are other first rate songs like "Love Vigilantes" and "All Day Long." And yet, strangely, the CD contains three tracks from their last and weakest CD (before their recent reunion) "Republic." Other oddities are included, like an updated version of the rare track "1963" from the B-sides disc of "Substance" and the previous non-CD released "Touched by the Hand of God," which is not one of their better songs.

Overall, this best of collection shows only intermittantly what made New Order the best-ever synthesizer rock band. Ardent fans may want it to fill in some missing gaps. But casual fans will be disserved by it. They should go with the far superior anthology "Substance" instead.

Goodish
Although a decent enough 'best of', this is patchy in comparison to the minimalist simplicity of 'Substance 1987'. Instead of simply compiling all the singles and b-sides from 1987 onwards (a process which would, admittedly, have resulted in a fairly short album), this is an odd overview of their career from 'Power, Corruption and Lies' onwards. It's nice to have 'World in Motion' on CD, and although fans might moan at the inclusion of remixed versions of 'True Faith', '1963' and 'Bizarre Love Triangle' the songs don't really suffer for it. On the other hand, it's criminal that either of the versions of 'Confusion' aren't on the CD, and quite why the excellent early singles 'Everything's Gone Green' or 'Temptation' have been omitted is a mystery. The ultra-obscure 'Murder' would have been nice to have, too. That said, it seems as if this compilation was intended as a way of introducing the group to non-fans, and as such it works very well - the songs from 'Technique' and 'Republic' haven't dated much, and sound fresh today. Furthermore, it must have been a way for London records to justify buying the group, as, after extricating them from the corpse of Factory records and releasing 'Republic', they promptly went on haitus.

The UK version has a slightly different track listing, omitting the first four songs from this US pressing. There's a companion-piece, 'The Rest of', which is fairly bad, and contains lots of undistinguished modern remixes of their old songs, most of which sound like totally new tracks.

the rest of..
this album doesn't even remotely do this band justice. The renditions of the songs they have selected are often weaker(i.e perfect kiss,blue monday,bizarre love triangle), because these are the radio versions, but no one is a buying the cd because they want the radio dammit, they want the best of new order. bottom line: great band, but this disc is waste of time. check out substance instead and wait patiently until someone actually compiles a real best of collection. Also note this album completely neglect power corruption, and lies, my favourite new order album and the turning point in their career.

Misleading Title
Fusing rock with dance, New Order has, for almost a quarter of a century, been producing music that has been a hit with the public, critics, and peers. New Order started out as Joy Division, part of that explosion in the United Kingdom in the late '70s early '80s that gave birth to experimental synthesizer-based acts like Gary Numan, The Human League, Orchestral Manoeuvres In the Dark, Depeche Mode, and Yaz.

New Order's Peter Hook's melodic bass and Bernard Sumner's unemotional singing--copied by the Pet Shop Boys' Neil Tennant?--and subtle lyrics help set this group apart from other artists. Their albums, for the most part, are stark in design, provide no pictures of the band members, and do not even mention their names. In the early part of their career, they rarely gave interviews--they preferred to let their music do the talking--gave short sets during their live performances--about an hour--and no encores. No wonder a mystique built up.

New Order can rock with the best as "Run 2" demonstrates; this is danceable, but you will get a better idea of the dance gods they have become with "Touched by the Hand of God" and "Blue Monday--88"--a shorter and different version of "Blue Monday" that is the biggest selling twelve-inch ever; these are three of New Order's best songs, but it is debatable whether the rest of the material on this album is among their best.

"World in Motion" is not in any of their studio albums, so it is a welcome addition here. "True Faith--94," "Bizarre Love Triangle--94," "1963--94," and "Round & Round--94" are pleasant but no huge improvement over the versions that appear in their studio albums and _Substance_. Similarly, "Fine Time," "The Perfect Kiss," and "Shell Shock" are shorter versions. "Regret," "Vanishing Point," and "World (Price of Love)" are, like the previously mentioned, all good songs, but, again, it is debatable whether they are New Order's best.

What happened to songs like "Dreams Never End," "Your Silent Face," "Love Vigilantes," the album version of "Sub-Culture," "Temptation," and "All the Way"? Other songs that should have been included would be a selection from "Age of Consent," "The Village," "586," "Ceremony," "Everything's Gone Green," "In a Lonely Place," "Mesh," "Hurt," and "Confused Instrumental." The early version of "586" on _The John Peel Sessions_ is also outstanding. If you have nothing by New Order, this is an excellent recording to get you familiar with the band's sound. Just do not think that you are getting anything close to their best.

If you like this recording, you should also buy their double-CD set, _Substance_. After that, buy, in this order, their albums, _Technique_, _Low-Life_, _Power, Corruption & Lies_, _Get Ready_, _Brotherhood_, and _The John Peel Sessions_. If you enjoy _Peel_, you may also want to buy Joy Division's _Closer_. Joy Division has a much different sound--darker and less melodic, less poppy, and less danceable.

Great Collection
When I bought this CD I was only familir with some of the New Order singles so I love this album mainly because this is where I heard the rest of the singles. For that fact I recommend this album but I'm not sure how the tracks compare to the album cuts since I'm not as familiar with their albums so I can't say if this is just a collection of the album versions of songs. Great collection though, highly recommended if you're new to this group. ... Read more

Amazon.com

It's not that Garbage is doing anything particularly new. At times, singer Shirley Manson borrows Chrissie Hynde's phrasing, Patti Smith's rock beat poetry, and Brian Wilson's chorus from "Don't Worry Baby." But producer Butch Vig provides a modern sheen to Version 2.0 that makes it sound fresh and distinctly modern. Purists may blanch--the album is a hybrid of rock guitars, dance rhythms, and pop choruses--but songs such as "I Think I'm Paranoid" (a rip of Elastica) and "The Trick Is to Keep Breathing" (Depeche Mode, without the chill) sound great no matter what they're called. --Keith Moerer ... Read more

Reviews (504)

What a pleasant addiction...
Having recieved my first Garbage album from a friend, I fell in love with an album who's name evaded me as did the formal song titles. I did some research to find out that I had been passed on Version 2.0, Garbage's wildly electric and delectably addictive second album. Shirley Manson's sultry vocals joined with the heart pumping rock-techno-dance fusion make this a must have CD. A well-rounded and commendable second album, Version 2.0 harbors a wide range of edgy styles, from the upbeat, catchy Temptation Waits, Special and When I Grow Up, which give us a more pop look at the album, we also find songs like Hammering In My Head, and Sleep Together which show us a provocative, sexy flash of stylistic gnius on Garbage's part. The heavy ballad Medication is every angsty teen's super anthem, and You Look So Fine and The Trick is To Keep Breathing present a sort of yearning feeling. Just what the doctor ordered, I say. Garbage's Version 2.0 has it all.

Garbage needs more recognition in the mainstream
This is possibly the best Alternative-rock album of 1998, althugh it did not get as much recognition of it's predisesors. It came out the day after The Smashing Pumpkins latest effort "Adore" (which is also an excellent album) which could have caused somewhat of race for record sales since they are equaly matched groups that attract the same gener of fans. Being nominated for Grammys and MTV music video awards was an excellent achievement and proves Garbage's staying point with their fans."Push It" (their frequently nominated high quality special affects video and 1st single), "I Think I'm Paranoid" (featured in the "Mod Squad" Sndtrk. and extemely sexy video), "Special" (most popular top 40 hit and TRL video), and finally "When I Grow Up" (featured on the "Big Daddy" Sndtrk. and latest video) have been the released singles and have so far came out with a somewhat satisfying approval by today's mainstream teen America but even more so with persons ages 20-30. If you really liked Garbage's 1st self titled album but your ready for some really deep techno inspired beats and soothing sexy vocals flowing from Shirley's mouth, you should really go out and by this album. DO IT NOW!

Garbage does what no other 90's bands could do
Garbage's self-titled debut was a critically hailed triumph. It was a combination of sleek neo-feminism, gothic undertones, and alt-pop rhythms. Vocalist Shirley Manson could do it all -- she was Debbie Harry of Blondie, Dolores O'Riordan of the Cranberries, she was Chrissy Hynde of the Pretenders -- but she was still a leather-clad skanking flirt with a mean growl and a playful attitude. Her familiar yet simultaneously unique personality helped usher in the new era of alt-rock that dominated the late 90s. Despite Manson's in-your-face affectations, their first effort, while remarkable and refreshing, wasn't altogether groundbreaking. After nearly 3 years of intense recording and polishing, Garbage returned with a newer, glossier, and more catty version of their former selves.

Sidelining -- although not totally adbandoning -- their grittier roots was a shrewd choice in the 90s, when a long attention span was hard to find. Garbage is still in all of their glory here -- the insane guitar riffs and acidic lyrics are intact. Here, it's just done better. They take the guitar riffs and skewer them until they're nearly indistinguishable, they take Manson's growl and strecth it out to elastic proportions. Such intense experimentation is usually suicidal -- here, it's more like a steroid shot to an ailing genre. Perhaps the most effective revelation on 2.0 was the full-on implementation of technopop. It's everywhere here -- in between the beats of the punk chorus in "I Think I'm Paranoid," backing the ingeniously distorted guitars of "Push It." Garbage didn't only write the book on crossover alternative pop/rock, they have it memorized and, for all intents and purposes, copywritten.

Garbage is sugared up on romps like "When I Grow Up" and the double-entendre laden "Hammering In My Head" -- they're echoic and icily profound on "The Trick Is To Keep Breathing" and "You Look So Fine" -- they even manage to combine caustic wit and catty come-on with "Sleep Together." Manson and Co. know no limitations when it comes to musical stylings, and this sort of unpredictability is what rock was meant to sound like.

Genius...oh yes
To think that, at first, I didn't particularly care for this one...but one day, the brilliance struck me, and this has become one of my favourite albums ever. I can always find solace in its statements, its insecurities, and its loves.

Each song is done in a sort of techno-centered spirit, but is filled with a strong sense of passion...often vitriolic but always gripping.

Some people think they were influenced by the equally amazing band Curve, but Garbage has always made music distinctly in their own spirit.

Songs like "Temptation Waits", "Wicked Ways", "Hammering In My Head", and "When I Grow Up" are only the tip of the ice berg for this spectacular feat.

If you don't have this, I feel sorry for you...

But remember...you can always change that ;)

Version 2.0
Version 2.0~ Garbage is just irreverant as the first album. However, the songs are better and a bit varied compared to the first album. Shirley sounds better on this album. The lyrics are a tad better yet nothing earth shattering. ... Read more

Amazon.com

Where would the '80s have been without the Pet Shop Boys? Discography makes a compelling case for the notion of Neil Tennant and Chris Lowe as pioneers, if not geniuses. Mixing the cold feel of Euro-techno beats with the Boys' quest for something warm between the sheets, "What Have I Done to Deserve This" and "Suburbia" sound almost soulful.Although they seemed to be suffering from a terminal case of boredom, they managed to alchemize their ennui into touching sentimentality in "Love Comes Quickly," "Rent," and, especially, the AIDS-oriented "Being Boring." Discography begins with the Pet Shop Boys' beginning, "West End Girls," traveling past "Domino Dancing" and including their covers "Always on My Mind," and the medley "Where the Streets Have No Name (I Can't Take My Eyes Off of You.)" --Steve Gdula ... Read more

Reviews (84)

Still impossible to match
This album compiles all the hits the Pet Shop Boys had since their beggining until 1991. All of the tracks here are spotless pieces of pure pop magic: "West End Girls" is the first and, I'm happy to differ with most reviewers, decidedly not the pinnacle of the PSBs career. Tracks like "It's A Sin", "Suburbia", "Heart", "Being Boring", "Domino Dancing", "It's Alright" and "So Hard" truly portrait the utter brilliance and artistry that this group invested in its work. It's no wonder that they are still one of the most reveered pop acts of all times, truly up there with the likes of Abba and Depeche Mode. A new compilation has been released including all of their 1990s hits, but this one still remains unshadowed and an gem of pure 80s pop. You can do absolutely no wrong here... every track is delicious. Please do buy it... or else, get "PopArt" instead. That one has everything on here but "Was It Worth It?".

An album of classics....
This album, along with New Order's Substance 1987, form what is to me the soundtrack of the 80's.

This album literally lives up to its title as a discography, collecting the 7" versions of all of the boy's first 18 singles on one disc in chronological order. As such, it makes a terrific CD to buy as your first Pet Shop Boys disc as its a terrific overview of their material.

The Pet Shop Boys wit and irony, along with Neal Tennant's excellent voice combined to make some of the best pop songs of the 80's. Included are lot of well known hits like West End Girls, Suburbia, Always On My Mind, and What Have I Done To Deserve This?. There are also a lot of songs here that are virtually unknown in the U.S. but every bit as good as the afformentioned titles, such as "Love Comes Quickly" - a beautiful ballad - and "Heart", a song that they had considered giving to Madonna. Just as important, these songs have held up well to the test of time, even though some were recorded as early as 1984. Through these singles, the boy's take shots at capitalism (Opportunities), cover Elvis Presley and U2 (Always On My Mind and Where the Streets Have No Name), sing about the Gulf War (DJ Culture), urban decay (Suburbia), and 'rent boys' (Rent). The music always holds up and the lyrics display a level of intellegence unmatched by nearly every other group - for instance, in DJ Culture Neal quips "Like Liz [Taylor] before Betty [as in the Betty Ford Clinic], She [madonna] before Sean [Penn], suddenly you're missing, then you're reborn" - and in Left To My Own Devices, they invoke references to classical composers - "Che Guvara and Debussy to a disco beat" are just a few examples.

Also, carrying the discography theme further, this album scores bonus points as the CD booklet that comes with the album folds out to show a chart that includes information about all the songs, including a picture of the single cover of each, its peak UK chart position, and a brief blurb from the boys about each song. I wish more compilation albums would follow the Boy's lead in this regard.

It is a shame that
the real kings of pop music are so overlooked these days. But it doesn't matter: We, the ones who understand how good they are are having lots of fund and sheer quality. This is the first greatest hits from this unique band preceding their other golden item Popart. While it collects the entire catalogue of the Boys this is only up to 1991 and it has the wonderful Was It Worth it? I discovered them by chance when I heard their song I don't Know what you want but..from the Nightlife era and I have been collecting their items since then. Discography is a must for anyone having a good taste in music. These guys are simply geniuses no matter what the overproud Amazon.com reviewer says.

Boys, you are always on my mind!

Deserves millions of stars
Well, well maybe PopArt is released but Discography is something special. It collects the best pop songs ever by one of the best groups that this world has ever seen and will ever see. The ride in this album is a pure joy from the very start (West End Girls) to the very end (Was It Worth It). 1980s were the best years of pop songs and these guys are the responsible culprits. Never lyrics felt so effective; never music was so captivating...never melancholy, infinite sadness and a childish yearn for goodness and pureness blended as good as in this compilation. IMHO PSB are the real kings of music world...but because they are a synth band...they are not physically attractive...and they are gays oh how easy to overlook them ...but you never know what you are missing...

Discography is a zenith from a band that is always at the zenith. An album including jaw-dropping songs like Always On My Mind, Opportunities and well yes Left to My Own Devices deserve every bit of praise.

God bless these guys. They are the protective shields of true music lovers against the nonsense called Britney Spears, Eminem, 25 Cent and several more.

definatly a must-have
I found this is a pawn shop for $2.00 and of course, snatched it up.It's worth spending full-price on if only for "west end girls","surburbia","being boring" and "jealousy".but you get heaps of other wonderful songs.The only songs I don't like (but they may grow on me) are "it's alright and "dj culture" the rest is pure gold. ... Read more

Amazon.com

Much has happened since 2002, when Fischerspooner released their breakout record #1. If that album’s computerized fine art was a trip back to the '80s, another time warp might be necessary to sustain any momentum for Odyssey. The dance music muse, always in motion, has backed off on the electro/new wav